Billy Crudup: ‘My celebrity crush? I got to marry her’
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The Guide #229: How an indie movie distributed by a lone gamer broke the US box office
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Austin Butler to play Lance Armstrong in big-screen biopic
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The Strangers: Chapter 3 review – pointless remake trilogy ends with a sputter
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Sales of Brontë’s Wuthering Heights skyrocket ahead of film adaptation
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Doctor Doom is Iron Man’s evil shadow? The most far-out fan theories about Avengers: Doomsday
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‘I’ve been advised not to say certain things’: The Secret Agent makers on Oscars, dictators and death threats
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Purr-fect casting: is Orangey the most important movie cat ever?
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‘I’m so co-o-old’: ahead of Wuthering Heights, the 20 best films with dreadful weather – ranked!
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Emerald Fennell hopes Wuthering Heights will ‘provoke a primal response’
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From Jay Kelly to Wicked 2: the Oscar-primed films that fizzled this season
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‘I don’t want to do the same thing over and over’: Stacy Martin on risky roles, tequila at the Oscars and her Jurassic Park dream
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Hamlet review – Riz Ahmed’s tortured prince drives chilling modern take through London’s streets
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Melania is a rubbish film. Of course the man who defunded the arts loves it
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Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom
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‘A god-tier new classic’: first reactions to Wuthering Heights praise ‘hot, horny’ Emerald Fennell adaptation
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V/H/S/Halloween review – plenty of grisly invention in latest helping of engaging horror anthology
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André Is an Idiot review – a riotously funny, painfully honest film about facing death
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The Stunt Man review – Peter O’Toole runs amok in a gleefully deranged Hollywood satire
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New home, new outlook? What’s next for the Sundance film festival?
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‘Playing a god became a safety net’: Chris Hemsworth opens up about Thor, money and his insecurities
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‘Crime is a disease. Meet the cure’: Sylvester Stallone’s self-serious cop movie is ludicrous fun
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I confessed a deplorable secret about motherhood to a friend – and it changed my life | Polly Hudson
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Ashes and Diamonds review – Poland faces bleak postwar realities in Andrzej Wajda’s 1958 masterpiece
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The Shepherd and the Bear review – two endangered species scrap for survival in the Pyrenees
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‘I was still black the next morning’: Halle Berry says Oscar win didn’t change her career
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‘It’s a fun cocktail!’: the Wooster Group’s head-spinning blend of high and low art
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Frontier Crucible review – Armie Hammer makes cautious acting return in talky, slow-burn western
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One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards
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The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy
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Melania debuts at No 29 at the UK box office
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The rise and rise of Australia’s cinematheques: ‘There’s just a particular magic’
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‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury
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Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror
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Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
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Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
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Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
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Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
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‘Endlessly quotable’: why Wayne’s World is my feelgood movie
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Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
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Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
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‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
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Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
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Catherine O’Hara obituary
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‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
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Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
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Melania review – Trump film is a gilded trash remake of The Zone of Interest
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Jayasree Kabir obituary
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Groundbreaking director Reginald Hudlin: ‘It’s taken a lot of effort but the reward is always worth it’
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Eggs, hats and unfettered ambition: what we learned about Melania Trump from her documentary
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Ṣọpẹ́ Dìrísù: ’If the west doesn’t say a film is good, that doesn’t mean it’s no good’
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One adult for the 9.40am in Sittingbourne: a front row seat for Melania’s ominous UK opening
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‘Begging my boyfriend to get one’: Paul Mescal inspires yet another fashion craze with Hamnet earring
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Reality winners: the rise and rise of the ‘verbatim’ movie
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‘Women hold our power in our orifices’: Kristen Stewart on her audacious feature directing debut
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Seized review – captivating documentary goes inside a shocking newspaper raid
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Undertone review – disappointing podcast horror is mostly skippable
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Sydney Sweeney threw bras around the Hollywood sign. I totally get it | Dave Schilling
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Nick Frost: ‘Tarantino has pictures of me in his cinema’
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Chasing Summer review – incoherent small-town comedy is a baffling car crash
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Why US cinemagoers are dressing as Jimmy Savile to see 28 Years Later: The Bone Temple
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Is This Thing On? review – funny is as funny does in Bradley Cooper’s John Bishop-inspired tale
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Paul Dano reacts to Tarantino criticism: ‘I was incredibly grateful that the world spoke up for me’
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See You When I See You review – familar Sundance-y grief comedy drama has its moments
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Are people really going to see Amazon’s $75m Melania documentary?
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Till DVD release do us part: how far will Margot Robbie and Jacob Elordi take their Wuthering Heights showmance?
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Hitchcock’s The Lodger has been turned into a vertical microdrama. What’s next – Psycho on Snapchat?
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‘This train isn’t going to stop’: shocking Sundance film shows promises and perils of AI
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Gail Daughtry and the Celebrity Sex Pass review – silly, scattershot Hollywood comedy
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‘I have Yes tattooed on my foot!’ Zoey Deutch on playing Jean Seberg in a joyous celebration of Godard classic Breathless
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