‘There are no rules’: spotlight on Gossip Goblin as AI film-making enters new era
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‘I never thought people might feel threatened by us’: YouTuber Curry Barker on his big horror ascent
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Teenage Sex and Death at Camp Miasma review – Gillian Anderson superb in queer slasher spectacular
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The Christophers review – Ian McKellen and Michaela Coel are the double act of the year
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‘Do you want all the scenes to be penetrative?’: how working with an intimacy coordinator made my film better
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‘There was a lot of addiction and trauma in my family’: why Drag Race winner Jinkx Monsoon plays a perfect Judy Garland
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LifeHack review – old-school heist movie updated for the meme age
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A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair
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Butterfly Jam review – Barry Keoghan can’t save this New Jersey misstep
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The Devil Wears Prada sold me the journalism fantasy. The sequel captures the unglamorous reality | Patrick Lenton
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‘It screws with your mind’: Jennie Garth on 90210 fame in her 20s – and speeding up in her 50s
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Carla Simón: ‘In Spain people use words like shame and blame. But my parents just had bad luck‘
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Normal review – Fargo meets The Firm in cheerfully weird Bob Odenkirk small-town thriller
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Killer Whale review – watery peril horror turns captive orca into angry BFF-threatener
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Cannes is a beautiful, gruelling circus. I wouldn’t quit it for anything | Agnès Poirier
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The Electric Kiss review – belle époque seance comedy struggles to summon real magic
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Film industry cannot fight rise of artificial intelligence, says Demi Moore
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Matching Gary Oldman’s Krapp with a teenager’s take on Godot is a masterstroke
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Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning
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Sunset Boulevard: The Backstage Cut review – does Norma Desmond really need another closeup?
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Cannes spotlight reverts to auteurs as Hollywood retreats from film festival
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The Mysterious Gaze of the Flamingo review – haunting queer fable burns with love and menace
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‘I told him, “Go ahead, do it”’: Juliette Binoche on how a strangling attack as a teen inspired her directorial debut
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‘Treats its audience like adults’: why Moneyball is my feelgood movie
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Fade to black: inside grand abandoned cinemas in the US and Canada
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‘Forced to preserve a monument’: how the fate of Marilyn Monroe’s LA home became a legal saga
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‘Amazon of America’: film paints vision of a post-coup Brazil giving up rainforest
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Away from the red carpet, the ‘flashy, jazzy and tacky’ descend on Cannes – photo essay
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Are you a ‘time optimist’? I’m sorry, we can’t be friends | Polly Hudson
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‘Peak TV is behind us’: UK developers pivot from building studios to datacentres amid AI boom
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The Guide #242: Everyday Hollywood film comedies have faded but can they make a comeback?
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‘I should have kicked him even harder. He deserved it’: Eric Cantona comes out fighting
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Remarkably Bright Creatures review – Sally Field bonds with octopus in gentle Netflix charmer
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Guillermo del Toro: ‘When you see a UFO, it causes a crack. The mystery of the universe rushes towards you’
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Experience: I am the best lightsaber fighter in Europe
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‘The aim was to give Kevin Costner’s version a good kicking’: director John Irvin on his anti-Thatcher Robin Hood
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Ian McKellen: ‘Of course Gandalf would beat Dumbledore in a fight’
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Arthur Miller opens up about marriage to Marilyn Monroe in newly unearthed recordings
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‘Somehow you become the chicken’: inside the film about people-smuggling told through the eyes of a hen
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Mortal Kombat II review – junky game-to-movie sequel offers more of the same
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Licence to thrill: could 007 First Light be the best Bond game since GoldenEye?
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Flogging a wooden horse: how faithful will Christopher Nolan’s Odyssey be?
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‘We laced Nicole into her corset and her rib broke again’: Moulin Rouge at 25 – an oral history by cast and crew
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Blake Lively and Justin Baldoni’s legal trainwreck has taught us this: never go to court. Ever | Marina Hyde
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Sweary first trailer for young Anthony Bourdain biopic
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Our Land review – right-to-roam campaigners offer bacchanalian antics and a heartfelt message
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An AI version of Milton’s Paradise Lost is fundamentally unworthy of one of the great works of art
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The Odyssey: new trailer for Christopher Nolan’s classical Greek epic released online
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Surrender review – Josh Duhamel hunts smirking serial killer in 90s throwback thriller
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Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas
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The Devil Wears Prada 2: bitchy one-liners, devious double-crossing and Lady Gaga – discuss with spoilers
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Self Driver review – cabbie who signs up for sinister app offers Travis Bickle take on the gig economy
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‘As reassuring as a warm hug’: why Donnie Darko is my feelgood movie
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Rise of the Conqueror review – Gladiator meets throat singing as Mongol hordes ride out
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The Devil Wears Prada 2 struts to stunning $233m opening weekend at box office
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When I was seven, Jack Nicholson vomited cherry juice on me – it certainly beat doing schoolwork
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The Devil Wears Prada is back – and oh, those fat jokes are wearing thin | Chloe Mac Donnell
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Juliet Stevenson: ‘My biggest disappointment? I never got a role in Harry Potter’
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Gaga, Dior and $24 tweezers: how The Devil Wears Prada 2 turns rags to riches
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The Guide #241: Wintour isn’t coming … and her Devil Wears Prada absence is for the best
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The Woman Who Loves Luxury Goods 2: why the Devil Wears Prada title goes back to basics in Vietnam
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Swapped review – animated Netflix adventure plays like off-brand Pixar
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The devil wears Primark: is the romcom reporter about to get the sack?
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The Purge but for sex? One Night Only might be the year’s strangest romcom
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Mass review – forgiveness doesn’t come easily in masterly school-shooter drama
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Say hello to my little compendium! Al Pacino films – ranked
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Highlander review – dodgy accents no trouble to exciting, epic and unashamedly fun 80s blockbuster
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Creaky knees be damned – Charlize Theron is showing us what’s possible at 50 | Emma Brockes
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‘What we’re doing is real justice’: how one New York gym built a pipeline away from prison
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Hokum review – Adam Scott dour and grumpy in enjoyably eerie rural horror
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