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Camouflage review – the dark past of Argentina’s dirty war detention centres
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Abigail review – Dan Stevens throws himself into gleefully gory kidnap horror
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What would cornered Trump do for Roy Cohn’s tough-guy dark arts now?
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If Only I Could Hibernate review – a teenager faces tough choices in chilly Mongolia
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‘He erased the entire project’ … the book Stanley Kubrick didn’t want anyone to read to be published
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Sometimes I Think About Dying review – Daisy Ridley excels as shy office worker in offbeat comedy
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Barbie, Bridgerton and billions of pounds: how streaming – and tax breaks – fuelled the UK’s ‘Brollywood’ screen boom
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So Sydney Sweeney’s not pretty and can’t act? Such insults by a woman play into men’s hands | Barbara Ellen
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Rule-breaker for the ages: why Caravaggio is our screen age’s art superstar
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Where do we draw the line on using AI in TV and film?
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Monopoly: the Movie? Pop culture has become a series of lukewarm adverts – and it’s all so very dull | Dan Hancox
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From Abigail to Taylor Swift: a complete guide to this week’s entertainment
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Priscilla, Queen of the Desert sequel in works with original cast, director confirms
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Can genre-buster Edgar Wright breathe new life into The Running Man?
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‘Why the silence? Why the inaction? It breaks my heart’: Malala and Jennifer Lawrence take on the Taliban
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Funny Pages to Phil Spector: the seven best films to watch on TV this week
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Rebel Moon – Part Two: The Scargiver review – Zack Snyder’s bombastically fun sequel
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Moving pictures: travelling cinema takes stories of ‘departures and dreams’ to Senegal
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Abigail review – Dracula’s daughter gets kidnapped in fun-sucking horror
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‘I’m practicing photographic justice’: Corky Lee’s portraits of Asian American life
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Martin Scorsese to revive Frank Sinatra biopic with Leonardo DiCaprio
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Happy 90th birthday, Shirley MacLaine: her 20 best films – ranked!
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‘David Lynch had to personally approve the screening’: the film clubs driving the celluloid revival
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‘The house was small, the life was big’: how Amy Winehouse’s homes were recreated for Back to Black
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The America depicted in Civil War is not half as alarming as the real one | Emma Brockes
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I Could Never Go Vegan review – cheerfully persuasive film about the plant-based lifestyle
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Quentin Tarantino scraps plans for his final film – reports
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The Ministry of Ungentlemanly Warfare review – Guy Ritchie’s fun wartime romp
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Swede Caroline review – marrow mockumentary is gourd for a laugh
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All You Need Is Death review – Irish horror finds evil in taboo folk ballad recording
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Forget Back to Black. Here are eight great fake music biopics
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If Only I Could Hibernate review – Mongolian maths whiz aims to escape biting cold
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Butterfly Tale review – kids insect story wants to take long trip south to Mexico
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Peter Jackson to release restored version of Beatles’ 1970 documentary Let It Be on Disney+
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The Titanic drug poisoning: is one of the greatest mysteries in film history about to be solved?
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Beyond the Raging Sea review – cross-Atlantic rowing race likened to refugees’ ordeal
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Post your questions for Bryce Dallas Howard
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Fantastic Machine review – whirlwind history shows how cameras dazzle and deceive us
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Max Beyond review – game tie-in with green-eyed kid jumping realities in search of brother
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Grace review – monumentally odd father-daughter odyssey via mobile cinema
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Rust film armorer sentenced to 18 months in prison for fatal on-set shooting
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A Tarzan deathtrap and an 80ft Goofy: prepare for your tour of scrapped Disneyland rides
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Civil War is an empty B-movie masquerading as something of substance | Charles Bramesco
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May the fizz be with you: how a $10 Chilean beer ad took on Star Wars
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John Singer Sargent: Fashion & Swagger review – exploring the artist’s work in style
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The Guide #134: Civil War is latest example of Hollywood’s love affair with journalism
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It Runs in the Family review – heartfelt tribute from one film-maker to another
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‘We’re the last bastion of rental’: the video stores resisting the rise of streaming
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There’s no such thing as a benign beef farm – so beware the ‘eco-friendly’ new film straight out of a storybook | George Monbiot
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In Short, Europe: Best of Best review – heady celebration of European short film-making
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Amadeus, Elgar, a bogus gold disc and Goldie Hawn: Neville Marriner’s best recordings
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Life without Bruce and Brandon: Shannon Lee on losing her superstar father and brother
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Back to Black review – wildly uneven portrait of Amy Winehouse
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Bleeding Love review – Ewan and Carla McGregor star in listless father-daughter drama
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Opponent review – impressive drama about an Iranian refugee in limbo in Sweden
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‘I did all the things an actor shouldn’t’: Bridgerton’s Claudia Jessie on class, big breaks – and houseboats
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Civil War review – Alex Garland’s chilling dystopian thriller of journalists in a conflict-riven US
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On my radar: Katherine Ryan’s cultural highlights
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Indira Varma: ‘The worst thing anyone’s said to me? Go back to where you came from’
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From Scoop to Civil War: why is it so hard to portray journalism on screen?
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Streaming: The Taste of Things and the best films about food
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From Back to Black to Blue Lights: a complete guide to this week’s entertainment
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Eleanor Coppola, Emmy award winning director, dies aged 87
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The Guardian view on Bridget Jones and Tom Ripley: characters that speak across time | Editorial
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Challengers review – Zendaya aces uproariously sexy tennis-set love triangle
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The Monopoly movie is coming, but not everyone is happy about it | Fiona Katauskas
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Can Joker: Folie à Deux avoid becoming like any other comic book movie?
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After 101 years – and a $20 find at a yard sale – Clara Bow’s lost film premieres
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Nicola Peltz Beckham, a billionaire’s daughter, made a movie about abject poverty. It’s as bad as you think | Kady Ruth Ashcraft
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