Whoopi Goldberg at 70: her 10 best films – ranked!
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Park Avenue review – Fiona Shaw is fearless in upmarket New York mother-daughter relationship drama
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Left-Handed Girl review – striking Taiwanese family drama is a real marvel
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City on Fire review – Tarantino-inspiring Hong Kong thriller burns with grit and moral tension
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Adulthood review – Alex Winter’s nastily comic crime noir as family intrigue over division of assets
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Swear, self-promote and pretend you’re on a first date: a celebrities’ guide to Letterboxd’s Four Favourites
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Night of the Juggler review – full-throttle 1980s pulp shocker crammed with nonstop gonzo mayhem
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Grub actually: Keira Knightley’s Christmas Waitrose ad is sweet and funny. The first time, anyway
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Being Eddie review – reverential Netflix doc paints limited portrait of Eddie Murphy
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Trapped review – rough and ready abuse story that piles bleakness upon bleakness
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A Merry Little Ex-Mas review – Netflix’s season of cheapo festive fare begins with a shrug
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Holy see: three of Pope Leo’s favourite films are divine. The fourth is hard to forgive
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‘A Ukrainian witch kicks the crap out of Russian soldiers’: the new wave of horror films taking on Putin’s army
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Now You See Me: Now You Don’t review – light-as-a-feather magic threequel
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Old is M Night Shyamalan at his best: ambitious, abrasive and surprisingly poignant
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Caravaggio review – articulate and intelligent portrait of the art titan’s life and work
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‘It’s changed me’: Jeff Goldblum says he has stopped eating meat after working on Wicked
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Under the Stars review – picturesque Italian setting is backdrop for AI prompt of a romcom
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Love Immortal: the man devoted to defying death through cryonics – documentary
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‘Hermann Göring loved his kids. That’s what’s terrifying’: James Vanderbilt, Rami Malek and Michael Shannon on Nuremberg
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Oscar Isaac says he would only do Star Wars again if Disney doesn’t ‘succumb to fascism’
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Sydney Sweeney addresses US box office bomb for boxing movie: ‘We don’t always just make art for numbers’
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Predator: Badlands – exiled hunters, rogue androids and unkillable monsters – discuss with spoilers
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Valley of the Shadow of Death review – priest’s faith is pushed to limit in self-flagellating Hong Kong fable
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‘Mommy’s got her phone’: A House of Dynamite is good on nuclear threat – and great on smartphone reliance
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Tony Foster: Painting at the Edge review – going deep in the quest for extreme landscape painting
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‘Such a tonic’: why Burn After Reading is my feelgood movie
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Brunaupark review – housing estate dwellers vs property developers in rousing but unequal battle
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‘I can’t control how others perceive me’: Sydney Sweeney on boxing, weight gain and her flair for controversy
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‘I enter a room and people say: “God just walked in”’: Morgan Freeman on voicing the divine, meeting Mandela – and his six decades on screen
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My cultural awakening: The Big Lebowski inspired me to embrace unemployment
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As his debut film Once Were Warriors showed, Lee Tamahori was a director of guts and flair
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Campaign director: Zohran Mamdani’s ideas are indebted to the films of his mother, Mira Nair
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In Your Dreams review – Netflix dreams up solid sub-Pixar adventure
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‘If you’re unhappy with Reform, this is a soothing balm’: Gurinder Chadha on her reboot of A Christmas Carol
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‘Why don’t you believe Palestinians?’: the Israeli comedian putting the conflict on stage
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Alex Winter on fame, AI and reuniting with Keanu Reeves: ‘Sometimes we’re on a groove and go, ‘God damn, that was good!’
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Shirley Valentine gave Pauline Collins a role to match her talent. She seized it with style and glee
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Giving a review zero stars sets a dreadful precedent. But here are the one-star shockers I’d downgrade | Peter Bradshaw
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Jennifer Lawrence says she didn’t need an intimacy coordinator on new film as co-star Robert Pattinson is ‘not pervy’
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Anemone review – Daniel Day-Lewis is endlessly watchable as ex-soldier living with guilt
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‘I’m so not scary. But my features can be’: Fiona Shaw on Austen, Andor and Harry Potter
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Going to the Dogs review – lovable canines at the heart of a sport in decline
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Helen Mirren to receive Golden Globe lifetime achievement award
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The Marbles review – thoughtful outline of case for giving the Parthenon marbles back to Greece
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‘I could eat this podium with a fork and knife I’m so angry’: Kristen Stewart blasts neglect of female film-makers
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Brendan Fraser and Rachel Weisz to reunite for new Mummy movie – reports
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Colossal Wreck review – sharp-eyed dispatch from the Kubrickian weirdness of Dubai during Cop28
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Belén review – gripping true story of woman unjustly accused of illegal abortion
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De Niro to JLaw: should celebrities be expected to speak out against Trump?
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Predator: Badlands review – a pointless but unkillable franchise that has started to eat itself
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‘The left hand is the devil’s hand’: how Shih-Ching Tsou turned childhood trauma into extraordinary drama
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Three decades later, The Truman Show feels freshly disturbing – and astoundingly prescient
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‘Handbags at dawn’: Daniel Day-Lewis discusses his method acting conflict with Brian Cox
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Sharp, subtle and effortlessly Lynchian: Diane Ladd had a potent star power
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‘How did we get here?’: documentary explores how Republicans changed course on the climate
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There Was, There Was Not review – how four women’s dreams are destroyed by the shock of war
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Brief Encounter at 80: why we’re still falling for David Lean’s 1945 romance
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Fantaisie review – study of a modern Ophelia swamped by audiovisual overwhelm
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‘If I’d known the skeletons were real I’d have been even more disgusted’: how we made Poltergeist
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The Run review – glowsticks to the fore as interactive horror-thriller aims to get pulses racing
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‘I was a mess for hours afterwards’: readers on their scariest films of all time
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A Mother’s Embrace review – woozy serving of trauma horror as a firefighter reckons with a troubled past
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‘I’m so excited’: Jesse Eisenberg is donating a kidney to a stranger
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Peter Watkins: an English film-making revolutionary from a tradition of uncompromising radicalism
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Don’t Trip review – lo-fi comedy shocker sets out to find the horror in Hollywood
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‘What a magic trick’: why Gosford Park is my feelgood movie
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3 Cold Dishes review – Burna Boy produces deftly directed revenge tales with echoes of Kill Bill
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‘I knew I needed help. I knew it was over’: Anthony Hopkins on alcoholism, anger, Academy Awards – and 50 years of sobriety
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George Clooney says replacing Joe Biden with Kamala Harris ‘was a mistake’
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