Io Capitano review – chilling indictment of the refugee exploitation economy
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The Trouble With Jessica review – Shirley Henderson leads satire on London liberals
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Yannick review – Quentin Dupieux goes for laughs in absurdist theatre hijack comedy
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Louis Gossett Jr obituary
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‘I have not been living in the Himalayas!’ The return of Spirit of the Beehive director Víctor Erice
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‘We shot it in the murder capital of the world’ … how we made The Lost Boys
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Til Death Do Us Part review – bride fights back in matrimonial revenge action flick
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We 12 review – Cantopop boy band Mirror turn super-skilled crime fighters
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Oscar-winning director Ryûsuke Hamaguchi: ‘The world is full of mystery and absurdity’
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Three Women review – intimate snapshot of rural Ukraine before the invasion
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The Human Surge 3 review – hopeful odyssey of globe-trotting twentysomethings
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The best theatre to stream this month: Jekyll & Hyde, Daniel Kitson’s Tree and more
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Mothers’ Instinct review – Anne Hathaway and Jessica Chastain feud in heavy-handed Hitchcockian thriller
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Godzilla x Kong: The New Empire review – another bout of monster stupidity
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Drift review – quietly mesmerising Greek island refugee tale
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Disco Boy review – Franz Rogowski adds another dimension to intense French Foreign Legion drama
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‘I was so angry’: the man who inspired Oscar-nominated film recalls epic journey from Ivory Coast to Italy
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Eddie Marsan: ‘Mitch Winehouse was a loving father whose daughter was an addict’
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The Origin of Evil review – Laure Calamy shines in enjoyably pulpy, Highsmith-esque thriller
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‘Nothing beats making your friends laugh’: Lolly Adefope on the absurdity of fame, the trouble with Netflix – and saying goodbye to Ghosts
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Tilda Swinton’s other-worldly appeal, as reported in 1987
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On my radar: Alison Balsom’s cultural highlights
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The Sweet East review – defiantly obnoxious US coming-of-age movie
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‘I’d buy fish and hide it under kale’: the star vegan chef who developed a taste for liver
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Civil War film-maker Alex Garland: ‘In the US and UK there’s a lot to be very concerned about’
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Philippa Gregory: ‘I’m lazy domestically. I don’t do housework. My mother would have called me a slut’
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From Ripley to Beyoncé’s country album: a complete guide to this week’s entertainment
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Louis Gossett Jr: king of Hollywood’s strong, silent types, from Roots to The Color Purple
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Louis Gossett Jr – a life in pictures
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Where can Marvel take Tom Holland’s fourth Spider-Man film?
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Shirley Henderson: ‘I start off thinking: ‘How will I ever be able to do this?’
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Samantha Morton and Richard Russell on their new album: ‘We’re in the business of wellbeing’
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Godzilla x Kong: The New Empire review – breezy, forgettable monster sequel
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Bill Nighy: ‘I have danced naked in my front room, but you need shoes to really spin’
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Mary Poppins review – Disney’s entertainment sugar rush possesses thermonuclear brilliance
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Kung Fu Panda 4 review – Jack Black and Awkwafina in hurricane of slapstick more miss than hit
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‘This current phase sucks’: readers on fight to preserve DVDs and Blu-rays
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Kinds of Kindness: first trailer released for Yorgos Lanthimos and Emma Stone’s next film
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Tilda Swinton bedtime story among Cinema for Gaza auction lots
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Shock of the old: nine disturbing, disruptive and demonic clowns
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The Origin of Evil review – classy comedy-thriller with shades of Succession and Knives Out
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‘Chops, talent and charisma’: Pierce Brosnan backs Aaron Taylor-Johnson as James Bond
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The Bear is The Boss: Jeremy Allen White tipped to play Bruce Springsteen
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Silver Haze review – memory-haunted portrait of scarred, damaged lives
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‘There was unfinished business with Boys State’: inside the female follow-up to the hit film
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Mothers’ Instinct review – Anne Hathaway and Jessica Chastain in 60s-set operatic melodrama
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Shameless, silly and amoral: the new wave of horny lesbian cinema
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The film fans who refuse to surrender to streaming: ‘One day you’ll barter bread for our DVDs’
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‘A bygone world of glamour’: Hollywood and the age of couture – in pictures
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The Zone of Interest is a portrait of guilt. No wonder it has divided opinion in Germany | Fatma Aydemir
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The Sweet East review – high-school student’s eccentric road trip up and down the coast
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Opening Night review – Sheridan Smith’s boozy meltdown shakes up musical theatre
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‘Dalí’s were unfilmable’: the astonishing story of Hitchcock’s lost storyboards – found in a bric-a-brac sale
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STEVE! (martin) a documentary in 2 pieces review – intimate portrait of a comedy legend
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Wanted Man review – Dolph Lundgren goes south as racist cop on a mission in Mexico
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Steven Spielberg denounces antisemitism and makes first comments on Gaza
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Infamous Titanic floating door prop sells for $718,750
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Restore Point review – Czech Blade Runner is a valiant attempt to satisfy cyber-noir cravings
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Scarlett Johansson in talks to lead new Jurassic World movie
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John Carpenter on horror classic The Thing: ‘It was an enormous failure and I got fired’
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Little Eggs: A Frozen Rescue review – baby polar bear cartoon is charmless debacle
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Horror film Late Night With the Devil takes $666,666 on Sunday in the US
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George Lazenby backs Aaron Taylor-Johnson for Bond
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Sacha Baron Cohen denies Rebel Wilson’s claims of ‘asshole’ behaviour on set
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Celluloid Underground review – love letter to a lifelong passion for film and illicit treasure trove
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‘Unbought and unbossed’: the incredible, historic story of Shirley Chisholm
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Downstream to Kinshasa review – war survivors set sail on mission for reparations
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‘He was always voraciously watching’: Scorsese’s secret life as an obsessive VHS archivist
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Cidade Rabat review – elegant, subtle study of a daughter’s grief
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‘I’m kinder and more compassionate’: actor Greg Wise on men and grief
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