‘You want to reach out and touch everything’: why Labyrinth is my feelgood movie
The Guardian
··
-
Older >
Source
Time
Score
-
-
Share your tributes and memories of Sam Neill
The Guardian
··
-
Our Hero, Balthazar review – a darkly comic satire of incel culture and gun violence
The Guardian
··
-
A Year in London review – fashion student hits it off with her professor in frothy lesbian romcom
The Guardian
··
-
Christopher Nolan says people ‘disdain’ AI and the idea it will replace humans is ‘nonsense’
The Guardian
··
-
Disney’s live-action Moana fails to make a splash at box office with underwhelming opening
The Guardian
··
-
‘We were kids dressed as gangsters, running riot’ – Alan Parker’s Bugsy Malone at 50, by its cast and crew
The Guardian
··
-
AI ‘actor’ Tilly Norwood has a movie coming out. Spare us this future | Dave Schilling
The Guardian
··
-
‘He stole the show’: do Oscars beckon for Robert Pattinson, star of four of the year’s biggest films – and Batman?
The Guardian
··
-
The Batman Part II rumours hint he’s flying into even darker and weirder territory
The Guardian
··
-
The most fearsome monster in Christopher Nolan’s Odyssey? Elon Musk: the Stephen Collins cartoon
The Guardian
··
-
‘I was like, “Oh my god, I can be taken seriously”’: the women inspired to become lawyers by Legally Blonde
The Guardian
··
-
‘Injustice and pain’: Justin Baldoni makes first public statement on Blake Lively lawsuit
The Guardian
··
-
‘I saw it seven times in the cinema’: readers’ favourite films of 2026 so far
The Guardian
··
-
From Greek epics to biblical blockbusters: the 20 best mythological movies – ranked!
The Guardian
··
-
Evil Dead Burn review – wildly gory horror tears a grieving family to pieces
The Guardian
··
-
Saccharine review – eating disorder body horror offers plenty to chew over
The Guardian
··
-
Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
The Guardian
··
-
New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
The Guardian
··
-
Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
The Guardian
··
-
The Invite welcomes heterosexual polyamory into cinemas. It’s about time
The Guardian
··
-
‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
The Guardian
··
-
The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
The Guardian
··
-
Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
The Guardian
··
-
Life Support review – quietly devastating medics’ eye view of the war in Gaza
The Guardian
··
-
Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
The Guardian
··
-
‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
The Guardian
··
-
The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
The Guardian
··
-
Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
The Guardian
··
-
‘Cosy competency porn’: why The Post is my feelgood movie
The Guardian
··
-
Shoot the People review – a powerful portrait of a talented yet controversial photographer
The Guardian
··
-
A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
The Guardian
··
-
The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
The Guardian
··
-
Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long | Tom Usher
The Guardian
··
-
Burning flags, busty blondes and bison skulls: 48 photographs that capture America at 250
The Guardian
··
-
Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?
The Guardian
··
-
The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’
The Guardian
··
-
‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex comedy The Invite
The Guardian
··
-
‘A female Minion would be the beginning of the end’: Pierre Coffin on creepy memes, decoding Minionese and farting bananas
The Guardian
··
-
Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity
The Guardian
··
-
Birds of War review – war journalists find love among the ruins
The Guardian
··
-
Lethal Weapon star Danny Glover reveals Alzheimer’s diagnosis
The Guardian
··
-
The Guilty review – Russell Tovey is commanding in cop thriller that fills you with dread
The Guardian
··
-
Spielberg’s Disclosure Day is making some wonder: will we have real disclosure soon? | Seth Shostak
The Guardian
··
-
The best theatre to stream this month: all rise for Rosamund Pike’s Inter Alia
The Guardian
··
-
‘Get away from there – run!’ The stunning film about love blossoming amid the carnage of Aleppo
The Guardian
··
-
Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam
The Guardian
··
-
Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan
The Guardian
··
-
Minions & Monsters review – a smart premise descends into more of the same
The Guardian
··
-
Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
The Guardian
··
-
Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
The Guardian
··
-
Why is Elon Musk boosting an anti-immigrant film loved by the far right? | Mehdi Hasan
The Guardian
··
-
Michael Byrne obituary
The Guardian
··
-
The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
The Guardian
··
-
The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
The Guardian
··
-
Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful
The Guardian
··
-
Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror
The Guardian
··
-
‘Genuinely changed my life’: why Groundhog Day is my feelgood movie
The Guardian
··
-
The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk
The Guardian
··
-
Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater
The Guardian
··
-
I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’
The Guardian
··
-
Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes
The Guardian
··
-
Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears
The Guardian
··
-
Watching Brokeback Mountain kept me in the closet
The Guardian
··
-
O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
The Guardian
··
-
‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime
The Guardian
··
-
Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
The Guardian
··
-
The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
The Guardian
··
-
Pride review – solidarity between gay activists and miners in a magnificent musical
The Guardian
··
-
Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
The Guardian
··
