Paris theatre cancels Asterix star’s shows after sexual assault allegations
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Time
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‘People are looking to forgive him’: inside Will Smith’s carefully choreographed comeback
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Young Woman and the Sea review – Disney’s surface-level swimming biopic lacks depth
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Happy 94th birthday Clint Eastwood: his best films – ranked!
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A House in Jerusalem review – supernatural drama of Israeli-Palestinian history
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TV tonight: a rollicking return for the all-female Muslim punk band comedy
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‘These are chilling McCarthyist times’: Nan Goldin on her shame over Gaza – and the film that made people faint
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Trans actor Karla Sofía Gascón sues French far-right politician after ‘sexist insult’
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Sting review – low-budget alien-spider horror offers laughs and out-of-your-skin shocks
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The Girl in the Trunk review – claustrophobic car-boot kidnap thriller
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Ron Howard on Jim Henson: ‘You could see there was nothing to hide’
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New Life review – stripped-back virus thriller goes hard on bubo-popping horror
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Hard Miles review – Matthew Modine takes troubled teens on a 700-mile cycle marathon
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Albert Ruddy, The Godfather and Million Dollar Baby producer, dies at 94
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‘The daddy of them all’: readers on their favourite movie franchises
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Basketball court, home cinema – but no booby traps: Home Alone house on sale for $5.25m
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Chief of Station review – perma-scowled Aaron Eckhart bids for Liam Neeson ‘geri-action’ market
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‘We deeply regret the distress’: cinema apologises for Richard Dreyfuss comments at Jaws screening
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Furiosa and Garfield fail to save US box office from worst Memorial Day since 1995
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‘I can’t even see’: Judi Dench suggests retirement from acting due to blindness
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Sim-ply unfilmable? Inside The Sims movie that never was
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth
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Morgan Spurlock obituary
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Alien? Mission: Impossible? Toy Story? What is the greatest movie franchise ever?
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Little Monsters review – infuriatingly awful family film is worse than AI
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Ciné-Guerrillas/Non-Aligned: Scenes from the Labudović Reels review – thoughtful and worthwhile
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Party like it’s 1999: 10 movies that encapsulate one of the greatest years for cinema
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Tell That to the Winter Sea review – teenagers’ woozy, blushing tale of first love
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Richard Sherman obituary
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Slow review – terrific Lithuanian drama of an atypical romance
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The Garfield Movie review – a fun and frantic feline adventure
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Furiosa: A Mad Max Saga review – renegade warrior Anya Taylor-Joy ignites thunderous action prequel
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Richard Sherman, songwriter for Mary Poppins and The Jungle Book, dies aged 95
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Anora is a vivacious Cannes victor and a fitting end to a radically romantic festival
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Anora, tale of a stripper who marries a Russian oligarch, wins Palme D’or at Cannes
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‘Don’t be afraid’: exiled director Mohammad Rasoulof sends a message to Iranian cinema from Cannes
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Cannes 2024 week two roundup – scuffles, screwballs and spellbinders
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Super Size Me: the film that sounded a fast-food alarm in America
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From Furiosa to We Are Lady Parts: a complete guide to this week’s entertainment
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‘I was born to be a paparazzo’: Rino Barillari on royalty, the dolce vita era and his run-in with Depardieu
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Cowboycore, Catherine Deneuve and Bella Hadid in vintage Versace: the Cannes red carpet part two
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Super Size Me was a terrific cheeky stunt – small wonder Morgan Spurlock never matched it
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The Seed of the Sacred Fig review – Mohammad Rasoulof’s arresting tale of violence and paranoia in Iran
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Post your questions for Harry Hill
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‘I paid for it’: tennis bad boy Ilie Năstase revisits confrontational career
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Super Size Me director Morgan Spurlock dies aged 53
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Shatner, Pine, or a Kirk triple whammy: where should Star Trek boldly go next?
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The Beach Boys review – rather too sunny account of 60s pop legends’ story
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Valeria Golino: ‘I’m not a man-hater. I am a lover of men’
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On the Cannes red carpet, it’s film-makers’ turn to shine
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Atlas review – Jennifer Lopez learns to love AI in silly Netflix mockbuster
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Jane Asher: ‘Would I do another nude scene? Never say never!’
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‘I wanted to scrape it from my eyeballs’: critics on their zero-star savagings
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Sorry Seth Rogen, but if cinemas are the new museums, the movies really are in trouble | Stuart Heritage
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Indiana Jones and the Temple of Doom at 40: Spielberg’s hit-and-miss relic
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French cinema tried to hide its violence against women. At Cannes, we’re calling it out | Rokhaya Diallo
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Hit Man review – Richard Linklater’s thoroughly entertaining fake-killer caper
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Motel Destino review – terrifically acted Brazilian erotic noir thriller
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Authorized big-screen biopic of George Floyd in the works
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Grand Tour review – engaged couple’s sweet, strange colonial era hide-and-seek
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Raphael: A Portrait review – lengthy but illuminating study of Renaissance master
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William Shatner: You Can Call Me Bill review – captain’s log is short on detail
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Parthenope review – Paolo Sorrentino contrives a facile, bikini-clad self-parody
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Was Cate Blanchett’s Cannes dress a pro-Palestinian protest – or an optical illusion?
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Marcello Mio review – droll Catherine Deneuve best thing in twee Mastroianni family whimsy
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‘This garbage is pure fiction’: when subjects hit back at their biopics
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The Garfield Movie review – foul feline origin tale is littered with product placement
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Pandemonium review – wintry gloom as ghost of dead driver meets the biker he killed
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Saturday Night Fever dancefloor to be auctioned with $300,000 estimate
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Anora review – stellar turn from Mikey Madison in sex work non-love story
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