Hope review – non-stop gonzo alien battling is top-quality entertainment
The Guardian
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‘The film humanised Russians at a time when Rambo was killing them’: how we made Letter to Brezhnev
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By offering all Emilys a free medium Coke per ticket, Showcase Cinemas prove their commitment to drama
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Tribe review – compelling, unsettling search for a lost sect in the California mountains
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‘A lot of people don’t think I can act’: Wallace Shawn on Hollywood, therapy and speaking out on Palestine
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Woken review – shonky post-apocalyptic horror sends an amnesiac into the plague zone
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‘An antidote to all things stressful’: why Stardust is my feelgood movie
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Voidance review – very British sci-fi movie is like Miss Marple with a space blaster
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Relentless Memory review – a vital oral history of the plight of the Mapuche people
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‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy
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Cate Blanchett says #MeToo ‘got killed very quickly’ in Hollywood
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Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction
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Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan
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Moulin review – László Nemes’s resistance hero drama is chilling, stirring and surprisingly conventional
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Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga
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The Beloved review – Javier Bardem turns in a career-scariest performance
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Harlem Renaissance documentary finally gets global premiere 50 years after cameras rolled
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Clarissa review – Sophie Okonedo mesmeric as Virginia Woolf’s Mrs Dalloway decamps to Nigeria
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Propeller One-Way Night Coach review - John Travolta family plane fantasy is a short-haul joyride
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‘It looked like Star Wars on Earth’: the making of Top Gun at 40
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‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master
The Guardian
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Capes, crinkles and couture: the best red carpet looks from the Cannes film festival – in pictures
The Guardian
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Gentle Monster review – disquieting drama about two women facing the truth about the men they love
The Guardian
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Schemes and strategies for scattering ashes | Letter
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Cantona review - Beckham and Ferguson keen defenders as Eric gnomically quotes Baudelaire
The Guardian
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‘Extremely cruel and tragic’: Iranian director Asghar Farhadi speaks out against state violence and the war
The Guardian
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In the Grey review – Guy Ritchie’s bizarrely buried action caper is a blast
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Erling Haaland to make film acting debut – as a Viking called Haaland
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A year in hospital and 90% lung damage: how Andrey Zvyagintsev came back from Covid to Cannes
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‘The nuance of being a Black woman in America’: Is God Is turns righteous rage into gory horror
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Swindon is not enough – every new housing estate deserves a Dench Close
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Are you sitting uncomfortably? How Backrooms upended the horror movie
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Parallel Tales review – Isabelle Huppert pens furtive sexual fantasy for Vincent Cassel in Asghar Farhadi’s latest
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Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return
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Hannah Einbinder: cost of not speaking out on Palestine is greater than losing career
The Guardian
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‘It’s a distraction-free zone’: Gen Z on why they love going to the movies
The Guardian
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Is God Is review – fiery revenge thriller flies from stage to screen
The Guardian
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Top Gun review – now impossible to view Tom Cruise’s testosterone-swamped film without affection
The Guardian
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Post your questions for Tom Hanks and the cast of Toy Story 5
The Guardian
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Spit, vomit and a banned baby: Cannes controversies – ranked!
The Guardian
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Space Jam review – Michael Jordan’s 90s merch-hocking basketball blockbuster rises again
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Anderson juices up the vibes for Dior with spotlight on Hollywood
The Guardian
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‘There are no rules’: spotlight on Gossip Goblin as AI film-making enters new era
The Guardian
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‘I never thought people might feel threatened by us’: YouTuber Curry Barker on his big horror ascent
The Guardian
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Teenage Sex and Death at Camp Miasma review – Gillian Anderson superb in queer slasher spectacular
The Guardian
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The Christophers review – Ian McKellen and Michaela Coel are the double act of the year
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‘Do you want all the scenes to be penetrative?’: how working with an intimacy coordinator made my film better
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‘There was a lot of addiction and trauma in my family’: why Drag Race winner Jinkx Monsoon plays a perfect Judy Garland
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LifeHack review – old-school heist movie updated for the meme age
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A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair
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Butterfly Jam review – Barry Keoghan can’t save this New Jersey misstep
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The Devil Wears Prada sold me the journalism fantasy. The sequel captures the unglamorous reality | Patrick Lenton
The Guardian
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‘It screws with your mind’: Jennie Garth on 90210 fame in her 20s – and speeding up in her 50s
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Carla Simón: ‘In Spain people use words like shame and blame. But my parents just had bad luck‘
The Guardian
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Normal review – Fargo meets The Firm in cheerfully weird Bob Odenkirk small-town thriller
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Killer Whale review – watery peril horror turns captive orca into angry BFF-threatener
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Cannes is a beautiful, gruelling circus. I wouldn’t quit it for anything | Agnès Poirier
The Guardian
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The Electric Kiss review – belle époque seance comedy struggles to summon real magic
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Film industry cannot fight rise of artificial intelligence, says Demi Moore
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Matching Gary Oldman’s Krapp with a teenager’s take on Godot is a masterstroke
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Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning
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Sunset Boulevard: The Backstage Cut review – does Norma Desmond really need another closeup?
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Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
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The Mysterious Gaze of the Flamingo review – haunting queer fable burns with love and menace
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‘I told him, “Go ahead, do it”’: Juliette Binoche on how a strangling attack as a teen inspired her directorial debut
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‘Treats its audience like adults’: why Moneyball is my feelgood movie
The Guardian
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Fade to black: inside grand abandoned cinemas in the US and Canada
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‘Forced to preserve a monument’: how the fate of Marilyn Monroe’s LA home became a legal saga
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‘Amazon of America’: film paints vision of a post-coup Brazil giving up rainforest
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Away from the red carpet, the ‘flashy, jazzy and tacky’ descend on Cannes – photo essay
The Guardian
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