The Smashing Machine review – Dwayne Johnson only possible casting as crisis-riddled UFC champ Mark Kerr
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The Testament of Ann Lee review – strikingly strange portrait of radically ecstatic Shaker leader
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Kim Novak’s Vertigo review – the dizzying demands on Hitchcock’s leading lady
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Signs of Life review – no holiday from raw grief in downbeat Lanzarote-set drama
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Afternoons of Solitude review – toe-to-toe with the bravado of bullfighting
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Anhell69 review – an impassioned eulogy for Colombia’s queer renegades
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Somnium review – dream-injection sci-fi plot follows in dodgy-clinic tracks of The Substance
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The best theatre to stream this month: Basil’s back as Fawlty Towers reopens for business
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My Tennis Maestro review – unforced errors keep Italian coming-of-age comedy from grand slam
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Father Mother Sister Brother review – Blanchett and Rampling pick at family guilt in Jarmusch’s delectable triptych
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No fears over playing ‘man without a face’ Putin, Jude Law says in Venice
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Broken English review – Marianne Faithfull’s last glow, as she recounts past lives
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The rise of dog-friendly cinema screenings: ‘We never have to break up fights – there’s enough trouble with the humans’
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Below the Clouds review – a ghostly yet luminous cinematic mosaic of Naples crowns a superb trio
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Ish review – Luton-set urban pastoral in which racial profiling pushes teen friends apart
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‘I held on to what’s important’: Kim Novak on Hitchcock, Trump and her Venice lifetime achievement award
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Lucy Lawless: ‘I’ve got bag lady hair. I look like I’ve just had sex in a dumpster’
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Six great reads: the Revenge Porn Helpline, revolutionary architecture and how Netflix ruined movies
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From Caught Stealing to CMAT: your complete entertainment guide to the week ahead
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After the Hunt review – Julia Roberts faces a dilemma in Guadagnino’s muddled campus accusation drama
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‘He’s a jump-off-the-cliff kind of guy’: inside Francis Ford Coppola’s chaotic Megalopolis shoot
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Julia Roberts says humanity ‘losing art of conversation’ in defence of new #MeToo-themed film
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‘I want to earn my stripes’: Cooper Hoffman on ambition, anxiety, and following in his dad’s footsteps
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Brent Renaud died covering the Russia-Ukraine war. A new movie celebrates his life and work
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The Brutalist to Highest 2 Lowest: the seven best films to watch on TV this week
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Jay Kelly review – even a George Clooney sizzle reel can’t save this dire Noah Baumbach effort
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Summer box office 2025: what were the big hits and misses?
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Bugonia review – Emma Stone might be an alien in Yorgos Lanthimos’s macabre conspiracy theory comedy
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Emma Stone declares belief in aliens during Bugonia film promo
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Orphan review – László Nemes’ fable of resentment and rage in post-uprising Hungary
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Ghost Elephants review – Werner Herzog embarks on a mission to track down giant jumbos
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‘I turned down $20m to do Terminator 3. I can’t be bought, dude’: Ridley Scott on directing, Daleks and ... cherry jam
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David Strathairn: ‘Authoritarianism is a very frightening concept when it comes to the arts’
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Vice Is Broke review – epic levels of hubris on show in downfall of millennial media darling
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Mother Vera review – luminous portrait of a horse-wrangling ex-heroin addict nun
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The big heat: what ‘sunburn cinema’ tells us about the Great British holiday
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Bland, easy to follow, for fans of everything: what has the Netflix algorithm done to our films?
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La Grazia review – Paolo Sorrentino opens mighty window on Italian leader’s despair
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Think you actually own all those movies you've been buying digitally? Think again | J Oliver Conroy
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‘We are seeing a new maturity’: how ‘extended reality’ is coming of age at the Venice film festival
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KPop Demon Hunters sequel talks under way between Netflix and Sony
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All the Lost Ones review – cottage-core fighters take on the neo-Nazi apocalypse
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‘The most difficult word to say is “Cut!”’: an audience with Cannes conquerors Jean-Pierre and Luc Dardenne
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Daruma review – disabled veteran is landed with a four-year-old in soft-hearted indie road movie
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Bruce Willis’ dementia diagnosis: ‘language is going’, says actor’s wife
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KPop Demon Hunters becomes Netflix’s most-watched film with 236m views
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The death of the review? Cultural criticism is at risk of erasure
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‘A movie star turn of the highest calibre’: we were wrong about Mother! – and Jennifer Lawrence
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The French film star, the fake Irish aristocrat and the missing €7m
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Derelict review – great performances turn low-budget crime drama into diamond in the rough
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Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent
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From Frankenstein to Putin, monsters are stalking the Venice film festival
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Measures for a Funeral review – virtuosic classical music drama is like a Tár companion piece
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‘It’s his superpower’: story of autistic boxer who trained in garden shed to become film
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A Life in Tandem review – bicycling cancer survivor brings family issues along for the ride
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The Occupant review – air crash survival thriller gets Rob Delaney’s voice for company
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Kleptomania, family feuds and Europe’s tallest dam: the strange story of Jean-Luc Godard’s debut film
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Woody Allen rebuts Ukrainian condemnation over Moscow film festival appearance
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‘The 90s were remarkable – we weren’t all living in existential terror!’ Darren Aronofsky on Caught Stealing, his love letter to New York
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Can Netflix find your new favourite watch based on your star sign?
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Amanyanabo: The Eagle King review – a lavish Nollywood epic of crowns, gods and colonial tension
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Guitar dealer to the stars Norman Harris on George Harrison, Marty McFly’s lost Gibson and his secret stash
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‘High-adrenaline opulence’: why Bad Boys is my feelgood movie
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Among the Palms the Bomb review – the enviromental scars left behind by the US’s atom-blast testing
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Spinal Tap II, Julia Roberts and Paul Thomas Anderson: the best films of autumn 2025
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Y2K fashion and vinyl grooves: meet Abidjan’s young guardians of nostalgia
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Tim Key: ‘I imagine Alan Partridge smells lightly of Brut aftershave’
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The Guide #205: In an age of streaming clutter, why not rediscover Britain’s rich documentary past?
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Eddington to Deftones: your complete entertainment guide to the week ahead
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Obsession, blackmail and Instagram: inside Lurker, the year’s most compelling thriller
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