Film in Europe is booming, but the gongs and glamour only tell one side of the story | Moritz Pfeifer
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Oscars short films 2025 review – from immigration hell to kiss-averse kids and inspirational octogenarians
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‘Comedy and art should push up against a line’: Rich Peppiatt on class, controversy and Kneecap
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From Blitz to Gladiator II: the Oscar-aiming films that missed this season
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Lars von Trier admitted to a care centre following Parkinson’s diagnosis
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Captain America: Brave New World review – Harrison Ford juggles green screens, red fists and vanilla plotting
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The Dead Thing review – sexy state-of-dating thriller opens up the algorithmic death-drive
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To a Land Unknown review – Palestinian refugees seek a better life, whatever it takes
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Bridget Jones: Mad About the Boy review – giant laughs for Hugh Grant but weepie sequel is strangely dazed
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My Husband, the Cyborg review – the raging narcissism behind rich-man body modification
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How Anora became this year’s surprise Oscar frontrunner
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Women achieve gender parity with men in US big screen lead roles for first time
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Super: is this the anti-Marvel comic book film?
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Mom review – neonatal horror leaves new mother in nightmare of guilt and terror
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Gravy cocktail, anyone? Wallace & Gromit’s cheese-free dining venture is far from cracking
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Armie Hammer denies cannibalism claims in Louis Theroux interview
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From Brad Pitt’s F1 to Lilo & Stitch: the year’s big Super Bowl movie trailers
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Barrio Boy review – Dennis Garcia is a cut above as a closeted Brooklyn barber
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Cara review – psychosis-dogged sex worker goes on a grand guignol rampage
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‘Delightfully absurd’: why Mamma Mia! is my feelgood movie
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Melodrive review – angsty indie singer-songwriter agonises over his infidelities
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Rosinha and Other Wild Animals review – repudiation of Portugal’s ‘gentle’ colonialism
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‘The Köln Concert is the hit he wants to disown’: why Keith Jarrett shunned two new films about his unlikely masterpiece
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The Seed of the Sacred Fig review – Mohammad Rasoulof’s fearless drama is a damning indictment of the Iranian regime
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‘Many teachers don’t want to do this, but they’re trapped’: film shows extent of Putin indoctrination in Russian schools
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Emilia Pérez wins top Spanish film prize amid Karla Sofía Gascón furore
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September 5 review – terrific, edge-of-the-seat newsroom drama about 1972 Olympics terror attack
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Chesney Hawkes: ‘As my dad once said, don’t believe the hype’
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Splat’s entertainment: I watched Rotten Tomatoes’ 40 lowest-rated films to find out which was worst
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Tony Roberts, versatile actor and longtime Woody Allen sidekick, dies aged 85
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Jared Harris: ‘What do I dislike about my appearance? Everything. I have a weird eyebrow, red hair, freckles … ’
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‘It’s a gut punch’: how the California wildfires affected film and TV workers
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From Dog Man to Cyndi Lauper: a complete guide to this week’s entertainment in the UK
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Heart Eyes review – junky Valentine’s slasher is hard to fall for
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‘They chucked her under the bus – then reversed it back over her’: has the Emilia Pérez backlash gone too far?
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Will we finally get a fabulous Fantastic Four film with First Steps?
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Turn Me On to Elevation: the seven best films to watch on TV this week
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The trans film-maker who remade Batman: ‘There’s a reason all the heroes are queer, mentally ill villains’
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Love Hurts review – Everything Everywhere all over again
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‘I was deeply upset’: Karla Sofía Gascón to miss Spanish ‘Oscars’ as storm over racist tweets continues
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‘I did it for the money!’ The films that made Tim Roth, Benedict Cumberbatch and more apologise
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Same old stories: is this going to be Hollywood’s laziest year ever?
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‘I’ve never had a cinematic experience like it’: readers’ memories of Prince Charles Cinema
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From Alice to Zelig via Rosemary’s Baby: Mia Farrow’s 20 best films – ranked!
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Makeup artist tried to remove Adrien Brody’s nose by mistake on set of The Brutalist
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Becoming Led Zeppelin review – enjoyable retrospective will be met with a Whole Lotta Love
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‘How often do you see Palestinian stories in fiction?’: the film-maker trying to adjust our focus
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Elektra review – Brie Larson makes a fearless West End debut in punk tragedy
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Emilia Pérez director criticises Karla Sofia Gascón’s ‘inexcusable’ tweets
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Walt Disney surpasses earnings estimates with help from Moana 2
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Take That and Jeff Goldblum to perform at Bafta awards
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Showstopping sketches: Patricia Zipprodt’s legendary costume designs – in pictures
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Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles review – sex, secrets and the unbearable silence of loneliness
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Kinda Pregnant review – Amy Schumer’s Netflix comedy is kinda disappointing
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The rise and fall of Emilia Pérez: how did it all go so wrong for the Oscar-nominated film and its star?
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Has the Sundance film festival lost its mojo?
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‘Into the heart of the whirlwind’: how Led Zeppelin were sweet-talked into their first biopic
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Brokeback Mountain at 20: the ‘gay cowboy flick’ now rightly regarded as a tragic masterpiece
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David Lynch’s death shocks smokers into quitting: ‘It’s just not good for us’
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Tomato and basilica: in Conclave, Stanley Tucci plays Stanley Tucci – and I couldn’t be happier
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Shanghai Blues review – delirious screwball comedy from Hong Kong’s Spielberg
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Beyond the Borders review – Zoe Saldaña shines in timely tragedy-flecked thriller
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‘My most sincere apologies to all the people who may have been offended’: when Oscar campaigns implode
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Cate Blanchett: lack of change in Hollywood after #MeToo ‘quite distressing’
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‘I hate what I did. I’m bad in a good movie’: Guy Pearce downplays his performances as Oscars loom
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‘Jim Carrey told me to “go all the way” with the laxative toilet scene’: Jeff Daniels on Dumb and Dumber
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French director found guilty of sexual assault but not jailed in #MeToo trial
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Bring Them Down review – Barry Keoghan farmer-feud revenge drama goes right over the top
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‘Robots cannot reflect the human condition’: Nicolas Cage speaks out against AI
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‘A thing of pure beauty’: why Pink Flamingos is my feelgood movie
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