The Long Wave: Christmas celebrations across the diaspora
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‘To me, to uzi’: why Paul Chuckle as a gangster isn’t such a dramatic career change
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Best films of 2024 in the UK: No 3 – The Zone of Interest
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Wallace & Gromit: Vengeance Most Fowl review – an unmissable, ingenious Christmas treat
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Mufasa: The Lion King review – storytelling takes pride of place in punchy origin tale
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Christmas is all around! The great festive film guide 2024
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Richard E Grant’s renaissance is a pleasure to watch – and it all began with Withnail and I
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Marisa Paredes, Almodóvar star and legend of Spanish cinema, dies aged 78
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‘Without a voice, she had no self’: who was the real Maria Callas?
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Dolphin Boy review – human baby lives under the sea in watery kids animation
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Standing Up review – autism gets sappy treatment in didactic family road movie
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‘Yes, I condemn murder’: Michael Moore responds to Luigi Mangione’s manifesto
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Carry-On up the cockpit: we’ve got it in for the title of Netflix’s new airplane thriller
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Tortured by an earworm? How to get it out of your head
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Post your questions for Mischa Barton
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Lisa Kudrow says Tom Hanks movie Here is ‘an endorsement for AI’
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Dead Birds Flying High review – intriguing naturalist portrait swerves the Nazi question
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German position on Israel-Gaza debate ‘putting artists off’ film festival
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‘A strangely forceful hold on me’: why Burlesque is my feelgood movie
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Best films of 2024 in the UK: No 5 – Anora
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‘Uptown Funk makes me want to move, it makes me happy’: Lorraine Bracco’s honest playlist
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Guy Pearce says he was blocked from working with Christopher Nolan by Warner Bros
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On Becoming a Guinea Fowl review – dizzyingly creative Zambian funeral comedy drama
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Jude Law: ‘The persona built on stuff written about me is not me, it’s this other guy’
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‘Trump has been explicit about revenge’: Asif Kapadia on his new film about the threat to democracy
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Nightbitch review – Amy Adams carries frustrating mum-on-the-edge comedy drama
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Aaron Pierre: ‘There wasn’t one day filming Rebel Ridge that I didn’t have a bruise or a cut’
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Dune at 40: David Lynch’s oddball adaptation remains a fascination
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From Queer to Snoop Dogg: a complete guide to this week’s entertainment in the UK
The Guardian
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What The Rock’s big box office bomb tells us about our needs and desires at Christmas
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Carry-On review – Taron Egerton channels Kenneth Connor in misleadingly titled Netflix thriller
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The style evolution of Daniel Craig: from basic to Bond to high-fashion chaos – in pictures
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End of an Eras era: what’s next for Taylor Swift?
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September 5 review – taut media procedural revisits Munich Olympics
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‘Fame is a drug like LSD’: Robbie Williams on success, sexuality and his simian movie alter ego
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Fainting, fighting and folk-horror: Florence Pugh’s best films – ranked!
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‘Can we show someone being shot?’: the tense true story behind September 5
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Kraven the Hunter review – Russell Crowe busts up laborious superhero yarn
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‘Sexuality is as individual as a fingerprint’: Daniel Craig and Luca Guadagnino on Queer
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Sundance 2025: Olivia Colman, Jennifer Lopez and Josh O’Connor lead lineup
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Emaciated zombie in 28 Years Later is not Cillian Murphy, sources confirm
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‘They wouldn’t do this to Shakespeare’: the pioneers of postmodern architecture, as seen by their son
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Elton John: Never Too Late review – few surprises but plenty of joy in official life story
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Jim Carrey came out of retirement for Sonic the Hedgehog 3 because he ‘needed the money’
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Paul Mescal to star in Beatles film, Ridley Scott appears to confirm
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From Roger Moore With Love review – the amazing life of the louchest Bond
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The Bibi Files review – tapes and testimony expose paranoia and petulance of Netanyahu family
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Sujo review – Mexican coming-of-age drama in the shadow of a cartel killing
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Meet the Parents sequel in development with original cast set to return
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Boy eats girl: horror comedy Fresh really is worth a second helping
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The Universal Theory review – chilly German sci-fi noir splices genres with style
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‘I don’t remember 20 days’: Jamie Foxx says he had ‘brain bleed which led to a stroke’
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The Lord of the Rings: The War of the Rohirrim review – redundant, flavourless animation
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So This Is Christmas review – most wonderful time of the year in a small Irish town
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Is Kraven the Hunter the last chance for Sony’s Spider-Man universe?
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Scrap review – Vivian Kerr’s subtle performance as flawed single mum comes up trumps
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Golden Globes 2025: a lively list guaranteed to get under President-elect Trump’s skin
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Why Anthony Hopkins’ Netflix Herod is Hot Frosty 2 – sort of
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Golden Globes 2025: Emilia Pérez scores 10 nominations as Kate Winslet, Selena Gomez and Sebastian Stan each take two
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‘It is quite creepy’: Keira Knightley flagged ‘stalkerish’ aspects while shooting Love Actually
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Between the Lights review – a truly madly deeply felt love story that transcends time
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Biden and Harris attend Washington awards ceremony in one of their last major appearances together
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‘No shortage of comforts’: why Head of State is my feelgood movie
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Alice Doesn’t Live Here Anymore at 50: Scorsese’s low-key, high-impact 70s drama
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Simona Kossak review – smartly sharp biopic of pioneering Polish ecologist
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The 50 best films of 2024 in the UK: 50-11
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Kapr Code review – operatic retelling of composer Jan Kapr’s turbulent life
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Mike Leigh and Marianne Jean-Baptiste on rage, sex and insults: ‘There’s an intolerance in society now’
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Barry Keoghan hits back at ‘inhumane’ abuse and harassment of his family: ‘I can only take so much’
The Guardian
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Dorothy’s Wizard of Oz ruby slippers sell for record-breaking $28m at auction
The Guardian
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