Burden of Dreams review – on-location account of Werner Herzog’s Fitzcarraldo is a gruelling delight
The Guardian
··
-
Older >
Source
Time
Score
-
-
Kevin Spacey is back at Cannes. Not many people seem to care
The Guardian
··
-
Eleanor the Great review – June Squibb takes on Holocaust survivor trauma in Scarlett Johansson’s iffy directing debut
The Guardian
··
-
‘I don’t have a relationship with my face’: Judi Dench models for a live sculpture
The Guardian
··
-
Lilo & Stitch review – Disney’s latest unnecessary remake is a monstrosity
The Guardian
··
-
A Simple Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
The Guardian
··
-
‘I think of those I left behind in prison’: Iran’s Jafar Panahi on life as a banned film-maker
The Guardian
··
-
Call for safety review after producer injured by falling palm tree at Cannes film festival
The Guardian
··
-
The Secret Agent review – brilliant Brazilian drama of an academic on the run in the murderous 1970s
The Guardian
··
-
Bob Trevino Likes It review – Barbie Ferreira lovebombs us all in quirk-fuelled comedy
The Guardian
··
-
When the Light Breaks review – two students grieve one boyfriend in Icelandic heartbreaker
The Guardian
··
-
TV tonight: a fun reboot of early 00s reality show Faking It
The Guardian
··
-
Alpha review – Julia Ducournau’s disjointed body horror is an absolute gamma
The Guardian
··
-
Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style
The Guardian
··
-
From Coogler to Cruise: the Hollywood heroes saving cinema
The Guardian
··
-
‘I will never stop’: Tom Cruise wants to make movies into his 100s. Why not his 1000s? | Stuart Heritage
The Guardian
··
-
Dogma 25 announced at Cannes, as directors launch ‘cultural uprising’
The Guardian
··
-
‘Greatest teen movie ever’: why Angus, Thongs and Perfect Snogging is my feelgood movie
The Guardian
··
-
Echo of You review – expressive documentary hears from grieving life partners
The Guardian
··
-
‘There is no cure for grief’: Tim Roth on losing his son after making a film about bereavement
The Guardian
··
-
The Love That Remains review – startling tragicomic portrait of a fractured family
The Guardian
··
-
The Phoenician Scheme review - Mia Threapleton shines in Wes Anderson’s muted new confection
The Guardian
··
-
My Father’s Shadow review – subtle and intelligent coming-of-age tale set in 1993 Nigeria
The Guardian
··
-
Jeff Goldblum looks back: ‘My brother was an interesting dude. When he died it was terrible, monumental’
The Guardian
··
-
‘Extreme anxiety and extreme depression’: Jennifer Lawrence says she felt ‘like an alien’ as a new mother
The Guardian
··
-
Urchin review - Harris Dickinson homelessness drama is terrific directorial debut
The Guardian
··
-
Kevin Spacey to be celebrated at Cannes’ Better World gala
The Guardian
··
-
Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard
The Guardian
··
-
‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists
The Guardian
··
-
Final Destination to Long Bright River: a complete guide to this week’s entertainment
The Guardian
··
-
The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut
The Guardian
··
-
Bono: Stories of Surrender review – megastar tries out humility in likable one-man show
The Guardian
··
-
Eddington review - Ari Aster’s tedious Covid western masks drama and mutes his stars
The Guardian
··
-
The Guide #191: After three decades, Tom Cruise is done with Mission: Impossible – so what’s next?
The Guardian
··
-
The Little Sister review – a discerning drama of queer Muslim coming-of-age
The Guardian
··
-
Jeremy Irons is perfectly cast as the sea – but who should play the clouds?
The Guardian
··
-
New ‘historically accurate’ digital replica will allow films to be set within Auschwitz
The Guardian
··
-
Show me the tummy! Tom Cruise doesn’t need sleep, help or clothes in Mission: Impossible
The Guardian
··
-
‘Men run away from vulnerability’: The Weeknd on blinding success, panic attacks and why The Idol was ‘half-baked’
The Guardian
··
-
Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video
The Guardian
··
-
How the world of work has lured Barbie out of high heels
The Guardian
··
-
Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality
The Guardian
··
-
The 20 best US remakes of foreign language films – ranked!
The Guardian
··
-
Joe Don Baker, tough-guy actor from Walking Tall and Bond films, dies aged 89
The Guardian
··
-
Actor banned from Cannes red carpet after accusations of rape
The Guardian
··
-
‘We have to stop what’s going on, it’s insane’: Robert De Niro on battling age, apathy and Trump
The Guardian
··
-
Two Prosecutors review – a petrifying portrait of Stalinist insurrection
The Guardian
··
-
Mission: Impossible – The Final Reckoning review – world-saving Tom Cruise signs off with wildly entertaining adventure
The Guardian
··
-
‘We couldn’t tell if he was conscious’: Tom Cruise got stuck on top of biplane shooting Mission: Impossible sequel
The Guardian
··
-
Sound of Falling review – intergenerational angst haunts a German farmhouse
The Guardian
··
-
Jamie Lee Curtis reveals she had plastic surgery at 25 after comment on set: ‘It was not a good thing’
The Guardian
··
-
Enzo review – Laurent Cantet’s swan song is a heartfelt tale of youth and desire
The Guardian
··
-
Hallow Road review – Rosamund Pike and Matthew Rhys race to rescue daughter in cracking thriller
The Guardian
··
-
Deaf President Now! review – passion and energy in stirring record of student protest
The Guardian
··
-
Partir Un Jour (Leave One Day) review – foodie musical is an undercooked turkey
The Guardian
··
-
Final Destination: Bloodlines review – death is back and more fun than ever
The Guardian
··
-
‘Theatre puts a finger in the wound’: Willem Dafoe returns to his first love in Venice
The Guardian
··
-
A French icon falls: Gérard Depardieu’s guilt will make his films hard to watch
The Guardian
··
-
A New Kind of Wilderness review – beautiful film of off-grid family shattered by bereavement
The Guardian
··
-
‘I invited a dozen ex-boyfriends to dinner and taped it’: the amazing avant garde recordings of Linda Rosenkrantz
The Guardian
··
-
Good One review – excellent indie hike movie is intelligent and humane
The Guardian
··
-
Mission relatable: forget the stunts, the key to Mission Impossible’s appeal is office dynamics | Phil Hoad
The Guardian
··
-
First Shift review – disaster master Uwe Boll’s latest goes on patrol, Training Day-style
The Guardian
··
-
Fear Below review – fins go badly for shark-dodging divers
The Guardian
··
-
Sean Penn says he’d work with Woody Allen again ‘in a heartbeat’
The Guardian
··
-
Tom Cruise says mastering movie magic is about more than acting
The Guardian
··
-
‘Would do more harm than good’: what will Trump’s tariffs really mean for Hollywood?
The Guardian
··
-
I’ve watched every single Nicolas Cage film made so far. Here’s what I learned about him – and myself
The Guardian
··
-
Naked dressing: why Cannes is demanding celebrities wear clothes on the red carpet
The Guardian
··
-
The Marching Band review – tender French concert bromance gets out the trombones
The Guardian
··
