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< 2 hours
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Best films of 2025 in the UK: No 3 – Young Mothers
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Pregnant at 61 or a mother aged three: why do movies love age-blind casting?
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< 24 hours
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Disclosure Day: first trailer for Steven Spielberg’s star-studded UFO movie
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Being Charlie: the film Rob and Nick Reiner made together offers home truths
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‘To be really successful, you have to be sexy in a straight way’: Ben Whishaw on libidinous New York and playing Peter Hujar
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The Vietnam War ended 50 years ago. But its lessons live on in The Quiet American
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Avatar: Fire and Ash review – witchy new sex interest can’t save this gigantically dull hunk of nonsense
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‘I could watch the final 30 minutes on a loop till the end of time’: Guardian writers’ favourite Rob Reiner moments
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Michael Douglas on One Flew Over the Cuckoo’s Nest: ‘My half of the producing fee I gave to Dad’
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Tell us your favourite film of 2025
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‘I fear electromagnetic catastrophe’: Josh Safdie on Marty Supreme, latent Jewish anxiety and why men are lost
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< 2 days ago
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Best films of 2025 in the UK: No 4 – The Ice Tower
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Paranormal Activity review – this fright night leaves you spellbound and spooked
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Heat at 30: Michael Mann’s electric crime thriller is a film of fire and sadness
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From Seinfeld to Shawshank, Rob Reiner changed Hollywood for ever
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‘Not a second of wasted time’: Rob Reiner’s golden run from Spinal Tap to A Few Good Men was breathtaking
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‘So what are you up to tonight?’: meeting Rob Reiner was like a visit from Santa
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‘A lot of stories but very few facts’: sceptics push back on buzzy UFO documentary
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Hong Kong Mixtape review – dissident artists keep hope alive in the face of China’s crackdown
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‘Apocalyptically funny’: why The Mitchells vs the Machines is my feelgood movie
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Older >
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Best films of 2025 in the UK: No 5 – Marty Supreme
The Guardian
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The Christmas Dream review – Thailand’s first musical in decades is big on sentimental spectacle
The Guardian
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Pulp Fiction actor Peter Greene found dead in New York apartment
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A world-weary, hard-drinking hungover Supergirl? This could be James Gunn’s DCU masterstroke
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Flavoured condoms, 120 turkeys and a Free Marlon Dingle poster: the weird and wonderful work making the film industry green
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My darling clementine: why did Chalamet and Jenner dress in matching orange?
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‘I lived out moments of my mother’s passing I never saw’: Kate Winslet on grief, going red and Goodbye June
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Liam Neeson denies anti-vax views after narrating Covid documentary
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Silent Night, Deadly Night review – killer Santa remake is overstuffed
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Never be honest in Hollywood – even if you’re Quentin Tarantino | Dave Schilling
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A stiff dose of ‘weak sauce’: Paul Dano’s best films – ranked!
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‘It’s not going to be some miraculous recovery’: film charts healing of Ukrainian children rescued from Russia
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Film bro finds and ‘crash out cinema’: how Letterboxd became a review haven for the algorithm-averse
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Ella McCay review – James L Brooks returns with a sorry mess of a movie
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Quentin Tarantino needs to stop criticising films and start making them again | Peter Bradshaw
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Russell Crowe says makers of Gladiator II did not ‘understand what made the first one special’
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‘My beautiful house lay in ruins!’: how to build (and wreck) a Hollywood set – in pictures
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Merv review – a dog steals the show in Amazon’s by-the-book Christmas romcom
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Joyful, irreverent, endlessly quotable: why Hunt for the Wilderpeople is the perfect holiday movie
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Christmas, Again review – laidback tale of a forlorn Christmas tree seller has authentic charm
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Daniel Day-Lewis defends Paul Dano after Tarantino criticism
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Anybody heard of a rehearsal? Mangling nominees’ names may be traditional – but it’s still embarrassing
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Animalia review – megaflood strikes in haunting, eerie debut about liberation and the unknown
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All hail Avatar! How event movies are trying to bring back the box office blockbuster
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Sydney Sweeney, Richard Linklater and Emma Thompson are up for most egregious snub in the 2026 Golden Globe nominations
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Jim Caviezel to play Jair Bolsonaro in ‘heroic’ biopic
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‘Performance is inherently vulnerable’: Kristen Stewart says acting is ‘unmasculine’
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Judi Dench says she ‘can’t remember what I’m doing tomorrow’ but can still recite Shakespeare
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Baby review – an astute portrait of queer Brazilian hustlers lost in the system
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‘I wanted to be one of them’: why Bring It On is my feelgood movie
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The Tale of Silyan review – farmer adopts stork in delightfully cockle-warming mud-caked folk tale
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The 50 best films of 2025 in the UK
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Who, If Not Us? The Fight for Democracy in Belarus review – activists display their defiance
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‘He’s a son of a bitch – but he’s usually right’: why did Seymour Hersh quit the film about his earth-shattering exposés?
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The New Yorker at 100: Netflix documentary dives inside a groundbreaking magazine
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Forget festive schmaltz, the best Christmas film this year is a gay biker dom-com | Kitty Grady
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Why is Timothée Chalamet suddenly everywhere? Seven things you need to know – from Oscars to puppies
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Fackham Hall review – Downton Abbey spoof is fast, funny and throwaway
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Scarlett Johansson joining the Batverse is good news for the franchise – but who will she play?
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The end of big-screen cinema? What Netflix hopes to achieve by buying Warner Bros | Andrew Pulver
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Kill Bill: The Whole Bloody Affair – what does the new Tarantino cut offer?
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‘I’ve had all the luck you can get’: Michael Caine retires for the fourth time
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‘My God, what a story it would make’: film-maker Kevin Brownlow on It Happened Here and Winstanley
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‘The goal was to scare a kid’: the wild world of films-within-films
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‘He played with language better than anybody’: Terry Gilliam and John Boorman on Tom Stoppard
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Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
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Tom Felton: ‘I agree with Barbie – blonds have more fun’
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Joe Wright on Tom Stoppard: ‘He loved sweets, smoking, words and women – in the reverse order’
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‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
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Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
The Guardian
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