Saw X review – torture porn horror returns with more blood, less value
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Michael Gambon graced cinema and made every cameo a star turn
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Post your questions for Alan Partridge
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Michael Gambon: an actor who let his heart and soul crack open
The Guardian
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Spinal Tap’s Derek Smalls: ‘I’d like to collaborate with Mozart. I know chords he’s never used’
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The Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired
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< 2 days ago
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Red Island review – beauty and colonialism in a French childhood in Madagascar
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Love is in the Air review – Delta Goodrem’s corny Netflix romcom is a saccharine mess
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‘They see Hollywood movies as a right’: the Russians breaking the law to watch Barbie
The Guardian
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The Wonderful Story of Henry Sugar review – Wes Anderson’s star-stuffed Roald Dahl yarn
The Guardian
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Cinema may be going to the dogs, but at least dogs are going to the cinema
The Guardian
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Hocus Pocus review – Bette Midler and co still bewitching a devoted fanbase
The Guardian
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Reptile review – Benicio Del Toro looms large in gruesomely ambitious noir
The Guardian
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Nightmare review – atmospheric property horror treads line between dreams and reality
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Hollywood writers agree to end five-month strike after new studio deal
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The Creator review – vast and exhilarating sci-fi actioner rages against the AI machine
The Guardian
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The Hollywood Walk of Shame: why the LA landmark is the world’s worst tourist attraction
The Guardian
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‘I taught Johnny Depp how to paint!’ Superstar artist Julian Schnabel on his new works – and most famous pupil
The Guardian
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David McCallum obituary
The Guardian
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Taylor Swift: Eras tour concert film to get global release in October
The Guardian
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The Retirement Plan review – Nicolas Cage dials down the freaky in disposable comedy
The Guardian
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Where the Wind Blows review – a heady mix of gangster lore, lust and lawlessness
The Guardian
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Time Addicts review – drug-fuelled, time-travelling fairytale in Melbourne
The Guardian
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David McCallum of The Man from UNCLE and NCIS fame dies aged 90
The Guardian
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Is the Hollywood writers’ strike over? The provisional deal explained
The Guardian
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‘Hard to know’ if Bruce Willis is aware of dementia condition, wife says
The Guardian
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Surprised by Oxford review – faith-based student romance offers glazed-over unreality
The Guardian
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‘That’s just a blue Elon Musk!’ – the real-life people behind TV and film’s biggest baddies
The Guardian
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Mutzenbacher review – erotic novel reading makes men the object of the porn gaze
The Guardian
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End of Term review – art-school horror is fusion of slasher and country-house whodunnit
The Guardian
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Sava review – a mighty river speaks in lush landscape documentary
The Guardian
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Minority Report drama to feature in Lyric Hammersmith’s ‘really bold’ spring lineup
The Guardian
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Joan Collins on love, loss and lust at 90: ‘You have to eat life or life will eat you!’
The Guardian
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The Blind Side and Hollywood’s blind spot – podcast
The Guardian
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Dan Gardner wanted to know when to go to the loo during films – so he built an app
The Guardian
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Dumb Money review – Paul Dano excels in fun retelling of the GameStop stock craze
The Guardian
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On my radar: Rebecca F Kuang’s cultural highlights
The Guardian
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RMN review – racial tensions mount in a small Transylvanian town
The Guardian
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Prize-winning Polish film on refugees opens to government backlash
The Guardian
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From Expend4bles to Marina Abramović a complete guide to this week’s entertainment
The Guardian
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No One Will Save You review – almost wordless sci-fi thriller loses the plot
The Guardian
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Is The Creator the best science fiction movie of 2023 – or is AI controlling the hype?
The Guardian
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Marcel the Shell With Shoes On to Evil Dead Rise: the seven best films to watch on TV this week
The Guardian
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Spy Kids: Armageddon review – amiable Netflix reboot
The Guardian
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Under the spotlight: Jarman award nominees on tour – in pictures
The Guardian
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Stop Making Sense review – Demme’s Talking Heads doc still burning down the house
The Guardian
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‘A lot of biopics depend on likeness – this is braver’: Gabriel Byrne on playing Samuel Beckett
The Guardian
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Expend4bles review – cigar-smoking Stallone leads way as retro franchise lumbers on
The Guardian
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Actor Angus Cloud died of accidental overdose, coroner says
The Guardian
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Accused review – anxiety-inducing social media pile-on thriller
The Guardian
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Tricky: ‘I was less nervous going to prison than I was getting on stage’
The Guardian
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Julie Andrews’ 20 best film performances – ranked!
The Guardian
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You talkin’ to me? Why Robert De Niro as an 80-year-old Uber driver is advert gold
The Guardian
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Carlos: The Santana Journey review – profile of guitar hero very much in control
The Guardian
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‘Why are 500,000 people watching paint dry?’ The man behind YouTube’s DIY sensation
The Guardian
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Cats of Malta review – purr-inducing documentary aims to encourage compassion
The Guardian
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The Lesson review – amusing but contrived literary thriller about family tragedy and vengeful ambition
The Guardian
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It Lives Inside review – standard-issue schlock horror has its moments
The Guardian
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From Poor Things to American Fiction: where does this year’s Oscar race stand?
The Guardian
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The Canterville Ghost review – spooky Halloween animation reunites Fry and Laurie
The Guardian
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The Job of Songs review – folk melodies and melancholia in rural Ireland
The Guardian
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‘Audiences don’t want to be challenged’: director Cristian Mungiu on exploring bigotry – and giving up film
The Guardian
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A Year in a Field review – calming, meditative film cycles through the Cornish seasons
The Guardian
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How Oppenheimer became the unlikeliest blockbuster of the year
The Guardian
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Fear the Night review – Neil LaBute on losing streak with atrocious home invasion thriller
The Guardian
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Superpower review – Sean Penn’s Zelenskiy documentary lacks insight
The Guardian
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void
The Guardian
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The Haunting at 60: is it still one of the scariest films ever made?
The Guardian
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‘He was born for this moment’: Sean Penn on his film with Zelenskiy
The Guardian
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Oppenheimer overtakes Bohemian Rhapsody to become biggest biopic of all time
The Guardian
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