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< 45 minutes
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Fill the frame, use the light: Andrew Chapman’s favourite photographs
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< 1 hours
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Sean Scully: Mirroring review – how can a rectangle contain so much suffering?
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< 2 hours
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The best recent science fiction, fantasy and horror – review roundup
The Guardian (Books)
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Enslavement, immolation and a HIV diagnosis: the artists expressing harsh truths with collage
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Jewels of the Nile: how a new exhibition finally gives Egyptian artists their due
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Doig the DJ, Tate’s Sami-Norwegian Turbine and Ruscha’s eerie jokes – the week in art
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Small Hotel review – Ralph Fiennes’ fever dream leaves you with major reservations
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Get Cartier! How Jean Novel turned an old Paris department store into a museum to rival the Louvre
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< 8 hours
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Charley’s Aunt review – a fresh and fun glow-up for Victorian farce
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My Right Foot review – wryly humorous look at life with a terminal illness
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Joe Biden Was Always Doomed
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‘Visual medicine’: Jamel Shabazz’s evocative photos of Brooklyn’s Prospect Park
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Natalie Haynes: ‘I’ll never read anything by a Brontë again’
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Raise Your Soul by Yanis Varoufakis review – an intimate history of Greece
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Time, TV info set for UConn men’s basketball exhibition vs. Michigan State
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Jeff Jarrett: AEW talent depth is helping squash injury bug
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A Knight of the Seven Kingdoms: first trailer for new Game of Thrones prequel
The Guardian (Books)
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We know what the comedians got out of the Riyadh comedy festival. What about the Saudi regime? | Jonathan Liew
The Guardian
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Bad Lads review – brutality, shame and fear as horrors of youth detention centre are laid bare
The Guardian
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The non-profit helping people from all over the world to become successful game developers
The Guardian
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< 2 days ago
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How ‘authenticity’ at work can become a trap for people of color
The Guardian (Books)
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Pride & Prejudice by Jane Austen audiobook review – an immersive all-star dramatisation
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‘Amoral, evil’: vitriolic backlash builds against comics who played Riyadh festival
The Guardian
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László Krasznahorkai wins the Nobel prize in literature 2025
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Mischa Barton to make UK stage debut in Double Indemnity
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The Glass Menagerie review – cool gloom makes Tennessee Williams’s sadness hit harder
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Nobel prize in literature 2025 live: László Krasznahorkai wins ‘for his compelling and visionary oeuvre’
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‘I absolutely went for it!’ Michael Flatley on sex, swagger, Riverdance – and tapping his feet 35 times a second
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The Poems of Seamus Heaney review – collected works reveal his colossal achievement
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Mary Page Marlowe review – Susan Sarandon shines in slippery study of a life in pieces
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Look out for number one! Selfish self-help books are booming – but will they improve your life?
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Final SDSU, UNM game in Mountain West among Lobo hoops games picked up for television
Yahoo! Sports
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Wayne Thiebaud review – staggering still lifes to make your mouth water
The Guardian
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‘Catastrophic decline’ in Black representation in children’s books
The Guardian (Books)
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I have been criticised for being part of the Riyadh comedy festival. This is why I did it | Omid Djalili
The Guardian
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That’s me in the £45m Hockney! The man in the masterpiece relives sitting for David back in the heady LA party days
The Guardian
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Older >
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Bill Burr calls critics of Riyadh comedy festival ‘sanctimonious’ and ‘phoney’
The Guardian
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A drag queen stands at a site of violence: Lee-Ann Olwage’s best photograph
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What the Xbox Game Pass price hike says about the rising cost of playing games
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The best Diwali gifts for 2025: 16 thoughtful ideas I’m loving this year
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Can Xue and László Krasznahorkai are joint favourites to win 2025 Nobel prize in literature
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Demand the Impossible review – powerful punk rage at injustices of police violence and spycops scandal
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Cyrano de Bergerac review – Adrian Lester brings sublime soul to roistering romance
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‘This is a west African story’: how modern art tackled Nigeria’s identity crisis
The Guardian
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The Guardian (Books)
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The Decadence by Leon Craig review – queer haunted house tale fails to chill
The Guardian (Books)
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Nigerian Modernism review: sacred groves, a shackled king and astonishing hair
The Guardian
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The Future of Truth by Werner Herzog review – profound, or just a prank?
The Guardian (Books)
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Monroe, Bardot … and a naughty elephant: iconic portraits – in pictures
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Maybe Tomorrow review – a lifetime of regret behind the razzle-dazzle
The Guardian
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The Guardian
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‘Photos don’t go bigger than mine’: the epic, impossible images of the great Andreas Gursky
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Seamus Heaney’s unpublished poems to be released — read one exclusively here
The Guardian (Books)
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Cold war power play: how the Stasi got into computer games
The Guardian
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Bryan Washington and Rabih Alameddine among National Book Award finalists
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‘I was barely hanging on with life. Now, I’m coming home’: Cap Carter on ending his career – then becoming a hit
The Guardian
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Betty Parsons review – scintillating seaside adventures from the woman behind giants like Rothko
The Guardian
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Motherland by Julia Ioffe review – the matriarchs who built mother Russia
The Guardian (Books)
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Delivery swans, millionaire neighbours and the wonders of a bath: hardcore houseboat heroes celebrated in photos
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Les Misérables: a musical full of heart and hope that continues to defy its critics
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The Devil Book by Asta Olivia Nordenhof review – a Danish series that burns with purpose
The Guardian (Books)
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‘It’s more than a pretty backdrop’: crime writer Ann Cleeves on the magic of Orkney in Scotland
The Guardian (Books)
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The Pushkin job: unmasking the thieves behind an international rare books heist
The Guardian (Books)
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MHS marching band battles heat, wind at competition in Iowa
Yahoo! Sports
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‘Absolutely divine!’ How Jilly Cooper changed the world – one bonkbuster at a time
The Guardian (Books)
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‘A certain bite’: how Martha Graham pushed dance in dazzling new directions
The Guardian
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Erin Patterson mushroom murders inspire new book by Helen Garner
The Guardian (Books)
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Gilbert & George review – a pulsating panorama of sex, violence and glorious urban grime
The Guardian
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‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers
The Guardian
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