Unlikely candidate's hidden camera documentary lifts lid on Italian politics
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Geoffrey Rush tells defamation trial newspaper made him look like a 'criminal'
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Stan & Ollie review – melancholy twilight of comedy gods Laurel and Hardy
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Todd Solondz: 'I have weak moral fibre. I wish I were stronger'
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Actor Selma Blair reveals that she has multiple sclerosis
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'Silly question!' Mike Leigh interviewed by our readers and famous fans
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< 2 days ago
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Halloween review – a slasher classic you just can’t kill off
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Observer archive - Dennis Hopper, 24 October 1982
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Cate Blanchett defends straight actors playing gay characters
The Guardian
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Fahrenheit 11/9 review – Michael Moore gets his voice back
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Shirkers: a movie mystery 25 years in the making
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No more silence: how our film helped give Franco’s victims a voice at last
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Muqata’a: ‘Our music is a way to disrupt, to be a glitch in the system’
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Hysterical surrealism? A pop culture for our age of economic insecurity
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Viola Davis: 'I stifled who I was to be seen as pretty. I lost years'
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Violence! Vinnie Jones! What we can expect from Guy Ritchie's Aladdin
The Guardian
1
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David Oyelowo: ‘We don't give black and brown actors the chance to fail’
The Guardian
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Assassination Nation review – social media revenge porn
The Guardian
1
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Tell us: how does it feel to watch a classic film on first release?
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The Hate U Give's Amandla Stenberg on bringing Black Lives Matter to the box office
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'Rescue yourself!': Keira Knightley on why her daughter can't watch Cinderella
The Guardian
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Tom Hooper's Cats film to be gender flipped as Judi Dench joins cast
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Javier Bardem condemns 'public lynching' of Woody Allen
The Guardian
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Is 9 to 5 really a feminist movie?
The Guardian
1
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Broadway and the beast: King Kong takes to the New York stage
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Hunter Killer review – Gerard Butler's sub commander is all at sea
The Guardian
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VS. review – the 8 Mile of Southend
The Guardian
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Gerard Butler's Pentagon briefing and other grandiose film campaigns
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Michael Moore: 'We have the power to crush Trump'
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The Hate U Give review – a defiant challenge to divided America
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Touch Me Not review – body image quest ends in Euro-hardcore
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Mid90s review – Jonah Hill's directorial debut is stylish but empty
The Guardian
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Orphée review – Cocteau's classic never looks back
The Guardian
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A Star Is Born isn't sexist or 'rockist' – it's a cutting insight into so-called 'authenticity'
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Murdoch children may get up to $2bn each in 21st Century Fox sale
The Guardian
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Goosebumps 2 review – rarely scary horror for kids
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Charm City: the documentary on Baltimore's three most violent years
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An Evening With Beverly Luff Linn review – old-flame comedy is deadpan, bizarre and terrific
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Science Fair review – riveting lessons from the smartest kids in school
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Fahrenheit 11/9 review: Michael Moore v Donald Trump = stalemate
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'No goodbye at the end of phone calls': readers on things only done in movies
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Ray & Liz review – brutal study of a family coming to pieces
The Guardian
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'Hope has started to grow': Maxine Peake on Corbyn, people power and Peterloo’s radical legacy
The Guardian
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They Shall Not Grow Old review – Peter Jackson's electrifying journey into the first world war trenches
The Guardian
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Times are a-changin' as Dylan's Blood on the Tracks spills on to the screen
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Sylvester Stallone's Chaos pen trailer: the most bizarre film he's ever made
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A Star Is Born outshines Venom and Johnny English at UK box office
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A star is reborn: what we can learn from actor turned director debuts
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Neon and corporate dystopias: why does cyberpunk refuse to move on?
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Punching mirrors and scrapbooking: things people only do in the movies
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The Mummy: the story of the world's most expensive movie poster
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Bryan Singer rebuts as-yet-unpublished Esquire article
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Amy Winehouse family signs deal to make biopic
The Guardian
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First Man: Ryan Gosling's abstract Apollo mission – discuss with spoilers
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Is Tom Hardy's Venom the new Greatest Showman?
The Guardian
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Is this the real life? Why ‘official’ biopics skip the scandal and keep it safe
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Streaming: where to find the best space films
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Polish film The Clergy sparks hundreds of allegations of abuse
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Richard Curtis: 'I regret not writing about love's trickier side'
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Rami Malek: ‘Being offered the part of Freddie Mercury was a gun-to-the-head moment’
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Revisiting Matilda in an age of women’s rage
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Mandy review – Nicolas Cage’s rage rings hollow
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Happy New Year, Colin Burstead review – Ben Wheatley contrives a simmering hothouse of misery
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Widows producers: 'Television has raised the game for drama'
The Guardian
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Tell us, First Man: was shooting for the moon worth the bother? | Catherine Shoard
The Guardian
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Sometimes Always Never review – Bill Nighy spellbinding in Scrabble drama
The Guardian
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'Fly me to the moon? No thanks': Ryan Gosling on First Man – video
The Guardian
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Make Me Up review – freaky, subversive feminist satire
The Guardian
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Massacre at the movies: why must cinema torture the young?
The Guardian
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The Kindergarten Teacher: is this Maggie Gyllenhaal's finest performance to date?
The Guardian
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