Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes
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Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears
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Watching Brokeback Mountain kept me in the closet
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O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
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‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime
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Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
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The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
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Pride review – solidarity between gay activists and miners in a magnificent musical
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Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
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Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell
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Puppy eyes, sad hair and a big boom box: John Cusack films – ranked!
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A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic
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Chris and Martina: The Final Set review – tennis titans discuss their deep bond and intense rivalry
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Marginalized for her ‘immense ambition’, the genius of director Elaine May is finally being recognized
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The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter
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Blue Heron review – sombre and sophisticated portrait of childhood trauma in 1990s Canada
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Bello! Why gen Alpha subconsciously speaks the language of the Minions
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Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters
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Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory
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Warriors come out to Broadway with Lin-Manuel Miranda musical
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The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy
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Hold the Fort review – gory goings-on at the neighbours association get-together
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Deja viewing: the return of the cheapo compilation film
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Quantum of Solace: a heartbroken James Bond is fuelled by rage in Daniel Craig’s most underrated 007 film
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You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook
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How to Live on Earth review – Benedict Cumberbatch exudes positivity in response to the climate crisis
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Sizzle reels: nine films to watch in a heatwave
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500 Miles review – kids hit the road to visit Irish grandad Bill Nighy in YA tearjerker
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‘Climate change is a form of oppression’: the voices affected most by environmental crisis
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The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror
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Self-doubt, burnout … and Taylor Swift: why Toy Story 5 is the ultimate millennial girl movie
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Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
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Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
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Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
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‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters
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‘Allowed me to accept my own taste’: why Bridesmaids is my feelgood movie
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Shadows of Willow Cabin review – secrets fester beneath horny hookup in low budget horror
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The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine
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Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
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To the tablet and beyond: does Toy Story 5 go hard enough on technology?
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‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
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45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
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Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
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Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
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How Refugee Week film festival brings migrants’ experience home
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You can handle the truth! Why cinema suddenly loves conspiracy theories
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In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
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Voicemails for Isabelle review – Netflix romcom picks creepy over cute
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‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
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Post your questions for Minions supremo Pierre Coffin
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Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
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‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
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Tell us your favourite film of 2026 so far
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As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
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La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
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‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
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Killing Anna review – the amazing catfishing operation that flushed out Syria massacre perpetrator
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Disclosure Day is great. But Spielberg overestimates our capacity for empathy
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‘It goes so hard in both directions’: John Early and Kate Berlant on making you laugh and cry in new influencer satire
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Your Fault: London review – British-set remake of Spanish step-sibling romance lacks passion or fizz
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Nino review – time is running out for young man faced with cancer in shrewd sperm sample portrait
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Toy Story 5 review – Pixar franchise needs new batteries
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Tom Holland confirms that he and Zendaya are married
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Sean Penn to direct January 6 drama with Bradley Cooper set to star
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‘Don DeLillo gave me his blessing’: film director Ben Rivers on how fan mail from the Underworld author led to his latest work
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‘My hair extensions caught fire in a shootout!’ Dolph Lundgren on playing He-Man in Masters of the Universe
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‘What an adventure Broadway will be!’ Paddington musical packs suitcase for New York
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Russell Crowe says Gladiator II failed because ‘it didn’t have a moral core’
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Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
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The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama
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