One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards
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The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy
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Melania debuts at No 29 at the UK box office
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The rise and rise of Australia’s cinematheques: ‘There’s just a particular magic’
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‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury
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Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror
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Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
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Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
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Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
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Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
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‘Endlessly quotable’: why Wayne’s World is my feelgood movie
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Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
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Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
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‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
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Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
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Catherine O’Hara obituary
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‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
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Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
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Melania review – Trump film is a gilded trash remake of The Zone of Interest
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Jayasree Kabir obituary
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Groundbreaking director Reginald Hudlin: ‘It’s taken a lot of effort but the reward is always worth it’
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Eggs, hats and unfettered ambition: what we learned about Melania Trump from her documentary
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Ṣọpẹ́ Dìrísù: ’If the west doesn’t say a film is good, that doesn’t mean it’s no good’
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One adult for the 9.40am in Sittingbourne: a front row seat for Melania’s ominous UK opening
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‘Begging my boyfriend to get one’: Paul Mescal inspires yet another fashion craze with Hamnet earring
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Reality winners: the rise and rise of the ‘verbatim’ movie
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‘Women hold our power in our orifices’: Kristen Stewart on her audacious feature directing debut
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Seized review – captivating documentary goes inside a shocking newspaper raid
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Undertone review – disappointing podcast horror is mostly skippable
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Sydney Sweeney threw bras around the Hollywood sign. I totally get it | Dave Schilling
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Nick Frost: ‘Tarantino has pictures of me in his cinema’
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Chasing Summer review – incoherent small-town comedy is a baffling car crash
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Why US cinemagoers are dressing as Jimmy Savile to see 28 Years Later: The Bone Temple
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Is This Thing On? review – funny is as funny does in Bradley Cooper’s John Bishop-inspired tale
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Paul Dano reacts to Tarantino criticism: ‘I was incredibly grateful that the world spoke up for me’
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See You When I See You review – familar Sundance-y grief comedy drama has its moments
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Are people really going to see Amazon’s $75m Melania documentary?
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Till DVD release do us part: how far will Margot Robbie and Jacob Elordi take their Wuthering Heights showmance?
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Hitchcock’s The Lodger has been turned into a vertical microdrama. What’s next – Psycho on Snapchat?
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‘This train isn’t going to stop’: shocking Sundance film shows promises and perils of AI
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Gail Daughtry and the Celebrity Sex Pass review – silly, scattershot Hollywood comedy
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‘I have Yes tattooed on my foot!’ Zoey Deutch on playing Jean Seberg in a joyous celebration of Godard classic Breathless
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Bafta has caught the zeitgeist with One Battle After Another, but let’s hear it for The Ballad of Wallis Island
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Witchboard review – New Orleans couple channel dead French witch in fun occult thriller
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Combat intensifies as One Battle After Another takes 14 Bafta nominations to Sinners’ 13
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Pike River review – families fight for justice in sobering true-life tale of New Zealand mining disaster
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Another World review – kaleidoscopic afterlife fairytale with the dark fury of a Greek tragedy
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‘The world is hurting right now’: politics and protest hit the Sundance film festival
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Frank & Louis review – moving drama of dementia and caregiving in prison
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Send Help review – Sam Raimi returns with gore-laced plane-crash survival face-off
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Black cakes and branded buckets: welcome to the White House premiere for Brett Ratner’s Melania movie
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The Wrecking Crew review – Dave Bautista and Jason Momoa tear up the screen
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‘What they’re doing is the worst of humanity’: Sundance festival stars back anti-ICE protest
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Lure review – eligible bachelors dying for romance in Saw-style dating game
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‘Pushes the nostalgia buttons’: why Enchanted is my feelgood movie
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Silence and Cry review – deeply strange 1960s erotic ballet meditating on Hungary’s history and politics
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Los Saldos review – prodigal big-city son reconnects with his heritage in rural Spain
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‘It was a little scary at times’: the hilarious, heartbreaking film about one man’s riotous death
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Union County review – an affecting Will Poulter lifts quiet addiction drama
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‘For the authoritarian, culture is the enemy’: Salman Rushdie talks recovery and resilience at Sundance
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The Gallerist review – Natalie Portman flounders in tiring art world caper
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The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy
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The Friend’s House is Here review – timely, secretly made tale of creativity in Iran
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The Guardian view on the future of cinema: gen Z is falling in love with the big screen | Editorial
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Wicker review – Olivia Colman is smelly fisherwoman falling for wicker man in uneven fable
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Democratic congressman punched in racist attack at Sundance film festival
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Josephine review – Channing Tatum is a knockout in shattering drama of lost innocence
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Leviticus review – queer desire is a deadly curse in haunting horror
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I Want Your Sex review – vampy Olivia Wilde almost saves Gregg Araki’s tame dom-sub romp
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The Incomer review – Domhnall Gleeson tries to lift aggressively quirky comedy
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