Has the Sundance film festival lost its mojo?
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‘Into the heart of the whirlwind’: how Led Zeppelin were sweet-talked into their first biopic
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Brokeback Mountain at 20: the ‘gay cowboy flick’ now rightly regarded as a tragic masterpiece
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David Lynch’s death shocks smokers into quitting: ‘It’s just not good for us’
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Tomato and basilica: in Conclave, Stanley Tucci plays Stanley Tucci – and I couldn’t be happier
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Shanghai Blues review – delirious screwball comedy from Hong Kong’s Spielberg
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Beyond the Borders review – Zoe Saldaña shines in timely tragedy-flecked thriller
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‘My most sincere apologies to all the people who may have been offended’: when Oscar campaigns implode
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Cate Blanchett: lack of change in Hollywood after #MeToo ‘quite distressing’
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‘I hate what I did. I’m bad in a good movie’: Guy Pearce downplays his performances as Oscars loom
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‘Jim Carrey told me to “go all the way” with the laxative toilet scene’: Jeff Daniels on Dumb and Dumber
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French director found guilty of sexual assault but not jailed in #MeToo trial
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Bring Them Down review – Barry Keoghan farmer-feud revenge drama goes right over the top
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‘Robots cannot reflect the human condition’: Nicolas Cage speaks out against AI
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‘A thing of pure beauty’: why Pink Flamingos is my feelgood movie
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Scarlet Winter review – chopped-up narrative method decorates corpse-disposal thriller
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Vista Mare review – fascinating look at invisible labour in Italian beach hotspot
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‘Before Ozempic we had amphetamines. But it’s always the same violence’: Coralie Fargeat on women, ageing and Hollywood
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You’re Cordially Invited review – Will Ferrell and Reese Witherspoon are the draw in wildly uneven wedding comedy
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‘Heartbreaking’: Iceland’s pioneering female fishing guides fear for wild salmon
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Hard Truths review – Marianne Jean-Baptiste’s blistering performance is the angry heart of Mike Leigh’s drama
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‘You name it, I did it’: Sheila Hancock on comedy, age and anxiety
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D Is for Distance review – tender portrait of parents battling for their son’s medication
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Is it time to stop bashing Bridget Jones? Hapless everywoman has evolved – and so have we
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Hayley Atwell on theatre, Tom Cruise and the tabloids: ‘I’ve reached the point where I’m OK if I’m not liked’
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Scientists cast doubt on reliability of US groundhog’s weather forecasts
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A Complete Unknown: how charity shop and Etsy finds completed iconic Dylan look
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Mark Kermode on… David Lynch, a one-off visionary who was also incredibly funny
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From Saturday Night to Manic Street Preachers: a complete guide to this week’s entertainment
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Lurker review – deviously entertaining Hollywood hanger-on thriller
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Grumpy Harrison Ford, a mystery asterisk and AI gone wild: everything from Disney’s new slate presentation
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Companion review – empty sci-fi thriller short-circuits too quickly
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Marianne Faithfull obituary
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The Straight Story to You’re Cordially Invited: the seven best films to watch on TV this week
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TV tonight: ghost-busting on a haunted farm in Bury with Danny Robins
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You’re Cordially Invited review – Reese Witherspoon and Will Ferrell carry fun comedy
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‘He’s going home’: new film documents the fight to free Leonard Peltier
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From Godard to Coppola, Van Sant to Anger, Marianne Faithfull was a dazzling magnet for film-makers
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Emilia Pérez star Karla Sofía Gascón faces backlash over offensive tweets
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Phyllis Dalton obituary
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Opus review – John Malkovich plays an evil pop star in a silly horror dud
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Claes Bang: ‘I think I have more of a sense of humour in English than I do in Danish’
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Harrison Ford’s MCU debut can wait. I prefer his whisky ads
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Before Sunrise review – Richard Linklater’s brief encounter defies romantic convention
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Saturday Night review – unbearably self-indulgent sketch of an iconic comedy show
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Don’t look back: after decades of apathy, A Complete Unknown has turned me into a Dylan nut | Laura Snapes
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Light fantastic: the road trip that inspired Paris, Texas – in pictures
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Sorry, Baby review – a warm, bitingly funny refocus of the trauma plot
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‘They don’t want you to see the slave labor’: a new film goes inside Alabama’s prisons
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Meryl Streep cut a car-sized hole in her garden fence to escape LA fires
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Backlash builds: why the architecture world hates The Brutalist
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Cate Blanchett launches fund for refugee film-makers
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Luther: Never Too Much review – the mystery and brilliance of ‘love doctor’ Vandross
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‘Denzel was scheming, powerful and sexy!’: readers’ worst Oscar snubs
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Timothée Chalamet says he put on 20lb to play Bob Dylan. Can that tip the scales at the Oscars?
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Share your memories and pictures of the Prince Charles Cinema
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The Fuzztones vs the World review – veteran garage revivalists keep on rocking
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Botticelli’s Primavera review – lucid study of a Renaissance masterpiece
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The Tasting review – French midlife romcom takes its leads guzzling fine wines
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Magic Farm review – Chloë Sevigny can’t lift flat comedy of inept Americans abroad
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‘A reminder that we can resist’: hard-hitting documentary takes aim at anti-trans rhetoric
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Together review – codependent relationship body horror is a fun ride
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Rebuilding review – Josh O’Connor is a stoic rancher in sensitive, if slight, wildfire drama
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‘He was unforgettable’: the mesmerising star of cult documentary Andy the Furniture Maker
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Mexicans make Emilia Pérez parody poking fun at French stereotypes
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Day of the Fight review – boxer sets out to beat his demons in Kubrick-referencing drama
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Marianne Jean-Baptiste decries lack of great roles for black women
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Zodiac Killer Project review – true crime critique rescues aborted documentary
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Train Dreams review – Joel Edgerton stuns in meditative period drama
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‘Civil rights fight of our time’: new film explores the battle over US libraries
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