Christy review – Sydney Sweeney fights a losing battle in cliched boxing biopic
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The Choral review – Ralph Fiennes makes pleasant music in low-volume drama
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Saipan review – football scandal makes for thrilling big-screen drama
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AI firm plans to reconstruct lost footage from Orson Welles’ masterpiece The Magnificent Ambersons
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Star Wars lightsaber used by Darth Vader fetches £2.7m at LA auction
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Stand or Fall: The Remarkable Rise of Brighton and Hove Albion review – a football epic for the ages
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Tomorrow and tomorrow and tomorrow… what does James Gunn’s new Superman title mean?
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Meet your descendants – and your future self! A trip to Venice film festival’s extended reality island
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‘Our songs last three minutes but they feel like an hour’: the return of Spinal Tap – an exclusive that goes up to 11!
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Erupcja review – Charli xcx gives acting a trial run in shallow friendship drama
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The Voice of Hind Rajab review – docufiction is fierce, vehement and heart-shattering
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Mussolini to Spider-Man: Lily Tomlin’s 10 best films – ranked!
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From Knives Out 3 to Soderbergh: 10 films to look out for at the Toronto film festival 2025
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Michael Jackson’s daughter Paris criticises ‘sugar-coated’ biopic about her father
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Downton Abbey: The Grand Finale review – this silly, enjoyable nonsense should go on for ever
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The Voice of Hind Rajab gets 23-minute ovation at Venice film festival
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The Conjuring: Last Rites review – 1980s-set paranormal horror proves stubbornly resistant to change
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Daniel Day-Lewis, Paul Mescal, Lynne Ramsay and George Clooney set for London film festival
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‘I was killed in virtually every film’: how trailblazing Chinese-American star Anna May Wong upended cinema
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The Courageous review – rebellious mum on the edge will have you sobbing in sympathy
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Russian cinema has shifted to fairytales and propaganda, says Ukrainian film-maker
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Dead Man’s Wire review – Gus Van Sant calls the shots with surreal true-crime thriller
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A House of Dynamite review – Kathryn Bigelow’s nuclear endgame thriller is a terrifying, white-knuckle comeback
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Celebrated, imprisoned, reviled, rebuilt: Fernand Pouillon, the lost architect of France
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Depardieu to stand trial over alleged rape and sexual assault of fellow actor
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Straight Circle review – boisterous border guard satire from a director to watch
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Woody Allen says Donald Trump was ‘a very good actor’
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Above the Knee review – man struggles with body integrity dysmorphia in gory amputation horror
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‘Clearly the worst film ever made by anyone ever’: inside John Boorman’s horrific Exorcist sequel
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Sanatorium review – Ukraine health resort guests seek sanctuary amid shelling
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Borderline review – Raymond Nicholson shines as a deranged fan in comedy thriller
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Graham Greene, Dances with Wolves actor, dies aged 73
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The Smashing Machine review – Dwayne Johnson only possible casting as crisis-riddled UFC champ Mark Kerr
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The Testament of Ann Lee review – strikingly strange portrait of radically ecstatic Shaker leader
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Kim Novak’s Vertigo review – the dizzying demands on Hitchcock’s leading lady
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Signs of Life review – no holiday from raw grief in downbeat Lanzarote-set drama
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Afternoons of Solitude review – toe-to-toe with the bravado of bullfighting
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Anhell69 review – an impassioned eulogy for Colombia’s queer renegades
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Somnium review – dream-injection sci-fi plot follows in dodgy-clinic tracks of The Substance
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The best theatre to stream this month: Basil’s back as Fawlty Towers reopens for business
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My Tennis Maestro review – unforced errors keep Italian coming-of-age comedy from grand slam
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Father Mother Sister Brother review – Blanchett and Rampling pick at family guilt in Jarmusch’s delectable triptych
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No fears over playing ‘man without a face’ Putin, Jude Law says in Venice
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Broken English review – Marianne Faithfull’s last glow, as she recounts past lives
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The rise of dog-friendly cinema screenings: ‘We never have to break up fights – there’s enough trouble with the humans’
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Below the Clouds review – a ghostly yet luminous cinematic mosaic of Naples crowns a superb trio
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Ish review – Luton-set urban pastoral in which racial profiling pushes teen friends apart
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‘I held on to what’s important’: Kim Novak on Hitchcock, Trump and her Venice lifetime achievement award
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Lucy Lawless: ‘I’ve got bag lady hair. I look like I’ve just had sex in a dumpster’
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Six great reads: the Revenge Porn Helpline, revolutionary architecture and how Netflix ruined movies
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From Caught Stealing to CMAT: your complete entertainment guide to the week ahead
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After the Hunt review – Julia Roberts faces a dilemma in Guadagnino’s muddled campus accusation drama
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‘He’s a jump-off-the-cliff kind of guy’: inside Francis Ford Coppola’s chaotic Megalopolis shoot
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Julia Roberts says humanity ‘losing art of conversation’ in defence of new #MeToo-themed film
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‘I want to earn my stripes’: Cooper Hoffman on ambition, anxiety, and following in his dad’s footsteps
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Brent Renaud died covering the Russia-Ukraine war. A new movie celebrates his life and work
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The Brutalist to Highest 2 Lowest: the seven best films to watch on TV this week
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Jay Kelly review – even a George Clooney sizzle reel can’t save this dire Noah Baumbach effort
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Summer box office 2025: what were the big hits and misses?
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Bugonia review – Emma Stone might be an alien in Yorgos Lanthimos’s macabre conspiracy theory comedy
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Emma Stone declares belief in aliens during Bugonia film promo
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Orphan review – László Nemes’ fable of resentment and rage in post-uprising Hungary
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Ghost Elephants review – Werner Herzog embarks on a mission to track down giant jumbos
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‘I turned down $20m to do Terminator 3. I can’t be bought, dude’: Ridley Scott on directing, Daleks and ... cherry jam
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David Strathairn: ‘Authoritarianism is a very frightening concept when it comes to the arts’
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Vice Is Broke review – epic levels of hubris on show in downfall of millennial media darling
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Mother Vera review – luminous portrait of a horse-wrangling ex-heroin addict nun
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The big heat: what ‘sunburn cinema’ tells us about the Great British holiday
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Bland, easy to follow, for fans of everything: what has the Netflix algorithm done to our films?
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La Grazia review – Paolo Sorrentino opens mighty window on Italian leader’s despair
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