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< 45 minutes
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Leila’s Brothers review – one woman, five misogynistic parasites in fierce Iranian drama
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< 8 hours
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Psycho review – well worth getting scared in the shower all over again
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The Silent Twins review – powerful story of Welsh sisters in a world of their own
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< 12 hours
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‘Shake it and see what happens’: the confounding world of James Thierrée
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The Bob’s Burgers Movie review – long-running cartoon makes amiable big-screen debut
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< 24 hours
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Judge rejects Depp bid to dismiss Heard counter-suit as Kate Moss set to testify
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< 2 days ago
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Moonage Daydream review – glorious, shapeshifting eulogy to David Bowie
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The Natural History of Destruction review – a harrowing account of aerial warfare
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‘I haven’t got a pretty face’: Brendan Gleeson on fame, middle age and tapping into his mean side
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The Burning Sea review – Norwegian oil-spill thriller aims to avert disaster
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Funny Pages review – a deliciously dark coming-of-age comedy
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Surgeon casts doubt on Johnny Depp’s account of how he severed finger
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Crimes of the Future review – Cronenberg’s post-pain, post-sex body horror sensation
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Older >
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Pissarro: Father of Impressionism review – quiet man of art brought into the light
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Girls’ School: Taiwanese queer gem is hopelessly devoted to teenage passions
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Shut In review – Vincent Gallo returns for clueless poke at Hollywood’s ‘liberal bias’
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Luzzu review – beautifully observed study of fishers trying to stay afloat
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‘Redemption is a powerful concept’: Hayden Christensen on Star Wars and daring to return as Darth Vader
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Colin Cantwell, Star Wars designer behind the X-Wing and Death Star, dies aged 90
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Jerry Lee Lewis: Trouble in Mind review – Ethan Coen’s amazing tribute to the Killer
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Group invades Cannes red carpet to highlight violence towards women
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Forever Young review - endlessly tedious story of self-involved drama students
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Holy Spider review – Iranian crime thriller takes real case and makes it implausible
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‘The end of western civilisation’: Triangle of Sadness director explains modelling world satire
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Benediction review – artful Siegfried Sassoon biopic full of unresolved yearning
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‘It was a win-win situation’: Rose Leslie on movies, motherhood and marriage
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#MeToo is over if we don’t listen to ‘imperfect victims’ like Amber Heard | Martha Gill
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Alien 3 at 30: David Fincher’s divisive threequel remains a fascinating failure
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Aftersun review – beach holiday with Paul Mescal and daughter is a sunny delight
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Cannes 2022 week one roundup: a return to form – and Top Gun reborn
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War Pony review – rousing tale of love and money on a Native American reservation
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On my radar: Eva Rothschild’s cultural highlights
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The Innocents review – psychic kids wreak havoc in chilling Norwegian horror
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What links Harry Styles to Ipswich Town and Humphrey Bogart?
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Marvel star Simu Liu: ‘I felt like my parents wanted to rid my life of joy or happiness’
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Three Thousand Years of Longing review – Tilda Swinton and Idris Elba in Mad Max: fairy overload
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Streaming: Ali & Ava and other great films set in Yorkshire
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‘The birthplace of hostage negotiation’: inside a groundbreaking 1973 standoff
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From RoboCop to Harry Styles: a complete guide to this week’s entertainment
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Brother and Sister review – sibling battle with Marion Cotillard that leaves us all losers
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Hanky-panky in the Tardis! How a writer’s divisive Doctor Who movie spent 25 years being hated by fans
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Boy from Heaven review – stirring spy thriller set on an Egyptian campus
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A question of style: will Top Gun’s apple-pie nostalgia work its magic in 2022? | Jess Cartner-Morley
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Armageddon Time: film featuring Trump family is attack on capitalism, says maker
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Top Gun: Maverick and the unstoppable rise of the ‘legacy sequel’
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Mission impossible? My red-carpet quest to thank Tom Cruise for his cake | Stuart Heritage
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Corsage review – a cry of anger from the pedestal-prison of an empress
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Will Lucasfilm’s strange new rules help or hinder Star Wars?
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One Fine Morning review – Léa Seydoux sparkles in poignant drama
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‘It was a crazy thing to do’: Alex Camilleri on how he made ordinary fishers the stars of Luzzu
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‘We can forgive even bad fathers’: Mia Hansen-Løve on making a movie haunted by Ingmar Bergman
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The Handmaiden to Crazy Rich Asians: the seven best films to watch on TV this week
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Terence Davies on sex, death and Benediction
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Chip ‘n Dale: Rescue Rangers review – surprisingly sharp Disney+ update
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Armageddon Time review – Hopkins and Hathaway can’t save this stagy tale of a quasi-Trump
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Udo Kier: ‘I was so weak from eating only salad leaves to play Dracula I was in a wheelchair’
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‘Each little thing in my life is precious’: Ken Watanabe on cancer, childhood and Hollywood cliches
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Le Otto Montagne (The Eight Mountains) review – rich, beautiful and inexpressibly sad
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God’s Creatures review – Emily Watson and Paul Mescal shine in doom-laden drama
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‘Gorgeous is my business’ … how blond billboard bombshell Angelyne became an LA icon
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When You Finish Saving the World review – Jesse Eisenberg’s sweet coming-of-age comedy drama
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‘Would you ask Gene Kelly that?’: defiant Tom Cruise dazzles Cannes
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Tchaikovsky’s Wife review – love turns to obsession in an off-key marriage
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Scarily obvious: why the horror genre needs to drop clumsy metaphors
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RoboCop review – thrilling, subversive 80s masterpiece from Paul Verhoeven
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Divas/Brotherhood review – powerful studies examine the challenges of growing up
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The Innocents review – icily brilliant tale of kids with supernatural powers is future classic
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a-ha: The Movie review – Take on Me hitmakers relive the highs and the lows
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‘Every guy was hitting on me’: actor Rosie Perez on Botox, boxing – and the casting couch
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