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< 4 hours
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Michel Blanc, star of Monsieur Hire, dies aged 72
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< 8 hours
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Maya and the Wave review – spotlight on the Brazilian surfer triumphing over a riptide of sexism
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‘My disability is the least interesting thing about me’: Actor Adam Pearson on fame, film and his sibling rivalry
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Joker: Folie à Deux review – Lady Gaga electrifies in mediocre musical sequel
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< 24 hours
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Keanu Reeves spins out at Indianapolis Motor Speedway in pro racing debut
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< 2 days ago
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Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’
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‘I can’t do gore and I’m not a gamer’: Ella Purnell on being an unlikely scream queen
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‘I’m fine with people bashing us’: inside the controversial Trump biopic
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Mark Kermode on… British director Carol Morley, who sees the surreal in the real
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From Joker: Folie à Deux to Francis Bacon: a complete guide to this week’s entertainment
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Older >
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‘It was hard not to stare at him all the time’: inside the remarkable rise and shocking loss of Leonard Rossiter
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The Platform 2 review – Netflix dystopian horror sequel falls off
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Alice Lowe: ‘I’ve always gotten mouthy about sexism and it hasn’t really helped my career’
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Give us DC’s Deathstroke and Bane movie – it can’t be worse than Aquaman and the Lost Kingdom
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The Boy and the Heron to Knox Goes Away: the seven best films to watch on TV this week
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‘I never said I was going to retire ...’ Paul Simon on disability, drive and the mystery behind his greatest songs
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Hold Your Breath review – Sarah Paulson gets lost in scattered horror
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A live-action version of Rugrats with CGI babies sounds nightmarish … and kind of interesting | Stuart Heritage
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Time tunnels, bathing in blood and wonton soup: movies about the search for eternal youth – ranked!
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Young Frankenstein review – Mel Brooks monster comedy is wonderfully alive as ever
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A wild ride! Jarman award nominees on tour – in pictures
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An Inspector Calls review – Alastair Sim drawing room drama brilliantly exposes its era’s hypocrisies
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The Friend review – Naomi Watts befriends great dane in sweet, slight drama
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John Boyega to play Otis Redding in new biopic alongside Danielle Deadwyler
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House of Spoils review – Ariana DeBose’s foodie horror is a light snack
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V/H/S/Beyond review – charmingly ragged lo-fi horror anthology strikes again
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Daniel Day-Lewis’s return to acting is welcome news – but being directed by his son might prove tricky | Peter Bradshaw
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Children of the Cult review – fierce doc about the Osho commune survivors
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Maya and the Wave review – the sea is not the only risk for female big-wave surfer
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Harder Than the Rock review – reggae’s unsung heroes finally get their moment
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A moment that changed me: I botched my final Harry Potter audition and felt dismay, remorse, shame – then relief
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‘I was barricading myself with alcohol’: Matthew López on the play that was too scary to stage
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Fountain of youth: The Substance and movies’ obsession with fictional drugs
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Die Before You Die review – stunt vlogger comes undone in buried-alive survival thriller
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Salem’s Lot review – Stephen King’s small-town vampire rework lacks bite
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Beware Hollywood’s digital demolition: it’s as if your favourite films and TV shows never existed | Zach Schonfeld
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The Texas Chain Saw Massacre at 50: a brutal yet artful shock horror
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Inherit the Witch review – like an am-dram theatre group doing a murder mystery party in an Airbnb
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Blood Star review – young tearaway fights for survival in cat-and-mouse thriller
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Sing Sing actor JJ Velazquez exonerated after wrongful conviction
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New Mexico judge denies Rust armorer’s appeal for new trial
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Kris Kristofferson obituary
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‘She told me you shouldn’t put anything in your ear smaller than your elbow’: readers on Maggie Smith
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Whisky growl, granite jaw and unflappable charisma: Kris Kristofferson was perfect as a lover or a fighter
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The Deserving review – mute serial killer yarn takes cues from horror classics of the past
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Things Will Be Different review – time travel thriller as a robber tries escape with the cash
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The Battle for Laikipia review – brutal impact of British land ownership in Kenya
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Will Ferrell’s Netflix doc Will & Harper is flawed but vital viewing for cis people | Veronica Esposito
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Signs of War review – gripping testimony of harrowing march to conflict in Ukraine
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Medicine Man: The Stan Brock Story review – life story of America’s healthcare saviour
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Kris Kristofferson – a life in pictures
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Kris Kristofferson, US country singer and actor, dies aged 88
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John Ashton, Beverly Hills Cop actor, dies aged 76
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‘It’s an intensely beautiful moment – then it goes away’: Emma Portner on dance’s raw power
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Never Let Go review – Halle Berry shoulders the mother lode in sinuous survivalist horror
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The Substance is gory – but the real body horror is that 70% of women dislike the size of their breasts | Emma Beddington
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Wolfs review – forgettable Clooney-Pitt vehicle soon runs out of gas
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Will & Harper review – Will Ferrell hits the road with a newly transitioned pal
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My Old Ass review – time-bending coming-of-age comedy with real heart and depth
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‘It has felt so bizarre’: Industry’s Harry Lawtey on coping with sudden fame
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Megalopolis review – Francis Ford Coppola’s epic fail
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Elizabeth Olsen: ‘I’m not the sexy one. I’m not the nerd. I don’t know where I fit’
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Sunday with Will Poulter: ‘I leave the cooking to my mum, but we’ll do the dishes’
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‘People say, just get surgery, and I’m like: Bruh, this is after surgery’
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Is The Substance brilliant feminist critique or a soulless mess?
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Streaming: the best private-eye movies
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Megalopolis to Industry: a complete guide to this week’s entertainment
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Marina Hyde on Al Fayed and Diddy’s enablers, the hidden life of Elizabeth Taylor, and Philippa Perry on embracing anger – podcast
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‘She found life hysterically funny and unbearably painful’: Maggie Smith remembered by Nicholas Hytner
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Mike Newell on Maggie Smith: ‘She never bit me, but if she did bite, you stayed bitten’
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