Speed at 30: the greatest action movie of the 1990s
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Unsung Hero review – real-life journey of Christian music migrants from Australia
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‘It wasn’t easy to be on camera’: Succession’s Hiam Abbass on reliving her departure from Palestine
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Birthday Girl review – Trine Dyrholm superb in mother-daughter cruise ship rape drama
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Runner-up: Observer/Anthony Burgess prize 2024 – Alice Hughes reviews Anatomy of a Fall
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The Dead Don’t Hurt review – Vicky Krieps is a woman of substance in Viggo Mortensen’s offbeat western
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Gremlins at 40: Joe Dante’s untamed classic is a love letter to chaos
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From Bad Boys to Charli XCX: a complete guide to this week’s entertainment
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Revealed: Otto by Otto review – nuanced portrait of a generational talent
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I Used to Be Funny review – Rachel Sennott can’t save messy PTSD drama
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Bringing sexy back: how Hollywood suddenly got horny again
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Has Venom: The Last Dance’s trailer drawn Spider-Man: No Way Home’s sting?
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The Great Escaper to Poolman: the seven best films to watch on TV this week
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The Watchers (AKA The Watched) review – M Night Shyamalan’s daughter tells us a silly old story
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‘I’ll never forgive or forget’ – Griffin Dunne on the darkness that overtook his gilded Hollywood upbringing
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Harry Hill: ‘I always thought I’d make a good serial killer’
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‘But you hated these clothes!’ The complicated history of ‘lesbian fashion’
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‘Show me the money!’ how unofficial merch is cashing in on movie quotes
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The Dead Don’t Hurt review | Peter Bradshaw's film of the week
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The Matrix review – barnstorming sci-fi still calling our reality into question
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Under Paris: Netflix has delivered one of the best shark movies ever made
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Food, Inc 2 review – second helping of broadsides against the food-industry crisis
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Janis Paige obituary
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Four Little Adults review – polyamory drama shows a Finnish couple working through their issues
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Johnny Depp to play Satan opposite Jeff Bridges as God in Terry Gilliam biblical comedy
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Maya Hawke is honest about her privilege. Why are other nepo babies so defensive? | Arwa Mahdawi
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Rosalie review – intriguing empowerment tale of a 19th century celebrity ‘bearded lady’
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King of the streamers: how Godzilla Minus One became a monster hit for Netflix
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Paul Schrader: cinema’s unfiltered, unsparing and uncompromised auteur
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Heart of an Oak review – 18 spectacular months in the life of an exquisite tree
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Peaky Blinders: ‘no-holds-barred’ movie given Netflix green light
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Bad Boys: Ride or Die review – Will Smith bromance goes big on Pointless Action Explosions
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The Day After Tomorrow at 20: a strangely prescient ecological warning
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Secret tunnels, a lost airport and TV’s original dummy – a guide to London’s best small museums
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The Prank review – silver screen legend Rita Moreno graces twisty high school comedy
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Press junkets are ‘torture’ says Lupita Nyong’o
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‘I felt self-conscious and ashamed’: Sienna Miller on tabloid intrusion – and why she can’t bear boho chic
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My National Gallery review – comforting celebration of the UK’s cherished art collection
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Where was African joy at Cannes or African humour at Sundance? The big film festivals need to look beyond stereotypes | Oris Aigbokhaevbolo
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‘It definitely got me a seat in therapy’: Diane Lane on child stardom, sleazy execs and thriving in her 50s
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Post your questions for Ken Jeong
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Mysterious Ways review – ex-con marries priest in well-meaning LGBTQ+ rights drama
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Gasoline Rainbow review – teens fight for the right to party
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Rock on, Shostakovich, Handel, Ravel: lives of great composers hit the screens
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A House in Jerusalem review – child-friendly but languid Israeli-Palestinian history lesson
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Hard Miles review – Matthew Modine stars in scenic cycling cliche-fest
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Sting review – spider horror with plenty of bite
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The Beast review – Léa Seydoux mesmerises in wildly ambitious sci-fi romance
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Rebel Wilson says idea only gay actors can play gay roles ‘is total nonsense’
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Young Woman and the Sea review – handsome if formulaic 1920s swimming biopic
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Maya Hawke: I’m OK with having a life I don’t deserve due to nepotism
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Once Upon a Time in America at 40: Sergio Leone’s brutal gangster epic endures
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Mark Kermode on… David Cronenberg, master of gore as a metaphor for our deepest anxieties
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From The Beast to The Acolyte: a complete guide to this week’s entertainment
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Why should Furiosa’s disappointing box office stop a new Mad Max movie?
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Hit Man to Bones and All: the seven best films to watch on TV this week
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Summer Camp review – Diane Keaton and pals reunite in so-so friendship comedy
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Paris theatre cancels Asterix star’s shows after sexual assault allegations
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‘People are looking to forgive him’: inside Will Smith’s carefully choreographed comeback
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Young Woman and the Sea review – Disney’s surface-level swimming biopic lacks depth
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Happy 94th birthday Clint Eastwood: his best films – ranked!
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A House in Jerusalem review – supernatural drama of Israeli-Palestinian history
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TV tonight: a rollicking return for the all-female Muslim punk band comedy
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‘These are chilling McCarthyist times’: Nan Goldin on her shame over Gaza – and the film that made people faint
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Trans actor Karla Sofía Gascón sues French far-right politician after ‘sexist insult’
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks
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The Girl in the Trunk review – claustrophobic car-boot kidnap thriller
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Ron Howard on Jim Henson: ‘You could see there was nothing to hide’
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New Life review – stripped-back virus thriller goes hard on bubo-popping horror
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Hard Miles review – Matthew Modine takes troubled teens on a 700-mile cycle marathon
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