James Earl Jones was movie royalty, a magisterial star who inspired both love and respect | Peter Bradshaw
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Selena Gomez reveals she’s unable to carry her own children due to health risks
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Without Blood review – Angelina Jolie’s lacklustre war drama is another misfire
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Heretic review – Hugh Grant has devilishly dark fun in talky, twisty horror
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The Return review – Ralph Fiennes and Juliette Binoche reunite in drab drama
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James Earl Jones: a life in pictures
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James Earl Jones, revered actor and voice of Star Wars’ Darth Vader, dies aged 93
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Relay review – Riz Ahmed is a fixer on a mission in a throwback thriller
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Place of Bones review – Heather Graham takes on some bad dudes in gutsy budget western
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Will Jennings, Oscar-winning lyricist of My Heart Will Go On, dies aged 80
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Patti Scialfa, Bruce Springsteen’s wife and bandmate, reveals blood cancer diagnosis
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Elton John: Donald Trump’s Rocket Man nickname for Kim Jong-un was ‘brilliant’ and ‘hilarious’
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How to Save a Dead Friend review – moving Russian anthem for doomed youth
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Nightbitch review – Amy Adams turns into a dog in rough dark comedy
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Piece by Piece review – Pharrell’s Lego biopic deserves to be a blockbuster
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The Assessment review – Alicia Vikander is future parents’ worst nightmare
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Eden review – Ron Howard’s nasty, starry survival thriller falls over the edge
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Elton John: Never Too Late review – thin portrait of a musical genius
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Unstoppable review – Jennifer Lopez and Jharrel Jerome lift routine sports drama
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Brat summer to goth winter: Beetlejuice revival prompts sartorial spookiness
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Sixty is the new golden age: meet the stellar generation hitting this milestone
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Starve Acre review – Matt Smith and Morfydd Clark hole up in brooding Yorkshire folk-horror
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‘She just unravels so beautifully’: how Nicole Kidman conquered the world – then kept on going
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Kate Winslet insisted her film about Lee Miller must have female director
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Beetlejuice Beetlejuice review – Tim Burton has fun with pleasingly idiosyncratic sequel
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Sunday with Eddie Marsan: ‘My potatoes are legendary’
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Venice 2024: Almodóvar’s first major festival win is richly deserved – and epically overdue
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Almodóvar’s The Room Next Door wins Golden Lion at Venice film festival
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The Last Showgirl review – Pamela Anderson’s big comeback is a big disappointment
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We Live in Time review – Andrew Garfield and Florence Pugh charm in heartfelt weepie
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Venice film festival 2024 roundup – Nicole Kidman gets carnal and Lady Gaga goes crazy
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From Starve Acre to Roy Lichtenstein: a complete guide to this week’s entertainment
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In Camera writer-director Naqqash Khalid: ‘The film industry is a circus’
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Kim Cattrall: ‘I’ve had a life’s experience – I want to bring it on board’
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Hard Truths review – a Mike Leigh classic of day-to-day disillusionment and courage
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The Penguin Lessons review – Steve Coogan’s teacher p-p-picks up a penguin in 70s Argentina
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The Cut review – Orlando Bloom goes through hell in sordid boxing thriller
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Norman Spencer, David Lean’s collaborator and UK’s second oldest man, dies aged 110
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Nutcrackers review – Ben Stiller finds little joy in middling Christmas comedy
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Can Travis Knight’s He-Man movie do for boys what Greta Gerwig’s Barbie did for girls?
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Surréalisme review – monstrous, deviant, glorious fun as the movement hits 100
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Out of the ruins: film inspired by slum clearance in Nigeria opens in Toronto
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Joram to Source Code: the seven best films to watch on TV this week
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‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage
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The Front Room review – Brandy Norwood shines in muddled camp horror
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April review – Dea Kulumbegashvili comes into her own with haunting abortion drama
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LL Cool J: ‘Hip-hop isn’t underdog music any more’
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Post your questions for Jude Law
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Keanu Reeves at 60: from surfer dude to action hero, his 20 best films – ranked!
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From Hard Truths to Nightbitch: 10 films to look out for at Toronto film festival 2024
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The Brutalist review – epic Adrien Brody postwar architectural drama stuns and electrifies
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Apollo 13: Survival review – fascinating, if clinical, retelling of space history
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Joker: Folie à Deux review – Joaquin Phoenix and Lady Gaga musical spirals out of tune
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‘I probably shouldn’t do this again’: Joaquin Phoenix and Lady Gaga talk about ‘difficult’ Joker diets
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Rebel Ridge review – electrifying Netflix crime thriller is a knockout
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‘A goalkeeper vomited over my typewriter’: Werner Herzog on writing his wildest film
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‘We have a good relationship … as long as he doesn’t start bitching’: why Ridley Scott and Russell Crowe’s Gladiator 2 spat has me entertained
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Sign up for the Film Weekly newsletter: our free film email
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Paul and Paulette Take a Bath review – misjudged romance takes wince-inducing wrong turn
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Are standing ovations at film festivals getting out of hand?
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What we do in the shadows: why film noir will never die
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‘We didn’t worry about a few dirty laughs!’ The Carry On women on playing nags, bra-burners and ‘crumpet’
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Maldoror review – true-crime serial killer procedural induces stomach-turning horror
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Queer review – Daniel Craig is needy, horny and mesmeric in Guadagnino’s erotic drama
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‘We never went down the Aardman route’: how the Brothers Quay rocked the animation world
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Harvest review – folk non-horror an exasperating experience
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‘There’s nothing intimate about filming a sex scene’: Daniel Craig opens up about new film Queer
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2073 review – Asif Kapadia rages against the death of democracy and our planet
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Red Rooms review – fashion model fixates on a serial-killer in unsettling dark-web horror
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The Whip review – carer turns to crime in a heist movie with a conscience
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