Concessions review – moviegoer melancholy for Michael Madsen’s final film
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The Memory Blocks review – playful and purposeful exploration of developmental disorders
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From cosmopolitans to vibrators, the cultural heft of Sex and the City
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Royal Philharmonic Orchestra/Hisaishi review – frothing strings and quacking brass as Studio Ghibli’s composer debuts
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Post your questions for Ridley Scott
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‘Kept fighting despite the odds’: the Russian journalists who risked everything to report the truth
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The Surfer to Night Always Comes: the seven best films to watch on TV this week
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‘We’re in a healthy relationship!’ Alison Brie and Dave Franco on gruesome body horror Together
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Night Always Comes review – Vanessa Kirby gets lost in poverty thriller
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Hit horror Weapons doesn’t have a deeper meaning but that’s OK | Jesse Hassenger
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‘We thought with The Crown: “Is anyone going to watch this?”’ director Benjamin Caron on risk, realism – and royalty
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Sinéad O’Connor biopic in the works produced by company behind Slow Horses
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Frank Grimes obituary
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Cheer up, Ice Cube, your War of the Worlds movie may be really bad, but it's not worthless | Saranka Maheswaran
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The heart triumphs over all things: why ‘anti-capitalist romcom’ Materialists isn’t just a fantasy
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I feel 32, Leonardo DiCaprio says of turning 50
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Jason Bourne is coming back – but what do we want from him this time?
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Nobody 2 review – Bob Odenkirk’s suburban tough guy beats action sequel into submission
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Can’t pay, won’t pay: impoverished streaming services are driving viewers back to piracy
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TV tonight: a heart-racing series following RNLI rescue missions
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Lorna Raver, actor from Drag Me to Hell, dies at 81
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‘Death always feels imminent’: a moving Netflix documentary on prison, music and forgiveness
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‘I don’t touch my phone. At home, I’d be scrolling’: why young people are flocking to independent cinemas
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‘I knew my job was to fulfil a man’s fantasy’: Elizabeth McGovern on Downton, early fame and co-starring with Brad Pitt
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Brad Pitt break-in linked to gang targeting celebrities, Los Angeles police say
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Central Station review – Walter Salles’s big-hearted Brazilian road movie boasts stellar performances
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Materialists review – Dakota Johnson torn between Pedro Pascal and Chris Evans in charming romcom
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Oslo Stories Trilogy: Love review – gracefully grownup and breezy relationships drama
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Red Sonja review – pixie-ish Matilda Lutz steps into Brigitte Nielsen’s battle corset for action remake
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Fixed review – Netflix’s raunchy horny dog comedy wears thin
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Jay Duplass: ‘Rocky is my favourite movie of all time. I’ve seen that film probably 20 times’
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Devil Wears Prada 2 to Spider-Man 4: is the Hollywood hype machine starting too early?
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Malqueridas review – blurry phone footage takes us inside Chile’s prisons with incarcerated mothers
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That Alien, Sound review – super-kooky indie comedy puts sound-wave ET in woman’s body
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The Ode Islands review – a nightmarish head trip unlike anything on the fringe
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‘Nothing else quite like it’: why DEBS is my feelgood movie
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Dawn Dusk review – handbag designer deals with grief over murdered sister and dead friend
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‘Our director is a madman’: a century on, Gloria Swanson’s disastrous film Queen Kelly is finished
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My Grandmother Trelotótó review – following a lost family history from Mozambique to Portugal
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‘I was too good’: Sharon Stone on stardom, family secrets, sexual abuse – and her comeback after a stroke
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Tom Hanks pays tribute to Apollo 13 astronaut Jim Lovell
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‘I wanted to be Nina Simone’: Jeff Buckley documentary shows female influences
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‘This is big blissful entertainment’: global film critics on the one movie that defines their country
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Mektoub My Love: Canto Due review – gobsmackingly weird series drops another surreal sex shocker
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The Dead of Winter review – Emma Thompson lights up icy Fargo country thriller
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Yellowstone, Top Gun, Chalamet: what will the Paramount-Skydance merger mean for film and TV?
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The Guide #203: Has Hollywood rediscovered the joy of the 90-minute movie?
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My cultural awakening: a Steve Carell film made me realise I was being abused
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Freakier Friday to Ethel Cain: your complete entertainment guide to the week ahead
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The more James Gunn’s Superman is a hit, the more the right will want its own Dean Cain of steel
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The Birthday Party review – Willem Dafoe is the life and soul as menacing Onassis-alike
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Becoming Led Zeppelin to The Pickup: the seven best films to watch on TV this week
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Eight Postcards from Utopia review – found-footage fever dream of post-Ceauşescu Romania
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‘Nobody believes in the future any more’: Adam Curtis and Ari Aster on how to wake up from the post-truth nightmare
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Drink it up! All 21 Daniel Day-Lewis films – ranked
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‘Aggressively provocative’: test screening of Saltburn director’s Wuthering Heights gets mixed reaction
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The Rise and Fall of the Clash Redux review – screen encore for punk’s raging heroes
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Former Superman actor Dean Cain reveals he’s becoming an Ice agent to support Trump’s mass deportation agenda
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How did a new War of the Worlds movie get a 0% critical rating?
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Weapons review – Zach Cregger’s slick Barbarian follow-up is a bumpy ride
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Mubi film distributor faces backlash over investor’s ties to Israeli military
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‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza
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Grease: The Immersive Movie Musical review – party like it’s 1959
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Dirty Work review – a jolly holiday with Mary Floppins
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Francis Ford Coppola in hospital in Rome for ‘scheduled’ procedure
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Spike Lee, Adam McKay and over 2,000 writers decry Trump’s ‘un-American’ actions in open letter
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First Blood: Rambo’s first outing is a surprisingly poignant comment on masculinity
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Sydney Sweeney: the Hollywood up-and-comer who started a culture war
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The Pickup review – Eddie Murphy’s heinous new comedy is worse than Norbit
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Jeans, controversy, used bathwater: Sydney Sweeney’s selling it all. A showbiz masterclass, if you ask me | Marina Hyde
The Guardian
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