Gail Daughtry and the Celebrity Sex Pass review – silly, scattershot Hollywood comedy
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‘I have Yes tattooed on my foot!’ Zoey Deutch on playing Jean Seberg in a joyous celebration of Godard classic Breathless
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Bafta has caught the zeitgeist with One Battle After Another, but let’s hear it for The Ballad of Wallis Island
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Witchboard review – New Orleans couple channel dead French witch in fun occult thriller
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Combat intensifies as One Battle After Another takes 14 Bafta nominations to Sinners’ 13
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Pike River review – families fight for justice in sobering true-life tale of New Zealand mining disaster
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Another World review – kaleidoscopic afterlife fairytale with the dark fury of a Greek tragedy
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‘The world is hurting right now’: politics and protest hit the Sundance film festival
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Frank & Louis review – moving drama of dementia and caregiving in prison
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Send Help review – Sam Raimi returns with gore-laced plane-crash survival face-off
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Black cakes and branded buckets: welcome to the White House premiere for Brett Ratner’s Melania movie
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The Wrecking Crew review – Dave Bautista and Jason Momoa tear up the screen
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‘What they’re doing is the worst of humanity’: Sundance festival stars back anti-ICE protest
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Lure review – eligible bachelors dying for romance in Saw-style dating game
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‘Pushes the nostalgia buttons’: why Enchanted is my feelgood movie
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Silence and Cry review – deeply strange 1960s erotic ballet meditating on Hungary’s history and politics
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Los Saldos review – prodigal big-city son reconnects with his heritage in rural Spain
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‘It was a little scary at times’: the hilarious, heartbreaking film about one man’s riotous death
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Union County review – an affecting Will Poulter lifts quiet addiction drama
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‘For the authoritarian, culture is the enemy’: Salman Rushdie talks recovery and resilience at Sundance
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The Gallerist review – Natalie Portman flounders in tiring art world caper
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The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy
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The Friend’s House is Here review – timely, secretly made tale of creativity in Iran
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The Guardian view on the future of cinema: gen Z is falling in love with the big screen | Editorial
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Wicker review – Olivia Colman is smelly fisherwoman falling for wicker man in uneven fable
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Democratic congressman punched in racist attack at Sundance film festival
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Josephine review – Channing Tatum is a knockout in shattering drama of lost innocence
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Leviticus review – queer desire is a deadly curse in haunting horror
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I Want Your Sex review – vampy Olivia Wilde almost saves Gregg Araki’s tame dom-sub romp
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The Incomer review – Domhnall Gleeson tries to lift aggressively quirky comedy
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‘A long time coming’: table tennis world hails Marty Supreme-fueled boom
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The Guide #227: A brain-melting sci-fi movie marathon, curated by Britain’s best cult film-maker
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Extra Geography review – a sweet and spiky coming-of-age debut
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Buddy review – high-concept horror misfire dares to wonder: what if Barney killed kids?
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The History of Concrete review – John Wilson’s first movie is an absurd triumph
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‘Everybody’s at each other’s throats’: James Cameron says he has left the US permanently
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‘I have the power!‘: Is the new He-Man film taking itself too seriously again?
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‘I can understand being brought to your knees’: Amanda Seyfried on obsession, devotion and the joy of socks
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Carousel review – Chris Pine and Jenny Slate are lost in static romance drama
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Ryan Coogler’s Sinners has administered an almighty smackdown to critical favourites One Battle and Hamnet
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It’s already yesterday again: the 20 best time-loop movies – ranked!
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Sundance 2026: the 10 films not to miss at this year’s festival
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Scarlett Johansson and Cate Blanchett back campaign accusing AI firms of theft
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Sinners becomes first film in history to earn 16 Oscar nominations
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Top of the props: meet the unsung heroes behind the memorable objects in your favourite films
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‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie
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Return to Silent Hill review – video game horror series births another middling movie
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‘A cash advance on your death’: the strange, morbid world of Aids profiteering
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Saipan review – Roy Keane and Mick McCarthy’s epic spat becomes amusing state-of-the-nation psychodrama
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Heavyweight review – locker room becomes pressure cooker in real-time boxing face-off
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Amy Adams, Ashley Walters and Charli xcx among the stars lined up for Berlin film festival
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‘I’d come back to the UK – but I’m not playing a cop’: Oscar-tipped Wunmi Mosaku on sensational vampire smash Sinners
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This fun thriller does the impossible: it makes you feel sorry for influencers (yes, really)
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David Lynch would struggle to make films in social media landscape, say collaborators
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A Poem for Little People review – Ukraine’s war with Russia seen through eyes of emergency evacuation team
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Aryan Papers review – Holocaust-themed thriller means well but turns out to be a shockingly poor effort
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‘He’s a little megalomaniac’: Stellan Skarsgård criticises Trump’s ‘criminal’ actions in Greenland
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Matt Damon is right: phones + Netflix mean we are now in the pub bore age of cinema
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Tim Travers and the Time Traveler’s Paradox review – space-hopping comedy asks the big question
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‘Cinematic comfort food’: why Heat is my feelgood movie
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Mother of Flies review – horror in the woods as house guests are microdosed with psychedelics
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Roger Allers, Disney film-maker and co-director of The Lion King, dies aged 76
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Sentimental Value sweeps up at European Film Awards
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‘She had a hidden identity’: new film uncovers a mother’s second world war secrets
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‘It had to be Jessie Buckley’: star-maker Nina Gold glimpses Oscar chance for Hamnet casting
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‘Hollywood has stopped making films for adults’: Sentimental Value and Sirāt contend for European Film Awards – with Oscars set to take note
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The arrival of Two-Face in the new Batman sequel bodes well for a doom-laden moral epic
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‘Soon I will die. And I will go with a great orgasm’: the last rites of Alejandro Jodorowsky
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Khamenei regime will not be able to keep control of Iran, says dissenting film-maker
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The crying game: what Hamnet’s grief-porn debate says about women, cinema – and enormous hawks
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