Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up
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Pretty Lethal review – Amazon’s ballerina action thriller puts on a decent enough show
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Wordle inventor gets ahead of the game | Letters
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Backlash mounts over twist in Robert Pattinson Zendaya romcom The Drama
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Underland review – poetic exploration of life deep beneath the Earth’s surface
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Redoubt review – Denis Lavant is unforgettable as an oddball building a public shelter for obscure disaster
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Mike & Nick & Nick & Alice review – double the Vince Vaughn in middling time travel comedy
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‘Was that an earthquake?’ Italy’s great psychogeographer tackles the Vesuvius-haunted Naples tourists seldom see
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Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies | Arwa Mahdawi
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Transforming the Beautiful Game: The Clyde Best Story review – fitting tribute to a barnstorming trailblazer
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‘We are a very resilient people’: in the face of Trump’s threats, Cuban cinema comes out fighting
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Abel leaves LA: self-deportation from Trump’s America - documentary
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Surrender to It review – insufferable bunch of actors reconnect for hiking weekend of pain and comedy
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Empire of Lies review – far-right conspiracist and YouTuber lock horns in Gloucestershire field
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Valerie Perrine, Superman and Lenny actor, dies aged 82
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The Mortuary Assistant review – game-inspired horror simulates morgue work with conviction
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All and Nothing review – inspiring tale of the Chinese artist who cultivated a grassroots scene in Cumbria
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The Magic Faraway Tree review – spruced up Blyton with Foy and Garfield proves fruitful
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‘A big smile on my face’: why Everybody Wants Some!! is my feelgood movie
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Breaking the Cycle review – meet the charismatic Thai politician striving to change his country’s history
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Barry Keoghan says online abuse means he ‘doesn’t want to go outside’ any more
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The Wordle guy’s latest move tells us a lot about modern-day ambition
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Chuck Norris was the ass-kicking king of 80s Friday night VHS fests
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Chuck Norris – a life in pictures
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‘He was a very dear friend’: Cary Elwes on life after The Princess Bride – and losing Rob Reiner
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Chuck Norris, prolific action star and martial arts champion, dies aged 86
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Too many, bro? Broaching the subject of men’s lapel messaging at the Oscars
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Don’t mention the m-word: are mutant X-Men about to show up en masse in Spider-Man: Brand New Day?
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Breakfast with Gosling, grilled by Spielberg, burned by Star Wars: Lord and Miller are cinema’s hottest duo
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The Oscars red carpet was in a skip. Then a woman took it home for her flat. What else could be repurposed?
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Ready or Not 2: Here I Come review – comedy horror sequel goes big and you should stay home
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‘My taste is superb. My eyes are exquisite’: Dianne Wiest’s 20 best film performances – ranked!
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The Killer review – John Woo’s gun-filled melodrama remains a blood-soaked classic
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Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture
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‘The world was hard – this movie was meant to be a hug’: Ugo Bienvenu on his heartwarming eco-fable Arco
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Trains review – magnetic cine-essay explores the liberation that the locomotive gave us
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Hunky Jesus review – a hot, oiled-torso Easter from San Francisco’s Sisters of Perpetual Indulgence
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Val Kilmer set to be be resurrected with AI for new film
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Oscars 2027: who might be up for next year’s awards?
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Arco review – Natalie Portman and Mark Ruffalo lead rainbow-hued eco animation
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Sean Penn receives ‘Oscar’ made from damaged Ukrainian rail carriage after Zelenskyy meeting
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Abode review – Irish quintet of linked short films burrows deep into stereotypes
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The Land of Sometimes review – starry voices lend a hand in patchy fantasy adventure
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‘Fear is good’: my scary subterranean journey into Underland, the film of Robert Macfarlane’s dazzling book
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‘It’s going to upset the balance’: how will Paramount buying Warner Bros change Hollywood?
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Oscars Academy ‘extremely upset’ by Teyana Taylor’s treatment by ‘very rude’ security guard
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The Last Supper review – not much meat on the bones at Jesus’s famous final meal
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‘I have more to say’: Jane Fonda questions why Barbra Streisand fronted Oscars tribute to Robert Redford
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Wild Swimmers review – rickety low-budget horror finds something to worry about in the water
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The secret lives of six body doubles: ‘They wanted Julia Roberts to have curvier legs’
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Dead Lover review – go-for-broke grotesquerie promises fragrant filth in full Stink-O-Vision
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Daggers Inn review – so-bad-it’s-almost-good fright-flick could achieve cult status
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‘Arms and legs are very expressive, especially with bruises’: the absurdist photography of Yorgos Lanthimos
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‘We are the family’: low-budget thriller highlights Hungary’s election tension
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And the winner is ... all of us? How the Oscars have changed for the better
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‘Happy as can be!’ My Neighbour Totoro toasts first birthday in London’s West End
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Omission impossible: why the Oscars can never get their In Memoriam tribute right
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Selfies, sniffer dogs and superstition – Peter Bradshaw’s big night out at the Oscars!
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One no-show after another: Sean Penn joins an exclusive band of Oscar-winning refuseniks
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How should a woman dress in her 50s? Gwyneth Paltrow just changed the game
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Norway ‘climbs out of shadow’ of neighbours with first Oscar win for Sentimental Value
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Delight across Ireland at Jessie Buckley’s ‘historic’ best actress Oscar win
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Don’t Be Prey review – invigorating tale of swimming banker aiming to avoid being shark food
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‘How can I do better?’: Michael B Jordan’s Oscar win for Sinners is a deserved reward for an outstanding actor
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‘Like a DVD in the present tense’: are we ready for film distribution via USB drives?
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Empreintes review – Jess and Morgs go off-piste at Paris Opera and Marcos Morau sets the chandelier swinging
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Share your thoughts on the 2026 Oscars from the winners to the snubs
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Sinners’ Oscar triumphs show that Black cinema is now a vital and valid part of Hollywood
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Marty not so supreme: where did it all go wrong for Timothée Chalamet at this year’s Oscars?
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‘I watch it to be close to him’: why Point Break is my feelgood movie
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