'Always for law and order': Chuck Norris denies being at Capitol attack after image goes viral
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'The war on drugs funded policing': behind a Netflix documentary about crack
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Success for female nominees at London critics' circle film awards
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The Doorman review – Ruby Rose turns model action hero
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Daniel review – terrifying tale of an Isis captive
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'The most honest person I ever met': Chadwick Boseman's widow pays tribute at Gotham film awards
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Hunted review – Red Riding Hood reboot is a nifty, nasty trip into the woods
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The Intergalactic Adventures of Max Cloud review – video game send-up is virtually pointless
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Franka Potente: How we made Run Lola Run
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Bring back Samantha! Can Sex and the City work without its greatest character?
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Schwarzenegger used to exemplify politico-showbiz ridiculousness. Now he's our true moral governator | Peter Bradshaw
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A Bowie biopic with no Bowie songs? Stardust isn't the first to try
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Hear me out: why I Know Who Killed Me isn't a bad movie
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Schwarzenegger rebukes Trump and compares Capitol riot to Kristallnacht
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Michael Apted obituary
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The Lion King's syrupy songs make me want to throw my screening device to the hyenas | Prove me wrong
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Pauline at the Beach: sex and fraught romance under the hot French sun
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Robin's Wish review – how a comedy giant was destroyed by dementia
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Bosnian director Jasmila Žbanić: 'A film is more than a film. It is life’
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Mayor review – an inspiring portrait of a Palestinian city official
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One Night in Miami review – Regina King’s electrifying directorial debut
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Call My Agent's Camille Cottin: 'Don’t we need culture more than we need shopping?'
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Michael Apted, 1941-2021: tributes paid to ‘visionary’ director of Up series
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Vanguard review – an outrageous waste of Jackie Chan
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André Aciman on writing Call Me by Your Name: 'I fell in love with Elio and Oliver'
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Streaming: the restless career of Nicolas Cage
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The Reason I Jump: behind a groundbreaking film on autism
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Michael Apted: a vital and dignified director who understood how class shapes us all
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Michael Apted, director and Seven Up documentarian, dies at 79
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Lorca, Hockney, Byatt, Berger – how Mike Dibb got the greats to open up
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Grizzly II review: long-lost George Clooney horror is truly unbearable
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'Life goes on': Mexico City house featured in Roma up for sale
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The director who dared to suggest Jewish men don't need rescuing by blond women
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Hear me out: why Only God Forgives isn't a bad movie
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UK lockdowns fuel record year for home entertainment spending
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There's no blaming studio interference for the disappointment that was Wonder Woman 1984
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James Cromwell: 'My father told me: "Don't be an actor, you're too damn tall"'
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Why Mr Bean and Borat are ready to retire
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Tanya Roberts obituary
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Rihanna, Nazi hunting and Tiger Woods: the top documentaries to watch in 2021
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This Is Not a Burial, It’s a Resurrection review – an uncompromising tale of resistance
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Ham on Rye review – subversive satire on suburban conformity
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The Snow Queen review – whirl through Scarborough's winter wonderland
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Vanguard review – Jackie Chan reunites with Stanley Tong for patriotic action comedy
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Tanya Roberts, Bond girl and Charlie's Angel, dies day after premature announcement
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How Promising Young Woman shows the limits of #MeToo revenge
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Mother review – a heartbreaking inquiry into the cost of dementia
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The Call review – a phoned-in mix of ghouls, ghosts and well-worn tropes
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'There's chunks of wisdom': How The Karate Kid launched MMA careers
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Emma Mackey: ‘You’d have to be a sociopath to want to be a celebrity’
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Cinema legend Ellen Burstyn: 'It was never my intention to be a movie star'
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Tanya Roberts' publicist retracts report that said actor had died
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Tanya Roberts obituary
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Record number of big Hollywood films had female directors in 2020
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It gets … worse: what can we learn from movies set in 2021?
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Why can’t the stormtroopers in Star Wars shoot straight?
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'Bond girl' and Charlie's Angels star Tanya Roberts dies aged 65
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Hope springs: why we might get two years’ worth of quality films in 2021
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Wonder Woman 1984 is a smug, dishonest let-down. How very 2020 | Emma Brockes
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Sunset Boulevard review – Hollywood musical is milder than Wilder
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Sci-fi movies leave me empty. Isn't the real world dramatic enough? | Prove me wrong
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Sylvie's Love review – Tessa Thompson captivates in jazz-hot romance
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New year arts: Observer critics pick the culture to get us through to spring
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Pieces of a Woman review – Vanessa Kirby excels in outstanding study of grief
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That's the spirit! Judi Dench reveals how a clairvoyant chose her name
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Bloody Nose, Empty Pockets review – bittersweet bar-room endgame
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Joan Micklin Silver, Crossing Delancey director, dies aged 85
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Nicholas Hoult: ‘Part of your brain doesn’t want to walk down a corridor naked’
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Streaming: the best films about writers
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Events horizon: the films, music, art and more to get excited about in 2021
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