Academy wars: how did this season’s Oscars discourse get so toxic?
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Bodycam review – low-budget chiller oozes with supernatural menace
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Leap Year is patently ridiculous and widely panned. It’s also the perfect romcom
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I’ll also be back as Conan: Arnold Schwarzenegger to make third Barbarian film 44 years after original
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Project Hail Mary review – Ryan Gosling’s charm carries unserious last-ditch space mission
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Turner & Constable review – excellent survey of two great rivals in English painting
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Blueberry Dreams review – a gentle, humorous portrait of a Georgian family who start a fruit farm
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Why One Battle After Another should win the best picture Oscar
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Learning You review – faith-stuffed autism road trip drama sets off to find father-son connection
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Gus Van Sant: ‘My assistant wanted to erect a statue of Luigi Mangione. My generation thought: this is murder’
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Rosanna Arquette says Quentin Tarantino’s use of N-word in Pulp Fiction is ‘racist and creepy’
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Bad Voodoo review – escaped-convict horror worthy of a theme park ghost train
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Pixar chief says LGBTQ+ plot elements cut from Elio as company is ‘not making therapy’
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The Great Arch review – a visionary architect crushed by the politics of prestige
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‘Cathartic violence’: why Kill Bill: Volume 1 is my feelgood movie
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Terraforma review – unhurried portrait of Ascension Island’s human-made nature
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Which are more like life, novels or films?
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The making of Fargo at 30: ‘Man, you don’t give me this role, I’m gonna shoot your dog’
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‘A very paternalistic attitude’: why is female desire still not taken seriously?
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‘Kitty karma’? Jessie Buckley tries to claw back approval after enraging cat-lovers
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Ben Affleck sells his AI postproduction startup to Netflix
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From luxury ‘dupes’ to literary doubles: why doppelgangers are everywhere right now
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‘Did I just hear what I thought I heard?’: Sinners’ Delroy Lindo on Bafta N-word controversy
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‘Only Nazis ban books’: on the frontlines with students fighting Trump over higher education
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War Machine review – Netflix bravely asks: what if Predator but Transformers?
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Why Hamnet should win the best picture Oscar
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Hard Boiled review – John Woo’s outrageously explosive 1992 cop thriller is pure action mayhem
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‘Our bond is private. Some things have to stay between us’: Paolo Sorrentino and Toni Servillo on smoking, cinema and secrets
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The ‘Jim Carrey is a clone’ theory is absurd. Of course people believe it | Dave Schilling
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Chic couture, bio-terror and a whole load of Mike Leigh: Lesley Manville’s finest films – ranked!
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Mother’s Pride review – flat-cap populism and weak beer in Martin Clunes post-Brexit pub comedy
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Why Bugonia should win the best picture Oscar
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Breaking Social review – Rutger Bregman leads an irresistible rallying cry for global activism
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‘At first, she couldn’t come off the oxygen long enough’: the film that gives Marianne Faithfull one final thrilling performance
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The Bride! review – Jessie Buckley is electrifying as frizzy-haired, black-tongued monster’s wife
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Dolly review – six-foot mannequin terrorises camping couple in gory, trope-filled horror
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And the least likable character is … how Oscar season became dominated by difficult people
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Rise of the veavage: how one look came to rule the red carpet
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Outgunned review – action-thriller in Angola sees sadistic child-hunting gang out for revenge
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Why Sinners should win the best picture Oscar
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Play Dead review – an intriguing high-concept horror set in a murder basement holds its breath
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Flagship Harry Potter store to open on London’s Oxford Street
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Worldbreaker review – a big bear hug from Luke Evans in father-daughter sci-fi survival drama
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Baftas host Alan Cumming criticises BBC for ‘broadcasting slurs and censoring free speech’
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Alejandro González Iñárritu on his Amores Perros art show: ‘This is an anti-AI exhibition’
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Why Frankenstein should win the best picture Oscar
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The Last Kings of Hollywood by Paul Fischer review – the rise and reign of Spielberg, Lucas and Coppola
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Obex review – surreal Lynchian vibes in inventive retro gaming tribute
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‘What’s under my saucepans? Rage!’ Claire Foy, Andrew Garfield and cast on the set of The Magic Faraway Tree
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Evil Dead’s Bruce Campbell reveals he has cancer: ‘Fear not, I am a tough old son-of-a-bitch’
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‘I watched it endlessly as a teen’: why Mrs Doubtfire is my feelgood movie
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Why The Secret Agent should win the best picture Oscar
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Photophobia review – down in the Kharkiv rail tunnels with a 12-year-old as the bloodshed rages overhead
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‘You know when you’ve hit it – it’s a transformation’: Ruth E Carter on building the bold world of Sinners
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Macdo review – Mexican camcorder drama sees bickering siblings throw insults, telenovela style
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‘Some parents said they’d break my knees’: the teacher who exposed Putin’s primary school propaganda
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Christina Applegate on life with multiple sclerosis: ‘I won’t lie and say any of this is a blessing’
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Richard Eyre: ‘My biggest disappointment? At university in the 60s, I thought social justice was going to improve’
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Shia LaBeouf surrenders to New Orleans police after new warrant adds third battery charge
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A Spider-Man Universe without Spider-Man is completely pointless. Why won’t Sony sling him in?
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Scholar, seductress, alchemist: who was the real Cleopatra?
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‘I’ve never been so frightened’: the veteran reporter who turned his lens on the empty bedrooms of school shooting victims
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If the Berlin film festival ousts its director, there may be no way back
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Scream 7 review – nostalgic slasher sequel settles for solid over seminal
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‘Extremely low IQ and cries like a child’: Donald Trump renews attack on Robert De Niro
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‘It felt feral!’ The dance dynamo behind The Testament of Ann Lee’s sweat-soaked rituals
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In the Blink of an Eye review – Pixar director’s long-delayed sci-fi epic falls flat
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‘I really believe in revivals of Black work’: why a director brought back Chadwick Boseman’s play Deep Azure
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Marty Supreme’s ping-pong thrills grip but the theatre plot really smashes it | Chris Wiegand
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The Martini Shot review – Matthew Modine and a cast to die for can’t fathom an unholy mess
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