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< 12 hours
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Saw X review – torture porn horror returns with more blood, less value
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The Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired
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Red Island review – beauty and colonialism in a French childhood in Madagascar
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Nightmare review – atmospheric property horror treads line between dreams and reality
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Older >
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Hollywood writers agree to end five-month strike after new studio deal
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The Creator review – vast and exhilarating sci-fi actioner rages against the AI machine
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The Blind Side and Hollywood’s blind spot – podcast
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Dan Gardner wanted to know when to go to the loo during films – so he built an app
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Dumb Money review – Paul Dano excels in fun retelling of the GameStop stock craze
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RMN review – racial tensions mount in a small Transylvanian town
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Marcel the Shell With Shoes On to Evil Dead Rise: the seven best films to watch on TV this week
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‘A lot of biopics depend on likeness – this is braver’: Gabriel Byrne on playing Samuel Beckett
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Expend4bles review – cigar-smoking Stallone leads way as retro franchise lumbers on
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Actor Angus Cloud died of accidental overdose, coroner says
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Accused review – anxiety-inducing social media pile-on thriller
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Tricky: ‘I was less nervous going to prison than I was getting on stage’
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Julie Andrews’ 20 best film performances – ranked!
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You talkin’ to me? Why Robert De Niro as an 80-year-old Uber driver is advert gold
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Carlos: The Santana Journey review – profile of guitar hero very much in control
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The Lesson review – amusing but contrived literary thriller about family tragedy and vengeful ambition
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It Lives Inside review – standard-issue schlock horror has its moments
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The Canterville Ghost review – spooky Halloween animation reunites Fry and Laurie
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The Job of Songs review – folk melodies and melancholia in rural Ireland
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‘Audiences don’t want to be challenged’: director Cristian Mungiu on exploring bigotry – and giving up film
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