For the Sake of Vicious review – ugly home-invasion thriller whose title says it all
The Guardian
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< 2 hours
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Sensation review – sensory hacking thriller comes on like a Tesco Value Matrix
The Guardian
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Baftas 2021: backstage with Hugh Grant, Priyanka Chopra and more – in pictures
The Guardian
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< 8 hours
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Be Good or Be Gone review – sharp Dublin crime thriller with deadpan charm
The Guardian
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Effie Gray review – Emma Thompson’s entertaining take on a doomed Victorian marriage
The Guardian
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< 12 hours
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Cinemas are about to reopen – but have some films missed their moment?
The Guardian
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‘It hides this dark interior’: Promising Young Woman’s weaponisation of feminine style
The Guardian
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Hear me out: why Gentlemen Broncos isn’t a bad movie
The Guardian
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< 24 hours
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Back to black (and white): Baftas style sticks to dressing-up classics
The Guardian
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No man’s land: in crowning Chloé Zhao and Emerald Fennell, Bafta has triumphed
The Guardian
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Baftas 2021: Nomadland wins big as Promising Young Woman and Anthony Hopkins surprise
The Guardian
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Baftas 2021: Britain’s big film awards night – live!
The Guardian
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< 2 days ago
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Garrett Bradley: ‘I was wearing sweatpants for one award ceremony and no one knew’
The Guardian
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Glenda Jackson: ‘Awards should be something you share… the camaraderie was absent’
The Guardian
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Andra Day: ‘I want to be sexy and pow in an awards outfit’
The Guardian
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Sound of Metal review – Riz Ahmed excels as a drummer facing deafness
The Guardian
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Remi Weekes: ‘To be nominated for a Bafta is up there in terms of great fantasies’
The Guardian
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On my radar: Nick Laird's cultural highlights
The Guardian
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Palm Springs review – Groundhog Day with wedding bells on
The Guardian
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Maria Bakalova: ‘I dedicate every award to all the eastern European actors’
The Guardian
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Riz Ahmed: ‘I am happiest when feeling challenged or overwhelmed’
The Guardian
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Louis Theroux: ‘I worry about not coming up to scratch’
The Guardian
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Phoebe Waller-Bridge joins new Indiana Jones movie
The Guardian
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DMX obituary
The Guardian
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Peter Bradshaw’s Baftas 2021 predictions: who will win – and who should
The Guardian
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Can Ghostbusters: Afterlife unite fans of the original and the 2016 reboot?
The Guardian
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The Falcon and the Winter Soldier episode 4 recap: O Captain! Not my Captain!
The Guardian
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Thunder Force review – Melissa McCarthy gets superstrength in rote superhero comedy
The Guardian
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British films for British people: even the new inclusive Baftas must battle with a paradox
The Guardian
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The Howling at 40: a horror movie that gave us something to chew on
The Guardian
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Hear me out: why A View to a Kill isn't a bad movie
The Guardian
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‘It’s an utter myth’: how Nomadland exposes the cult of the western
The Guardian
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Andrei Konchalovsky: ‘I’m very glad I failed in Hollywood’
The Guardian
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Anthony Hopkins’ 20 best film performances – ranked!
The Guardian
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Regé-Jean Page ‘hurt’ to learn race was factor in rejection from Superman show
The Guardian
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The Frightened City review – crooks and coppers in a classic London noir
The Guardian
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Elizabeth Perkins on luck, sexism and Big’s love scene: ‘It would not be acceptable today’
The Guardian
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Palm Springs review – amusing time-loop romance is back … again
The Guardian
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Sound of Metal review – Riz Ahmed keeps swirling disability drama on the beat
The Guardian
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Sequin in a Blue Room review – electrifying foray into online hookup culture
The Guardian
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Paul Ritter obituary
The Guardian
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Jules Verne’s Rocket to the Moon review - genial 60s British wacky-space-racers
The Guardian
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Kanye West: Netflix buys documentary 21 years in the making
The Guardian
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The Power review – merciless East End hospital horror
The Guardian
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Gwyneth Paltrow is mocked for her vagina products – but I do admire her hustle | Arwa Mahdawi
The Guardian
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Why Godzilla vs. Kong saved cinema, not Tenet
The Guardian
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Italy ends censorship of films on moral and religious grounds
The Guardian
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‘Film-making? Bring it on!’: ex-stockbroker Farah Nabulsi on her Oscar nomination
The Guardian
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Workhorse review – beautiful but plodding paean to beasts of burden
The Guardian
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Songs My Brothers Taught Me review – Chloé Zhao's deeply intelligent debut
The Guardian
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Bittersweet Symphony review – pretty but fake-feeling family Christmas yarn
The Guardian
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A Common Crime review – chilling ghost story with a social conscience
The Guardian
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Romanians are crushed by the state that should protect them. Our film shows how | Alexander Nanau and Antoaneta Opriș
The Guardian
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Paul Ritter: Friday Night Dinner star dies of brain tumour at 54
The Guardian
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So long sweatpants, hello airbag sleeves: how red carpet fashion glammed up in lockdown
The Guardian
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Terminator vs Rocky? What's next for the versus movie?
The Guardian
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Love on the Ground: the intimate illusions of Jacques Rivette’s chateau mystery
The Guardian
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Red Carpet review – rap-themed escape story loses itself in grim detail
The Guardian
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Hear me out: why 2019's Serenity isn't a bad movie
The Guardian
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Citizen Lane review – dashed hopes of a visionary art dealer
The Guardian
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Let me stop you there: why do Oscar speeches get cut short?
The Guardian
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Those That, At a Distance, Resemble Another review – meditation on the art and act of coping
The Guardian
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Are promising female auteurs getting trapped in the franchise machine?
The Guardian
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Romeo and Juliet review – National Theatre's first film is an ingenious triumph
The Guardian
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The Mauritanian review – in limbo in Guantánamo with Tahar Rahim
The Guardian
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Undine review – romance with just enough magic and mystery
The Guardian
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Minari review – an enchanting drama of faith and farming
The Guardian
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Damson Idris: ‘Mum would dress me in a three-piece golden suit’
The Guardian
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Godzilla vs. Kong review – a spectacular battle of beasts
The Guardian
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Lights! Camera! Mute button! 2021 awards show drinking game
The Guardian
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