Prima Facie review – fiery one-woman play is flattened into a bland movie
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The Life and Deaths of Wilson Shedd review – Amanda Seyfried compels in wrenching prison drama
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Love of Your Life review – Margaret Qualley eats, grieves and loves in Amazon’s transporting saga
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Onwards and Sideways review – Rhys Ifans and Laura Linney lift solid Parkinson’s drama
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Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
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Babies review – Anna Kendrick and Seth Rogen embrace childlessness in breezy comedy
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I Play Rocky review – crowd-pleasing Stallone biopic is heavy on fan service, light on real emotion
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Closing Night review – fiery women face off in Almodóvar-lite melodrama
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Trash Mountain review – Caleb Hearon’s coming home indie is a funny if familiar journey
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Shaun the Sheep: The Beast of Mossy Bottom review – Aardman’s spooky-season caper sparkles with fun
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Your Mother Your Mother Your Mother review – Mahershala Ali is a grieving hitman in soulful thriller
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Bold and bravura choices as Venice celebrates A Woman Unknown, Possible Love and NAZA
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Woman Unknown wins Venice film festival as NAZA takes special jury prize
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Everybody Wants to F*ck Me review – Taron Egerton is hounded in sharp-toothed dating nightmare
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Luke Evans: ‘As a child I was in love with Harrison Ford as Indiana Jones’
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Extended reality takes visitors from the ruins of West Bank to 17th-century Amsterdam at Venice Immersive
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Faith review – intense performances power startling and unsettling tale of mysterious suitor
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River review – so-so survival slasher offers more of the same and little else
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The Guardian view on controlling AI: humanity cannot outsource its survival | Editorial
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The Housewife review – Naomi Watts is a secret suburban Nazi in an overcooked melodrama
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Gore, gimps and a potty-mouthed magpie: welcome to the Lisbon horror festival where nightmares are a dream
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‘They know the house they are bombing is full of children’: NAZA’s directors on their devastating film about Israeli intelligence
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‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisoners
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‘A fierce need to be independent’: Gerda Taro biopic pulls photographer out of lover Robert Capa’s shadow
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Being Heumann review – Coda director’s disability rights drama is well-intentioned but clunky
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NAZA review – Israeli intelligence officers cast chilling light on civilian deaths
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Alex Winter: ‘Michael Winner was the most erudite sociopath I’ve ever met’
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Secret systems used by Israel in mass killings of Gaza civilians revealed in new film
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‘An embodiment of white fears’: how zombies went from Haitian spiritual tradition to Hollywood monsters
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‘Female survival in a terrifying world’: Tilda Swinton’s return in Man to Man
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Two times a charm: Is Sandra Bullock and Nicole Kidman’s agelessness the real trick of Practical Magic 2?
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From Chris Rock to Helen Mirren: 10 films to look out for at the Toronto film festival 2026
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La Femme Infidèle review – Chabrol’s eerie domestic thriller is a brilliant ballet of repression and fear
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Pressure review – stormy weather in tense D-day forecast retelling
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‘He goes to the dark side’: behind the scenes on the Shaun the Sheep horror movie
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The Fire Within You review – overheated family Christmas boils up too many stereotypes
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Union Town review – passionate exposé of US delivery workers’ employment conditions
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John Malkovich cancels Israel trip over fabricated solidarity quote
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DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character
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The Uprising review – the peasants are revolting in muddled historical epic
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Call My Agent! The Movie review – the gang get back together and c’est formidable
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Inglourious baristas: why is Brad Pitt making coffee for 16 abusive dogs?
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Blue Film review – polarising sex worker drama is well-acted and deeply disturbing
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Company review – Casey Affleck entertains us with creepy campfire tales
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Bunker review – Cruz and Bardem just can’t dig Florian Zeller’s shallow thriller out of a hole
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Andrew Garfield takes on Sam Altman in creepy first teaser for Artificial
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Practical Magic 2 review – Bullock and KIdman return for odd sequel that still casts a spell
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Elon Musk told ex-girlfriend he needed ‘a legion of children before the civil war’
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State handouts, 10,000 lasers – and Trump’s election: six things we learned from the Elon Musk film
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Musk review – epic study of the world’s richest and most banal man
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Just an Illusion review – Louis Garrel and Camille Cottin sizzle as an 80s couple in crisis
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Runner review – Alan Ritchson and Owen Wilson thriller is serviceable B-movie camp
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Knightfall review – low-rent gender-flipped Bond knock-off swaps Aston Martins for Minis
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‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical
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Contemporary Films had a global impact and influenced my career as a director | Letters
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The Pervert’s Guide to Utopias review – Slavoj Žižek goes in search of paradise
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The Last Bath review – self-mortifying nun struggles with profoundly uneasy sexual awakening
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In the Shadows of Nuremberg review – trial-adjacent thriller aims to be Russian answer to Saving Private Ryan
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Imperium review – Sergei Loznitsa’s archive collage collates everyday life in cold-war Soviet Union
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‘Swiftly enchanted’: why Bedknobs and Broomsticks is my feelgood movie
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Unidentified Murder review – playful sendup of alien abduction and true crime influencers in Hong Kong
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Susan Sarandon says she is losing movie roles because of her support for Palestine
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Woman Unknown review – postwar paranoia with some deliciously dastardly Du Maurier touches
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Cult of male genius holding female film-makers back, says Woman Unknown director
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Wim Wenders clarifies that he does not believe film-makers should stay out of politics
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French thriller Jupiter brings nuclear anxiety to red carpets of Venice
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Robert Pattinson says he had ‘twice as much time’ after birth of first child
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‘I don’t like the term neurodivergence – it sounds like political correctness’: Werner Herzog on fans, fanaticism and baby foxes
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The Guide #259: What to watch this Oscars film season
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Tender Loving Care review – Mike Leigh’s tender and elusive study of love and mortality
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