‘I get into trouble’: Gillian Anderson on being brave, her resting face and much anticipated book of sexual fantasies
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Robot Dreams review – bittersweet buddy movie is one of the best animations in recent years
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Isabelle Huppert: ‘I was never the woman behind the man… the only place I could take was the main place’
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‘Mum knew what was going on’: Brigitte Höss on living at Auschwitz, in the Zone of Interest family
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Free speech warriors take note, if film censors can move with the times, you can too | Martha Gill
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‘We said no to Elvis Presley sweat and James Dean condoms’: the agent making a killing from dead celebrities
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Imogen Poots: ‘I once asked a young woman if she had heard of Laura Marling. She replied: “I am Laura Marling”’
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Streaming: All of Us Strangers and the best films that revisit childhood
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From Ghostbusters: Frozen Empire to Renegade Nell – a complete guide to this week’s entertainment
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Can Alien: Romulus return the space saga to its chestbursting glory years?
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Barbie to Trainspotting: the seven best films to watch on TV this week
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William Shatner: ‘Good science fiction is humanity, moved into a different milieu’
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‘If you’re anointed tonight, you can be dumped on tomorrow’: Steve Martin on fame, failure and TV humiliation
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Jonathan Glazer’s Oscars speech resonates deeply | Letters
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‘Unimpeachable, irrefutable’: US playwright Tony Kushner praises Jonathan Glazer’s Oscars speech
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Furiosa: A Mad Max Saga set to premiere at Cannes
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‘I felt an urgent need for empathy’: the Iranian-American director uniting her two cultures in film
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Kind hearts, ladykillers and whisky galore: Ealing comedies – ranked!
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Freaknik: behind the wild party that became a cultural phenomenon
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M Emmet Walsh was both a mesmerising everyman and an indelible gargoyle. How I’ll miss those poached-egg eyes
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Kate Winslet, Sigourney Weaver and Zoe Saldana do underwater photoshoot for ocean conservation charity
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The Beautiful Game review – Bill Nighy leads line in Homeless World Cup heartwarmer
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Shirley review – Regina King rises above dutiful, by-the-numbers biopic
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Keoghan, Madden, James Martin: who should be James Bond, if Aaron Taylor-Johnson is out?
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Ghostbusters: Frozen Empire review – time to consign franchise to the spirit realm
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After Hours review – Martin Scorsese’s 1980s shaggy-dog story is a peculiar, potent film
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‘I’m still trying to recover’: Annie Potts on Ghostbusters, Toy Story – and the car crash that almost killed her
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‘There’s so much triumph’: how Anna May Wong broke new ground in Hollywood
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Immaculate review – Sydney Sweeney plays scream queen in gory nun horror
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The Persian Version review – Iranian-American family comedy cranks up the charm
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‘This is so weird’: the awkward truth about watching your parents have sex on screen
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Jenne Casarotto obituary
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Christopher Hobbs obituary
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‘We don’t need more small-penis energy’… Sharon Stone on why she swapped acting for art
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Our Son review – Billy Porter and Luke Evans are gay dads in poignant custody battle
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Jonathan Glazer: more than 450 Jewish creatives denounce Oscars speech in open letter
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Robot Dreams review – tender dog-and-robot love story set in old-school New York
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Eternal Sunshine of the Spotless Mind at 20: a love story that’s impossible to forget
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Christspiracy: The Spirituality Secret review – Jesus was a vegetarian and other entertaining tosh
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Motherboard review – enthralling smartphone self-portrait of family life
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Brightwood review – enterprising sci-fi horror sees jogging couple caught in a loop
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Sharing childhood faves with my kids has its ups and downs – but I know it takes them places Netflix or Disney won’t | Myke Bartlett
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Late Night With the Devil review – demonic talkshow channels horror of 1970s TV
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Lovely, Dark, and Deep review – compelling protagonist elevates gnarly, brooding horror
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Calvinia review – jarringly nostalgic look at a South African childhood
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Irish Wish review – no cliche is left unturned in lamentable Lindsay Lohan romcom
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Drive-Away Dolls review – Ethan Coen’s lesbian crime caper gets stuck in first gear
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‘You can’t always win in this industry’: Theo James
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Phantom Parrot review – eye-opening documentary about Orwellian surveillance in the UK
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The New Boy review – Cate Blanchett is a fixated nun in striking but slow Australian drama
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Monster review – multifaceted mystery from Hirokazu Kore-eda
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Sunday with David Harewood: ‘I sit with a sneaky beer, watching the world go by’
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Banel & Adama review – powerfully subversive Senegalese love story
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On my radar: Nicole Flattery’s cultural highlights
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Ava DuVernay: ‘I’ve got real big-sister energy’
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From Three Body Problem to Justin Timberlake: a complete guide to this week’s entertainment
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Cara Delevingne’s Los Angeles home reportedly destroyed by a fire
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Civil War review – Alex Garland’s immersive yet dispassionate war film
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Three decades after Priscilla, drag blooms in Alice Springs
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Jonathan Glazer’s Oscars speech condemned by Son of Saul director: ‘He should have stayed silent’
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The New Boy review – Cate Blanchett goes full wimple in the Australian outback
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Can a super-grungy The Batman sequel take the DC universe somewhere even darker?
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All of Us Strangers to Out of Sight: the seven best films to watch on TV this week
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Stars in disguise: behind the scenes with Gary Oldman, Jennifer Lopez and Jerry Lewis – in pictures
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Irish Wish review – Lindsay Lohan’s luck runs out in charmless romcom
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‘Those Friends people make $100m a year! I’m getting six-cent cheques! It’s not OK!’: Billy Porter on race, recognition and the Middle East
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‘So angry with God’: Regina King says she’s ‘a different person’ after son’s suicide
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Fast Charlie review – Pierce Brosnan in 90s-style thriller, complete with exploding doughnut
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‘A struggle for us all’: new film reveals light and shade of fight for Amazon
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Neil Morrissey: ‘Playing a woman was great. I had big hairy men flirting with me on set’
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