Can Netflix find your new favourite watch based on your star sign?
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Amanyanabo: The Eagle King review – a lavish Nollywood epic of crowns, gods and colonial tension
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Guitar dealer to the stars Norman Harris on George Harrison, Marty McFly’s lost Gibson and his secret stash
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‘High-adrenaline opulence’: why Bad Boys is my feelgood movie
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Among the Palms the Bomb review – the enviromental scars left behind by the US’s atom-blast testing
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Spinal Tap II, Julia Roberts and Paul Thomas Anderson: the best films of autumn 2025
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Y2K fashion and vinyl grooves: meet Abidjan’s young guardians of nostalgia
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Tim Key: ‘I imagine Alan Partridge smells lightly of Brut aftershave’
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The Guide #205: In an age of streaming clutter, why not rediscover Britain’s rich documentary past?
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Eddington to Deftones: your complete entertainment guide to the week ahead
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Obsession, blackmail and Instagram: inside Lurker, the year’s most compelling thriller
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Was my memory wiped or was the Star Wars sequel trilogy just that forgettable?
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Going nuclear: Kathryn Bigelow back in geopolitical territory with atomic thriller
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‘I’d rather be in the wild chasing animals than going to Hollywood parties’: Taylor Kitsch on fame, flops and Friday Night Lights
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The Thursday Murder Club to The Godfather Part II: the seven best films to watch on TV this week
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Eenie Meanie review – middling comedy thriller has its moments
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‘Love is great. But then one of you will be dog-tired and doing the bins’: Benedict Cumberbatch and Olivia Colman on how to survive a marriage
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Honey Don’t! review – Ethan Coen returns with another amusing, throwaway queer comedy
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First trailer released for Daniel Day-Lewis’s comeback film, Anemone
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Battleship Potemkin review – Eisenstein’s explosive movie still burns bright
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The Rocky Horror Picture Show review – the campfest that became a cultural colossus
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The strangest David Lynch facts – ranked!
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This Is Spinal Tap review – a glorious heavy-rock nightmare that was ahead of its time
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Splitsville review – open marriage comedy is a silly, scrappy and sex-filled good time
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Oslo Stories Trilogy: Sex review – confessions of a chimney sweep
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Love as a business deal? Whales, unicorns and why Materialists and Anora have a lot in common
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Put Your Soul on Your Hand and Walk review – shattering memorial to Palestinian photojournalist Fatma Hassona
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Can a Netflix documentary explain what really happened to Jussie Smollett?
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Meanwhile on Earth review – compelling French sci-fi explores complex extraterrestrial ethics
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‘If the devil did exist, he’d be just such a gentleman’: Neil Jordan remembers Terence Stamp
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The Regulars review – charming and funny workplace comedy at a the Prince Charles cinema
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The secret life of a child star: how Alyson Stoner survived stalkers, starvation and sexualisation
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The Toxic Avenger review – strong cast struggles to revive stale horror franchise
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Kevin Costner calls lawsuit over on-set rape scene a ‘bold-faced lie’
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Misper review – mystery, melancholy and murder in a faded seaside town
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Guy Pearce set to play Rupert Murdoch in Danny Boyle-directed drama
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The Map That Leads to You review – sugary Amazon romance works best as travelogue
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Please take your seats, the carnage is about to begin: what will Quentin Tarantino’s West End debut look like?
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‘I’m not a big CGI guy’: Guns N’ Roses axeman Slash on remaking trash classic Deathstalker
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The Ceremony review – stark, stylish migrant drama exposes a dark side to the Yorkshire Dales
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Spike Lee’s Highest 2 Lowest rages against the new but leaves him looking too old
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Sharon Stone says she’s not involved in Basic Instinct reboot: ‘I don’t know why you’d do it’
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The Home review – Pete Davidson gets spooky with retirement-facility horror
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Grand Prix of Europe review – rodents hit the road in easy-going family animation
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Quentin Tarantino weighs in on one of cinema’s big questions: what is the best Tarantino movie?
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‘You’re gonna need a bigger bank account’: how a Jaws child actor turned a fleeting appearance into a fortune
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Does James Bond have to be played by a man? Helen Mirren seems to think so | Zoe Williams
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The AI future is too scary even for James Cameron. Where can the Terminator franchise go from here?
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‘It’s like a stone gets shoved into the river of your life’: Eva Victor on sexual assault drama Sorry, Baby
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Christy review – outstanding actors and Cork landmarks shine in a moving and funny Irish drama
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Joe Caroff, designer of James Bond 007 logo and countless iconic film posters, dies aged 103
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Asian Persuasion review – indie New York romcom of divorcee meddling in his ex’s dating life
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A Road to a Village review – striking visuals ballast Nepal drama of haves and have-nots
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‘I luxuriate in the weird details’: why Highlander is my feelgood movie
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Gal Gadot blames ‘pressure on celebrities to speak out against Israel’ for box office failure of Snow White
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TV tonight: the final, extraordinary chapter of Ozzy Osbourne’s life
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Terence Stamp remembered by Priscilla director Stephan Elliott: ‘Those eyes turned everybody to jelly’
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Imagine review – profound conversations meet trippy visuals in one-of-a-kind adventure
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‘All the magic is going away’: are on-set images ruining movies?
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From Materialists to Adam Kay: your complete entertainment guide to the week ahead
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Little Trouble Girls review – monstrous choirmaster spikes a sublime Catholic coming-of-age tale
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Concessions review – moviegoer melancholy for Michael Madsen’s final film
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The Memory Blocks review – playful and purposeful exploration of developmental disorders
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From cosmopolitans to vibrators, the cultural heft of Sex and the City
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Royal Philharmonic Orchestra/Hisaishi review – frothing strings and quacking brass as Studio Ghibli’s composer debuts
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Post your questions for Ridley Scott
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‘Kept fighting despite the odds’: the Russian journalists who risked everything to report the truth
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The Surfer to Night Always Comes: the seven best films to watch on TV this week
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‘We’re in a healthy relationship!’ Alison Brie and Dave Franco on gruesome body horror Together
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Night Always Comes review – Vanessa Kirby gets lost in poverty thriller
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