Shakespeare, vampires and MMA: where does this year’s Oscar race stand?
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The Sound of Music’s child actors look back: ‘Musicals about singing nuns – no one was sure the public was going to buy it’
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‘Always the coolest, calmest man in the room’: friends and film-makers remember Robert Redford
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Swiped review – breezy drama gives dating apps the origins treatment
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In Whose Name? review – Kanye’s descent makes for grimly compelling watch
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‘I’m a hustler, a grinder’: Teyana Taylor on music, motherhood and One Battle After Another
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How Robert Redford redefined menswear on – and off – the screen
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Him review – Jordan Peele-produced football horror is a disappointing fumble
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From high-octane action to arthouse intrigue … all Kathryn Bigelow’s films – ranked!
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Americana review – Sydney Sweeney heads cast in eminently watchable crime drama
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Ackroyd & Harvey: The Art of Activism review – culture and politics collide in film of eco-artist double act
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Ghost Trail review – pain and paranoia as a Syrian refugee attempts to track down his torturer
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‘You think rape’s your fault’: Oscar-winner Brenda Fricker on her devastating memoir
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A new kind of action – how Babes With Blades are fighting for screen space for women of colour
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‘He should be known as a film music revolutionary’: revitalising the legacy of Czech composer Zdeněk Liška
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‘Every year, everybody in comedy gets blanked’: Amy Poehler criticises Oscars for snubbing comedies
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The Boatyard review – skeezy cannibal horror picks off rich kids on a yacht ride to slaughter
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‘The town poured in everything to make it happen’: how a film-making dynasty – and an entire community – celebrated an everyday hero
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Girls & Boys review – intense trans romance sparks fireworks in impressive debut
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American independent cinema owes much to Sundance king Robert Redford | Adrian Horton
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‘Push back – or they’ll eat you alive’: James Cromwell on life as Hollywood’s biggest troublemaker
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Barbra Streisand among stars to pay tribute to Robert Redford: ‘One of the finest actors ever’
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A Big Bold Beautiful Journey review – Margot Robbie and Colin Farrell play the game of love
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Robert Redford dies: Meryl Streep leads tributes to giant of American cinema, saying ‘one of the lions has passed’ – latest updates
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The Astronaut review – jump-scares and levitating eggs in a luxury location
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Share your tributes and memories of Robert Redford
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Robert Redford: the incandescently handsome star who changed Hollywood forever
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Robert Redford, giant of American cinema, dies aged 89
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Bad Man review – southern-fried script and idiosyncratic locals lift gun totin’ black comedy
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Can I Get a Witness? review – Sandra Oh leads the line in dystopian future fable of planned death
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Diplo: The Mighty Dinosaur review – family dino animation goes meta as it rebels against ‘cute’
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Tape review – reverential Hong Kong remake of Richard Linklater drama of toxic masculinity
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Materialists effect: mentions of A24 film studio up 65% in dating app profiles
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Solo review – joyful yet heartbreaking story of drag artist consumed by toxic relationships
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High Noon heads for the West End as Billy Crudup takes on Gary Cooper role
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Queen of the Ring review – diner waitress turned first lady of the all-girl wrestling scene
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‘I laugh out loud’: why Johnny Stecchino is my feelgood movie
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The Shepherd Code: Road Back review – second chunk of microbudget vengeance-oriented beat-em-up
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Cos takes centre stage at New York fashion week and Gwyneth Paltrow rebrands
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Limitation review – bloodshed and chaos of Georgia’s coup d’etat comes alive from the archive
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‘The old white patriarchy isn’t knocking on my door!’ Sandra Oh on joy, despair – and going viral with a euphoric dance
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Oscar-winning Palestinian says home in West Bank raided by Israeli soldiers
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From Spinal Tap II to Ed Sheeran : your complete entertainment guide to the week ahead
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Film festival premieres promise a history-making Oscars showdown
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Dau director Ilya Khrzhanovsky: my ‘pornographic propaganda’ recreating the USSR is more important than ever
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Swiped to Twiggy: the seven best films to watch on TV this week
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The Wrong Paris review – Netflix Bachelor romcom makes few right choices
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‘Hollywood has everything to do with the terrible state of the world’: Charlie Kaufman on AI, Eternal Sunshine and toothache
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Steven Spielberg reflects on Jaws at 50: ‘I thought my career was over’
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Eternity review – it’s a charming afterlife in high-concept love triangle comedy
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I’ve always wanted to be seen as ‘cool’, but it’s time to face the music: I am anything but | Eleanor Burnard
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Jared Harris: ‘Dad knocked out an Irishman then brought him round by throwing Guinness in his face’
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Daniel Day-Lewis says he ‘never intended to retire, really’
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Pépé le Moko review – mysterious and passionately despairing French noir with a luminous Jean Gabin
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Spinal Tap II: The End Continues review – rockers return for mockusequel of pin-sharp laughs and melancholy
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Post your questions for Nick Offerman
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The Fence review – Claire Denis stumbles with a grim and grating misfire
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‘Nobody can occupy your imagination’: From Ground Zero’s producer on documenting his native Palestine
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‘His team loved and revered him’: Harry Potter director David Yates pays tribute to production designer Stuart Craig
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James McAvoy reportedly assaulted in Toronto bar
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Holding Liat review – powerful study of a family torn apart by Hamas’ 7 October attacks
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Sovereign review – Nick Offerman v Dennis Quaid in rage-fuelled anti-government crime drama
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‘They told me what their bodies had lived through’: how Syrian vigilantes inspired new thriller Ghost Trail
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Deaf review – cinema as empathy machine as a deaf mother struggles with parenting issues
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Couture review – Angelina Jolie is the wrong fit for inert fashion drama
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Israeli film industry calls boycott pledge ‘deeply troubling’
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Nuns vs the Vatican: documentary alleges sexual abuse and misconduct in the Catholic church
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From Ground Zero: Stories From Gaza review – scenes of ordinary life in extremis
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Michael Caine comes out of retirement (again) for Vin Diesel sequel
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Stuart Craig, Oscar-winning production designer on The English Patient and Harry Potter, dies aged 83
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