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NewsEntertainmentMovies

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  • < 4 hours

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  • Karate Kid: Legends review – charming throwback sequel

    The Guardian

    13:26

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  • < 8 hours

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  • Bring Her Back review – Talk to Me directors return with a film you’ll watch from between your fingers

    The Guardian

    11:00

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  • Mohammed Lakhdar-Hamina, first Arab and African director to win Cannes Palme d’Or, dies aged 95

    The Guardian

    09:27

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  • Impossibly frustrating: why Mission: Impossible 8 was a major letdown

    The Guardian

    09:24

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  • < 12 hours

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  • The Ballad of Wallis Island review – funny, melancholy yarn of a folk duo reunited by oddball superfan

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  • < 24 hours

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  • ‘Julie Christie is magnetic’: on the set of party girl classic Darling – in pictures

    The Guardian

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  • TV tonight: the extraordinary story of the baroness and the Covid scandal

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  • Kevin Costner and Horizon producers sued by stunt performer over ‘violent unscripted’ rape scene

    The Guardian

    00:49

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  • < 2 days ago

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  • Presley Chweneyagae, star of Oscar-winning drama Tsotsi, dies aged 40

    The Guardian

    27.5. 14:06

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  • Sudden Fear: the 1952 noir that cemented Joan Crawford’s star – again

    The Guardian

    27.5. 11:00

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  • ‘It’s very risky’: the Philippou brothers on horror films, back yard wrestling and knocking back Hollywood

    The Guardian

    27.5. 11:00

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  • From legal issues to reshoots: is the Michael Jackson biopic cursed?

    The Guardian

    27.5. 10:18

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  • The Ritual review – Al Pacino is priestly mastermind in tale of infamous real-life exorcism

    The Guardian

    27.5. 08:00

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  • Autumn review – amazing landscape plays central role in Portuguese wine-family drama

    The Guardian

    27.5. 06:00

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  • The Venus Effect review – a sizzling queer romcom without the cliches

    The Guardian

    27.5. 04:00

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  • Film stars, photographers and fans: the other side of Cannes – in pictures

    The Guardian

    27.5. 01:00

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  • James Bond franchise owners request more time to defend control of 007 spy name

    The Guardian

    27.5. 01:00

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  • Older >

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  • Bridal bucket is the best wedding gift | Brief letters

    The Guardian

    26.5. 12:05

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  • Marcel Ophuls was the unflinching chronicler of France’s suppressed wartime shame

    The Guardian

    26.5. 10:22

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  • Jafar Panahi returns to Iran in triumph after Cannes Palme d’Or win

    The Guardian

    26.5. 09:54

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  • Amongst the Wolves review – drills and chills in Irish gangster thriller

    The Guardian

    26.5. 08:00

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  • The Road to Patagonia review – an epic journey from Alaska to the Andes

    The Guardian

    26.5. 06:00

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  • Post your questions for John C Reilly

    The Guardian

    26.5. 05:33

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  • ‘I smile every time’: why Amélie is my feelgood movie

    The Guardian

    26.5. 05:00

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  • A Golden Life review – childhood is collateral in Burkina Faso’s search for gold

    The Guardian

    26.5. 04:00

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  • Hello Stranger review – interactive thriller puts remote worker in trial-by-internet

    The Guardian

    26.5. 02:00

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  • No meat, no beer and hopefully no poison: the curious tale of Hitler’s food tasters

    The Guardian

    26.5. 02:00

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  • ‘People raised hell’: why shouldn’t Scarlett Johansson and James Franco play queer characters?

    The Guardian

    26.5. 00:00

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  • ‘My mother didn’t try to stab my father until I was six’: Alan Alda on childhood, marriage and 60 years of stardom

    The Guardian

    26.5. 00:00

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  • Marcel Ophuls, Oscar-winning film-maker of The Sorrow and the Pity, dies aged 97

    The Guardian

    25.5. 23:18

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  • Jafar Panahi’s Cannes victory is a wonderful moment for an amazingly courageous film-maker

    The Guardian

    24.5. 15:43

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  • Iranian director Jafar Panahi wins Palme d’Or at Cannes for It Was Just an Accident

    The Guardian

    24.5. 14:47

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  • ‘A case study on psychosis’: men on why Tim Robinson’s Friendship feels a little too real

    The Guardian

    24.5. 09:00

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  • Hush over Hollywood: why has it become so hard to make films in Los Angeles?

    The Guardian

    24.5. 08:00

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  • Braveheart at 30: Mel Gibson’s gory, hokey Oscar winner plays like a biblical epic

    The Guardian

    24.5. 05:23

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  • ‘They first come for great acts of culture’: Cate Blanchett sets up grant for displaced film-makers

    The Guardian

    24.5. 03:00

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  • From Mission: Impossible to Stereolab: your complete entertainment guide to the week ahead

    The Guardian

    24.5. 01:00

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  • Rust armorer released after completing prison sentence in fatal film set shooting

    The Guardian

    23.5. 20:53

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  • Mountainhead review – tech bros face off in Jesse Armstrong’s post-Succession uber-wealth satire

    The Guardian

    23.5. 15:00

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  • The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie

    The Guardian

    23.5. 14:50

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  • Endgame ennui: are Marvel’s end-of-credits scenes still worth the wait?

    The Guardian

    23.5. 12:35

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  • ‘Revelatory, magnetic, unknown’: how Frank Dillane became a star at Cannes

    The Guardian

    23.5. 11:09

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  • Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win

    The Guardian

    23.5. 09:52

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  • ‘I should really be the world champion’: Ralph Macchio on kicking it as The Karate Kid for 41 years

    The Guardian

    23.5. 03:00

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  • The best of the Cannes film festival 2025 red carpet – in pictures

    The Guardian

    23.5. 01:00

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  • Fear Street: Prom Queen review – disappointing Netflix teen slasher

    The Guardian

    23.5. 00:01

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  • Fountain of Youth review – Guy Ritchie’s Indiana Jones knock-off is a soulless misadventure

    The Guardian

    22.5. 12:00

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  • Woman and Child review – drama of rage and pain in the Iranian marriage market

    The Guardian

    22.5. 11:41

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  • On the road to somewhere … Cannes film festival reminds us world cinema and ‘globalism’ are not the same

    The Guardian

    22.5. 10:58

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  • Yes review – a fierce satire of Israel’s ruling classes, radioactive with political pain

    The Guardian

    22.5. 08:15

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  • Paul Mescal says comparing his film romance with Josh O’Connor to Brokeback Mountain is ‘lazy and frustrating’

    The Guardian

    22.5. 08:09

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  • Famous men’s toxic fandoms have become a tool for punishing women | Tayo Bero

    The Guardian

    22.5. 08:00

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  • ‘Grifter loneliness is not for me any more’: Julia Stiles on dance, Dexter and her directorial debut

    The Guardian

    22.5. 08:00

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  • Romería review – Carla Simón’s gripping pilgrimage tackles Aids, parents and the legacy of secrets

    The Guardian

    22.5. 06:07

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  • ‘Breath-stoppingly tense’: which Mission: Impossible film is the greatest?

    The Guardian

    22.5. 05:29

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  • ‘Shakespeare would be writing for games today’: Cannes’ first video game Lili is a retelling of Macbeth

    The Guardian

    22.5. 05:00

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  • ‘I’m less apologetic now’: Kelly Macdonald on her Trainspotting teen highs and hitting her stride in her 40s

    The Guardian

    22.5. 00:00

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  • Sentimental Value review – Stellan Skarsgård is an egomaniac director in act of ancestor worship

    The Guardian

    21.5. 18:45

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  • The History of Sound review – Paul Mescal and Josh O’Connor romance is full-bodied but tin-eared

    The Guardian

    21.5. 18:40

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  • The Six Billion Dollar Man review – WikiLeaks founder Julian Assange’s rise, fall and limbo

    The Guardian

    21.5. 15:36

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  • George Wendt obituary

    The Guardian

    21.5. 10:33

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  • Banned film-maker Jafar Panahi says friends lost hope he would direct again

    The Guardian

    21.5. 09:36

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  • Tell us your memories of seeing Star Wars in cinemas

    The Guardian

    21.5. 08:27

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  • A Private Life review – Jodie Foster is a sleuthing shrink in French-language Hitchcockian mystery

    The Guardian

    21.5. 06:05

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  • Burden of Dreams review – on-location account of Werner Herzog’s Fitzcarraldo is a gruelling delight

    The Guardian

    21.5. 02:00

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  • Kevin Spacey is back at Cannes. Not many people seem to care

    The Guardian

    20.5. 17:10

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  • Eleanor the Great review – June Squibb takes on Holocaust survivor trauma in Scarlett Johansson’s iffy directing debut

    The Guardian

    20.5. 12:54

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  • ‘I don’t have a relationship with my face’: Judi Dench models for a live sculpture

    The Guardian

    20.5. 12:14

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  • Lilo & Stitch review – Disney’s latest unnecessary remake is a monstrosity

    The Guardian

    20.5. 12:00

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  • A Simple Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality

    The Guardian

    20.5. 11:45

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