‘Omar, what the hell are you doing in Chichester?’: when Doctor Zhivago star Sharif came to Sussex
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< 4 hours
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Brute 1976 review – throwback slasher summons up spirit of Texas Chain Saw Massacre
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< 8 hours
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The Eukrainian review – heroic portrait of the diplomat trying to haul Ukraine into Europe
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‘Bursts off the screen’: why Tombstone is my feelgood movie
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The Nights Still Smell of Gunpowder review – excavating the memories of civil war in Mozambique
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< 12 hours
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Phantoms of July review – interlocking tales hop across time in funny-quirky fable with a point
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Harvey Fierstein on Kinky Boots, addiction and survival: ‘When you get sober, it takes five years to get your marbles back’
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< 2 days ago
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Cannes AI film festival raises eyebrows – and questions about future
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Ukrainian action thriller billed as Saving Private Ryan for the drone age
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‘What the hell do you say?’: elder son of Rob Reiner speaks out on parents’ murders
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Michael B Jordan to take on big-screen adaptation of hit video game Battlefield
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A star reborn: ‘America’s sweetheart’ Sandra Bullock returns to the spotlight
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Backlash against ‘blatant’ Asian stereotype in The Devil Wears Prada 2
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Gen Z to the rescue! Zoomers are ditching doomscrolling and saving cinema
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Cannes did camera: how the film festival loves to watch itself
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Severance star Adam Scott: ‘There’s nothing wrong with being told that you resemble Tom Cruise’
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Taraji P Henson: ‘It’s exhausting to have to fight for my worth’
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Double Indemnity review – leaden drama turns crime classic into a very cold case
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Isaac Julien review – Gwendoline Christie meets a cyborg starfish in a pleasure-seeker’s postmodern parlour
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People once cited romcoms to describe the love they hoped for. Now the doomscroll has replaced the meet-cute | Lisa Portolan
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‘In two years, nobody will care’ if actors are AI or not, predicts La Haine director
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Agon review – ice-cold, machine-tooled inspection of the dark side of athletic perfection
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Post your questions for Ian McKellen
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The Last Spy review – former CIA station chief tells it like it was from inside the tent
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Smackdowns and showtunes: wrestling biopic Fighting With My Family inspires stage musical
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Weinstein on trial again for 2013 rape charge after previous jury deadlocked
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David Bowie: You’re Not Alone review – Ziggy glam and Berlin grime in a bum-shaking yet sanitised immersion
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Ellen DeGeneres’ Oscars selfie: was this the moment pop culture shattered into a billion pieces?
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The Hours won awards for Nicole Kidman’s fake nose – and hearts as a queer classic
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Michael review – cliched Jackson biopic is bland, bowdlerised … and bad
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Ultras review – love letter to football’s most dedicated supporters
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Martin Scorsese’s film about Pope Francis to receive world premiere in Vatican City
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Ralph Lauren clothes and Annie Hall script among Diane Keaton items to be auctioned
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Women’s culture goes dark: why aren’t there more ‘femcel’ movies?
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Java script error: why The Devil Wears Prada 2’s Starbucks tie-in leaves a strange taste
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Why are respected film-makers suddenly embracing AI?
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‘Muslim kids are really underrepresented’: the animated movie where medieval maths meets eager young minds
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Wardriver review – bank scammer Dane DeHaan goes for the triple cross in venal neo-noir
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Scarborn (Kos) review – rumbustuous period epic stirs up trouble in 18th-century Poland
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The Trial review – searing record of Argentina’s courtroom reckoning with its brutal ‘dirty war’
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‘It’s about finding light in the dark’: why Harold and Maude is my feelgood movie
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Grimes joining LinkedIn is artwashing at its most brazen. I should know – I released my new film on there
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Olivia review – unhurried, painterly fable about loss aims to expose the meaning of grief
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Handcuffs, dog bites and avian warfare: how personal grudges sullied Alfred Hitchcock’s reputation
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French director of Nazi collaborator film rejects ‘historical gaslighting’ claims
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Civil lawsuit against Alec Baldwin over 2021 Rust film set shooting to go to trial
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Roommates review – Netflix broken friendship comedy is a sweet and salty treat
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Screenmaxxing: why Hollywood is supersizing the big screen experience
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The man who saw the future: the legacy of cultural theorist Mark Fisher
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Couture review – Angelina Jolie’s courageously personal turn adds depth to fashion-world drama
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The Plague review – water polo camp turns into tween hellscape with impressive stylistic bite
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The power of the Dunst: Kirsten’s best film performances – ranked!
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First trailer released for western starring AI version of Val Kilmer
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The Mummy review – classic monster gets dug up for unravelling resurrection
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James Bond studio heads urge patience over casting announcement
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Rebuilding review – Josh O’Connor stoically pieces a life back together after wildfire trauma
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Miroirs No 3 review – Christian Petzold’s elegantly unnerving mystery of grief and family dysfunction
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Colours of Time review – Monet meets Mamma Mia in charming French artist comedy
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Balls Up review – Mark Wahlberg is a hoot in gross-out football comedy
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Glenrothan review – Alan Cumming heads home in Brian Cox’s big-hearted brotherly drama
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Diamanti review – luscious-looking 1970s costume melodrama is a sumptuously soapy dramedy
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The Blue Trail review – hypnotic tale of older-people rebellion in the Amazon in chilling dystopian fable
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Truth & Treason review – persuasive, punchy treatment of teenager who takes on the Gestapo
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Sex and drugs and poisoned champagne: 90 years on, we can finally see Joan Crawford’s wildest film
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Nicole Kidman reveals she is training to become a death doula to ‘provide solace and care’ to dying
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Itch! review – skin-crawling body horror meets supermarket standoff in low-budget chiller
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Endless Cookie review – Cheech and Chong meet Tristram Shandy in trippy tales of First Nations life
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Is the new Super Mario Galaxy movie really that bad?
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Kinaesthesia review – treasure trove of early cinema visions and the dream life they contain
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Searching for Satyrus review – on the hunt for an elusive butterfly and the lepidopterist who named them
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