‘We needed a Hitler who really vibed with the dog’: meet Lexie, the world’s first cinemadographer
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Ladies First review – Sacha Baron Cohen and Rosamund Pike come last in one-joke Netflix comedy
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End of the Rainbow review – Jinkx Monsoon’s Judy Garland could be the talk of the town
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The Black Ball review – the complicated secrets of gay sexuality in Spain are brilliantly told
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Italian police stop party attended by Mick Jagger over music ban
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Passenger review – generic jumpscare horror offers bumpy journey to nowhere
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‘I have a lot of rage inside me’: Bob Odenkirk on Saul, satire and his heart attack
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Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt
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Hen review – plucky chicken beats the odds in weirdly uplifting survival story
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Notre Salut review – a novelistic telling of day-to-day life in Nazi-occupied France
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Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar
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The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama
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Michael Bay to direct film based on US military rescue mission in Iran
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Jeff Bezos defends Amazon’s controversial $40m Melania film as ‘a good business decision’
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Pedro Almodóvar says film-makers have a ‘moral duty’ to speak out against the far right
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The Balloonists review – divas and disasters in tale of first round-the-world hot-air balloon flight
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Charlie the Wonderdog review – pooch v puss caper beams Owen Wilson up from the wilderness
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Jack Ryan: Ghost War review – Amazon’s Tom Clancy series spawns middling movie
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Eek-cute: the rebirth of the frothy romcom sociopath
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Fight Like a Girl review – fiercely authentic setting lifts powerful female boxer drama
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Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film
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Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness
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I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag
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Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp
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A Few Feet Away review – Buenos Aires slacker tries to balance app life and real sex in vivid hookup drama
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True North review – students take stand against racism in highly charged account of protest in 60s Canada
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Fjord review - Cristian Mungiu at sea with strange child abuse drama starring Renate Reinsve and Sebastian Stan
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The Unknown review – Léa Seydoux gets invaded in uncanny and bizarre body-swap horror
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Hope review – non-stop gonzo alien battling is top-quality entertainment
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‘The film humanised Russians at a time when Rambo was killing them’: how we made Letter to Brezhnev
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By offering all Emilys a free medium Coke per ticket, Showcase Cinemas prove their commitment to drama
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Tribe review – compelling, unsettling search for a lost sect in the California mountains
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‘A lot of people don’t think I can act’: Wallace Shawn on Hollywood, therapy and speaking out on Palestine
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Woken review – shonky post-apocalyptic horror sends an amnesiac into the plague zone
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‘An antidote to all things stressful’: why Stardust is my feelgood movie
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Voidance review – very British sci-fi movie is like Miss Marple with a space blaster
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Relentless Memory review – a vital oral history of the plight of the Mapuche people
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‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy
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Cate Blanchett says #MeToo ‘got killed very quickly’ in Hollywood
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Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction
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Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan
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Moulin review – László Nemes’s resistance hero drama is chilling, stirring and surprisingly conventional
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Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga
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The Beloved review – Javier Bardem turns in a career-scariest performance
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Harlem Renaissance documentary finally gets global premiere 50 years after cameras rolled
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Clarissa review – Sophie Okonedo mesmeric as Virginia Woolf’s Mrs Dalloway decamps to Nigeria
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Propeller One-Way Night Coach review - John Travolta family plane fantasy is a short-haul joyride
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‘It looked like Star Wars on Earth’: the making of Top Gun at 40
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‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master
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Capes, crinkles and couture: the best red carpet looks from the Cannes film festival – in pictures
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Gentle Monster review – disquieting drama about two women facing the truth about the men they love
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Schemes and strategies for scattering ashes | Letter
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Cantona review - Beckham and Ferguson keen defenders as Eric gnomically quotes Baudelaire
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‘Extremely cruel and tragic’: Iranian director Asghar Farhadi speaks out against state violence and the war
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In the Grey review – Guy Ritchie’s bizarrely buried action caper is a blast
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Erling Haaland to make film acting debut – as a Viking called Haaland
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A year in hospital and 90% lung damage: how Andrey Zvyagintsev came back from Covid to Cannes
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‘The nuance of being a Black woman in America’: Is God Is turns righteous rage into gory horror
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Swindon is not enough – every new housing estate deserves a Dench Close
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Are you sitting uncomfortably? How Backrooms upended the horror movie
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Parallel Tales review – Isabelle Huppert pens furtive sexual fantasy for Vincent Cassel in Asghar Farhadi’s latest
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Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return
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Hannah Einbinder: cost of not speaking out on Palestine is greater than losing career
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‘It’s a distraction-free zone’: Gen Z on why they love going to the movies
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Is God Is review – fiery revenge thriller flies from stage to screen
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Top Gun review – now impossible to view Tom Cruise’s testosterone-swamped film without affection
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Post your questions for Tom Hanks and the cast of Toy Story 5
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Spit, vomit and a banned baby: Cannes controversies – ranked!
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Space Jam review – Michael Jordan’s 90s merch-hocking basketball blockbuster rises again
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Anderson juices up the vibes for Dior with spotlight on Hollywood
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