A feminist? Oh come off it! Why is Netflix idolising a porn star infamous for scenes of violence to women?
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And the winner for best book that inspired a best picture nominee is …
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Room at the Top review – Jack Clayton’s 1950s take on toxic masculinity
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‘You’ll believe a radioactive dinosaur can shoot fire’: readers’ picks for the 2024 Oscars
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Frida review – intimate dive into artist’s letters is raw and thrilling
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Copa 71 review – riveting story of Women’s World Cup goes way beyond football
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Why Maestro should win the best picture Oscar
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High & Low: John Galliano review – controversial fashion guru’s rise and fall
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Edward Bond obituary
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Inside the Yellow Cocoon Shell review – jewel of slow cinema is a wondrous meditation on faith and death
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Edward Bond: a phenomenal talent who upturned theatre with his explosive plays
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Glasgow’s disastrous Wonka character inspires horror film
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Dogman review – Luc Besson’s bizarre and macabre tale of canines, crime and drag
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Worth its weight in gold: how to make a killing predicting the Oscars
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Our Body review – a brave, unblinking, hospital’s-eye view of women’s health
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Colin Firth’s wet shirt from Pride and Prejudice sells for £20,000
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‘The Bene Gesserit can kill with their voices. That’s what I try to do’: the musicians mining Dune for tunes
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Why Barbie should win the best picture Oscar
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After Death review – swirly-whirly visions of post-demise Jesus, heaven and hell
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Richard Lewis obituary
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Dune: Part Two: new villain, more worms, another cliffhanger – discuss with spoilers
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Arnie, Dolph and me: Musclebound, the show working out pleasure, pain and bodybuilding
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Alone time: reassessing Greta Garbo, 100 years after her screen debut
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The Inventor review – Leonardo da Vinci animation explores the great artist’s later life
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Why The Zone of Interest should win the best picture Oscar
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Vindication Swim review – pioneering endurance-swim tale in shadow of Nyad
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Fashion, addiction, antisemitism: the spectacular rise and fall of designer John Galliano
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The Shamrock Spitfire review – Irish flying ace takes stage in nostalgic wartime weepie
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‘In January, it was the most heard song on Earth!’: the amazing story behind Murder on the Dancefloor
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Lisa Frankenstein review – lumbering teen zombie romcom by Diablo Cody
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Boursin omelette anyone? The TikTok chefs recreating TV food – from The Bear to Bridget Jones
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Spaceman review – Adam Sandler is adrift in outer space with a comfort spider
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Red Island review – cocktails, colonialism and comics in 70s Madagascar
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‘The slap’, protests and tears: what makes a memorable Oscar speech?
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Actor Noomi Rapace: ‘I came from a poor farm, I’m not educated, no one opened doors for me’
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Mark Kermode on… director Wes Craven, who made horror ‘a positive force in a world filled with fear’
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‘Women have libidos too!’: Ethan Coen and wife Tricia Cooke on their raunchy new lesbian road movie
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Dune: Part Two review – sci-fi sequel is immense, breathtaking wonder
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Make coffee. Shower. Clean the loo. In an age of choice, rituals are the key to happiness | Tomiwa Owolade
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Sir Ben Kingsley: ‘Any door that leads the younger generation to me is wonderful’
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Mercedes de Acosta: The poet who had affairs with the 20th century’s most famous women
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First week of Rust armorer trial paints picture of chaotic set where safety was ‘secondary’
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Observer Original Photography
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This Is Spinal Tap at 40: the note-perfect rock satire still goes up to 11
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From Dune: Part Two to Nye: a complete guide to this week’s entertainment
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The Zone of Interest could land surprise best picture win, say anonymous Oscar voters
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Paolo Taviani, acclaimed director of classic Italian films, dies aged 92
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Roger Corman’s Fantastic Four movie is notoriously terrible – do we really want it resuscitated?
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Napoleon to Damsel: the seven best films to watch on TV this week
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‘I’m a big believer in pain being an adhesive’: Jon Bernthal on ‘walking through fire’ for Ava DuVernay
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Why Killers of the Flower Moon should win the best picture Oscar
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Steve Coogan and makers of The Lost King sued by academic over his portrayal in the film
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Stephen Fry: ‘I was never cute – I’ve got better looking as I’ve got older’
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Why Poor Things should win the best picture Oscar
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The nepo baby who made good: Rob Reiner on Trump, family – and his brilliant, beloved movies
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Dune v Dune: do Denis Villeneuve’s films stay true to the book?
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Why Anatomy of a Fall should win the best picture Oscar
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Team Kieran or Team Pedro: who are you backing in the battle of the leading men?
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Expert testimony from Rust hearing casts doubt on Alec Baldwin’s account
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‘It has become a sort of silver bullet’: why are rap lyrics being put on trial?
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Israeli director receives death threats after officials call Berlin film festival ‘antisemitic’
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Sex, lies and sundowners: Robin Campillo on turning his army brat childhood into a film
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Steven Soderbergh’s Solaris remake puzzled audiences 20 years ago – but it deserves a second chance
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Ryan Gosling tipped to sing I’m Just Ken at the Oscars
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German minister says she clapped Israeli film-maker, not his Palestinian colleague, at Berlinale
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Defoe review – disarmingly honest portrait of a star footballer
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Driving Mum review – happy-sad Icelandic road movie hits the spot
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Why American Fiction should win the best picture Oscar
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Tropic review – morally ambiguous sci-fi predicts the departure of the fittest
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Oscar nomination gives Bobi Wine new hope of toppling Uganda’s regime
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