‘I don’t know how anyone takes themselves seriously in this job’: Hollywood hotshot Glen Powell talks to Marina Hyde
The Guardian
··
-
Older >
Source
Time
Score
-
-
This isn’t the spin-off you’re looking for: why Disney was right to ditch Adam Driver’s Ben Solo movie
The Guardian
··
-
Statue of Renée Zellweger as Bridget Jones to be unveiled in London
The Guardian
··
-
Shock therapy: why scary movies keep evolving – and making money
The Guardian
··
-
‘When I told him I’d secretly seen his films, his eyes filled with tears’: Isabella Rossellini remembers her father Roberto
The Guardian
··
-
Stellan Skarsgård says he is living ‘on overtime’ since having a stroke three years ago
The Guardian
··
-
Penelope Wilton: ‘They wanted me to tone down my death in Shaun of the Dead. It was too frightening’
The Guardian
··
-
Spill the tea! Jarman award nominees on tour – in pictures
The Guardian
··
-
Aprons are in fashion – but will they make you look like a trad wife?
The Guardian
··
-
A film about an audacious art heist? Inside The Mastermind, the timeliest movie ever
The Guardian
··
-
Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
The Guardian
··
-
Chain Reactions review – famous fans of Texas Chain Saw Massacre go deep into the legendary slasher
The Guardian
··
-
Post your questions for Terry Gilliam
The Guardian
··
-
Shelby Oaks review – junky Halloween horror delivers zero scares
The Guardian
··
-
Love+War review – Lynsey Addario’s courageous photojournalism shines out in occasionally odd study
The Guardian
··
-
The Hand That Rocks the Cradle review – serviceable 90s thriller remake
The Guardian
··
-
#MeToo campus thriller After the Hunt is provocation for provocation’s sake | Adrian Horton
The Guardian
··
-
Fallen stars: why are Hollywood A-listers flopping at the box office?
The Guardian
··
-
Bend It Like Beckham was a classic soccer movie – with one very worrying relationship
The Guardian
··
-
‘It’s like they’ve erupted out of someone’s subconscious’: how horror came to possess modern cinemas
The Guardian
··
-
Sketch review – googly-eyed fuzzballs come to glitter-burping life in fun kids fantasy yarn
The Guardian
··
-
Apparently many male film stars don’t wear underpants. Have they never heard of #MeToo? Or accidents?
The Guardian
··
-
It Doesn’t Get Any Better Than This review – DIY found-footage horror looks for chills in a new home
The Guardian
··
-
The Draft! review – entertaining Indonesian meta-horror goes down the Scream route
The Guardian
··
-
Diablo review – Scott Adkins enters Cormac McCarthy territory in over-the-border revenge thriller
The Guardian
··
-
‘I said goodbye to Heath Ledger at this urinal’: a stroll round Terry Gilliam’s pivotal places
The Guardian
··
-
Nostalgia loop: it’s time for Sony to get Tobey Maguire and Andrew Garfield back in their Spidey suits | Ben Child
The Guardian
··
-
Interstellar’s second life: how Christopher Nolan’s most divisive film became his most loved
The Guardian
··
-
Secret Cinema company is bought by Hollywood power broker
The Guardian
··
-
Strange Harvest review – lurid horror expertly disguised as true crime
The Guardian
··
-
‘I hope he goes to jail’: Brazil’s Cannes-winning director on Bolsonaro and political amnesia
The Guardian
··
-
Go bald or go home: LA cinema offers free Bugonia ticket to those willing to shave their heads
The Guardian
··
-
Diamond Sky review – fairytale heist thriller has its head in the clouds
The Guardian
··
-
‘Stole my heart’: why My Best Friend’s Wedding is my feelgood movie
The Guardian
··
-
Levers review – gloom-laden experimental eclipse drama about the play of light and darkness
The Guardian
··
-
Story of Indigenous activist’s murder takes top prize at London film festival
The Guardian
··
-
‘Why are our black boys hurting each other?’ Letitia Wright on the deaths that inspired her directorial debut
The Guardian
··
-
Palestine 36 director Annemarie Jacir: ‘We don’t want a state, we just want to live’
The Guardian
··
-
& Sons review – Bill Nighy and Imelda Staunton’s riveting showdown rescues a laborious plot
The Guardian
··
-
‘Our world is combustible’: Kathryn Bigelow on AI, Andy Warhol and nuclear Armageddon
The Guardian
··
-
Warner Bros Discovery says Israeli film boycott ‘violates our policies’
The Guardian
··
-
Blue Moon review – Ethan Hawke is terrific in Richard Linklater’s bitter Broadway breakup drama
The Guardian
··
-
Al Pacino on co-star and ex-girlfriend Diane Keaton: ‘She lived without limits’
The Guardian
··
-
Neurodiverse collective wins award for ‘creative audacity’ at London film festival
The Guardian
··
-
‘We want to use this as a launchpad’: can A24 also conquer the world of theater?
The Guardian
··
-
Black Phone 2 review – hit horror sequel lumbers toward Elm Street
The Guardian
··
-
Elliott Gould remembers Diane Keaton – ‘We snuck into a bush and she said: “This is called making out”’
The Guardian
··
-
Diane Keaton died of pneumonia, family reveals
The Guardian
··
-
‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins
The Guardian
··
-
‘She does terrible things’: what can a Marvel director do with Ibsen’s ruthless heroine Hedda Gabler?
The Guardian
··
-
From Heat to thermals: Al Pacino and Robert De Niro have paired up to flog puffer jackets
The Guardian
··
-
Drew Struzan, poster designer for Star Wars and Indiana Jones films, dies aged 78
The Guardian
··
-
‘Left me physically exhausted’: readers on their most stressful movies ever
The Guardian
··
-
Diane Keaton remembered by her final director: ‘Cameramen dissolved into puddles at her feet’
The Guardian
··
-
‘Shattered my whole world’: the wild story behind stranger-than-fiction drama Roofman
The Guardian
··
-
‘My eyes are stinging, but damn it, they’re open’: surviving a 12-hour Twilight marathon in the year 2025
The Guardian
··
-
Louder than Bombs: Joachim Trier’s thorniest film might be his best
The Guardian
··
-
The House at Hallow End review – home renovation horror finds emotional heft among the terror
The Guardian
··
-
Keanu Reeves says Diane Keaton was ‘a generous artist and very special person’
The Guardian
··
-
Sunlight review – monkey-suited woman goes on road trip in Nina Conti’s super-quirky directing debut
The Guardian
··
-
The Secret of Me review – documentary tells tragic story of childhood intersex reassignment surgery
The Guardian
··
-
‘Risky is the best way to be’: Tim Curry on sexuality, surviving a stroke – and 50 years of stardom
The Guardian
··
-
Could ‘trash fashion’ save this Nairobi neighbourhood from drowning in discarded western clothes?
The Guardian
··
-
‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton
The Guardian
··
-
‘The most spontaneous person I’ve ever met’: Guardian writers remember Diane Keaton
The Guardian
··
-
H is for Hawk review – Claire Foy is tremendously authentic in eccentric grief drama
The Guardian
··
-
‘I cared only what Diane Keaton had to say’: Woody Allen pays tribute to late actor, co-star and former partner
The Guardian
··
-
Souleymane’s Story review – superb performance ballasts drama of man clinging on in the margins in Paris
The Guardian
··
-
‘Cosy and comforting’: why The Fellowship of the Ring is my feelgood movie
The Guardian
··
-
Cutting Through Rocks review – the female firebrand fighting the patriarchy in rural Iran
The Guardian
··
