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After bringing back Rush Hour, which franchise might Trump resurrect next?
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‘I can frustrate you, hypnotise you, bore you’: the Jarman prize winners making archives fly
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Jingle Bell Heist review – Netflix comedy is slight cut above standard festive filler
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< 2 days ago
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Rush Hour 4 in the works at Paramount after reports of Trump intervening
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Sex cardigans: can the Wicked sequel make bulky knits strangely alluring?
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Zootropolis 2 review – just-about-passable family comedy sequel might as well be AI generated
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‘A fire, a dog, and the starry sky’: the teens overcoming phone-addiction through Arctic pursuits
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Clive Owen and Saskia Reeves’s screen history makes their stage reunion all the more emotional | Chris Wiegand
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Post your questions for Tom Felton
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Rhino review – Tom Hardy channels David Attenborough in mission to save Kenya’s rhinos
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Dracula review – Luc Besson’s romantic reimagining of Gothic classic is ridiculous but watchable
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Older >
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Trump wants to revive the Rush Hour franchise. Is he eyeing a return to Hollywood?
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Hollywood’s dark era: where did all the colour from movies go?
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‘We used a beachball as an alien!’ John Carpenter on his gloriously shonky sci-fi comedy Dark Star
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‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor
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Udo Kier, German actor who starred in 200 films spanning Lars von Trier to Ace Ventura, dies aged 81
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The Guardian view on authentic casting in Wicked: finally a true celebration of difference | Editorial
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Back to the Future celebrates 40th with three Marty McFlys performing the musical
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Champagne Problems review – Netflix’s latest Christmas romcom lacks fizz
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North by Northwest: Hitchcock’s funniest, most ambitious film
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Bone Lake review – holiday rental house of horror is fun for everyone
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Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?
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Untie me! Why big bows are everywhere – feminine, ironic and strangely subversive
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‘Fights for our material survival’: documentary goes inside the battle for trans rights
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Fiume o Morte! review – darkly comic reconstruction of D’Annunzio’s Yugoslavian coup
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‘It’s important that we tell our own stories’: how the Wicked movies are helping disability representation on screen
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‘He was quite a private person’: expansive auction shows Gene Hackman as actor and artist
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