‘A long time coming’: table tennis world hails Marty Supreme-fueled boom
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The Guide #227: A brain-melting sci-fi movie marathon, curated by Britain’s best cult film-maker
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Extra Geography review – a sweet and spiky coming-of-age debut
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Buddy review – high-concept horror misfire dares to wonder: what if Barney killed kids?
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The History of Concrete review – John Wilson’s first movie is an absurd triumph
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‘Everybody’s at each other’s throats’: James Cameron says he has left the US permanently
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‘I have the power!‘: Is the new He-Man film taking itself too seriously again?
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‘I can understand being brought to your knees’: Amanda Seyfried on obsession, devotion and the joy of socks
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Carousel review – Chris Pine and Jenny Slate are lost in static romance drama
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Ryan Coogler’s Sinners has administered an almighty smackdown to critical favourites One Battle and Hamnet
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It’s already yesterday again: the 20 best time-loop movies – ranked!
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Sundance 2026: the 10 films not to miss at this year’s festival
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Scarlett Johansson and Cate Blanchett back campaign accusing AI firms of theft
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Sinners becomes first film in history to earn 16 Oscar nominations
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Top of the props: meet the unsung heroes behind the memorable objects in your favourite films
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‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie
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Return to Silent Hill review – video game horror series births another middling movie
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‘A cash advance on your death’: the strange, morbid world of Aids profiteering
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Saipan review – Roy Keane and Mick McCarthy’s epic spat becomes amusing state-of-the-nation psychodrama
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Heavyweight review – locker room becomes pressure cooker in real-time boxing face-off
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Amy Adams, Ashley Walters and Charli xcx among the stars lined up for Berlin film festival
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‘I’d come back to the UK – but I’m not playing a cop’: Oscar-tipped Wunmi Mosaku on sensational vampire smash Sinners
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This fun thriller does the impossible: it makes you feel sorry for influencers (yes, really)
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David Lynch would struggle to make films in social media landscape, say collaborators
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A Poem for Little People review – Ukraine’s war with Russia seen through eyes of emergency evacuation team
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Aryan Papers review – Holocaust-themed thriller means well but turns out to be a shockingly poor effort
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‘He’s a little megalomaniac’: Stellan Skarsgård criticises Trump’s ‘criminal’ actions in Greenland
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Matt Damon is right: phones + Netflix mean we are now in the pub bore age of cinema
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Tim Travers and the Time Traveler’s Paradox review – space-hopping comedy asks the big question
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‘Cinematic comfort food’: why Heat is my feelgood movie
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Mother of Flies review – horror in the woods as house guests are microdosed with psychedelics
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Roger Allers, Disney film-maker and co-director of The Lion King, dies aged 76
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Sentimental Value sweeps up at European Film Awards
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‘She had a hidden identity’: new film uncovers a mother’s second world war secrets
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‘It had to be Jessie Buckley’: star-maker Nina Gold glimpses Oscar chance for Hamnet casting
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‘Hollywood has stopped making films for adults’: Sentimental Value and Sirāt contend for European Film Awards – with Oscars set to take note
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The arrival of Two-Face in the new Batman sequel bodes well for a doom-laden moral epic
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‘Soon I will die. And I will go with a great orgasm’: the last rites of Alejandro Jodorowsky
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Khamenei regime will not be able to keep control of Iran, says dissenting film-maker
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The crying game: what Hamnet’s grief-porn debate says about women, cinema – and enormous hawks
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The Rip review – Ben Affleck and Matt Damon tear through flashy Netflix bro thriller
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Alan Rickman was the model of friendship and care – and then there was that voice | Letters
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‘Soon after my baby’s birth came a bottle of champagne’: readers remember Alan Rickman
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I’m Ann Lee, and this is my testament about the mind-scramble of sharing your name with a movie character
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Clickbait review – gripping drama about the human cost of moderating the internet
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‘A cowardly, deluded drunken waster’: readers on their favourite unlikable movie characters
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From Ralph Fiennes to Jeffrey Wright: the most overlooked performances this awards season
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Bulk review – Ben Wheatley’s quirky sci-fi brings small-budget charm to big questions
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A Gangster’s Life review – funny in parts, but not always deliberately
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Kiefer Sutherland arrested for allegedly assaulting ride-share driver
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‘I fell in love with him on the spot’: Alan Rickman remembered, 10 years after his death
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Mark Ruffalo’s howl of frustration was the Golden Globes’ finest hour
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‘We are living in an age of cruelty’: George Clooney rebukes Tarantino for insulting Paul Dano
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‘Uncomfortably relatable’: writers on their favourite unlikable movie characters
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The Knife review – audaciously taut film about police encounter is intense drama of mutual suspicion
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‘We’re a hot button topic’: is intimacy coordinator the most misunderstood job in film-making?
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‘A celebration of the carefree’: why Ferris Bueller’s Day Off is my feelgood movie
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Chalamet a smash, Sinners shut out: the key Golden Globes snubs and surprises
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The Golden Globes ceremony ignored politics. But their big winner taps today’s unhappy turbulence | Peter Bradshaw
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Netflix and Paramount deals are both wrong for Warner Bros Discovery – and democracy | Courtney C Radsch
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Beyond Keane’s stick-it-up-your-bollocks, there isn’t much else to Saipan | Jonathan Wilson
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Golden Globes 2026: who will win and who should win the film awards?
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High Noon review – Billy Crudup brings classic Hollywood western back with a bang
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AI, Salman Rushdie and Elon Musk: the most anticipated documentaries of 2026
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Béla Tarr obituary
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Bafta 2026 film awards longlists hope to avoid #BaftasSoWhite diversity criticism
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Forget Big Ben! Try Telford’s Frog Clock: why Hollywood should stop destroying the same old landmarks
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What is Marvel up to with its Avengers: Doomsday trailers?
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People We Meet on Vacation review – Netflix travel romcom is a dull journey
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Primate review – pet chimp gone wild makes for giddy, gory good time
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