The revolution will be in VistaVision: what are the politics of One Battle After Another?
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The Kitchen Brigade review – heartfelt French cooking comedy shows migrants the ropes
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Tilly Norwood: how scared should we be of the viral AI ‘actor’?
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The Drowned review – atmospheric horror of art thieves holed up on the sea shore is an off-kilter bad dream
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The Severed Sun review – folk-horror nightmare that harks back to The Crucible
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Release date set as The Simpsons movie returns for sequel after two decades
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Nicole Kidman and Keith Urban split after 19 years
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Springsteen: Deliver Me from Nowhere review – solid biopic both embraces and avoids cliche
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‘Trippy’: the Pina Bausch classic being revived by its original cast – dancing with their younger selves
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Trump renews threat of imposing steep tariffs on films made outside the US
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Jezebels, race kink and Cardi B: in One Battle After Another, Black women are still stereotypes
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Seven out of 10 women in creative industries experience bullying and harassment, survey finds
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Devil in the Dust review – Guy Pearce leads old west outcasts on a supernatural mission with a message
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Scurry review – crawlspace nightmare thriller turns into apocalyptic insect horror
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‘An unhealthy fascination’: why Fast X is my feelgood movie
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Knit’s Island review – comradeship and survival in brutal and bloody online zombie game
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Anemone review – Daniel Day-Lewis returns for a bleak and painfully serious misfire
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In an era of AI slop and mid TV, is it time for cultural snobbery to make a comeback?
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‘Go woke, go broke’? New study challenges claims progressive films flop at the box office
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My cultural awakening: The Parent Trap made me reconnect with my estranged father
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From One Battle After Another to the Turner prize: your complete entertainment guide to the week ahead
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The Guide #210: Is One Battle After Another finally Paul Thomas Anderson’s Oscars moment?
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Jennifer Lawrence on Gaza: ‘What’s happening is no less than a genocide’
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‘Racist fantasy’: the artist who remade record-breaking, KKK-celebrating film The Birth of a Nation
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50 First Dates: The Musical review – sunny ensemble serve up breezy romcom
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Avatar: Fire and Ash trailer teases planetary peril and a crisis of faith
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Steve to American Fiction: the seven best films to watch on TV this week
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TV tonight: the end of an era for the most controversial cookery show
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‘This is the first time I’ve not thought about the box office’: Dwayne Johnson on wrestling, reinvention and the role that could redefine him
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Liev Schreiber and Debra Messing among names rejecting pledge to boycott Israeli films
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‘My wife is an exquisite goddess’: Nick Offerman on love, woodwork and storing gravy in his beard
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Emma Watson speaks about JK Rowling rift: ‘I hope I can keep loving people I don’t share the same opinion with’
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Henry Jaglom, fiercely independent director and friend of Orson Welles, dies aged 87
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‘I lost everything!’ Chris Sarandon on Dog Day Afternoon, ex-wife Susan and the fraud that took his life savings
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Sane Inside Insanity: The Phenomenon of Rocky Horror review – joyous fan history of the cult classic
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Brides review – teenage girls head to Syria for IS and marriage in powerful and poignant drama
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Rage, Maga and the Kardashians: the teen who filmed 3,000 hours of Kanye West’s life
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All of You review – Imogen Poots anchors Apple’s sci-fi tinged romance
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Claudia Cardinale had toughness, charisma and sensual allure. Yet Hollywood just couldn’t do her justice
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The Harder They Come review – electrifying reggae musical is sweet, dandy and catchy as hell
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Go quietly and get a side hustle: how to quit acting properly
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Riff Raff review – star-stuffed crime comedy with Bill Murray, Jennifer Coolidge and Ed Harris
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Better Days review – modest, honest study of woman trying to grapple with a drinking problem
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Claudia Cardinale, glamorous star of The Leopard and Once Upon a Time in the West, dies aged 87
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The rise and fall of Disney: how the company found then lost its backbone
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‘I’ve paled up for roles – like when I played Voldemort’: Frank Dillane on zombies, burnout and new film Urchin
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‘Tentacles squelching wetly’: the human subtitle writers under threat from AI
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Eat the rich … before they eat you: in praise of body horror classic Society
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Emma Watson explains long break from acting: ‘I do not miss selling things’
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Please Don’t Feed the Children review – Destry Spielberg debut splices 1970s exploitation with YA fairytale
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All the Devils Are Here review – Eddie Marsan and Sam Claflin hole up in cottage-bound crime drama
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Mission Alarum review – dreadful Sylvester Stallone spy thriller shames cinema itself
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Hundreds of Hollywood stars sign open letter condemning Kimmel suspension
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Suzie Miller on her Prima Facie follow-up Inter Alia: ‘Boys are looking for male mentors. Instead they get the internet and porn’
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Harry Potter to Hot Milk: post your questions for Fiona Shaw
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Dreamers review – powerful film about immigrant kids in the US, denied their chance of citizenship
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Feisty, frail or fiendish: why do film-makers still insist on shoving older characters into stereotypes?
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‘Never fails to delight’: why Metallica: Some Kind of Monster is my feelgood movie
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Seven at 30: David Fincher’s devilish thriller is a chilling immersion in evil
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Invention review – meta indie docu-fiction has a deadpan take on truth and healing
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Tom Holland suffers concussion on set of Spider-Man: Brand New Day
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Angelina Jolie says ‘I don’t recognise my country’ now amid threats to freedom of speech in US
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Al Pacino on Dog Day Afternoon at 50: ‘It plays more today than it even did then’
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‘Abject horror’: the troubling history of paedophile-hunting TV shows
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Norway finds place in spotlight during ‘golden age’ of film-making
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As Hollywood mourns Robert Redford, why do we still struggle with the idea of male beauty? | Jason Okundaye
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From A Big Bold Beautiful Journey to Cardi B: your complete entertainment guide to the week ahead
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Share your experiences of community cinema in the UK
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Star Wars: Starfighter – what the new picture of Ryan Gosling tells us
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Thunderbirds: Trapped in the Sky/Terror in New York City review – delightful fashion puppets are go
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