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Nepo babies should do what they want. Except complain to the rest of us | Rebecca Shaw
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Erin Brockovich review – Julia Roberts’ glamorous turn as an underdog lawyer
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‘A certain kind of chaos’: Errol Morris unpacks Charles Manson theories
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Give it a Polish! Classic film posters with a twist – in pictures
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Twiggy review – Sadie Frost’s breezy telling of sunny fashion star’s landmark career
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‘Standing up against the devil’: how the far right tried to co-opt Dietrich Bonhoeffer biopic
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Like Tears in Rain review – Rutger Hauer portrait takes deep dive into the archive
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Ernest Cole: Lost & Found review – tragic story of fiercely pioneering photographer
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Oscars 2026: who might be up for next year’s main awards?
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‘I want to see that movie’: Brighton Beach residents on Anora’s Oscar triumph
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Sneakers: the cult ‘feelgood heist film’ with a hefty cast and a byzantine plot
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Oscars telecast ratings fall 7% to 18m viewers
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Die Alone review – Carrie-Anne Moss is enigma wrapped in a parka in zombie survival thriller
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Archive of the Future review – mesmerising safari through Vienna’s natural history museum
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From Parasite to Anora: how Cannes became an Oscars power player
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And the loser is … politics: why was this year’s Oscars so reluctant?
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Jubilant Brazilians hail I’m Still Here’s Oscar as landmark in fight for justice
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The main Oscars takeaway? Hollywood is as scared of the world right now as you and I are | Emma Brockes
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Fires, frocks and the president who must not be named: my very weird night in the Oscars cheap seats
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‘Gangs charged us $200 a night to shoot on their turf’: Walter Hill on making cult film The Warriors
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Russian state propagandists overjoyed at Anora’s Oscar triumph
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‘Instantly uplifts my mood’: why Kabhi Khushi Kabhie Gham is my feelgood movie
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Grey Matter review – feelgood Alzheimer’s film is well-meaning life-lesson comedy
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Timothée Chalamet, Selena Gomez, Sydney Sweeney and Mick Jagger: stars converge for the 2025 Oscars afterparties – in pictures
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‘I can spit hot fire on Baby Got Back’: Sterling K Brown’s honest playlist
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Key takeaways from Oscars 2025: Brody beats orchestra, Brits keep it classy and Kieran Culkin botches his big moment
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Anora has swept the Oscars. I can’t help feeling that shouldn’t have happened | Catherine Shoard
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An exhilarating triumph for Anora and newly-minted star Mikey Madison | Peter Bradshaw
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Zoe Saldaña apologises to Mexicans offended by Emilia Pérez: ‘Never our intention’
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The dazzling underdog with amazing legs: how Anora swept the Oscars
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Mick Jagger, a sandworm and when Harry re-met Sally: inside the 2025 Oscars ceremony – in pictures
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Conan’s Karla cracks and Timothée’s beaut zoot suit: Oscars 2025 viral moments
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Anora dominates the Oscars as Mikey Madison named best actress and Adrien Brody wins for The Brutalist
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I’m Still Here wins Oscar for best international film, becoming first Brazilian film to do so
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Gene Hackman, David Lynch and Maggie Smith honoured at 2025 Oscars ceremony
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No Other Land directors criticise US as they accept documentary Oscar: ‘US foreign policy is helping block the path’ to peace
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Zoe Saldaña wins best supporting actress Oscar for Emilia Pérez
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Peter Straughan wins the best adapted screenplay Oscar for Conclave
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Sean Baker wins best original screenplay Oscar for Anora
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Halle Berry ‘pays back’ Adrien Brody for 2003 Oscars kiss – with a red-carpet kiss
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Flow wins best animated feature Oscar
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Kieran Culkin wins best supporting actor Oscar for A Real Pain
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Oscars 2025 red carpet: Ariana Grande and Demi Moore among best-dressed stars – in pictures
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Oscars 2025: the complete list of winners
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Oscars 2025 live: Anora sweeps awards with best picture, best director and best actress
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Ella Lily Hyland: ‘Feeling watched is different to feeling seen’
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The Sound of Music at 60: a flawed but enduring cultural touchpoint
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And the winner is ... the rising generation of older female actors
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The Last Showgirl review – Pamela Anderson gives performance of a lifetime in rhinestone-studded tale
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Oscars 2025: how to watch, nominations, predictions, and timetable
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The Observer view on the Oscars: a night of toe-curling embarassment awaits | Observer editorial
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From Unforgiven to The Firm: Guardian writers pick their favourite Gene Hackman movies
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‘A chilling effect’: is Hollywood too scared to touch hot-button documentaries?
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Mark Kermode on… director Ken Russell, the king of cult classics who was so much more than a sensationalist
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‘I don’t know whether I’d describe it as fun’: Aimee Lou Wood on the intensity of making The White Lotus
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A Wicked shame! In 2025, blockbuster success spells Oscars failure
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‘There’s something wrong about it’: Santa Fe abuzz as residents wonder what caused Gene Hackman’s death
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From The Last Showgirl to Gracie Abrams: a complete guide to this week’s entertainment
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‘I chose to NOT follow the gutless rules’: Francis Ford Coppola says he’s ‘thrilled’ by Golden Raspberry votes
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‘I spent 12 hours a day for 16 months with Gene Hackman – but never met him’: The Conversation’s Walter Murch pays tribute
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Timothée Chalamet deserves an Oscar – for his Oscar campaign
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Why The Brutalist should win the best picture Oscar
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‘He let us hate him’: Gene Hackman had a rare power – he didn’t need to be liked | David Thomson
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A cosmic Jackson Pollock: Kathleen Kennedy’s Star Wars tenure has been marked by chaos | Ben Child
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Oscars 2025: who will win, who should win – and who was snubbed
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Is this the most open Oscars race in recent memory?
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New films that won’t survive the test of time – Stephen Collins cartoon on the Oscars
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No Other Land to The Outrun: the seven best films to watch on TV this week
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Ron Perlman on Hellboy, the LA fires and Trump: ‘A snake-oil con-artist who’d sell you bad vodka and swampland in New Jersey’
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James Cameron says US under Trump is ‘horrifying’ as he becomes New Zealand citizen
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