‘I never thought about Oscars’: Brutalist composer Daniel Blumberg on the happiness and horror of his big win
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Novocaine review – throwaway one-joke action comedy brings the pain
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DoJ official says she was fired after refusing to restore Mel Gibson’s gun rights
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The Beguiled: Clint Eastwood’s 1971 version is a sweaty, southern hothouse
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Oh My Goodness! review – bike-racing nuns go for the prize in freewheeling clerical comedy
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Having a bawl: why Avatar 3 will reduce you to a sobbing husk (just ask James Cameron’s wife)
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‘I demand to have some booze!’: how do actors fake being drunk or on drugs?
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All Happy Families review – childhood home is renovation project in likable indie drama
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Satu – Year of the Rabbit review – scene-stealing runaways on picturesque road trip across Laos
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‘A cascade of terrible things’: documentary pieces together Rust shooting tragedy
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American Dreamer review – Peter Dinklage is charmer in oddball tale of eccentric inheritance
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Drop review – a standout from White Lotus excels in tight first date thriller
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Holland review – twisty Nicole Kidman thriller is a disappointing mess
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The Wonder Way review – artists grapple with the outdoors in study of beautiful chaos
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Don’t Turn Out the Lights review – party-animal horror turns into backwoods road trip to hell
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‘Keeps me optimistic’: why You’ve Got Mail is my feelgood movie
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Twins! Rivals! Clones! Hollywood is doubling down on dual roles
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What are smartphones stealing from us? When mine was taken away, I found out | Alexander Hurst
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Death of a Unicorn review – goofy eat-the-rich satire isn’t fun enough
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One of Them Days review – SZA and Keke Palmer spar and sparkle in raucous LA buddy movie
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The Accountant 2 review – Ben Affleck’s autistic assassin returns for solid sequel
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Halt Disney! Flow’s director, and fellow upstart animators, on a new era for the artform
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‘It’s been really profound’: artists Joel Meyerowitz and Maggie Barrett on laying bare their marriage on film
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Ignore the row: this Oscar-winning film offers a vision of a shared Palestine forged in solidarity | Kenan Malik
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Mickey 17 review – two Robert Pattinsons for the price of one in Bong Joon-ho’s acidly funny sci-fi satire
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‘Everything is so fragile’: Cate Blanchett on marriage, #MeToo and the state of the world
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Another Simple Favor review – supremely silly sequel serves more absurd twists
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Streaming: Steven Soderbergh’s Presence and the best haunted house films
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Longer pre-film ads ‘wasting time’ of frustrated cinema fans
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From Mickey 17 to Lady Gaga: a complete guide to this week’s entertainment
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Actor Danny Dyer on aliens and cocaine; the anti-vax parents who changed their minds; and Philippa Perry on feeling unimportant – podcast
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Anora is nothing new – Hollywood has always been obsessed with sex workers
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‘You’re always on edge – it has consequences’: the extraordinary drama about working in an Amazon-style warehouse
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Moana 2 to The French Dispatch: the seven best films to watch on TV this week
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Plankton: The Movie review – Netflix’s Spongebob spin-off movie is for fans only
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‘One agency called me Thunder Thighs’: Twiggy and Sadie Frost on sexism, self-esteem and the swinging 60s
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Picture This review – Bridgerton star can’t save tinny romcom
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Pamela Bach, Baywatch actor and David Hasselhoff’s ex-wife, dies
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Warning: if your name is David, you won’t survive a horror movie
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From Ripley to Ragnarok: Cate Blanchett’s 20 best film performances – ranked!
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‘One slip and I’d be lost in the flood’: shocking report reveals dangers of jobs in the arts
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Black Bag review – Michael Fassbender and Cate Blanchett intrigue in marital espionage
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T-shirts, thongs and perfect twerking: Anora spent $18m on marketing – three times its budget
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Ange and the Boss: the Australian title and ties that bind Postecoglou and Puskás
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Nepo babies should do what they want. Except complain to the rest of us | Rebecca Shaw
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Erin Brockovich review – Julia Roberts’ glamorous turn as an underdog lawyer
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‘A certain kind of chaos’: Errol Morris unpacks Charles Manson theories
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Give it a Polish! Classic film posters with a twist – in pictures
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Twiggy review – Sadie Frost’s breezy telling of sunny fashion star’s landmark career
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‘Standing up against the devil’: how the far right tried to co-opt Dietrich Bonhoeffer biopic
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Like Tears in Rain review – Rutger Hauer portrait takes deep dive into the archive
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Ernest Cole: Lost & Found review – tragic story of fiercely pioneering photographer
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Oscars 2026: who might be up for next year’s main awards?
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‘I want to see that movie’: Brighton Beach residents on Anora’s Oscar triumph
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Sneakers: the cult ‘feelgood heist film’ with a hefty cast and a byzantine plot
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Oscars telecast ratings fall 7% to 18m viewers
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Die Alone review – Carrie-Anne Moss is enigma wrapped in a parka in zombie survival thriller
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Archive of the Future review – mesmerising safari through Vienna’s natural history museum
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From Parasite to Anora: how Cannes became an Oscars power player
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And the loser is … politics: why was this year’s Oscars so reluctant?
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Jubilant Brazilians hail I’m Still Here’s Oscar as landmark in fight for justice
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The main Oscars takeaway? Hollywood is as scared of the world right now as you and I are | Emma Brockes
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Fires, frocks and the president who must not be named: my very weird night in the Oscars cheap seats
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‘Gangs charged us $200 a night to shoot on their turf’: Walter Hill on making cult film The Warriors
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Russian state propagandists overjoyed at Anora’s Oscar triumph
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‘Instantly uplifts my mood’: why Kabhi Khushi Kabhie Gham is my feelgood movie
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Grey Matter review – feelgood Alzheimer’s film is well-meaning life-lesson comedy
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Timothée Chalamet, Selena Gomez, Sydney Sweeney and Mick Jagger: stars converge for the 2025 Oscars afterparties – in pictures
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‘I can spit hot fire on Baby Got Back’: Sterling K Brown’s honest playlist
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Key takeaways from Oscars 2025: Brody beats orchestra, Brits keep it classy and Kieran Culkin botches his big moment
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