‘Kitty karma’? Jessie Buckley tries to claw back approval after enraging cat-lovers
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Ben Affleck sells his AI postproduction startup to Netflix
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From luxury ‘dupes’ to literary doubles: why doppelgangers are everywhere right now
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‘Did I just hear what I thought I heard?’: Sinners’ Delroy Lindo on Bafta N-word controversy
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‘Only Nazis ban books’: on the frontlines with students fighting Trump over higher education
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War Machine review – Netflix bravely asks: what if Predator but Transformers?
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Why Hamnet should win the best picture Oscar
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Hard Boiled review – John Woo’s outrageously explosive 1992 cop thriller is pure action mayhem
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‘Our bond is private. Some things have to stay between us’: Paolo Sorrentino and Toni Servillo on smoking, cinema and secrets
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The ‘Jim Carrey is a clone’ theory is absurd. Of course people believe it | Dave Schilling
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Chic couture, bio-terror and a whole load of Mike Leigh: Lesley Manville’s finest films – ranked!
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Mother’s Pride review – flat-cap populism and weak beer in Martin Clunes post-Brexit pub comedy
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Why Bugonia should win the best picture Oscar
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Breaking Social review – Rutger Bregman leads an irresistible rallying cry for global activism
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‘At first, she couldn’t come off the oxygen long enough’: the film that gives Marianne Faithfull one final thrilling performance
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The Bride! review – Jessie Buckley is electrifying as frizzy-haired, black-tongued monster’s wife
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Dolly review – six-foot mannequin terrorises camping couple in gory, trope-filled horror
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And the least likable character is … how Oscar season became dominated by difficult people
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Rise of the veavage: how one look came to rule the red carpet
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Outgunned review – action-thriller in Angola sees sadistic child-hunting gang out for revenge
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Why Sinners should win the best picture Oscar
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Play Dead review – an intriguing high-concept horror set in a murder basement holds its breath
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Flagship Harry Potter store to open on London’s Oxford Street
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Worldbreaker review – a big bear hug from Luke Evans in father-daughter sci-fi survival drama
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Baftas host Alan Cumming criticises BBC for ‘broadcasting slurs and censoring free speech’
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Alejandro González Iñárritu on his Amores Perros art show: ‘This is an anti-AI exhibition’
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Why Frankenstein should win the best picture Oscar
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The Last Kings of Hollywood by Paul Fischer review – the rise and reign of Spielberg, Lucas and Coppola
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Obex review – surreal Lynchian vibes in inventive retro gaming tribute
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‘What’s under my saucepans? Rage!’ Claire Foy, Andrew Garfield and cast on the set of The Magic Faraway Tree
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Evil Dead’s Bruce Campbell reveals he has cancer: ‘Fear not, I am a tough old son-of-a-bitch’
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‘I watched it endlessly as a teen’: why Mrs Doubtfire is my feelgood movie
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Why The Secret Agent should win the best picture Oscar
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Photophobia review – down in the Kharkiv rail tunnels with a 12-year-old as the bloodshed rages overhead
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‘You know when you’ve hit it – it’s a transformation’: Ruth E Carter on building the bold world of Sinners
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Macdo review – Mexican camcorder drama sees bickering siblings throw insults, telenovela style
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‘Some parents said they’d break my knees’: the teacher who exposed Putin’s primary school propaganda
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Christina Applegate on life with multiple sclerosis: ‘I won’t lie and say any of this is a blessing’
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Richard Eyre: ‘My biggest disappointment? At university in the 60s, I thought social justice was going to improve’
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Shia LaBeouf surrenders to New Orleans police after new warrant adds third battery charge
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A Spider-Man Universe without Spider-Man is completely pointless. Why won’t Sony sling him in?
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Scholar, seductress, alchemist: who was the real Cleopatra?
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‘I’ve never been so frightened’: the veteran reporter who turned his lens on the empty bedrooms of school shooting victims
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If the Berlin film festival ousts its director, there may be no way back
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Scream 7 review – nostalgic slasher sequel settles for solid over seminal
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‘Extremely low IQ and cries like a child’: Donald Trump renews attack on Robert De Niro
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‘It felt feral!’ The dance dynamo behind The Testament of Ann Lee’s sweat-soaked rituals
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In the Blink of an Eye review – Pixar director’s long-delayed sci-fi epic falls flat
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‘I really believe in revivals of Black work’: why a director brought back Chadwick Boseman’s play Deep Azure
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Marty Supreme’s ping-pong thrills grip but the theatre plot really smashes it | Chris Wiegand
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The Martini Shot review – Matthew Modine and a cast to die for can’t fathom an unholy mess
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Palestine Comedy Club review – roving performance collective finds light in darkness
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‘Tics are involuntary’: people with Tourette syndrome on Baftas outburst
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Fight the power – in your pyjamas: the film about the day Glasgow kicked out immigration enforcers
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Down with Love: Ewan McGregor and Renée Zellweger’s perfectly offbeat 60s fantasy
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The Bluff review – Priyanka Chopra Jonas fights dirty in grisly pirate action flick
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Molly vs the Machines review – a powerful story of love, loss and the dangers of social media
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God of Frogs review – less Kermit, more giant shapeshifting amphibian nightmare
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Crazy Old Lady review – Carmen Maura excels as a homicidal pensioner wielding a red hot poker
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‘I like the challenge’: French animator Florence Miailhe on being nominated for an Oscar for the first time aged 70
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Emily in Paris star Lily Collins to play Audrey Hepburn in film about Breakfast at Tiffany’s
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Kenneth Williams and racist attitudes | Brief letters
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It hurt when the N-word was shouted out at the Baftas – but we are also hearing it so much outside | Nadine White
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Award ceremonies can be anodyne – but Prince William’s Bafta moment broke through | Zoe Williams
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Nick Reiner pleads not guilty in his parents’ killings
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Letterboxd’s most eager reviewers are changing cinema etiquette: ‘I was excited to pull out my phone’
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Else review – pandemic-style horror has bad guys crawling out of the woodwork, literally
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With N-word incident, Bafta have shot themselves in the foot | Catherine Shoard
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Backlash mounts to Bafta N-word controversy as Jamie Foxx and Wendell Pierce criticise outburst
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‘A spiritual awakening’: why Con Air is my feelgood movie
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