Mike Newell on Maggie Smith: ‘She never bit me, but if she did bite, you stayed bitten’
The Guardian
··
-
Older >
Source
Time
Score
-
-
Share your tributes and memories of Maggie Smith
The Guardian
··
-
Cinema in mafia boss’s Sicily hometown refuses to show film of his life
The Guardian
··
-
Maggie Smith's 20 best films – ranked!
The Guardian
··
-
Maggie Smith – a life in pictures
The Guardian
··
-
Can Marvel’s Thunderbolts* avoid the mistakes of DC’s Suicide Squad?
The Guardian
··
-
Wolfs to Inside Out 2: the seven best films to watch on TV this week
The Guardian
··
-
Lady Gaga: Harlequin review – Joker companion album does jazz standards with a gaudy grin
The Guardian
··
-
Muriel’s Wedding at 30: why we still love this classic Australian film and its ‘terrible’ heroine
The Guardian
··
-
US judge considers Rust armorer’s appeal against manslaughter conviction
The Guardian
··
-
JD Souther obituary
The Guardian
··
-
‘She’d never done anything like this before’: behind the scenes on Shelley Duvall’s extraordinary final film
The Guardian
··
-
The Wild Robot review – heartfelt animated adventure is a soaring success
The Guardian
··
-
Paul Feig: ‘Everyone went cannibal over the female Ghostbusters. A lot of dudes were looking for a fight’
The Guardian
··
-
My Old Ass review – Aubrey Plaza adds texture to comedy of teen meeting future self
The Guardian
··
-
The Mouse Trap review – parasitic IP horror gives birth to slasher Mickey Mouse
The Guardian
··
-
The Teacher review – a Palestinian educator is troubled by his radical past
The Guardian
··
-
Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror
The Guardian
··
-
Apartment 7A review – Rosemary’s Baby prequel is a vacant rehash
The Guardian
··
-
‘Our Romeo even impressed the school bullies’: stars of stage on the power of drama in schools
The Guardian
··
-
Unit 234: The Lock Up review – storage facility holds deadly secrets in fun thriller
The Guardian
··
-
Azrael: Angel of Death review – dialogue-free sci-fi horror takes cues from A Quiet Place
The Guardian
··
-
Will Ferrell and Harper Steele: ‘More people say they’ve seen an alien than a trans person’
The Guardian
··
-
Paul McCartney and Wings: One Hand Clapping review – restored rockumentary is pure pleasure
The Guardian
··
-
Lady Gaga announces 13-song Joker companion album Harlequin
The Guardian
··
-
The Fall review – startling imagery abounds in Tarsem Singh’s cult Gilliamesque epic
The Guardian
··
-
I’m Not Everything I Want to Be review – sex, fashion and addiction from Czech Nan Goldin
The Guardian
··
-
Post your questions for Isabelle Huppert
The Guardian
··
-
Escape review – blonds have much less fun in sleazy throwback survival horror
The Guardian
··
-
Shocks delivered: why pregnancy body horror is on the rise
The Guardian
··
-
Survive review – smart, surrealist disaster flick filled with arresting dream-like imagery
The Guardian
··
-
The Shawshank Redemption at 30: is it really the greatest film ever made?
The Guardian
··
-
The Invention of the Other review – fascinating first glimpse of uncontacted Amazon tribe
The Guardian
··
-
‘A struggle to feel pride’: coming-of-age film breaks new ground in Sámi culture
The Guardian
··
-
The hidden life of Elizabeth Taylor – as seen by her son: ‘Her love for Richard Burton never went away’
The Guardian
··
-
Cleo Sylvestre obituary
The Guardian
··
-
‘I hope this changes perceptions’: documentary focuses on the real Elizabeth Taylor
The Guardian
··
-
The Substance review – Demi Moore is fearless in visceral feminist body horror
The Guardian
··
-
His Three Daughters review – exquisitely judged New York sibling drama
The Guardian
··
-
Skeleton warriors and plasticine chickens: why stop-motion animation is still going strong a century on
The Guardian
··
-
Romola Garai: ‘For a lot of my 20s, I was rude, annoying and a brat’
The Guardian
··
-
Streaming: the best biker movies
The Guardian
··
-
From The Substance to Uncanny Visions: a complete guide to this week’s entertainment
The Guardian
··
-
James Cameron taunts critics of his dialogue: ‘Let me see your highest-grossing films’
The Guardian
··
-
‘The whole human condition is encased in the story’: why Beatles films just keep coming
The Guardian
··
-
Never Let Go review – Halle Berry takes hold of uneven woodland horror
The Guardian
··
-
Would starring in Men in Black really have made David Schwimmer a movie star?
The Guardian
··
-
Happy 90th birthday Sophia Loren! Her greatest films – ranked
The Guardian
··
-
The Goldman Case review – gripping French courtroom drama with a chaotic energy
The Guardian
··
-
Strange Darling review – grisly but audacious serial-killer horror outside the comfort zone
The Guardian
··
-
TV tonight: the return of a very lovely vet drama
The Guardian
··
-
From The Brutalist to Conclave: what is the state of this year’s Oscar race?
The Guardian
··
-
Lionsgate partners with AI firm to train generative model on film and TV library
The Guardian
··
-
No kill zone: how revenge rampage Rebel Ridge is reinventing the action movie
The Guardian
··
-
Sugarcane review – trauma and truth unearthed in Indigenous children’s schools scandal
The Guardian
··
-
Greedy People review – blood and chaos overlay bizarrely Coenesque crime caper
The Guardian
··
-
‘It’s not about proving’: inside the mysterious world of psychics
The Guardian
··
-
Public Enemy review – anatomy of Greece’s economic crisis framed as epic tragedy
The Guardian
··
-
Cyborg: A Documentary review – man who ‘hears’ colours is leading transhuman age
The Guardian
··
-
‘His ego will not accept defeat’: the story behind Trump’s attempt to steal an election
The Guardian
··
-
A tale of two divas: Brittany Murphy and Dakota Fanning match wits in Uptown Girls
The Guardian
··
-
‘I was really desperate’: Giancarlo Esposito on Gus Fring, Sesame Street – and how he nearly hired a hitman
The Guardian
··
-
Transformers One review – animated origin tale is fun fan service
The Guardian
··
-
The Old Man and the Land review – sibling squabbles as family unravels like an old jumper
The Guardian
··
-
Indiana Jones and the Great Circle: a video game that will whip film fans into a frenzy
The Guardian
··
-
Clawfoot review – Hollywood nepo babies do fine in horror-comedy bathed in gore
The Guardian
··
-
Notes from Sheepland review – lovely portrait of artist-farmer who only has eyes for sheep
The Guardian
··
-
200% Wolf review – moon spirit baby turns kiddie werewolf sequel into frenetic howler
The Guardian
··
-
Surgery, shame and self-erasure: four female writers on the tyranny of impossible beauty standards
The Guardian
··
-
Post your questions for Ice-T
The Guardian
··
