It Ends review – gripping micro-budget horror ranks among the year’s best
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‘I love provocative stories’: producer Christine Vachon on fighting for her ‘offensive’ movies
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Mutiny review – Jason Statham’s fight-by-numbers action thriller just about stays above water
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Insidious: Out of the Further review – evil returns but so does boredom
The Guardian
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Tom Holland set to earn $100m from Spider-Man: Brand New Day
The Guardian
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Over/Under review – beautiful coming of age story of female best friends set across five summers
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David review – biblical Goliath-slayer animation offers upbeat boybandish worship musical
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Match review – gory and slyly satirical catfishing horror for the age of Hinge
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‘There was a certain hostility’: how Wet Hot American Summer went from miss to hit
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Waves Turn review – the exhausting, joyful, boring, wondrous realities of new motherhood
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‘I’ve always been fond of hairy creatures!’ Visual effects maestro Rick Baker on a monstrously good career
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Johnny Depp in talks to return to Pirates of the Caribbean franchise
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Douglas Gordon by Douglas Gordon review – a brave glimpse inside the mind of the Scottish artist
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Chris Carter is mistaken if he thinks more gore will bring The X-Files: I Want to Believe back to life
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‘Can we accept what we have done or not done?’: harrowing film follows doctors in Gaza
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The Hounds Gate Haunting review – a ghostly critic lurks in the stalls in this suspenseful spooker
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‘Fated to become a cult classic’: why Barcelona is my feelgood movie
The Guardian
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49 Miles More review – screwball East Anglian road caper makes a smart left turn
The Guardian
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‘I see the incredible promise’: on set of an AI film shoot as new studios embrace controversial tech
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Joy in Hollywood as historic Cinerama dome to reopen: ‘People still want to go to the movies’
The Guardian
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Move over, Odysseus: time for the women of ancient Greece to have their moment in the sun | Natalie Haynes
The Guardian
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‘The spirit of resistance’: De Gaulle biopic turns into surprise hit for France’s younger viewers
The Guardian
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Mission review – dangerous quest to mend a broken childhood
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Will Poulter on challenging stereotypes in new opioid drama: ‘Shame on us for stigmatizing people’
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The Greatest Showman musical to come alive on the West End stage in 2027
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Out There review – saucer-eyed teen searches for aliens in YA comedy drama
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These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
The Guardian
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Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
The Guardian
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Post your questions for Robert Carlyle
The Guardian
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Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
The Guardian
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Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
The Guardian
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The End of Tom Six review – Human Centipede director delivers one last freaky flick
The Guardian
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Hellcat review – woman imprisoned in camper van in nasty survival horror
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‘I ran away to Paris to be a writer and ended up begging’: Bill Nighy on dashed dreams, golf emojis and playing a cranky novelist
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The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
The Guardian
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Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
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The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
The Guardian
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In Venice, it’s not politics as usual as film-makers aim to recapture our attention
The Guardian
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Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
The Guardian
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Mutants assemble: what does the future hold for the X-Men?
The Guardian
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Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
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‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
The Guardian
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Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
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Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
The Guardian
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‘A horrible nightmare’: the shocking story of the eBay harassment scandal
The Guardian
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Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
The Guardian
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This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
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Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
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‘I am left grinning’: why The Dish is my feelgood movie
The Guardian
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Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
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Movie paradise? How Malta became a magnet for big film shoots
The Guardian
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The Odyssey becomes Christopher Nolan’s highest grossing film as it passes $1.1bn at box office
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I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
The Guardian
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Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
The Guardian
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Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
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The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
The Guardian
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Sam Neill filmed role in Legend of Zelda film adaptation before his death
The Guardian
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Out of the blue: James Cameron’s surprise departure would be good for Avatar
The Guardian
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The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
The Guardian
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‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
The Guardian
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‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
The Guardian
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Super Troopers 3 review – misfiring cop comedy threequel
The Guardian
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Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
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Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
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How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
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American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
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‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
The Guardian
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The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past | Editorial
The Guardian
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One Night Only review – sex is legal for 12 hours a year in bizarre romcom
The Guardian
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Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
The Guardian
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