The Martini Shot review – Matthew Modine and a cast to die for can’t fathom an unholy mess
The Guardian
··
-
Older >
Source
Time
Score
-
-
Palestine Comedy Club review – roving performance collective finds light in darkness
The Guardian
··
-
‘Tics are involuntary’: people with Tourette syndrome on Baftas outburst
The Guardian
··
-
Fight the power – in your pyjamas: the film about the day Glasgow kicked out immigration enforcers
The Guardian
··
-
Down with Love: Ewan McGregor and Renée Zellweger’s perfectly offbeat 60s fantasy
The Guardian
··
-
The Bluff review – Priyanka Chopra Jonas fights dirty in grisly pirate action flick
The Guardian
··
-
Molly vs the Machines review – a powerful story of love, loss and the dangers of social media
The Guardian
··
-
God of Frogs review – less Kermit, more giant shapeshifting amphibian nightmare
The Guardian
··
-
Crazy Old Lady review – Carmen Maura excels as a homicidal pensioner wielding a red hot poker
The Guardian
··
-
‘I like the challenge’: French animator Florence Miailhe on being nominated for an Oscar for the first time aged 70
The Guardian
··
-
Emily in Paris star Lily Collins to play Audrey Hepburn in film about Breakfast at Tiffany’s
The Guardian
··
-
Kenneth Williams and racist attitudes | Brief letters
The Guardian
··
-
It hurt when the N-word was shouted out at the Baftas – but we are also hearing it so much outside | Nadine White
The Guardian
··
-
Award ceremonies can be anodyne – but Prince William’s Bafta moment broke through | Zoe Williams
The Guardian
··
-
Nick Reiner pleads not guilty in his parents’ killings
The Guardian
··
-
Letterboxd’s most eager reviewers are changing cinema etiquette: ‘I was excited to pull out my phone’
The Guardian
··
-
Else review – pandemic-style horror has bad guys crawling out of the woodwork, literally
The Guardian
··
-
With N-word incident, Bafta have shot themselves in the foot | Catherine Shoard
The Guardian
··
-
Backlash mounts to Bafta N-word controversy as Jamie Foxx and Wendell Pierce criticise outburst
The Guardian
··
-
‘A spiritual awakening’: why Con Air is my feelgood movie
The Guardian
··
-
Ways to Traverse a Territory review – documenting an ancient and disappearing way of life
The Guardian
··
-
Swearing, Marty Supreme … and Prince William: Bafta’s 12 biggest snubs and surprises
The Guardian
··
-
I Swear’s Robert Aramayo had Bafta’s feelgood moment, but the night belonged to Paul Thomas Anderson
The Guardian
··
-
Baftas 2026: Shock win as Robert Aramayo named best actor for I Swear – follow live!
The Guardian
··
-
Peter Bradshaw’s Baftas 2026 predictions – who’ll get the gongs, who’ll be the goners?
The Guardian
··
-
Yellow Letters wins Golden Bear at Berlin film festival dominated by Gaza row
The Guardian
··
-
Damian Lewis: ‘Someone put flowers at my feet and I realised it was my stalker’
The Guardian
··
-
Frederick Wiseman obituary
The Guardian
··
-
Oscars bellwether, British awards or both? The identity dilemma facing the Baftas
The Guardian
··
-
The Guide #231: How the hunt for the next James Bond became the franchise’s best marketing tool
The Guardian
··
-
‘An incredible human being’: readers on their memories of Robert Duvall
The Guardian
··
-
‘The trick is not being so annoying that people hate you’: is awards-show hosting the toughest gig out there?
The Guardian
··
-
The Hunt for Gollum looks like a step too far for the endless Lord of the Rings franchise
The Guardian
··
-
In the age of the ‘rough sex defence’, Emerald Fennell’s treatment of Wuthering Heights’ Isabella Linton is grotesque | Emma Flint
The Guardian
··
-
We Are All Strangers review – two weddings and a baby in marvellously addictive family drama
The Guardian
··
-
Cold Storage review – mutant-mildew plague horror comedy stuffs fun into the fungi
The Guardian
··
-
An Unknown Woman: how I discovered a hidden tragedy tied to Russia’s most famous painting
The Guardian
··
-
‘He loved showing his bum. Loved it’: the subversive genius of Kenneth Williams
The Guardian
··
-
Man allegedly assaulted by Shia LaBeouf in New Orleans wants to see hate crime charges
The Guardian
··
-
Wuthering Heights, Yorkshire actors and working-class stories | Letters
The Guardian
··
-
‘A love letter to Beirut’: Lana Daher on sifting 20,000 sources and 70 years of film to make Do You Love Me
The Guardian
··
-
Pigs, punchups and a foaming red carpet: 10 amazing Baftas moments – ranked
The Guardian
··
-
Lesley Walker obituary
The Guardian
··
-
‘Balding, rawhide-lean, just under six feet tall’: the real life soldier behind Robert Duvall’s Apocalypse Now role
The Guardian
··
-
Sinners star Miles Caton: ‘I didn’t know how much I would be in the film … it might have scared me’
The Guardian
··
-
Tom Noonan, actor known for Heat and Manhunter, dies aged 74
The Guardian
··
-
‘I don’t wish anyone to fall down a sewer. Except sometimes’: TikTok sensation and Oscar-nominated star of Weapons Amy Madigan
The Guardian
··
-
Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
The Guardian
··
-
How to Make a Killing review – how to make a pointless remake
The Guardian
··
-
‘His friendship changed my life’: 25 years of camaraderie with Robert Duvall
The Guardian
··
-
Wasteman review – Brit prison drama is as lethal and nasty as a sharpened toothbrush
The Guardian
··
-
Dust review – timely fictionalisation of a tech-bro dotcom bust that blighted rural Belgium
The Guardian
··
-
Oscar-nominated co-writer of It Was Just an Accident released from Iranian prison
The Guardian
··
-
Brother of No Other Land co-director injured as Israeli settlers again attack family home
The Guardian
··
-
Steve McQueen on working with Robert Duvall: ‘He was the rock. He brought gravity’
The Guardian
··
-
‘A realistic take on marriage’: readers on their favourite lesser-known movie romances
The Guardian
··
-
‘It’s a protest movement behind windows’: tribute to the Iranians risking their lives to film dissent
The Guardian
··
-
Redux Redux review – multiverse hopping child-abduction thriller keeps things simple
The Guardian
··
-
The gulf between critics and audience has never been wider – just look at Melania’s Rotten Tomatoes score
The Guardian
··
-
Night King review – Hong Kong hostess bar comedy is love letter to old-style Kowloon nightlife
The Guardian
··
-
Frederick Wiseman brought a uniquely empowering scale to his immersive documents of ordinary life
The Guardian
··
-
Wuthering Heights is at its heart a story of class and race. Emerald Fennell has got it all wrong | Rhiannon Lucy Cosslett
The Guardian
··
-
Share your tributes and memories of Robert Duvall
The Guardian
··
-
Dear Beautiful Beloved review – a powerful message from the Ukrainian frontline
The Guardian
··
-
My Sister’s Bones review – drab adaptation doesn’t deliver the dark punch of the bestselling novel
The Guardian
··
-
The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia
The Guardian
··
-
Robert Duvall was a vigorous and subtle actor who always performed with passion and conviction
The Guardian
··
-
At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama
The Guardian
··
-
UK audiences swoon over Wuthering Heights as film takes £7.7m over Valentine’s weekend
The Guardian
··
-
‘Heath Ledger knocked my tooth out jousting with a broom’: how we made A Knight’s Tale
The Guardian
··
