Predator: Badlands review – a pointless but unkillable franchise that has started to eat itself
The Guardian
··
-
Older >
Source
Time
Score
-
-
‘The left hand is the devil’s hand’: how Shih-Ching Tsou turned childhood trauma into extraordinary drama
The Guardian
··
-
Three decades later, The Truman Show feels freshly disturbing – and astoundingly prescient
The Guardian
··
-
‘Handbags at dawn’: Daniel Day-Lewis discusses his method acting conflict with Brian Cox
The Guardian
··
-
Sharp, subtle and effortlessly Lynchian: Diane Ladd had a potent star power
The Guardian
··
-
‘How did we get here?’: documentary explores how Republicans changed course on the climate
The Guardian
··
-
There Was, There Was Not review – how four women’s dreams are destroyed by the shock of war
The Guardian
··
-
Brief Encounter at 80: why we’re still falling for David Lean’s 1945 romance
The Guardian
··
-
Fantaisie review – study of a modern Ophelia swamped by audiovisual overwhelm
The Guardian
··
-
‘If I’d known the skeletons were real I’d have been even more disgusted’: how we made Poltergeist
The Guardian
··
-
The Run review – glowsticks to the fore as interactive horror-thriller aims to get pulses racing
The Guardian
··
-
‘I was a mess for hours afterwards’: readers on their scariest films of all time
The Guardian
··
-
A Mother’s Embrace review – woozy serving of trauma horror as a firefighter reckons with a troubled past
The Guardian
··
-
‘I’m so excited’: Jesse Eisenberg is donating a kidney to a stranger
The Guardian
··
-
Peter Watkins: an English film-making revolutionary from a tradition of uncompromising radicalism
The Guardian
··
-
Don’t Trip review – lo-fi comedy shocker sets out to find the horror in Hollywood
The Guardian
··
-
‘What a magic trick’: why Gosford Park is my feelgood movie
The Guardian
··
-
3 Cold Dishes review – Burna Boy produces deftly directed revenge tales with echoes of Kill Bill
The Guardian
··
-
‘I knew I needed help. I knew it was over’: Anthony Hopkins on alcoholism, anger, Academy Awards – and 50 years of sobriety
The Guardian
··
-
George Clooney says replacing Joe Biden with Kamala Harris ‘was a mistake’
The Guardian
··
-
Who is the most evil villain in fiction?
The Guardian
··
-
Lynne Ramsay on pushing Jennifer Lawrence to the brink in her twisted motherhood drama: ‘I make films my way’
The Guardian
··
-
Josh O’Connor: the shape-shifting star who became cinema’s most wanted
The Guardian
··
-
Horror movies have an ableism problem. Isn’t it time we found new ‘monsters’? | Kathryn Bromwich
The Guardian
··
-
‘Extreme heebie-jeebies’: writers on their scariest movies of all time
The Guardian
··
-
‘Tom Cruise was not happy’: Colin Farrell was so drunk on Minority Report he needed 46 takes for a single line
The Guardian
··
-
The least frightening films ever – ranked!
The Guardian
··
-
Is it OK to talk at the cinema? How about if it’s just during the trailers? | Polly Hudson
The Guardian
··
-
Ranking celebrity wedding-crashers, from Elijah Wood in Hobbiton to Tom Hanks everywhere
The Guardian
··
-
‘Can’t wait’: Daniel Radcliffe to make Broadway return in Every Brilliant Thing
The Guardian
··
-
Kathryn Bigelow responds to Pentagon criticism of House of Dynamite: ‘I just state the truth’
The Guardian
··
-
Relay review – Riz Ahmed turns potential whistleblowers in smart and twisty surveillance thriller
The Guardian
··
-
A House of Dynamite is both political fantasy and major disappointment | Mike McCahill
The Guardian
··
-
Facing War review – cool customer of a Nato secretary general marshals world on the brink
The Guardian
··
-
Celebrate this Halloween with Christopher Lee, Peter Cushing and an evil iceman on a train
The Guardian
··
-
Kenny Dalglish review – Liverpool’s everyman football hero who took the city’s woes on his shoulders
The Guardian
··
-
Strapped for cash: why Francis Ford Coppola is flogging his watches
The Guardian
··
-
House of Dynamite writer ‘respectfully disagrees’ with Pentagon’s complaints about nuclear missile thriller
The Guardian
··
-
Palestine 36 review – impassioned epic set during the Arab revolt against British colonial rule
The Guardian
··
-
On the set of Quentin Tarantino’s Once Upon a Time … in Hollywood – in pictures
The Guardian
··
-
In Waves and War review – Navy Seals battle PTSD with psychedelic therapy
The Guardian
··
-
Vogue World 2025: Hollywood stars turn out to raise money for LA wildfire victims – in pictures
The Guardian
··
-
Canuto’s Transformation review – did a man really turn into a jaguar in Brazil’s remote forest?
The Guardian
··
-
‘You just believe’: why Willy Wonka & the Chocolate Factory is my feelgood movie
The Guardian
··
-
Björn Andrésen, Swedish actor who starred in Death in Venice, dies aged 70
The Guardian
··
-
June Lockhart obituary
The Guardian
··
-
‘I don’t know how anyone takes themselves seriously in this job’: Hollywood hotshot Glen Powell talks to Marina Hyde
The Guardian
··
-
This isn’t the spin-off you’re looking for: why Disney was right to ditch Adam Driver’s Ben Solo movie
The Guardian
··
-
Statue of Renée Zellweger as Bridget Jones to be unveiled in London
The Guardian
··
-
Shock therapy: why scary movies keep evolving – and making money
The Guardian
··
-
‘When I told him I’d secretly seen his films, his eyes filled with tears’: Isabella Rossellini remembers her father Roberto
The Guardian
··
-
Stellan Skarsgård says he is living ‘on overtime’ since having a stroke three years ago
The Guardian
··
-
Penelope Wilton: ‘They wanted me to tone down my death in Shaun of the Dead. It was too frightening’
The Guardian
··
-
Spill the tea! Jarman award nominees on tour – in pictures
The Guardian
··
-
Aprons are in fashion – but will they make you look like a trad wife?
The Guardian
··
-
A film about an audacious art heist? Inside The Mastermind, the timeliest movie ever
The Guardian
··
-
Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
The Guardian
··
-
Chain Reactions review – famous fans of Texas Chain Saw Massacre go deep into the legendary slasher
The Guardian
··
-
Post your questions for Terry Gilliam
The Guardian
··
-
Shelby Oaks review – junky Halloween horror delivers zero scares
The Guardian
··
-
Love+War review – Lynsey Addario’s courageous photojournalism shines out in occasionally odd study
The Guardian
··
-
The Hand That Rocks the Cradle review – serviceable 90s thriller remake
The Guardian
··
-
#MeToo campus thriller After the Hunt is provocation for provocation’s sake | Adrian Horton
The Guardian
··
-
Fallen stars: why are Hollywood A-listers flopping at the box office?
The Guardian
··
-
Bend It Like Beckham was a classic soccer movie – with one very worrying relationship
The Guardian
··
-
‘It’s like they’ve erupted out of someone’s subconscious’: how horror came to possess modern cinemas
The Guardian
··
-
Sketch review – googly-eyed fuzzballs come to glitter-burping life in fun kids fantasy yarn
The Guardian
··
-
Apparently many male film stars don’t wear underpants. Have they never heard of #MeToo? Or accidents?
The Guardian
··
-
It Doesn’t Get Any Better Than This review – DIY found-footage horror looks for chills in a new home
The Guardian
··
-
The Draft! review – entertaining Indonesian meta-horror goes down the Scream route
The Guardian
··
