Daytimers: Alterations review | Ammar Kalia's global album of the month
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Wicked to King Richard: the seven best films to watch on TV this week
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Quatermass 2 review – Hammer turns up the heat in enjoyable alien invader sequel
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Michael Madsen’s brooding charisma needed Tarantino to unlock it | Peter Bradshaw
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Michael Madsen, star of Reservoir Dogs, Kill Bill and Donnie Brasco, dies aged 67
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Maxine Peake: ‘I have a healthy balance of inferiority complex and slightly prickly ego’
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‘We would never do that’: Ringo Starr says he asked for changes in Beatles movie script
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Was Thatcher right to ban ‘video nasties’? I binged Zombie Flesh Eaters and Slaughtered Vomit Dolls to find out
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‘The film wouldn’t even be made today’: the story behind Back to the Future at 40
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‘You’re stealing my identity!’: the movie voiceover artists going to war with AI
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The Old Guard 2 review – Charlize Theron’s delayed Netflix sequel is an incomplete mess
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Full set of Sean Connery Bond movies heads up Edinburgh film festival programme
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James Cameron calls Christopher Nolan’s Oppenheimer a ‘moral cop-out’
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Heads of State review – John Cena and Idris Elba sell fun throwback Amazon comedy
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Hearts of Darkness: A Film-Maker’s Apocalypse review – Francis Ford Coppola and the mother of all meltdowns
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Give Me a Word: The Collective Soul Story review – hyped-up account of nice-guy 90s mainstream rockers
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Hill review – compelling story of formula one star Damon Hill’s trials on and off the racetrack
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TV tonight: Channel 4 airs the Gaza documentary the BBC wouldn’t broadcast
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‘Completely radical’: how Ms magazine changed the game for women
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‘I have a lot of sympathy for Elon Musk’: Succession creator Jesse Armstrong on his tech bros AI satire Mountainhead
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Monsters of California review – three friends search for a missing father in Tom DeLonge’s sci-fi slacker comedy
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Life Is Beautiful review – poignantly upbeat journal of a Gazan exile stranded in Norway
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Austin Powers? The Godfather? Wild Things? Our writers on the franchises they would like to revive
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Post your questions for Rosanna Arquette
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Jungle Trouble review – utterly charmless kiddie cartoon patches together corpses of animations past
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Exodus review – broadside against Erdoğan’s Turkey takes the multi-narrative, multi-character route
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I learned about slavery from Hollywood. Why is French cinema so slow to depict our own colonial crimes? | Rokhaya Diallo
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Jurassic World Rebirth review – Scarlett Johansson runs show as near-extinct franchise roars back to life
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Back from the dead: can the new Fast and Furious movie really ‘reunite’ Vin Diesel and Paul Walker?
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Beat the Lotto review – how a small-time accountant tried to outwit Ireland’s national lottery
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‘Joyous and uplifting’: why Chungking Express is my feelgood movie
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Madina: The Enlightened City review – a fact-filled tour of Islam’s second holiest city
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An Ordinary Case review – Daniel Auteuil directs and stars in tense Ruth Rendell-ish crime procedural
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‘It was very hard to see myself as a director’: the Australian film-maker changing the documentary genre
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Jamaica’s film industry gets boost from new funds and global collaborations
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A Woman Alone review – a stylised portrait of contemporary financial precarity
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Free coffee, cut-price theatre tickets and birthday upgrades: 42 genius ways to beat the system
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From F1 to Evita: your complete entertainment guide to the week ahead
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Tom Holland, Jacob Elordi and Harris Dickinson at top of James Bond wishlist – report
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M3gan 2.0 review – hit-and-miss sequel replaces horror with action comedy
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‘No plans ever to retire’: why Steven Spielberg and the movie brat generation just won’t quit
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First Steps to ruin: Is Marvel’s Fantastic Four finally about to let the bad guys win?
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‘Smooth with a sinister edge’: readers on who the next James Bond should be
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Past Lives to The Hunger Games: The Ballad of Songbirds & Snakes – the seven best films to watch on TV this week
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Experience: I won a Timothée Chalamet lookalike contest
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Lalo Schifrin, composer of Mission: Impossible theme and more than 100 film and TV scores, dies aged 93
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Stephen Graham, Jodie Comer and Ariana Grande among new invited film Academy members
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Idris, Aaron, Theo? Tell us who should be the next James Bond
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‘The script didn’t have Jurassic World on the front’: Gareth Edwards on Monsters, Godzilla, Star Wars and reinventing dinosaurs
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Gun for hire: what does Denis Villeneuve joining as director tell us about the new James Bond?
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Mel Brooks turns 99: the comedy icon’s best films – ranked!
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The return of the soundtrack: how original movie music made a comeback
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Aaron Sorkin’s The Social Network sequel officially in development
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‘A belter of a movie’: Guardian readers’ best films of 2025 so far
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From Hilde, With Love review – anti-Nazi activist’s heartwrenching true story
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Hercules review – Disney musical is fun, finely sung but not quite fit for the gods
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Words of War review – Maxine Peake leads line as murdered Putin-critic journalist Anna Politkovskaya
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Sudan, Remember Us review – vividness and vibrancy in intense account of Khartoum uprising
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Dan Aykroyd: ‘I don’t believe in associating with beings that have no souls’
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28 Years Later: political parallels, pregnant zombies and a peculiar ending – discuss with spoilers
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Hung Up on a Dream: The Zombies Documentary review – happy-sad tale of 60s psychedelic rockers
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Post your questions for Maxine Peake
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Fighters review – rage-inducing study of the barriers to participation in sport for disabled people
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‘Full of delightful surprises’: why Spy is my feelgood movie
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Perfumed With Mint review – poetic Egyptian stoner flick reveals inertia of failed revolution
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Allo la France review – romance of French phone booths exposes funding cuts to rural services
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How historic Ealing Studios is hoping to regain ground with £20m revamp
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‘We were all pretty privileged’: Allison Williams on Girls, nepo babies and toxic momfluencers
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Elio gives Pixar its worst ever box-office opening despite positive reviews
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‘Have you heard of this BDSM trend?’ What I learned recording thousands of hours of teens on their phones
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