Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
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‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
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The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
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Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
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‘Cosy competency porn’: why The Post is my feelgood movie
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Shoot the People review – a powerful portrait of a talented yet controversial photographer
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A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
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The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
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Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long | Tom Usher
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Burning flags, busty blondes and bison skulls: 48 photographs that capture America at 250
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Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?
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The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’
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‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex comedy The Invite
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‘A female Minion would be the beginning of the end’: Pierre Coffin on creepy memes, decoding Minionese and farting bananas
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Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity
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Birds of War review – war journalists find love among the ruins
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Lethal Weapon star Danny Glover reveals Alzheimer’s diagnosis
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The Guilty review – Russell Tovey is commanding in cop thriller that fills you with dread
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Spielberg’s Disclosure Day is making some wonder: will we have real disclosure soon? | Seth Shostak
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The best theatre to stream this month: all rise for Rosamund Pike’s Inter Alia
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‘Get away from there – run!’ The stunning film about love blossoming amid the carnage of Aleppo
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Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam
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Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan
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Minions & Monsters review – a smart premise descends into more of the same
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Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
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Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
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Why is Elon Musk boosting an anti-immigrant film loved by the far right? | Mehdi Hasan
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Michael Byrne obituary
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The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
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The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
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Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful
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Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror
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‘Genuinely changed my life’: why Groundhog Day is my feelgood movie
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The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk
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Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater
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I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’
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Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes
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Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears
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Watching Brokeback Mountain kept me in the closet
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O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
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‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime
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Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
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The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
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Pride review – solidarity between gay activists and miners in a magnificent musical
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Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
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Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell
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Puppy eyes, sad hair and a big boom box: John Cusack films – ranked!
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A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic
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Chris and Martina: The Final Set review – tennis titans discuss their deep bond and intense rivalry
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Marginalized for her ‘immense ambition’, the genius of director Elaine May is finally being recognized
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The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter
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Blue Heron review – sombre and sophisticated portrait of childhood trauma in 1990s Canada
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Bello! Why gen Alpha subconsciously speaks the language of the Minions
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Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters
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Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory
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Warriors come out to Broadway with Lin-Manuel Miranda musical
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The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy
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Hold the Fort review – gory goings-on at the neighbours association get-together
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Deja viewing: the return of the cheapo compilation film
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Quantum of Solace: a heartbroken James Bond is fuelled by rage in Daniel Craig’s most underrated 007 film
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You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook
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How to Live on Earth review – Benedict Cumberbatch exudes positivity in response to the climate crisis
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Sizzle reels: nine films to watch in a heatwave
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500 Miles review – kids hit the road to visit Irish grandad Bill Nighy in YA tearjerker
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‘Climate change is a form of oppression’: the voices affected most by environmental crisis
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The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror
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Self-doubt, burnout … and Taylor Swift: why Toy Story 5 is the ultimate millennial girl movie
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Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
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Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
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Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
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