There’s Still Tomorrow review – resoundingly sentimental drama in postwar Rome
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Tomorrow’s Freedom review – does this man know the way to peace in Israel and Palestine?
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On Resistance Street review – lo-fi record of music’s long battle with racism
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28 Years Later: Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes cast in sequel
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‘The writer of Fifty Shades gave me tips’: Robinne Lee on her scorching bonkbuster The Idea of You
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Ben Stiller: I was blindsided by Zoolander 2 flopping
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Rebel Wilson memoir to be published in UK with Sacha Baron Cohen passages redacted
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Anne Hathaway is a secret Arsenal fan and now her reinvention is complete
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Malum/Hunt Her, Kill Her review – double bill of low-budget, single-location horror
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Quintessentially Irish review – Pierce Brosnan weighs in on scattergun study of Irishness
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Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming
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Elaha review – sex, patriarchy and second-generation identity
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Set It Up: the 2018 Netflix romcom that became a classic of the genre
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Studio Ghibli’s work ‘like Shakespeare’, says My Neighbour Totoro stage show’s director
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‘Reagan gave us something to rap about’: how hip-hop has interacted with US politics
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Anne Hathaway says she had to kiss 10 men during ‘gross’ chemistry audition
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Helen Mirren, Pierce Brosnan and Ben Kingsley set for film of Richard Osman’s The Thursday Murder Club
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Jericho Ridge review – shades of Rio Bravo in tense siege thriller with old-timey charm
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Jerry Seinfeld says the movie business is over: ‘No longer the cultural pinnacle’
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Ordinary Angels review – heartwarming rescue from the horrors of the US healthcare system
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Boy Kills World review – ripped Bill Skarsgård shows he’s got brutal action chops
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‘I was only able to go on stage hammered’: David Harewood on acting, racism and his new role at Rada
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That They May Face the Rising Sun review – poignant rural meditation on life and friendship
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Camouflage review – the dark past of Argentina’s dirty war detention centres
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Dickey Betts obituary
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Abigail review – Dan Stevens throws himself into gleefully gory kidnap horror
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What would cornered Trump do for Roy Cohn’s tough-guy dark arts now?
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If Only I Could Hibernate review – a teenager faces tough choices in chilly Mongolia
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‘He erased the entire project’ … the book Stanley Kubrick didn’t want anyone to read to be published
The Guardian
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Sometimes I Think About Dying review – Daisy Ridley excels as shy office worker in offbeat comedy
The Guardian
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Barbie, Bridgerton and billions of pounds: how streaming – and tax breaks – fuelled the UK’s ‘Brollywood’ screen boom
The Guardian
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So Sydney Sweeney’s not pretty and can’t act? Such insults by a woman play into men’s hands | Barbara Ellen
The Guardian
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Rule-breaker for the ages: why Caravaggio is our screen age’s art superstar
The Guardian
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Where do we draw the line on using AI in TV and film?
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Monopoly: the Movie? Pop culture has become a series of lukewarm adverts – and it’s all so very dull | Dan Hancox
The Guardian
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From Abigail to Taylor Swift: a complete guide to this week’s entertainment
The Guardian
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Priscilla, Queen of the Desert sequel in works with original cast, director confirms
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Can genre-buster Edgar Wright breathe new life into The Running Man?
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‘Why the silence? Why the inaction? It breaks my heart’: Malala and Jennifer Lawrence take on the Taliban
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Funny Pages to Phil Spector: the seven best films to watch on TV this week
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Rebel Moon – Part Two: The Scargiver review – Zack Snyder’s bombastically fun sequel
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Moving pictures: travelling cinema takes stories of ‘departures and dreams’ to Senegal
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Abigail review – Dracula’s daughter gets kidnapped in fun-sucking horror
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‘I’m practicing photographic justice’: Corky Lee’s portraits of Asian American life
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Martin Scorsese to revive Frank Sinatra biopic with Leonardo DiCaprio
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Happy 90th birthday, Shirley MacLaine: her 20 best films – ranked!
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‘David Lynch had to personally approve the screening’: the film clubs driving the celluloid revival
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‘The house was small, the life was big’: how Amy Winehouse’s homes were recreated for Back to Black
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The America depicted in Civil War is not half as alarming as the real one | Emma Brockes
The Guardian
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I Could Never Go Vegan review – cheerfully persuasive film about the plant-based lifestyle
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Quentin Tarantino scraps plans for his final film – reports
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The Ministry of Ungentlemanly Warfare review – Guy Ritchie’s fun wartime romp
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Swede Caroline review – marrow mockumentary is gourd for a laugh
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All You Need Is Death review – Irish horror finds evil in taboo folk ballad recording
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Forget Back to Black. Here are eight great fake music biopics
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If Only I Could Hibernate review – Mongolian maths whiz aims to escape biting cold
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Butterfly Tale review – kids insect story wants to take long trip south to Mexico
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Peter Jackson to release restored version of Beatles’ 1970 documentary Let It Be on Disney+
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The Titanic drug poisoning: is one of the greatest mysteries in film history about to be solved?
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Beyond the Raging Sea review – cross-Atlantic rowing race likened to refugees’ ordeal
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Post your questions for Bryce Dallas Howard
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Fantastic Machine review – whirlwind history shows how cameras dazzle and deceive us
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Max Beyond review – game tie-in with green-eyed kid jumping realities in search of brother
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Grace review – monumentally odd father-daughter odyssey via mobile cinema
The Guardian
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Rust film armorer sentenced to 18 months in prison for fatal on-set shooting
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A Tarzan deathtrap and an 80ft Goofy: prepare for your tour of scrapped Disneyland rides
The Guardian
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Civil War is an empty B-movie masquerading as something of substance | Charles Bramesco
The Guardian
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May the fizz be with you: how a $10 Chilean beer ad took on Star Wars
The Guardian
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John Singer Sargent: Fashion & Swagger review – exploring the artist’s work in style
The Guardian
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The Guide #134: Civil War is latest example of Hollywood’s love affair with journalism
The Guardian
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