Netflix adapts Pedro Páramo, the great Mexican novel that inspired Márquez
The Guardian
··
-
Older >
Source
Time
Score
-
-
True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956 – review
The Guardian
··
-
One Mother review – poignant memoir grapples with trauma of foster care
The Guardian
··
-
‘Look at the camera as if it’s your enemy’: Shobana Jeyasingh’s desert dance among Hollywood ghosts
The Guardian
··
-
From Joker to Terrifier to It: why killer clown characters are on the rise
The Guardian
··
-
Ida Lupino: the fearless Hollywood star who overcame typecasting
The Guardian
··
-
Quincy Jones obituary
The Guardian
··
-
What are the best and worst movies about elections?
The Guardian
··
-
The Problem with People review – old-country lark takes on blarney-fuelled family feud
The Guardian
··
-
Super/Man: The Christopher Reeve Story review – respectful documentary gives the full picture
The Guardian
··
-
I regret glamorising the Kray twins, says producer of hit film
The Guardian
··
-
Heretic review – Hugh Grant’s move to the dark side is a triumph
The Guardian
··
-
‘The flaws are the sexy bits’: Anne-Marie Duff on courage, curiosity and the rare gifts of ageing
The Guardian
··
-
Anora review – Sean Baker’s screwball Cinderella tale vaults him towards greatness
The Guardian
··
-
Sunday with Rufus Hound: ‘We’ll throw each other around for hours on end’
The Guardian
··
-
Small Things Like These review – Cillian Murphy shines as quiet hero in powerful 80s Ireland morality tale
The Guardian
··
-
Mark Kermode on… composer John Williams, master of unforgettable blockbuster soundtracks
The Guardian
··
-
From Anora to The Day of the Jackal: a complete guide to this week’s entertainment
The Guardian
··
-
Juror #2: the curious case of the missing Clint Eastwood film
The Guardian
··
-
Alien: Romulus thrilled fans – how can its follow-up avoid the saga’s past mistakes?
The Guardian
··
-
Post your questions for Elizabeth Hurley
The Guardian
··
-
The Holdovers to Airplane! The seven best films to watch on TV this week
The Guardian
··
-
‘Downright terrifying’: readers on their scariest horror villains
The Guardian
··
-
Three producers suing Rebel Wilson seek to delay case to investigate who is behind website that published ‘grotesque lies’
The Guardian
··
-
‘She doubled down on danger’: Lucy Lawless on making a movie about a real-life warrior princess
The Guardian
··
-
Avengers stars assemble to endorse Kamala Harris – by brainstorming an election catchphrase
The Guardian
··
-
Paul Morrissey obituary
The Guardian
··
-
‘A revelation and a joy’: Mike Leigh pays tribute to cinematographer Dick Pope
The Guardian
··
-
Listen Up! review – tonally jarring comedy on multicultural integration and teenage trans identity
The Guardian
··
-
‘It’s the damnedest thing I’ve ever seen’: 10 film flops that became classics – ranked!
The Guardian
··
-
‘I was a coke fiend, I made a lot of bad choices’: Garrett Morris on SNL’s early days – and how the show lost its courage
The Guardian
··
-
Super/Man: The Christopher Reeve Story review – fascinating tribute undermined by bombast
The Guardian
··
-
‘Genuinely disturbing’: Guardian writers on their scariest horror villains
The Guardian
··
-
Heretic review – religious horror with a suave, dapper and evil Hugh Grant
The Guardian
··
-
Time Cut review – tinny time-travel Netflix slasher offers too much deja vu
The Guardian
··
-
‘After the shoot, we had a party in a slaughterhouse’: horror movies’ creepiest kids reveal all
The Guardian
··
-
Juror #2 review: Clint Eastwood puts Nicholas Hoult in court – and an unusual pickle
The Guardian
··
-
Martha review – sharp if spotty Netflix retrospective on Martha Stewart
The Guardian
··
-
Music by John Williams review – the man behind the soundtracks, from Star Wars to Superman
The Guardian
··
-
This Search for Meaning review – slick reminder of radical rockers Placebo
The Guardian
··
-
Midas Man review – Jacob Fortune-Lloyd is heartfelt as Beatles’ kingmaker
The Guardian
··
-
Fright club! Hollywood’s golden age goes ghoulish – in pictures
The Guardian
··
-
Dr Strangelove review – Steve Coogan scores a quadruple cold war coup
The Guardian
··
-
Teri Garr, actor from Tootsie and Friends, dies aged 79
The Guardian
··
-
Here review – cursed Forrest Gump reunion is a total horror show
The Guardian
··
-
I don’t expect stone-cold truths from a chatshow, but Saoirse Ronan delivered one | Marina Hyde
The Guardian
··
-
Armie Hammer is back … and this time he has a podcast
The Guardian
··
-
Colin Farrell’s Dublin marathon run raises €774,000 for charity
The Guardian
··
-
Dangling a carrot: how Netflix is luring Hallmark viewers with a hot snowman
The Guardian
··
-
Robert Downey Jr: ‘I will sue all future executives who make AI replicas of me’
The Guardian
··
-
Birth at 20: Jonathan Glazer’s magnificent, misunderstood masterpiece
The Guardian
··
-
From Anna Kendrick to Dev Patel – how easy is it for actors to direct themselves?
The Guardian
··
-
S8, Ep6: Richard E Grant, actor
The Guardian
··
-
‘You’re always scared’: hit French film’s star on his fight for residency
The Guardian
··
-
Paul Morrissey, cult filmmaker and Andy Warhol collaborator, dies at 86
The Guardian
··
-
Bossing it: first photo of Jeremy Allen White as Bruce Springsteen
The Guardian
··
-
Slingshot review – Casey Affleck is impeccable in solid sci-fi saga
The Guardian
··
-
Robert Downey Jr on Elon Musk ‘cosplaying Tony Stark’: ‘I wish he’d control his behaviour’
The Guardian
··
-
Dark Feathers review – erotic hitwoman thriller approaches The Room levels of kitsch disaster
The Guardian
··
-
Vampires, satanists and mad scientists: the evolution of horror in 10 revolutionary films
The Guardian
··
-
The Delights review – in-depth look at rural schoolboys reveals a hidden Argentina
The Guardian
··
-
The Divided Island review – emotional stories from all sides of the Cyprus conflict
The Guardian
··
-
Wallace & Gromit: Vengeance Most Fowl review – first they came for the trousers. Then they came for the robot gnome
The Guardian
··
-
Dahomey review – Mati Diop’s exquisite tale of repatriation
The Guardian
··
-
Venom: The Last Dance review – Tom Hardy’s jaded antihero carries messy Marvel finale
The Guardian
··
-
The World of Tim Burton review – a tour around a singular creative mind
The Guardian
··
-
‘We just have to keep fighting’: a shocking new film on the danger of US abortion laws
The Guardian
··
-
Emilia Pérez review – Jacques Audiard’s riotously entertaining trans Mexican cartel musical
The Guardian
··
-
A close encounter with Richard Gere, 1998
The Guardian
··
-
The Room Next Door review – Almodóvar’s stylish end-of-life drama feels emotionally empty
The Guardian
··
