The Guilty review – Russell Tovey is commanding in cop thriller that fills you with dread
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Spielberg’s Disclosure Day is making some wonder: will we have real disclosure soon? | Seth Shostak
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The best theatre to stream this month: all rise for Rosamund Pike’s Inter Alia
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‘Get away from there – run!’ The stunning film about love blossoming amid the carnage of Aleppo
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Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam
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Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan
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Minions & Monsters review – a smart premise descends into more of the same
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Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
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Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
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Why is Elon Musk boosting an anti-immigrant film loved by the far right? | Mehdi Hasan
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Michael Byrne obituary
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The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
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The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
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Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful
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Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror
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‘Genuinely changed my life’: why Groundhog Day is my feelgood movie
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The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk
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Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater
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I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’
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Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes
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Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears
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Watching Brokeback Mountain kept me in the closet
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O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
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‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime
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Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
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The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
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Pride review – solidarity between gay activists and miners in a magnificent musical
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Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
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Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell
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Puppy eyes, sad hair and a big boom box: John Cusack films – ranked!
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A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic
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Chris and Martina: The Final Set review – tennis titans discuss their deep bond and intense rivalry
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Marginalized for her ‘immense ambition’, the genius of director Elaine May is finally being recognized
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The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter
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Blue Heron review – sombre and sophisticated portrait of childhood trauma in 1990s Canada
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Bello! Why gen Alpha subconsciously speaks the language of the Minions
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Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters
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Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory
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Warriors come out to Broadway with Lin-Manuel Miranda musical
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The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy
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Hold the Fort review – gory goings-on at the neighbours association get-together
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Deja viewing: the return of the cheapo compilation film
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Quantum of Solace: a heartbroken James Bond is fuelled by rage in Daniel Craig’s most underrated 007 film
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You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook
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How to Live on Earth review – Benedict Cumberbatch exudes positivity in response to the climate crisis
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Sizzle reels: nine films to watch in a heatwave
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500 Miles review – kids hit the road to visit Irish grandad Bill Nighy in YA tearjerker
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‘Climate change is a form of oppression’: the voices affected most by environmental crisis
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The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror
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Self-doubt, burnout … and Taylor Swift: why Toy Story 5 is the ultimate millennial girl movie
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Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
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Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
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Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
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‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters
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‘Allowed me to accept my own taste’: why Bridesmaids is my feelgood movie
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Shadows of Willow Cabin review – secrets fester beneath horny hookup in low budget horror
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The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine
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Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
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To the tablet and beyond: does Toy Story 5 go hard enough on technology?
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‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
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45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
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Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
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Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
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How Refugee Week film festival brings migrants’ experience home
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You can handle the truth! Why cinema suddenly loves conspiracy theories
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In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
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Voicemails for Isabelle review – Netflix romcom picks creepy over cute
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‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
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Post your questions for Minions supremo Pierre Coffin
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Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
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