‘A joyful place’: a new museum coaxes Austrians to embrace The Sound of Music
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NAZA film-makers address threats at documentary’s New York City premiere
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‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
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‘I get lost going to the bathroom’: John Hannah on world travel, stealing props and being ‘the Scottish Eminem’
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Global release announced for acclaimed Gaza documentary NAZA
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Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
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‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
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‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
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Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
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North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
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The Love Hypothesis review – hit BookTok romcom lacks spark on screen
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Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
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Great to see what Tom Cruise’s belly button looks like, but it’s the stuff he is never asked about that interests me | Marina Hyde
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Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
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Heresy review – feminist folk horror summons something scary in the woods with supply of fresh blood
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John Green wanted to be famous. Now what? – Stateside with Kai and Carter
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Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
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Meet Barbie Pig: new documentary reveals the wonders of life on the Pacific seabed
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Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
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‘Addiction is not only caused by weak will’: how a talking pigeon got Czechia to face up to its alcohol problem
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Dunesday: will this be Barbenheimer on steroids – the biggest weekend of cinema ever?
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The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
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Heart of the action: why organ couriers are cinema’s new heroes
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‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
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Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
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Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
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La Bola Negra wins Toronto film festival people’s choice award
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‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
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‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
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John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
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‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
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From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
The Guardian
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Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
The Guardian
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The Guardian view on NAZA’s persecuted directors: journalism is not treason | Editorial
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‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
The Guardian
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Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
The Guardian
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Best of the Best review – college comedy formula gets a Bollywood makeover
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Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza | Mahmoud Mushtaha
The Guardian
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Human harps, massive bananas and dogging: the 20 best Busby Berkeley dance routines – ranked!
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Thelma & Louise review – musical hoedown is a bland and baffling wrong turn
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De Gaulle: Liberté review – biopic of conquering French war hero reaches his imperial era
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Jonathan Majors’s anti-Islam action thriller is laughably terrible far-right propaganda
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The Watergate Caper: Richard Nixon and the Death of the American Dream review – political scandal, 70s style
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‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the heart surgery that inspired his new sci-fi horror
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The Liberation review – Carrie Coon joins all-female cult in unsettling drama
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Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
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Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
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Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
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Battle of Chile director Patricio Guzmán dies aged 85
The Guardian
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In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
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Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
The Guardian
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A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
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Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
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‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
The Guardian
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James McNeill Whistler review – painter’s work shines through attention-grabbing life story
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The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
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Venice best actress winner says she signed on at Danish job centre days before her victory
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Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
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Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
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Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
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Sydney Sweeney naked ad controversy: what’s she playing at? - The Latest
The Guardian
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Ancestors review – messy but moving ghostly drama about the Aids crisis
The Guardian
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Sydney Sweeney’s prediction ad is cynical, unhealthy and reveals plenty about modern sports | Jane McManus
The Guardian
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‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
The Guardian
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In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box
The Guardian
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Barrio Triste review – raw and dynamic portrait of anarchic slum life in 1980s Medellín
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The Route to Cappyness review – capybara boosterism is an ode to the internet’s favourite rodent
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‘I never pass up a rewatch’: why Valley Girl is my feelgood movie
The Guardian
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Goody Goody review – intriguing natural childbirth horror lurches into demonic occult blowout
The Guardian
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Lenore review – incel’s obsession with online influencer turns into anatomy of dislocated digital-age mindset
The Guardian
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