‘Those nuns!’: why Martin Scorsese must be a devout Derry Girls fan
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‘It’s horrendous’: Helena Bonham Carter defends JK Rowling and Johnny Depp
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Dawn Breaks Behind the Eyes review – cult status beckons for Euro horror homage
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‘Prepare for Bambi on rabies!’ Beloved fawn to become killer in new horror
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Retail therapy: film, art, books and more for the Christmas shopping season
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Scrooge: A Christmas Carol review – Netflix’s junky musical is a lump of coal
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Smyrna review – raw, shocking violence in epic take on Greek-Turkish conflict
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Breaking the silence: movies grapple with the #MeToo movement
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The Wonderful Wizard of Oz review – a joyful bad-taste romp
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Henry Silva obituary
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Irene Cara obituary
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Lady Chatterley’s Lover review – Emma Corrin and Jack O’Connell crackle in the gloom
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What Do We See When We Look at the Sky? review – a Georgian World Cup winner
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Roald Dahl’s Matilda the Musical review – immensely enjoyable reworking of the stage hit
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‘Everyone was completely terrified’: the British film-maker who helped Ukrainian crew escape war
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She Said review – taut, sobering drama of the Harvey Weinstein investigation
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Monsters of doc: Mark Kermode’s top 20 music documentaries
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Guillermo del Toro’s Pinocchio review – a superbly strange stop-motion animation
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On my radar: Katherine Rundell’s cultural highlights
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Fame and Flashdance singer and actor Irene Cara dies aged 63
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Casablanca at 80: a golden age classic that remains impossible to resist
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From Matilda to Stormzy: a complete guide to this week’s entertainment
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Post your questions for Samantha Morton
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Quentin Tarantino doesn’t think Marvel actors are movie stars. So what?
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Celebrities? They’re all a bit weird … Hadley Freeman on 22 years interviewing stars
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Cinema has failed Arab women and refugees. It’s time things changed
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Goncharov: why has the internet invented a fake Martin Scorsese film?
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Elf the Musical review – Buddy’s back with some syrupy showtunes
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‘A small victory against erasure’: the three minutes that bring an exterminated Jewish past to life
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She Said review – breaking the male silence around Harvey Weinstein
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Daniel Craig’s 20 best film performances – ranked!
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Julia Holter: The Passion of Joan of Arc review – strikingly contemporary, piercingly loud live score
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My father’s films changed how British cinema saw the poor. Today, they repay a second look
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Pinocchio review – Guillermo del Toro’s dark, sombre riff on the Disney-sweet fairytale
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Lady Chatterley’s Lover review – sensuality as an almost religious revelation
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I helped my father end his own life. He helped me by letting me film it
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Devotion: the true story behind a film about the navy’s first Black aviator
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Casque d’Or review – Jacques Becker’s gripping tragic drama of Parisian lowlife
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Like a cinema virgin: how Madonna went stratospheric making Desperately Seeking Susan
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Legendary cinematographer Roger Deakins’ best photograph: Weston-super-Mare in the rain
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Rolling back the years: can Hollywood make Harrison Ford look 40 years younger?
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Glass Onion: A Knives Out Mystery review – Daniel Craig’s drawling detective is back
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‘My friends call me the BlackBerry queen!’ Meet the people clinging on to old tech – from faxes to VCRs
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Only human: why is cinema so hungry for cannibals?
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Last Flight Home review – heartbreaking portrait of assisted dying
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What Do We See When We Look at the Sky? review – existential meet-cute is a magical mystery
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Wednesday review – Tim Burton’s witty Addams Family spin-off is perfect
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Simu Liu criticises Quentin Tarantino after director laments the ‘Marvelisation of Hollywood’
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Blood Relatives review – smart vampire comedy with blood and bite
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Die Another Day at 20: is the reviled Bond movie worth a second look?
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Diamond in the Rough review – socially conscious update of the mean-girl romcom
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Strange World review – Disney’s tangled alt-family eco-drama means well
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‘Everyone should see it’: embattled film Joyland opens in Pakistan
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Bob Iger: Disney’s Mr Fixit returns as it faces big challenges
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The Princess Diaries taught me about growing up – and Marxism. Bring on the third film | Rebecca Liu
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‘Dolly Parton loved it’: Gracie Otto on her film Seriously Red and the success of Heartbreak High
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Jean-Marie Straub obituary
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Eiko Ishibashi review – tantalising reworking of Drive My Car soundtrack
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Radical French director Jean-Marie Straub dies aged 89
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Utama review – gentle study of Bolivian family facing the end of their way of life
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Three Day Millionaire review – Grimsby’s cheeky-chappie answer to Guy Ritchie
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Chris Hemsworth to take ‘time off’ from acting after discovering Alzheimer’s risk
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Hungry for less: cinema’s longstanding mistrust of fine dining
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Amaryllis review – the oddest split-screen silent-movie musical you’ll ever see
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Dying of Politeness review – Geena Davis’s journey to ‘badassery’
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Clara Sola review – an emotional awakening in Costa Rica
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The Menu review – revenge is served hot in delicious haute cuisine satire
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Armageddon Time review – worlds collide in terrific coming-of-age drama
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Zoe Kazan and Carey Mulligan on She Said: ‘We wanted to honour the bravery of #MeToo survivors’
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Aftersun review – luminous father-daughter drama starring Paul Mescal
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