The Room Next Door review – Almodóvar’s stylish end-of-life drama feels emotionally empty
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No more Mr Nice Guy: how Hugh Grant transformed himself into an edgy national treasure
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The Terminator at 40: did James Cameron see into the future?
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Streaming: The Substance and the best body horror for Halloween
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‘I thought I’d die at Armageddon’: Hollywood action hero Luke Evans on growing up gay as a Jehovah’s Witness
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From Venom: The Last Dance to Generation Z: a complete guide to this week’s entertainment
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Canary Black review – Kate Beckinsale kicks impeccably chic ass in gender-flipped Taken
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Kate Bush: Little Shrew review – this devastating film will make you weep at war’s violence against children
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Paul Mescal reveals he was cast in Gladiator II after 30-minute Zoom call
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Lee to Music By John Williams: the seven best films to watch on TV this week
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Cyclops, Martians and Myths: the art of Ray Harryhausen – in pictures
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Don’t Move review – high-concept Netflix survival thriller has its moments
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‘Chaos is great. This time it went over the top’: Andrea Arnold and Robbie Ryan on 21 years of film and friendship
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‘I never really learned anything from anybody’: Isabelle Huppert on 50 years in film
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Share your experience of being a runner for film or TV
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‘Maybe I am bizarre to some people …’ The unique, underrated mind of 70s singer Dory Previn
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Venom: The Last Dance review – messy sequel ends series with a shrug
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‘The worse the world gets, the better for this play’: Armando Iannucci on staging Dr Strangelove with Steve Coogan
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A Nightmare on Elm Street review – jauntily outrageous slasher is still cheerfully crass
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Idris Elba to move to Africa ‘to bolster the film industry’
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Road Diary: Bruce Springsteen and the E Street Band review – still blowing minds after 50 years
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Roman Polanski: lawsuit alleging director raped teenager in 1973 settled and dismissed
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The World of Tim Burton review – Johnny Depp’s scissorhands can’t cut through the cobwebs and corpses
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Dick Pope, cinematographer and Mike Leigh collaborator, dies aged 77
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‘I am valued here’: the extraordinary film that recreates a disabled boy’s rich digital life
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Practical Magic: Nicole Kidman and Sandra Bullock’s enduring song of sisterhood
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Americans don’t want to see a Trump movie but elsewhere it’s a different story
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Tom Holland set to star in new film from Christopher Nolan
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Family Pack review – Jean Reno is game for a laugh in card-based time-travelling caper
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The terrifying true story behind Woman of the Hour: ‘He was born with half a soul’
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Composer Oliver Coates on the cello, chaos and connection: ‘The best music is out there in nature’
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Harvey Weinstein diagnosed with cancer – reports
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Classified review – Aaron Eckhart hitman thriller mines newspaper ads for coded messages
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Alexander Rodnyansky: Oscar-nominated producer sentenced to jail in Russia in absentia
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‘Every fear you’re supposed to have as a New Yorker’: Lin-Manuel Miranda on rebooting cult movie The Warriors
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‘I miss her a lot’: Andrew Garfield telling Elmo about grief was his best work yet
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Rebellious review – hero princess kidnapped by evil witch in tale looking for feminist cred
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Did Marvel really kill the movie star? Tell that to Harrison Ford
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Kenya review – Mexican trans sex worker seeks justice for murdered friend
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Secrets of a Wallaby Boy review – low budget romp-com tracks delivery rider round his route
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‘I just thought I’d made a crazy-ass exploitation movie’: Sean Baker on his Palme d’Or-winning lapdance film
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Matt and Mara review – lo-fi answer to When Harry Met Sally offers uncertain relationship
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Mitzi Gaynor obituary
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‘The ocean doesn’t care what color I am’: Black US surfers reclaim the waters
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Woman of the Hour review – Anna Kendrick’s 70s-set true crime thriller is a winner
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Mikey Madison: from Tarantino bit part to hot tip for an Oscar playing a sex worker
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A planned sequel and a West End musical – but is The Devil Wears Prada out of step with our times?
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A Sudden Glimpse to Deeper Things review – vivid portrait of 20th-century artist Wilhelmina Barns-Graham
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The Wild Robot review – lost-in-the-jungle Roz joins animation’s robot greats
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Composer Max Richter: ‘I’m a low-key raver! I love all kinds of music’
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The Apprentice review – Jeremy Strong is the Trump card in measured biopic of the Donald
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‘Does time heal? I don’t think so’: Richard E Grant on love, loss – and bonking
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Good with numbers: the sketchbook art of director Tim Burton – in pictures
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Before superhero movies, directors were masters of the universe – now you can find them cowering in their trailers
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‘I felt this film was my duty’: director Mati Diop on Dahomey, about the return of looted African treasures
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Actor Chiwetel Ejiofor: ‘I was told I’d never do well as an actor unless I changed my name’
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The Apprentice to The Franchise: a complete guide to this week’s entertainment
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Brothers review – throwaway madcap comedy wastes a host of stars
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‘You can see the money on screen’: why Hollywood is betting on Gladiator II not being another Folie à Deux
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Daring or dire? Guardian readers on Joker: Folie à Deux
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Saint Maud review – desire, despair and ‘godgasms’ as Rose Glass’s shocker comes to life
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‘Really speaks to sex workers’: can Anora help humanise a degraded profession?
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Sweet Bobby: My Catfish Nightmare to The Beasts – the seven best films to watch on TV this week
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In memoriam Marius: film unpicks ethics behind Danish zoo’s controversial giraffe killing
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The Remarkable Life of Ibelin review – moving tale of disabled gamer’s digital double life
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‘Madonna, please. It’s only a film. Be happy!’ The star of Emilia Pérez on transitioning at 46 and making icons cry
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The Warriors review – Lin-Manuel Miranda and Eisa Davis come out to play with firecracker musical
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Netflix to double profits after adding millions of subscribers in three months
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Mitzi Gaynor, dancer and actor from South Pacific, dies aged 93
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Smile 2 review – gory pop star horror sequel sings a familiar tune
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