Oscars nominations 2024: Oppenheimer eclipses Scorsese, Poor Things – and Barbie
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‘I apologise for speaking ignorantly’: Oliver Stone backtracks over Barbie comments
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Pornomelancholia review – sorrows of the sweaty, permanently aroused sex influencer
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And the Oscar nomination doesn’t go to … 20 great performances snubbed by the Academy
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Liberation review – moral dilemma of uneasy last days of Nazi occupation in Denmark
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In 1924, cinema was hailed as an agent of world peace. Has it failed?
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The Island review – Michael Jai White punches up in stunt-filled Caribbean action flick
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Director Norman Jewison: a life in pictures
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Norman Jewison: a staggering array of work from Hollywood’s master craftsman
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Norman Jewison, director of In the Heat of the Night, dies aged 97
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Presence review – Steven Soderbergh’s intriguing ghost story experiment
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Gérard Depardieu sexual assault claim dropped due to statute of limitations
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Forever Young review– anti-ageing fantasy drama kept alive by magnetic Diana Quick
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Tin can alley: the return of the Sad Man in Space
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Turn Your Body to the Sun review – staggering second world war survival story
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‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump
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Love Lies Bleeding review – gore, sex and 80s needle-drops can’t save forgettable thriller
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‘Maybe we should let me go’: Christopher Reeve documentary brings tears to Sundance
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A Real Pain review – Jesse Eisenberg and Kieran Culkin lead pat buddy dramedy
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Mean Girls – the Plastics are back in plodding musical remake
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And the winner should be… our film critics reveal their personal Oscars shortlists
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The Civil Dead review – mordant comedy with an afterlife of its own
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Werner Herzog: Radical Dreamer – fascinating portrait of the maverick film-maker
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The Holdovers review – a masterclass in melancholy with Paul Giamatti and Da’Vine Joy Randolph
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‘Thank God I asked for a singing teacher!’: Kingsley Ben-Adir on bringing Bob Marley to life
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‘He’s the party starter!’ Daniel Kaluuya and Kano on friendship, football and their new film
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I Saw the TV Glow review – devastating tale of identity, fandom and obsession
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Rust shooting: what a new indictment will mean for Alec Baldwin
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The Outrun review – Saoirse Ronan is remarkable in a sensitive recovery drama
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Why the stars are flocking to floral on red carpets this year
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Power review – damning documentary traces the history of US policing
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‘The sexiest awards season in years’: why film-makers have embraced a new wave of screen sex
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The End We Start From review – Jodie Comer is phenomenal in end-of-days survival thriller
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From Mean Girls to Masters of the Air: a complete guide to this week’s entertainment
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‘What happened to me mustn’t happen to the next generation’: Judith Godrèche on grooming and France’s #MeToo
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Cruel Intentions: The 90s Musical review – peppy return of toxic teenage liaisons
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Love Me review – Kristen Stewart and Steven Yeun explore love in oddball sci-fi
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‘Our full potential is on the other side of fear’: a vertigo-inducing look at ‘rooftopping’
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Freaky Tales review – Pedro Pascal-led 80s anthology isn’t freaky enough
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Jodie Foster as Princess Leia? Here’s what Star Wars would have looked like
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‘Allowed to be sexy’: how did Anyone But You become a surprise box office hit?
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Bottoms to The Founder: the seven best films to watch on TV this week
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Screen time: what to wear to the cinema
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‘This is a film to make us unsafe in the cinema. As we should be’: Sandra Hüller and Christian Friedel on The Zone of Interest
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Girls State review – compelling follow-up to hit documentary
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‘If you use any of that, I’ll murder you’: inside a shocking Roger Stone documentary
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Jodie Comer: ‘I feel Villanelle would suit being a scouser’
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Baftas 2024: Oppenheimer’s passion and ambition stomps over the opposition once again
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Oppenheimer beats Barbie as Bafta nominations announced
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‘I had to stop therapy. I needed the pain’: Fantasia Barrino on trauma, triumph and filming The Color Purple
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Sundance 2024: the biggest films to look out for from this year’s festival
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Ben Whishaw as Nick Cave? Score some leftfield music biopic ideas here
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The Enigma of Kaspar Hauser review – Herzog’s early masterpiece is bold and brilliant
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Richard Simmons disavows biopic: ‘I have never given my permission for this movie’
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‘I want her to be known as her own artist’: who was the real June Carter Cash?
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