Saturday Night Fever dancefloor to be auctioned with $300,000 estimate
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Anora review – stellar turn from Mikey Madison in sex work non-love story
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Disney’s Pixar to cut 14% of workforce as it scales back original streaming content
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Slow review – intimate portrait of asexual romance unfolds at unhurried pace
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Rumours review – close encounters for Cate Blanchett and the magnificent G7
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The Present review – family grandfather clock comedy is time-consumingly dull
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The Boy in the Woods review – boys’ own tale of Holocaust fugitive forced to fend for himself
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5lbs of Pressure – drugs, murder and a likable Rory Culkin in low-key crime drama
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The Apprentice: Trump campaign threatens legal action over biopic that depicts him as a rapist
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The Artist review – peppy stage show adds volume to silent cinema hit
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The Shrouds review – David Cronenberg gets wrapped up in grief
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The Apprentice review – cartoon version of chump-in-chief Donald Trump’s early years
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Breathless goodbye: the race to finish Jean-Luc Godard’s last film, one day before he died
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‘I identified with those worries’: George MacKay on masculinity, misogyny and playing an incel
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This World Is Not My Own review – fascinating study of black artist Nellie Mae Rowe
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Mongrel review – Zen-like tale of compassion and suffering among migrant care workers
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What Remains on the Way review – startling insight into the struggles of US border migrants
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‘All anyone will care about is the dog!’ Oscar sensation The Artist hits the stage – but can Uggie boogie?
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‘Information can be bent. Emotions are always honest’: the film at the heart of Ukraine’s agonising evacuations
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‘I burned out – and started mowing lawns’: a reality-bending chat with Harmony Korine
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The Substance review – Demi Moore is game for a laugh in grisly body horror caper
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Horizon: An American Saga – Chapter 1: Costner casts himself as wildly desirable cowboy
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Limonov: The Ballad review – Ben Whishaw brilliant as Russia’s outlaw bohemian
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Catching Fire: The Story of Anita Pallenberg review – suitably enigmatic portrait of the mercurial Stones muse
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Tiger Stripes review – entertaining Malaysian horror shows its claws
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Bermondsey Tales: Fall of the Roman Empire review – fast, furious and rather grating London crime caper
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Two Tickets to Greece review – a holiday you may want to cut short
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IF review – imaginary friends reunited in a kid-pleasing live-action fantasy
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‘It’s all been preposterous’: Stephen Merchant on fame, standup and the pressures of cancel culture
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The Balconettes review – neighbours finding trouble in invitation to hot guy’s flat
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George Miller: ‘Where do I keep my Oscar? I swear, I don’t know’
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Emilia Perez review – Jacques Audiard’s gangster trans musical barrels along in style
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Sex, rape, cannibals: what Yorgos Lanthimos did after Poor Things
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Hoard review – uncomfortable drama with a magnetic lead performance
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The Fall Guy to Megalopolis: is 2024 the year of the box-office megaflop?
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Cannes 2024 week one roundup – the jury’s out, the sun isn’t…
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The inside scoop: a giant serving of the UK’s best summer arts and entertainment
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Scénarios review – Jean-Luc Godard collage is his final love letter to cinema
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From If to Billie Eilish: a complete guide to this week’s entertainment
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Kinds of Kindness review – sex, death and Emma Stone in Lanthimos’s disturbing triptych
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Three Kilometres to the End of the World review – brutal self-denial in deepest Romania
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The Cannes red carpet so far: from Naomi Campbell in 90s Chanel to Anya Taylor-Joy in Dior – in pictures
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Francis Ford Coppola: US politics is at ‘the point where we might lose our republic’
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Will fashion’s flamboyant powerhouse Isabella Blow finally get her dues?
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Christmas Eve in Miller’s Point review – charming hometown family study is extended party
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From capes to plunging necklines, all the fashion fun of Cannes film festival
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Hollywood should look beyond Star Wars and Lord of the Rings retreads for sequels
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‘Exhausting and extremely dangerous’: Mohammad Rasoulof on his escape from Iran
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Twilight of the Warriors: Walled In review – frenetic actioner in infamous Kowloon neighbourhood
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A Banquet to Inception: the seven best films to watch on TV this week
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Thelma the Unicorn review – sunny Netflix cartoon offers simple pleasures
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Everyone’s Getting Involved review – tepid all-star Talking Heads tribute
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‘I did a lot of yelling’: Tom Burke on socks, controversy and Mad Max
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‘Bafflingly shallow’ or ‘staggeringly ambitious’? Francis Ford Coppola’s Megalopolis splits critics
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Megalopolis review – Coppola’s passion project is megabloated and megaboring
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The Strangers: Chapter 1 review – unnecessary horror retread
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Bird review – Andrea Arnold’s untamed Barry Keoghan tale is a curate’s egg
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Slow: the Lithuanian asexual romcom that raises ‘a lot of questions’
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On Becoming a Guinea Fowl review – Rungano Nyoni’s strange, intense tale of sexual abuse
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‘To escape Gaza is already an achievement. And then to be trans?’: the women defying national and gender boundaries
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The greatest dancer of all time? Fred Astaire’s 20 best films – ranked!
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The art of resistance: desert film festival showcases stories of the Sahrawi people
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The Girl With the Needle review – horrific drama based on Denmark’s 1921 baby-killer case
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Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes
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If review – John Krasinski’s so-so, sentimental family fantasy
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Meryl Streep: it’s ‘hardest thing’ for men to see themselves in female characters
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Wild Diamond review – French social-realist drama fuelled by TikTok energy
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‘I am gross, animal and carnal’: Luna Carmoon on her disturbing, stinky-scented new film
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Rome, Open City review – Rossellini’s blazingly urgent masterpiece from a city in ruins
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Withnail and I review – downtrodden duo return to demand some more booze
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