Becoming Led Zeppelin to The Pickup: the seven best films to watch on TV this week
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Eight Postcards from Utopia review – found-footage fever dream of post-Ceauşescu Romania
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‘Nobody believes in the future any more’: Adam Curtis and Ari Aster on how to wake up from the post-truth nightmare
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Drink it up! All 21 Daniel Day-Lewis films – ranked
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‘Aggressively provocative’: test screening of Saltburn director’s Wuthering Heights gets mixed reaction
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The Rise and Fall of the Clash Redux review – screen encore for punk’s raging heroes
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Former Superman actor Dean Cain reveals he’s becoming an Ice agent to support Trump’s mass deportation agenda
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How did a new War of the Worlds movie get a 0% critical rating?
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Weapons review – Zach Cregger’s slick Barbarian follow-up is a bumpy ride
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Mubi film distributor faces backlash over investor’s ties to Israeli military
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‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza
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Grease: The Immersive Movie Musical review – party like it’s 1959
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Dirty Work review – a jolly holiday with Mary Floppins
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Francis Ford Coppola in hospital in Rome for ‘scheduled’ procedure
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Spike Lee, Adam McKay and over 2,000 writers decry Trump’s ‘un-American’ actions in open letter
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First Blood: Rambo’s first outing is a surprisingly poignant comment on masculinity
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Sydney Sweeney: the Hollywood up-and-comer who started a culture war
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The Pickup review – Eddie Murphy’s heinous new comedy is worse than Norbit
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Jeans, controversy, used bathwater: Sydney Sweeney’s selling it all. A showbiz masterclass, if you ask me | Marina Hyde
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‘I can’t get mad at anyone who tells me I’m a genius’: original Naked Gun director softens response to reboot
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‘I couldn’t get rid of Finchy’: Ralph Ineson on The Office – and becoming a Hollywood superstar at 55
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Marlee Matlin: Not Alone Anymore review – stirring study of activism and adversity of a deaf icon
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Can’t Look Away review – a harrowing, heartbreaking indictment of social media’s ruthlessness
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‘Children are entering a hellscape’: the terrifying film about grieving parents taking on social media giants
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The Kingdom review – an intensely exciting and absorbing mob drama
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Viet and Nam review – hallucinatory love story feels the pain of a nation
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‘Unmistakable gentleness’: why Pig is my feelgood movie
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Young Hearts review – arrival of dishy teen neighbour sparks queer first love story
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The Mountains review – a beautiful portrait of a family’s attempt to process a tragedy
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‘Everybody’s starved of affection’: Past Lives director Celine Song on the brutal dating scene and her realistic new romcom
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Teresa Palmer: ‘What’s the strangest thing in my fridge? Oh my God – there is slime’
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From The Naked Gun to Wednesday: your complete entertainment guide to the week ahead
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Excelling in … Excel? Inside the high-stakes, secretive world of competitive spreadsheeting
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Pet Shop Boys, freaks and witches: the strange genius of Jack Bond and Jane Arden
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My Oxford Year review – so-so Netflix romance trades on anglophilia
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A particular set of skills: how Liam Neeson went from ‘master actor’ to deadpan Naked Gun spoofery
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There are no new superhero movies for the next six months – is Hollywood up to something?
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The Room Next Door to Cairo Conspiracy: the seven best films to watch on TV this week
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The enduring brilliance of Peter Sellers: ‘There’s never been a better comic actor’
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TV tonight: Alison Steadman has trouble with a giant jar of gherkins
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Peaky Blinders creator Steven Knight set to write next James Bond movie
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Jeremy Strong eyed to play Mark Zuckerberg in The Social Network sequel
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How KPop Demon Hunters became the surprise Netflix smash of the summer
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Guy Pearce: ‘I don’t think I’ll look as good in a frock as I did when I was 25’
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From Zooey Deschanel to Captain Kirk doing Dylan: the best songs by actors, ranked!
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The return of the spoof: can comedy’s silliest subgenre make a comeback?
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‘It’s the best monster ever invented’: Noah Hawley on bringing Ridley Scott’s Alien to TV
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‘Everybody was fondling underwater!’: an oral history of the Rocky Horror Picture Show at 50
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The Naked Gun review – Liam Neeson deadpans impeccably in outrageously amusing spoof reboot
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My Beautiful Laundrette review – landmark critique of Thatcher’s Britain with a larky Ealing air
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Superhero movies are hits again – but can DC and Marvel avoid the same mistakes?
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Bring Her Back review – Philippou brothers bring all manner of scares to creepy custody battle
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2000 Meters to Andriivka review – war in Ukraine as an eerie, pin-sharp waking nightmare
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My Best Friend’s Wedding 2: Celine Song to write sequel to hit comedy
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By the 30s, Katharine Hepburn was box office poison. Then she made The Philadelphia Story
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The shocking hit film about overworked nurses that’s causing alarm across Europe
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CatVideoFest: how clips of cute kitties spawned a million-dollar movie franchise
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Dogspiracy review – sincerity of activists is palpable in film that takes aim at puppy farming
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Savages review – indigenous teen and baby orangutan take on developers in Borneo
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Late Shift review – pressure is on in badly understaffed hospital as compassion shines through
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‘Mum, I can’t think straight any more’: the mother who filmed her son’s entire childhood
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The Fantastic Four: First Steps – the best origins movie Marvel has made in years? Discuss with spoilers
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40 Acres review – Danielle Deadwyler is driving heart of post-apocalyptic home-invasion horror
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Christopher Nolan criticised for filming in occupied Western Sahara city
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Meet the new James Bond: how 007 First Light earned its licence to thrill
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‘Always provided a release’: why Aliens is my feelgood movie
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My Worst Enemy review – Iranian exile recreates torture and interrogation in study of regime power
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Heidi: Rescue of the Lynx review – baby lynx is extra ingredient in new version of classic Alpine yarn
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Bend It Like Beckham follow-up in pipeline more than 20 years after original film was released
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Ciarán Hinds: ‘Who is my celebrity crush? Penélope Cruz and Javier Bardem’
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