‘Civil rights fight of our time’: new film explores the battle over US libraries
The Guardian
··
-
Older >
Source
Time
Score
-
-
Oh, Hi! review – promising romantic comedy takes awkward turn into farce
The Guardian
··
-
Kiss of the Spider Woman review – Jennifer Lopez dazzles in unsteady musical
The Guardian
··
-
Is assisted dying a ‘clear and present danger’ to people with disabilities? New US film asks tough questions
The Guardian
··
-
Elevation review – high-altitude monster thriller offers twist on the Quiet Place formula
The Guardian
··
-
‘Wonderfully sentimental’: why Defending Your Life is my feelgood movie
The Guardian
··
-
Anqa review – women in Jordan share harrowing testimony of their abuse
The Guardian
··
-
Intimacy coordinators say Blake Lively’s legal dispute shows need for their role
The Guardian
··
-
Cynthia Erivo on fame, fear and not fitting in: ‘I’ve never talked about how tough my journey has been’
The Guardian
··
-
‘Uncomfortable truths’: controversial film challenges authorship of famous photo
The Guardian
··
-
The Thing with Feathers review – Benedict Cumberbatch’s grief horror falls apart
The Guardian
··
-
Flight Risk review – Mel Gibson’s airborne thriller is a B-movie blast
The Guardian
··
-
Sukkwan Island review – a survival drama takes an ill-advised left-turn
The Guardian
··
-
Rabbit Trap review – Dev Patel gets lost in the woods in messy folk horror
The Guardian
··
-
Sunray: Fallen Solder review – brutal, bloated British action movie falls flat
The Guardian
··
-
New accents: the company reshaping Brazilian film by showing ‘ordinary’ life
The Guardian
··
-
The Brutalist review – Brady Corbet’s audacious architecture drama is a monumental achievement
The Guardian
··
-
All That’s Left of You review – deeply moving epic of Palestinian intergenerational trauma
The Guardian
··
-
Mr Nobody Against Putin review – a teacher fights back in a powerful documentary
The Guardian
··
-
‘There just aren’t words to explain’: Jeff Buckley documentary brings tears to Sundance
The Guardian
··
-
‘Bold and fresh’: why Hollywood has gone crazy for gruesome, full-blown fairytales
The Guardian
··
-
The ‘house next door’: Rudolf Höss's villa opens to honour Auschwitz victims
The Guardian
··
-
Naomi Watts on movies, midlife and menopause: ‘You are hot, and then you are not’
The Guardian
··
-
Felicity Jones: ‘I try not to look in the mirror too much’
The Guardian
··
-
‘I was 25 and done with playing a teenager’: Asa Butterfield on Sex Education, stage fright and his ‘terrifying’ one-man play
The Guardian
··
-
Streaming: Gladiator II and the best sword-and-sandal movies
The Guardian
··
-
From The Brutalist to FKA twigs: a complete guide to this week’s entertainment in the UK
The Guardian
··
-
If I Had Legs I’d Kick You review – Rose Byrne is a knockout in anxious dark comedy
The Guardian
··
-
Omaha review – John Magaro leads lean but affecting family drama
The Guardian
··
-
‘Stick-it-to-the-man sentiment’: Oscar-nominated films compete to bait Donald Trump
The Guardian
··
-
Jimpa review – Olivia Colman soars in otherwise muddled queer family drama
The Guardian
··
-
‘Everything is trying to kill you’: harrowing Ukraine film gets standing ovation at Sundance
The Guardian
··
-
Twinless review – dark, inventive comedy takes an unexpected path
The Guardian
··
-
Saudi Arabia asks Hans Zimmer to rework national anthem
The Guardian
··
-
Ryan Gosling for Star Wars? It may be the end of the franchise as we know it
The Guardian
··
-
Furiosa: A Mad Max Saga to Star Trek: Section 31 – the seven best films to watch on TV this week
The Guardian
··
-
‘Her face is a marvel!’: Vanessa Redgrave’s 20 best films – ranked!
The Guardian
··
-
Flight Risk review – Mel Gibson serves up white-knuckle fun in airplane suspense thriller
The Guardian
··
-
Nosferatu’s Robert Eggers to direct sequel to 1986’s Labyrinth
The Guardian
··
-
Oscars groupthink pushes Emilia Pérez, the weakest nominee, to a record-breaking lead | Peter Bradshaw
The Guardian
··
-
Tell us: who is your pick to win at the Oscars 2025?
The Guardian
··
-
Sundance 2025: the 10 films not to miss at this year’s festival
The Guardian
··
-
Iranian Oscar nominee Mohammad Rasoulof: ‘After my arrest, I told myself: don’t hold back’
The Guardian
··
-
Oscars nominations 2025: Emilia Pérez breaks record with 13 as The Brutalist and Wicked both trail with 10
The Guardian
··
-
What do I want from a film? An ending, not a surprise cliffhanger | Joel Snape
The Guardian
··
-
‘I was careful not to exploit the tears or the drama’: the director of Oscar-tipped Once Upon a Time in Ukraine on her powerful documentary
The Guardian
··
-
An oral history of Twin Peaks by its unforgettable stars: ‘I put my waitress uniform on and began bawling’
The Guardian
··
-
Academy says Oscars will go on as planned and ‘honor’ LA amid fires
The Guardian
··
-
‘He made me feel I didn’t need to fit in’: readers’ tributes to David Lynch – and their most Lynchian photograph
The Guardian
··
-
Calamity Jane review – mighty pretty music but this western could be wilder
The Guardian
··
-
‘I will fall over’: Judi Dench says worsening eyesight means she can’t go out alone
The Guardian
··
-
I’m just Kenobe: Ryan Gosling set to join Star Wars franchise in as-yet-untitled movie
The Guardian
··
-
Presence review – Soderbergh’s ghost’s-eye movie plays it cool with an unhappy family
The Guardian
··
-
Rave on for the Avon review – Bristol wild swimmers lead a joyful protest campaign
The Guardian
··
-
TV tonight: cancel all plans – it’s the final week of The Traitors
The Guardian
··
-
Controversial French director Bertrand Blier dies at age 85
The Guardian
··
-
‘The hair, the voice, the casual cruelty – they nailed it!’ Bob Dylan experts rate A Complete Unknown
The Guardian
··
-
Broadway biopic and film with Jessica Chastain among Berlinale highlights
The Guardian
··
-
Vomiting! Fainting! Heart attacks! How dangerous can it be to watch a movie?
The Guardian
··
-
Up the River With Acid review – intimate, abstract portrait of a father’s dementia
The Guardian
··
-
Into the Deep review – Richard Dreyfuss brings the meaning to smugglers v sharks thriller
The Guardian
··
-
Are you being watched? Soderbergh’s ghost voyeur movie taps strange truths
The Guardian
··
-
Grafted review – Face/Off-style skin-graft horror has layers of punky attitude
The Guardian
··
-
The Brutalist and Emilia Perez’s voice-cloning controversies make AI the new awards season battleground
The Guardian
··
-
Oscar buzz and genre snubs: will the Academy finally give sci-fi, fantasy and horror their due?
The Guardian
··
-
Sunray: Fallen Soldier review – staple guns pressed into service in brutal payback thriller
The Guardian
··
-
‘An unmitigated joy’: why Married to the Mob is my feelgood movie
The Guardian
··
-
Share your tributes and memories of David Lynch – and your most Lynchian photograph
The Guardian
··
-
Mother Father Sister Brother Frank review – frantic night of murder, mayhem and family bonding
The Guardian
··
-
Moving pictures: comics and animation exhibition showcases stories of migration
The Guardian
··
