Peaky Blinders: ‘no-holds-barred’ movie given Netflix green light
The Guardian
··
-
Older >
Source
Time
Score
-
-
Bad Boys: Ride or Die review – Will Smith bromance goes big on Pointless Action Explosions
The Guardian
··
-
The Day After Tomorrow at 20: a strangely prescient ecological warning
The Guardian
··
-
Secret tunnels, a lost airport and TV’s original dummy – a guide to London’s best small museums
The Guardian
··
-
The Prank review – silver screen legend Rita Moreno graces twisty high school comedy
The Guardian
··
-
Press junkets are ‘torture’ says Lupita Nyong’o
The Guardian
··
-
‘I felt self-conscious and ashamed’: Sienna Miller on tabloid intrusion – and why she can’t bear boho chic
The Guardian
··
-
My National Gallery review – comforting celebration of the UK’s cherished art collection
The Guardian
··
-
Where was African joy at Cannes or African humour at Sundance? The big film festivals need to look beyond stereotypes | Oris Aigbokhaevbolo
The Guardian
··
-
‘It definitely got me a seat in therapy’: Diane Lane on child stardom, sleazy execs and thriving in her 50s
The Guardian
··
-
Post your questions for Ken Jeong
The Guardian
··
-
Mysterious Ways review – ex-con marries priest in well-meaning LGBTQ+ rights drama
The Guardian
··
-
Gasoline Rainbow review – teens fight for the right to party
The Guardian
··
-
Rock on, Shostakovich, Handel, Ravel: lives of great composers hit the screens
The Guardian
··
-
A House in Jerusalem review – child-friendly but languid Israeli-Palestinian history lesson
The Guardian
··
-
Hard Miles review – Matthew Modine stars in scenic cycling cliche-fest
The Guardian
··
-
Sting review – spider horror with plenty of bite
The Guardian
··
-
The Beast review – Léa Seydoux mesmerises in wildly ambitious sci-fi romance
The Guardian
··
-
Rebel Wilson says idea only gay actors can play gay roles ‘is total nonsense’
The Guardian
··
-
Young Woman and the Sea review – handsome if formulaic 1920s swimming biopic
The Guardian
··
-
Maya Hawke: I’m OK with having a life I don’t deserve due to nepotism
The Guardian
··
-
Once Upon a Time in America at 40: Sergio Leone’s brutal gangster epic endures
The Guardian
··
-
Mark Kermode on… David Cronenberg, master of gore as a metaphor for our deepest anxieties
The Guardian
··
-
From The Beast to The Acolyte: a complete guide to this week’s entertainment
The Guardian
··
-
Why should Furiosa’s disappointing box office stop a new Mad Max movie?
The Guardian
··
-
Hit Man to Bones and All: the seven best films to watch on TV this week
The Guardian
··
-
Summer Camp review – Diane Keaton and pals reunite in so-so friendship comedy
The Guardian
··
-
Paris theatre cancels Asterix star’s shows after sexual assault allegations
The Guardian
··
-
‘People are looking to forgive him’: inside Will Smith’s carefully choreographed comeback
The Guardian
··
-
Young Woman and the Sea review – Disney’s surface-level swimming biopic lacks depth
The Guardian
··
-
Happy 94th birthday Clint Eastwood: his best films – ranked!
The Guardian
··
-
A House in Jerusalem review – supernatural drama of Israeli-Palestinian history
The Guardian
··
-
TV tonight: a rollicking return for the all-female Muslim punk band comedy
The Guardian
··
-
‘These are chilling McCarthyist times’: Nan Goldin on her shame over Gaza – and the film that made people faint
The Guardian
··
-
Trans actor Karla Sofía Gascón sues French far-right politician after ‘sexist insult’
The Guardian
··
-
Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks
The Guardian
··
-
The Girl in the Trunk review – claustrophobic car-boot kidnap thriller
The Guardian
··
-
Ron Howard on Jim Henson: ‘You could see there was nothing to hide’
The Guardian
··
-
New Life review – stripped-back virus thriller goes hard on bubo-popping horror
The Guardian
··
-
Hard Miles review – Matthew Modine takes troubled teens on a 700-mile cycle marathon
The Guardian
··
-
Albert Ruddy, The Godfather and Million Dollar Baby producer, dies at 94
The Guardian
··
-
‘The daddy of them all’: readers on their favourite movie franchises
The Guardian
··
-
Basketball court, home cinema – but no booby traps: Home Alone house on sale for $5.25m
The Guardian
··
-
Chief of Station review – perma-scowled Aaron Eckhart bids for Liam Neeson ‘geri-action’ market
The Guardian
··
-
‘We deeply regret the distress’: cinema apologises for Richard Dreyfuss comments at Jaws screening
The Guardian
··
-
Furiosa and Garfield fail to save US box office from worst Memorial Day since 1995
The Guardian
··
-
‘I can’t even see’: Judi Dench suggests retirement from acting due to blindness
The Guardian
··
-
Sim-ply unfilmable? Inside The Sims movie that never was
The Guardian
··
-
Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth
The Guardian
··
-
Morgan Spurlock obituary
The Guardian
··
-
Alien? Mission: Impossible? Toy Story? What is the greatest movie franchise ever?
The Guardian
··
-
Little Monsters review – infuriatingly awful family film is worse than AI
The Guardian
··
-
Ciné-Guerrillas/Non-Aligned: Scenes from the Labudović Reels review – thoughtful and worthwhile
The Guardian
··
-
Party like it’s 1999: 10 movies that encapsulate one of the greatest years for cinema
The Guardian
··
-
Tell That to the Winter Sea review – teenagers’ woozy, blushing tale of first love
The Guardian
··
-
Richard Sherman obituary
The Guardian
··
-
Slow review – terrific Lithuanian drama of an atypical romance
The Guardian
··
-
The Garfield Movie review – a fun and frantic feline adventure
The Guardian
··
-
Furiosa: A Mad Max Saga review – renegade warrior Anya Taylor-Joy ignites thunderous action prequel
The Guardian
··
-
Richard Sherman, songwriter for Mary Poppins and The Jungle Book, dies aged 95
The Guardian
··
-
Anora is a vivacious Cannes victor and a fitting end to a radically romantic festival
The Guardian
··
-
Anora, tale of a stripper who marries a Russian oligarch, wins Palme D’or at Cannes
The Guardian
··
-
‘Don’t be afraid’: exiled director Mohammad Rasoulof sends a message to Iranian cinema from Cannes
The Guardian
··
-
Cannes 2024 week two roundup – scuffles, screwballs and spellbinders
The Guardian
··
-
Super Size Me: the film that sounded a fast-food alarm in America
The Guardian
··
-
From Furiosa to We Are Lady Parts: a complete guide to this week’s entertainment
The Guardian
··
-
‘I was born to be a paparazzo’: Rino Barillari on royalty, the dolce vita era and his run-in with Depardieu
The Guardian
··
-
Cowboycore, Catherine Deneuve and Bella Hadid in vintage Versace: the Cannes red carpet part two
The Guardian
··
-
Super Size Me was a terrific cheeky stunt – small wonder Morgan Spurlock never matched it
The Guardian
··
-
The Seed of the Sacred Fig review – Mohammad Rasoulof’s arresting tale of violence and paranoia in Iran
The Guardian
··
