Mark Ruffalo and Emma Thompson among 1,000+ signatories on open letter opposing Paramount’s Warner buyout
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Sunshine Women’s Choir review – weepie prison musical is huge Taiwan hit but drowns in own gloop
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Post your questions for Sam Neill
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Ken Loach revisits I, Daniel Blake: ‘We were asking if food banks are tolerable. Now they’re an institution’
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Departures review – airport meet triggers love lost and found in a haze of hookups and hangovers
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I have just one secret from my husband. If he reads this, even that will be gone | Emma Beddington
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‘Endearing and enduring’: why Hot Fuzz is my feelgood movie
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Time Hoppers: The Silk Road review – plucky kids’ time travel yarn takes in medieval Baghdad
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Chagrin Valley review – the ins and outs of care home life inside an uncanny artificial paradise
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The incredible life of the ‘bird man’ refugee who brought tweets, chirps and trills to British radio
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‘Butter Birkin’: popcorn plastic It bag in demand by Devil Wears Prada fans
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Critics assemble! Here’s my list of the greatest superhero movies of all time
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Thrash review – cursed shark thriller sinks like a stone on Netflix
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‘I’m not a commercial director – I’m not even a professional film-maker’: Jim Jarmusch on the seven-year journey to make his new film
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Outcome review – Keanu Reeves sends himself up in Jonah Hill’s Hollywood satire
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Cannes looks beyond Hollywood as US film-makers mostly fail to make the grade
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Paul Dano: ‘Nobody needs to know about my high-school band!’
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You, Me & Tuscany review – slick romcom offers solidly charming getaway
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Stand by Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
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The Cure review – eat-the-rich horror fable with a sinister life-extension twist
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Anna Wintour shares Vogue cover with Hollywood doppelganger Meryl Streep
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Oh what a circus! The Greatest Showman hits the stage as a high-flying, hammer-juggling, banger-filled spectacular
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The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
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Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot for reputational glow-up
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‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot
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The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
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‘When there was wonder in the world’: why Raiders of the Lost Ark is my feelgood movie
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Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
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‘An orgiastic pandemonium’: Elvira Notari, the ‘low-life cinema’ pioneer erased by fascism
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My mother, Audrey Hepburn: the star’s son Sean on her movies, marriages, good works and fascist parents
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‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
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Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
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‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France
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Mary Beth Hurt obituary
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Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows
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Supergirl: the new trailer suggests that the DC Universe has an intriguing trick up its sleeve
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‘It’s the year of gay Brazilian cruising!’ The makers of Night Stage on public sex and their ‘deranged erotic thriller’
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Federal judge throws out most of Blake Lively’s claims against Justin Baldoni
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Killer rabbits, bunny boilers and the holy hand grenade of Antioch: Easter bunny movies – ranked!
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Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
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Why do this spring’s blockbusters feel so smug?
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Let’s get metaphysical! Existentialist cinema is back, if anyone cares
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The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI
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From the phone to the plex: why TV shows are turning into movies
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The Drama review – Zendaya and Robert Pattinson’s controversial wedding film delivers on its promise
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Two Women review – sex comedy remake is French-Canadian answer to Confessions of a Window Cleaner
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James McAvoy: ‘I’ve been “that Scottish person”, reduced to a noise that comes out of my mouth’
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Corey Feldman speaks out about Rob Reiner Oscars tribute snub: ‘Like a family reunion I wasn’t invited to’
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Mary Beth Hurt, star of Interiors and The World According to Garp, dies aged 79
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Rob Schneider calls on US to restore military draft
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Being Ola review – a sweet and gentle film about disability, friendship and abandonment
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‘Nostalgic glint of adventure’: why The Beach is my feelgood movie
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Night Stage review – public sex enthusiasm the key to extravagant and subversive erotic thriller
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Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement
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‘Break your silence’: Jane Fonda leads rally against Trump crackdown on arts and media
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The Guardian view on new musicals: sex, drugs and song ‘n’ dance | Editorial
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Post your questions for Paul Dano
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Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
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C-3PO head used in Star Wars sequel The Empire Strikes Back sells for more than $1m at auction
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Russia bans Oscar-winning documentary Mr Nobody Against Putin
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Oscars to leave Hollywood for downtown Los Angeles in 2029
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Hook, line and cinema: why boxing films are still a knockout
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Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
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DJ Ahmet review – totally charming tale of teen travails in North Macedonia
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Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
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Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
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Creator of AI actor Tilly Norwood says she received death threats over project
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William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life
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Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women
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They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu
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