-
Older >
-
Glitched into empty space: why video games are obsessed with the Backrooms
The Guardian
··
-
‘The plane movie I’ll watch anytime’: why Up in the Air is my feelgood movie
The Guardian
··
-
Valentina and the MUOSters review – US military surveillance in Sicily triggers family discord on the ground
The Guardian
··
-
Treasure as trinkets: Zendaya’s earrings renew debate on ownership of ancient artefacts
The Guardian
··
-
‘People who commit heinous crimes can be victims’: Michael Mann on the provocative power of Manhunter at 40
The Guardian
··
-
Christopher Nolan has made an Odyssey for our times – by sacrificing the delicious darkness of Homer's epic | Charlotte Higgins
The Guardian
··
-
Chuck Russell, director of The Mask and The Blob, dies aged 74
The Guardian
··
-
Johnny Depp is playing Scrooge? I am not here for his big Hollywood comeback
The Guardian
··
-
In The Odyssey, Christopher Nolan worries the end of politeness will destroy civilisation. I fear he’s right | Joseph Earp
The Guardian
··
-
Prince William? David Cameron? JD Vance? Celebrities brace – and Staines celebrates – ahead of new Ali G film
The Guardian
··
-
If Deadpool wants to be a true Marvel superhero, is it time he grew up and stopped joking around?
The Guardian
··
-
‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year
The Guardian
··
-
72 Hours review – Kevin Hart drags down Netflix midlife crisis comedy
The Guardian
··
-
Ben Jennings on Elon Musk and The Odyssey – cartoon
The Guardian
··
-
The roaring 20s: how the current decade revolutionised cinema
The Guardian
··
-
What happened to Ryan Gosling’s ‘La La Hand’ on the La La Land poster?
The Guardian
··
-
Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound
The Guardian
··
-
Avatar Aang: The Last Airbender review – engaging TV-to-movie adventure
The Guardian
··
-
Pinocchio: Unstrung review – public domain slasher turns beloved puppet into sick serial killer
The Guardian
··
-
Go woke, get rich: why rightwing hate campaigns don’t affect the box office
The Guardian
··
-
Ask E Jean review – Trump survivor turns out to be tougher than he thought as she fights on
The Guardian
··
-
On the Sea review – tender fishermen’s boat-based tale of forbidden love far from prying eyes
The Guardian
··
-
Godzilla vs Kong actor Kaylee Hottle dies aged 18
The Guardian
··
-
The Dink review – Jake Johnson’s pickleball comedy serves up engagingly silly laughs
The Guardian
··
-
Zendaya faces backlash for wearing ancient Iranian jewellery at Odyssey event
The Guardian
··
-
Brunello: The Gracious Visionary review – fawning portrait of the king of cashmere
The Guardian
··
-
Share your thoughts on Christopher Nolan’s The Odyssey
The Guardian
··
-
The Odyssey: jaw-dropping action, dark magic and dolphin cameos – discuss with spoilers
The Guardian
··
-
The Fires review – volcanoes and passions erupt in Iceland disaster-romance
The Guardian
··
-
Chickenhare and the Secret of the Groundhog review – time-travel fun for plucky hybrid critters
The Guardian
··
-
Sam Neill fans send sales of his Two Paddocks wine soaring in tribute to late actor
The Guardian
··
-
‘New Girl was so scary I had to stop smoking pot’: Jake Johnson on perseverance, pickleball and Prince
The Guardian
··
-
Avengers: Doomsday trailer reveals star-packed Marvel adventure
The Guardian
··
-
‘We didn’t want him to be punchable!’: Matthew Broderick and Alan Ruck on Ferris Bueller’s Day Off
The Guardian
··
-
Acting the fool: why have Hollywood press tours become so gimmicky?
The Guardian
··
-
Out of Sight review – mountain idyll in the Austrian uplands is a gilded cage for distressed asylum seekers
The Guardian
··
-
‘Justice, morality and triumph’: why Matilda is my feelgood movie
The Guardian
··
-
A Useful Ghost review – exhilarating black comedy summons ghosts of Thai past via a haunted hoover
The Guardian
··
-
‘Being American feels helpless and scary’: actor Ben Platt on nerves, queer songs and why he couldn’t do it without his husband
The Guardian
··
-
Flavours of Iraq review – vivid childhood memories of 80s Baghdad from writer in Paris exile
The Guardian
··
-
The Odyssey storms global box office with $264m opening
The Guardian
··
-
Aperol, late-night laughs – and some gritty life truths: why girls’ trips aren’t just fluffy fun | Rhiannon Lucy Cosslett
The Guardian
··
-
The Paramount-WBD merger: bad news for Hollywood, great news for Tennessee? | Dave Schilling
The Guardian
··
-
‘Maybe the best pumped-up sequel ever made’: James Cameron’s Aliens hits 40
The Guardian
··
-
The Guide #252: Christopher Nolan forces all rivals to flee as he dominates the battle of the blockbusters
The Guardian
··
-
‘We are preserving a tradition’: how Ghana’s sensationalist film posters became collectible art
The Guardian
··
-
The Odyssey: is Nolan adaptation worth the hype? - The Latest
The Guardian
··
-
Homer’s Odyssey transformed in film and in translation | Letters
The Guardian
··
-
Chastity, nodding and enormous pores: will women also love Nolan’s Odyssey?
The Guardian
··
-
‘Some fantastic mischief lurking just around the grin’: Sam Neill by Tara Fitzgerald – a poem
The Guardian
··
-
‘A masterpiece in every way’: The Odyssey earns near universal acclaim as full reviews published
The Guardian
··
-
Ava DuVernay to make Netflix documentary 14th on birthright citizenship
The Guardian
··
-
‘From the father of the guy who made Obsession’: is the nepo dad the new nepo baby?
The Guardian
··
-
Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat
The Guardian
··
-
‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage
The Guardian
··
-
George Lucas likens AI sceptics to luddites clinging to horses and carts
The Guardian
··
-
Ali G is back. I really wish he wasn’t | Arwa Mahdawi
The Guardian
··
-
Confessions of a Shopaholic: a charming Isla Fisher romcom worth taking to the checkout
The Guardian
··
-
‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history
The Guardian
··
-
Jane Campion remembers Sam Neill: ‘He was radiating peace, beaming love’
The Guardian
··
-
Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
The Guardian
··
-
They Fight review – boxing drama is an emotional gutpunch
The Guardian
··
-
Deep Water review – plane-crash survivors play existential roulette with bitey fish
The Guardian
··
-
The Last First Time review – queer coming-of-age drama gives itself up to pleasure
The Guardian
··
-
‘Just a local’: rural New Zealand fondly remembers Sam Neill, its everyday star
The Guardian
··
-
Sam Neill’s final films tell us a lot about who he was as an actor – and why we’ll miss him | Luke Buckmaster
The Guardian
··
-
I interviewed Sam Neill in 2024. He was even more charming than I’d expected | Zoe Williams
The Guardian
··
-
Ladies First has been panned. It’s still an essential watch | Anna Smith
The Guardian
··
-
Bad Reputation review – powerful look at sex workers’ fight for dignity on the Uruguayan streets
The Guardian
··
-
‘You want to reach out and touch everything’: why Labyrinth is my feelgood movie
The Guardian
··