‘People are still isolated and obsessive’: De Niro, Scorsese, Foster and Schrader reunite for Taxi Driver at 50
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Marilyn Monroe: A Portrait review – the radiant, uncontainable star she always wanted to be
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How Marvel deals with Doctor Doom is make or break for the MCU. No one wants a watered-down Tony Stark
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Sex, austerity and mugs of vodka: how the Greek myth Iphigenia became a Welsh-language film sensation
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Office Romance review – Jennifer Lopez’s romcom return is too much like hard work
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Scary Movie review – spoof comedy returns but maybe it should have stayed in the 2000s
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‘I’d rather read a book’: Tarantino criticises ‘flavourless sausage factory’ Hollywood
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‘I’m asking people to do a lot, but that’s what it means to be a human’: why one man made the first straight-to-video movie in 20 years
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Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper
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Marcia Lucas obituary
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Martin Scorsese accused of ‘throwing artists under bus’ with AI storyboards
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The Misfits review – Marilyn Monroe is fascinatingly sad in John Huston’s desolate western
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What the Hellenic! Why is Christopher Nolan’s new Greek epic entirely devoid of Greeks?
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Madfabulous review – Callum Scott Howells shines as flamboyant aristocrat in hedonistic period romp
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Affection review – memory loss thriller that keeps you guessing benefits from winning performances
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‘The CGI would have cost millions. I spent $2,000.’ Is Dreams of Violets AI slop – or the future of film-making?
The Guardian
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Masters of the Universe review – Amazon’s He-Man adventure is a weak big-budget misfire
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The Misfits: Marilyn Monroe’s final film showed her capacity for playing painfully knotty characters
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‘The face doesn’t move’: Hollywood’s obsession with cosmetic surgeries has led to stiffer looks – and performances
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Planet Israel review – valuable personal documentary about Israel/Palestine conflict
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Acting review – Cheek by Jowl masterclass in how to strut and fret upon the Shakesperian stage
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Marilyn Monroe lookalikes flock to Palm Springs for star’s 100th birthday – in pictures
The Guardian
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To YouTube and beyond: how online gen Z directors stormed Hollywood
The Guardian
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Ghost in the Machine review – entertaining AI polemic dives into its dark history in race politics and eugenics
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‘What if I come out with nothing on?’ Marilyn Monroe and the defiance of her final photoshoot
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Fuck the Polis review – cryptic docu-essay is a sphinxlike study of Greek myth and modernity
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Kane Parsons becomes youngest film-maker to open at No 1 in the US with Backrooms
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‘Lets me believe in myself’: why Billy Elliot is my feelgood movie
The Guardian
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The Guest review – the risks of protecting refugees in the Poland-Belarus danger zone
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Marcia Lucas, Star Wars’ Oscar-winning editor and unsung hero, dies at 80
The Guardian
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Jamie Lee Curtis announces death of actor sister Kelly aged 69: ‘My first friend and lifelong confidant’
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‘America’s sweetheart’: exhibition explores Marilyn Monroe’s complex relationship to stardom
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Bound by blood: new film highlights Jamaica’s outlawed obeah belief system
The Guardian
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Nicolas Cage as the Green Goblin? It will always be one of Hollywood’s great might-have-beens
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Miss You, Love You review – Allison Janney anchors affecting old-school grief drama
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‘I found a place’: how Backrooms captures the horror of sinister architecture
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Harpo speaks! New recordings reveal mute Marx brother chatting with audience
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The Breadwinner review – Nate Bargatze’s dated dad comedy loses us entirely
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A girl’s best friend: Marilyn Monroe remembered by her closest confidants
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The 20 best corridors in film – ranked!
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‘Impossible, exhausting, horrifying’: how a chilling supernatural play explains the terror of life in Iran
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‘Not many kids had gay dads who died of Aids’: Andrew Durham and Sofia Coppola on movie memoir Fairyland
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Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook
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‘Argentina needs to end its fantasy of being a European country’: Lucrecia Martel on the story of a killing
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Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece
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Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama
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Paddington 4: Armando Iannucci to write bear’s next movie with Thick of It and Veep cowriter
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‘The avalanche of slime has been unbelievable’: E Jean Carroll shares life post-Trump in new film
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Hammer to rerelease 1958 Dracula in UK with long-lost footage added
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Funny, absurd and sentimental, Mr Deeds is one of Adam Sandler’s most underrated films
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No Place for Football review – battling ice and snow to play the beautiful game in Greenland
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Fairyland review – moving memoir of queer parenting and new kinds of family in 70s San Francisco
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Landmarks review – Lucrecia Martel’s beautiful account of an Indigenous murder case
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Bows, bounce and rule breakers: week two on the red carpet at the Cannes film festival – in pictures
The Guardian
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‘It’s showtime!’ Beetlejuice musical is a rave from the grave – in pictures
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‘A masterclass in lesbian eroticism’: why Bound is my feelgood movie
The Guardian
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We’re Nothing at All review – bus explosion sets off Hong Kong drama of grief, prejudice and queer identity
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Kraken review – fjord-based rampage is monster movie with environmental message
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Films more likely to star an actor called Chris or a talking animal than a woman over 60, study finds
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Readers reply: you’re supposed to be quiet in the cinema. So why are the snacks so loud?
The Guardian
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‘We’re expanding the cinematic toolbox’: AI fault lines on show at Cannes
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Cannes got it wrong this year by awarding Palme d’Or to Cristian Mungiu’s very moderate Fjord
The Guardian
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Cristian Mungiu wins second Palme d’Or at Cannes for child abuse drama Fjord
The Guardian
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French stars are rightly worried by billionaire Vincent Bolloré. Here’s how to rein him in
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Wuthering Heights director regrets not showing Margot Robbie’s ‘extremely hairy armpits’
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The Birthday Party review – grimly compulsive unhappy occasion in deepest France
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Coward review – soldiers find escapism and romance in wartime theatrical troupe
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Little glitz and underperforming auteurs: how Cannes 2026 went – and who will win
The Guardian
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Why is Elon Musk so threatened by the casting of The Odyssey? | Arwa Mahdawi
The Guardian
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Boots Riley: ‘Theft is not outside of capitalism, it’s what it was built on’
The Guardian
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