Terrifying Women: the trio of ‘horror fiends’ embracing stage fright
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Bigfoot Hunters review – hipster Sasquatch hijinks lampooning Vice Media videos
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In Hollywood, nothing gets resurrected more often than Mel Gibson | Marina Hyde
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Shock, horror and the usual hairy suspects: everyone’s included at Sitges film festival
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Brief Encounter review – sparkling revival of Emma Rice’s forbidden romance
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Playlist review – relatable, quirky Parisian quarter-life drama
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We Need to Do Something review – doom and gloom in the bathroom
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At the Ready: the Latino teens training to be border patrol agents
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Shaken, stirred: Mark Strong ‘blew Bond audition after drink with Daniel Craig’
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After We Fell review – Harry Styles-inspired romance is stupendously wooden
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West Side Story at 60: the dazzlingly modern musical that’ll be hard to beat
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Warning review – sci-fi anthology like Black Mirror sketches that didn’t make the cut
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Dune: science fiction’s answer to Lord of the Rings
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Michael Caine on Brexit, Boris Johnson and big breaks: ‘I’ve done 150 movies. I think that’s enough’
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Iranian family road trip movie wins top prize at London film festival
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The day I cooked timpano with Stanley Tucci
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Alan Cumming: ‘My favourite movie? I always say Spice World’
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Venom: Let There Be Carnage review – sufficient superhero sequel
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Ron’s Gone Wrong review – boy meets bot, bot beats bullies
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Joan Collins: ‘I’m absolutely a feminist but I’ll let somebody carry my bags’
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Billy Connolly: ‘It might be lovely on the other side’
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The Last Duel review – swordplay without subtlety
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Russian film crew return to Earth after shooting the first movie in space
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The Batman trailer reveals Robert Pattinson’s dark take on superhero
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Bull review – a gangland revenge shocker with Neil Maskell on vicious form
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On my radar: Courttia Newland’s cultural highlights
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‘My life in the mafia’s shadow’: Italy’s most hunted author, Roberto Saviano
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Desperately seeking Diana: can any actor get to the heart of the people’s princess?
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Halloween Kills marks new high in ‘horror renaissance’
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From Succession to The Last Duel: a complete guide to this week’s entertainment
The Guardian
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Earwig review – twisty body-horror noir threatens to bite
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King Richard review – Will Smith serves up tennis stardom for Venus and Serena
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Sardar Udham review – a blockbuster take on a political martyr and assassin
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Is Needle in a Timestack the most brilliantly bad film title ever? | Stuart Heritage
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‘I wanted this film to be 100% Somali’: the fight to make The Gravedigger’s Wife
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‘You are the dog in space’: inside Asif Kapadia’s new VR short, Laika
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Gabriel Byrne: ‘I’ve never played Hamlet, but in many ways I am him’
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‘We are not machines’: Hollywood workers poised to strike for better conditions
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Nicole Holofcener: ‘Actors over 50 have distorted their faces so badly’
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Fortnite may be a great video game but it would make a pointless movie
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BlacKkKlansman to Ghost Stories: the seven best films to watch on TV this week
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Jamie Lee Curtis: ‘My biggest roles were to do with my body, my physicality, my sexuality’
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debbie tucker green: ‘Sometimes it feels a little trite, a little rat-tat-tat, to say your film is activism’
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The Iceland goalkeeper who swapped football for the London Film Festival
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The Outsiders review – Coppola’s Brat Pack melodrama carries you away
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The Last Duel review – storytelling with gusto in Ridley Scott’s medieval epic
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Netflix and Unesco search for African film-makers to ‘reimagine’ folktales
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ear for eye review – Lashana Lynch goes head to head with structural racism
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What went wrong with the exploitative Brittany Murphy docuseries?
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Paddy Moloney obituary
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From Shakespeare to the Shatman: who is William Shatner?
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New French film paints Eiffel Tower engineer as hopeless romantic
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The fast and the farcical: the Rock v Vin Diesel, round two
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The Show review – Alan Moore brings vaudevillian dazzle to Northampton noir
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Raphael Revealed review – smooth 500th-anniversary survey of Renaissance great
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The Crown, God’s Own Country, Mothering Sunday: post your questions for Josh O’Connor
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The Man from the Future by Ananyo Bhattacharya review – the life of John von Neumann
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Arracht review – Irish-language murder ballad of famine and injustice
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A moment that changed me: Patrick Stewart on the teacher who spotted his talent – and saved him
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Do we really need a new version of Home Alone?
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The Phantom of the Open review – Brit sporting underdog movie right on par
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Never Gonna Snow Again review – rich brew of strangeness in unsettling suburbia
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Scream returns: reinvention of slasher franchise revealed in new trailer
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Ruthie Tompson, pioneering Disney animator, dies aged 111
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Corporate Accountability review – collaboration with Argentinian state terror exposed
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The Invisible Life of Euridice Gusmāo review – sisters fight the pain of patriarchy
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Enough Said, Friends With Money and The Last Duel: post your questions for Nicole Holofcener
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The Lodger review – Jacqueline Bisset’s slinky landlady holds key to lurid thriller
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Mulholland Drive at 20: David Lynch’s audacious puzzle remains a mystery
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Authentic casting ignores craft of acting, says Succession’s Brian Cox
The Guardian
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