The Basics of Philosophy review – Paul Schrader back to his cool, cruel best
The Guardian
··
-
Older >
Source
Time
Score
-
-
15/18 A Place to Heal review – heartfelt docu-realist study of a French teen psychiatric facility
The Guardian
··
-
‘Like a tired boxer, battered by applause’: as Andrew Scott’s biopic premieres, Richard Eyre remembers Ian Charleson’s superb, near-death Hamlet
The Guardian
··
-
‘I’m used to doing the impossible’: George Lucas unveils new LA museum – what’s its story?
The Guardian
··
-
‘Many of us in Israel live in a state of shock at the savagery’: veteran director Amos Gitai returns to Gaza
The Guardian
··
-
Gal Gadot’s Wonder Woman was one of DC’s few successes. It’s a mystery why she got the chop
The Guardian
··
-
A remarkable documentary made by blind students: ‘We were stunned by the footage’
The Guardian
··
-
‘If you can’t understand what sex is, it’s irrelevant if you seem to be enjoying it’: how Queen at Sea upended the dementia drama
The Guardian
··
-
Faces of Death review – rework of notorious video nasty turns horror voyeurism into moral panic fable
The Guardian
··
-
Nessun Dolore review – sketchy Roman fable of liberal white guilt
The Guardian
··
-
Wild Horse Nine review: Malkovich and Rockwell head to Easter Island for McDonagh’s acid bromance
The Guardian
··
-
By Any Means review – Mark Wahlberg and Yahya Abdul-Mateen II drama provokes with horror of 1960s racism
The Guardian
··
-
Falling House review – fierce tale of an Iranian prison guard holding his family hostage
The Guardian
··
-
Lomu review – fascinatingly nuanced tribute to rugby’s first superstar
The Guardian
··
-
Ink review – Danny Boyle turns the birth of the Sun into a lurid tabloid frenzy
The Guardian
··
-
Rupert Murdoch ‘very happy’ that Guy Pearce plays him in Fleet Street biopic Ink
The Guardian
··
-
Mayday review – Ryan Reynolds and Kenneth Branagh set cold war bromance alight
The Guardian
··
-
‘He’s a good man’: George Clooney defends Mark Ruffalo in Paramount-Warner Bros merger row
The Guardian
··
-
The Eyes Wide Shut conspiracy theory: did someone cut a crucial 20 minutes from Kubrick’s final movie?
The Guardian
··
-
Was Paul Mescal being ‘not masculine enough’ the reason Gladiator II flopped?
The Guardian
··
-
Maggie Gyllenhaal says film industry has a ‘systemic problem’ with sexism
The Guardian
··
-
Fall 2: Deadpoint review – silly seat-edge sequel can’t reach heights of the original
The Guardian
··
-
Star Wars Zero Company review – joyfully absurd heroics with a tight-knit team of misfits
The Guardian
··
-
Oasis, auteurs and seven hours of Bertolucci: 12 unmissable movies at the Venice film festival
The Guardian
··
-
Ukrainian film-maker criticises EU after it cuts Venice Biennale funding over Russia controversy
The Guardian
··
-
Hungry review – hippo horror sees multi-ton mammal run amok among bayou boat-trippers
The Guardian
··
-
The Runner review – Gal Gadot stumbles through derivative high-speed, low-rent thriller
The Guardian
··
-
Waking Life: Richard Linklater’s genre-defying indie is a kaleidoscopic masterpiece
The Guardian
··
-
‘Not just Hollywood crap’: Mike Leigh on the East End communist who brought world cinema to the UK
The Guardian
··
-
‘Led us down such a dark path’: documentary explores how 9/11 changed America
The Guardian
··
-
Super Nature review – crowd-sourced Super 8 film is a triumphant collage of hope for the natural world
The Guardian
··
-
Summer box office 2026: what can we learn from the hits and misses?
The Guardian
··
-
The Extractor review – Indonesian hostage-rescue thriller has surprising thread of gentleness at its core
The Guardian
··
-
Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina
The Guardian
··
-
Onslaught review – super soldier slasher doesn’t go hard enough
The Guardian
··
-
‘The whistling on the theme tune? That’s Dickie Attenborough!’ Hayley Mills on Whistle Down the Wind
The Guardian
··
-
Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare
The Guardian
··
-
‘Sometimes you just need a good cry’: why Little Women is my feelgood movie
The Guardian
··
-
The Black Garden review – haunting study of growing up in war-torn Nagorno-Karabakh
The Guardian
··
-
Tom Cruise, Olivia Colman and the return of Rocky: the best films of autumn 2026
The Guardian
··
-
Big tech goes to Hollywood: is Silicon Valley ready for a silver-screen reckoning?
The Guardian
··
-
Rob Reiner’s son Jake gives first interview after parents’ deaths: ‘I will never understand why this happened’
The Guardian
··
-
‘I don’t care if I look good’: French heartthrob Louis Garrel on fashion, fatherhood and his radically dorky new role
The Guardian
··
-
The Whisper Man review – Robert De Niro sleepwalks through silly Netflix potboiler
The Guardian
··
-
Tim Curry obituary
The Guardian
··
-
Marketing meltdown: why has Andrew Garfield’s new film suddenly added Robin Hood?
The Guardian
··
-
Idiots review – throwback bro comedy is an entertaining summer seat-filler
The Guardian
··
-
The Wreck review – scuba drama about siblings under pressure
The Guardian
··
-
Rupert Grint to reprise role of Ron Weasley in Harry Potter stage show
The Guardian
··
-
De Gaulle: Résistance review – a galloping bromance for Churchill and France’s wartime hero
The Guardian
··
-
The Last Sunrise review – Amazon’s soapy YA romance is thankless and bland
The Guardian
··
-
Hanging By a Wire review – cable car rescue documentary dangles viewers on the edge of disaster
The Guardian
··
-
The Dog Stars review – Ridley Scott’s lethargic postapocalyptic drama is a misfire
The Guardian
··
-
Ali G: Who Iz I? trailer reveals return of Sacha Baron Cohen’s prank-playing rudeboy
The Guardian
··
-
Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty
The Guardian
··
-
Zip Wire review – cancer-curing scientist is on the hook for cable-dangle thriller
The Guardian
··
-
Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
The Guardian
··
-
The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
The Guardian
··
-
‘A bit like meditation’: why Saw is my feelgood movie
The Guardian
··
-
On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
The Guardian
··
-
Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
The Guardian
··
-
The film Apollo 13 taught me how to survive heartbreak
The Guardian
··
-
Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
The Guardian
··
-
‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
The Guardian
··
-
David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
The Guardian
··
-
Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
The Guardian
··
-
The Odyssey becomes highest grossing R-rated film of all time
The Guardian
··
-
‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
The Guardian
··
-
Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
The Guardian
··
-
It Ends review – gripping micro-budget horror ranks among the year’s best
The Guardian
··
