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NewsEntertainmentMovies

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  • < 12 hours

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  • And the winner is ... all of us? How the Oscars have changed for the better

    The Guardian

    16.3. 15:35

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  • ‘Happy as can be!’ My Neighbour Totoro toasts first birthday in London’s West End

    The Guardian

    16.3. 13:33

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  • Omission impossible: why the Oscars can never get their In Memoriam tribute right

    The Guardian

    16.3. 13:19

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  • Selfies, sniffer dogs and superstition – Peter Bradshaw’s big night out at the Oscars!

    The Guardian

    16.3. 12:31

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  • One no-show after another: Sean Penn joins an exclusive band of Oscar-winning refuseniks

    The Guardian

    16.3. 12:05

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  • How should a woman dress in her 50s? Gwyneth Paltrow just changed the game

    The Guardian

    16.3. 11:17

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  • Norway ‘climbs out of shadow’ of neighbours with first Oscar win for Sentimental Value

    The Guardian

    16.3. 10:32

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  • Delight across Ireland at Jessie Buckley’s ‘historic’ best actress Oscar win

    The Guardian

    16.3. 09:56

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  • Don’t Be Prey review – invigorating tale of swimming banker aiming to avoid being shark food

    The Guardian

    16.3. 09:06

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  • ‘How can I do better?’: Michael B Jordan’s Oscar win for Sinners is a deserved reward for an outstanding actor

    The Guardian

    16.3. 08:41

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  • ‘Like a DVD in the present tense’: are we ready for film distribution via USB drives?

    The Guardian

    16.3. 08:40

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  • Empreintes review – Jess and Morgs go off-piste at Paris Opera and Marcos Morau sets the chandelier swinging

    The Guardian

    16.3. 08:28

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  • Share your thoughts on the 2026 Oscars from the winners to the snubs

    The Guardian

    16.3. 07:40

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  • Sinners’ Oscar triumphs show that Black cinema is now a vital and valid part of Hollywood

    The Guardian

    16.3. 06:24

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  • Marty not so supreme: where did it all go wrong for Timothée Chalamet at this year’s Oscars?

    The Guardian

    16.3. 06:09

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  • ‘I watch it to be close to him’: why Point Break is my feelgood movie

    The Guardian

    16.3. 05:00

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  • Naima review – triumphant note of hope fuels engrossing insight into the immigrant experience

    The Guardian

    16.3. 05:00

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  • Bouchra review – Prada-wearing coyote is anti-identitarian alter ego in film that maps queer experience

    The Guardian

    16.3. 03:00

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  • Paul Thomas Anderson endured one snub after another. Now the Oscars have finally seen sense | Xan Brooks

    The Guardian

    16.3. 02:32

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  • Oscars 2026: Jessie Buckley, Michael B Jordan and Jacob Elordi at the afterparties – in pictures

    The Guardian

    16.3. 01:52

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  •  

     

  • < 2 days ago

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  • ‘Orwell went off to fight. I thought I’d have to do the same’: Raoul Peck on his intimate connection with the writer

    The Guardian

    16.3. 01:00

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  • Free Palestine and ICE out: how this year’s Oscars got political

    The Guardian

    15.3. 23:55

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  • Oscars 2026: One Battle After Another and Sinners take big wins – in pictures

    The Guardian

    15.3. 23:23

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  • Conan’s bits, O’Connell’s fangs and Jafar Panahi unimpressed: Oscars 2026 viral moments

    The Guardian

    15.3. 23:12

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  • Warner Bros wins a record 11 Oscars as One Battle After Another and Sinners dominate awards

    The Guardian

    15.3. 23:01

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  • One Battle After Another sweeps the Oscars as Michael B Jordan and Jessie Buckley win big

    The Guardian

    15.3. 22:43

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  • Michael B Jordan wins best actor Oscar for Sinners

    The Guardian

    15.3. 22:20

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  • Paul Thomas Anderson wins best director Oscar for One Battle After Another

    The Guardian

    15.3. 22:15

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  • Sinners’ Autumn Durald Arkapaw becomes first woman – and first black person – to win best cinematography Oscar

    The Guardian

    15.3. 21:50

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  • ‘What fun we had storming the castle’: Billy Crystal pays tribute to Rob Reiner at the Oscars

    The Guardian

    15.3. 20:52

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  • Ryan Coogler wins best original screenplay Oscar for Sinners

    The Guardian

    15.3. 20:36

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  • Paul Thomas Anderson wins first ever Oscar as One Battle After Another takes best adapted screenplay

    The Guardian

    15.3. 20:31

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  • Sean Penn wins best supporting actor Oscar for One Battle After Another

    The Guardian

    15.3. 20:21

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  • Amy Madigan wins best supporting actress Oscar for Weapons

    The Guardian

    15.3. 19:20

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  • Oscars 2026 red carpet: Jessie Buckley, Chase Infiniti and more – in pictures

    The Guardian

    15.3. 17:26

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  • Oscars 2026: One Battle After Another wins best picture – follow live!

    The Guardian

    15.3. 16:10

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  • Readers reply: which are more like life, novels or films?

    The Guardian

    15.3. 10:00

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  • Peter Bradshaw’s Oscars 2026 predictions: who will win, who should win, who should’ve been in the running?

    The Guardian

    15.3. 08:00

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  • The Oscars feel silly in an era of endless crisis. But film still matters | Dave Schilling

    The Guardian

    15.3. 06:00

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  • Older >

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  • Palestinian actor says he can’t attend Oscars because of US travel ban

    The Guardian

    14.3. 11:00

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  • ‘You cannot unsee it’: what happened next for this year’s Oscar documentary nominees?

    The Guardian

    14.3. 05:04

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  • ‘Everyone will tune in – she’s one of our own’: Jessie Buckley’s home town abuzz before Oscars

    The Guardian

    14.3. 03:00

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  • Oscars 2026: who should win… and who actually will? - The Latest

    The Guardian

    13.3. 13:34

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  • ‘I’m wearing the tree fibre undies right now!’ An audience with the organisers of the Oscar goodie bags

    The Guardian

    13.3. 12:53

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  • Sinners or One Battle: what can we learn from this year’s anonymous Oscar ballots?

    The Guardian

    13.3. 11:02

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  • King Conan is Arnold Schwarzenegger’s chance for a late-period masterpiece, like Clint Eastwood’s Unforgiven

    The Guardian

    13.3. 09:57

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  • From Björk’s swan dress to Céline’s back-to-front tux: the most iconic Oscar red carpet looks

    The Guardian

    13.3. 09:04

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  • Oscars 2026: how to watch, nominations, what to read and predictions

    The Guardian

    13.3. 08:19

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  • ‘Wouldn’t life be easier if I were white?’: inside a provocative race-swap body horror

    The Guardian

    13.3. 05:04

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  • Why Marty Supreme should win the best picture Oscar

    The Guardian

    13.3. 04:00

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  • A new wave of defiance: the Turkish film-makers standing up to autocracy

    The Guardian

    13.3. 04:00

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  • Ben Jennings on the Oscars – cartoon

    The Guardian

    12.3. 14:50

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  • ‘On YouTube, we can reach 2.5bn people at once’: Oscars head Bill Kramer on TV, AI and 4am starts

    The Guardian

    12.3. 11:52

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  • ‘Casting is a very easy thing for others to take credit for’: Richard E Grant on cinema’s invisible moguls

    The Guardian

    12.3. 11:41

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  • Hollywood’s idea of beauty once meant polished and slim, not altered and gaunt. This new look is unsettling | Brigid Delaney

    The Guardian

    12.3. 10:00

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  • Act Black: posters of Black Americans on stage and screen – in pictures

    The Guardian

    12.3. 05:00

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  • The Straight Story review – David Lynch’s 1999 midwest heartwarmer is an outlier well worth the trip

    The Guardian

    12.3. 05:00

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  • Why Sentimental Value should win the best picture Oscar

    The Guardian

    12.3. 04:00

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  • Zulu Dawn review – fine ensemble cast show arrogance that led to British imperial disaster

    The Guardian

    12.3. 03:00

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  • Billie Eilish set for big screen acting debut in Sarah Polley’s adaptation of The Bell Jar

    The Guardian

    11.3. 14:29

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  • Reminders of Him review – contrived Colleen Hoover romance has its charms

    The Guardian

    11.3. 12:37

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  • How to Make a Killing review – one man on a bloody quest for his inheritance is a remake too far

    The Guardian

    11.3. 09:00

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  • Why Black women playing villains on screen still feels controversial

    The Guardian

    11.3. 07:29

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  • One Last Deal review – Danny Dyer revs up phone-bound yarn about fast-talking football agent

    The Guardian

    11.3. 07:00

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  • Why F1 the Movie should win the best picture Oscar

    The Guardian

    11.3. 04:00

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  • Your Oscars questions answered: ‘The best film of the year hasn’t actually won best picture since 12 Years a Slave’

    The Guardian

    11.3. 04:00

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  • The Tasters review – wartime historical drama about Hitler’s Wolf’s Lair food samplers

    The Guardian

    11.3. 03:00

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  • Academy wars: how did this season’s Oscars discourse get so toxic?

    The Guardian

    10.3. 10:49

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  • Leap Year is patently ridiculous and widely panned. It’s also the perfect romcom

    The Guardian

    10.3. 10:00

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  • Bodycam review – low-budget chiller oozes with supernatural menace

    The Guardian

    10.3. 10:00

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