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Catching Fire: The Story of Anita Pallenberg review – rockn’roll ‘muse’ in the spotlight
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Two Tickets to Greece review – insufferable women-on-holiday comedy is no Shirley Valentine
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives
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Rust armorer appeals conviction in fatal shooting of cinematographer by Alec Baldwin
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Greta Gerwig: ‘The number of female directors has gotten better. We’re not done yet’
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‘It’s great!’ Rafe Spall on having a baby with his co-star in Trying, the infertility sitcom
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Roman Polanski acquitted of defamation by French court
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Nightwatch: Demons Are Forever review – Danish morgue sequel returns from the dead
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Breathe review – air-free post-apocalyptic survival thriller relies on family harmony
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A Family Affair review – wellness-retreat comedy goes lowest common denominator
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‘Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis
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Iranian film director Mohammad Rasoulof flees Iran to avoid prison
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‘It was a horrific night’: 30 years on from the on-set death of Brandon Lee
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The Coffee Table review – horror comedy takes its cue from gaudy furniture item
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Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise
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Vaychiletik review – beautifully-shot Mexican folk music study in the high arthouse style
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TV tonight: the first family in the world to be diagnosed with hereditary Alzheimer’s
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A dog in the dock and another doing red carpet interviews: why has Cannes gone canine crazy?
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The Almond and the Seahorse review – clumsily contrived amnesia drama
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Risk and reward: life as a stunt double
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Roger Corman, Hollywood mentor and king of the B-movie, dies aged 98
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La Chimera review – Josh O’Connor dazzles in brilliant tale of Italian tomb-raiders
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‘This gesture made history’: watch given to Gina Lollobrigida by Fidel Castro is to go on sale
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‘Explosive’ secret list of abusers set to upstage women’s big week at Cannes film festival
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Kingdom of the Planet of the Apes review – thrilling addition to the series
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Ciarán Hinds: ‘I’m not very good at the glamorous side of the industry’
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic
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Streaming: Monkey Man and the best revenge movies
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From Girls Aloud to Doctor Who: a complete guide to this week’s entertainment
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Cannes film festival faces strike disruption over seasonal workers’ rights
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Weekend podcast: Josh O’Connor on Zendaya and gardening; Marina Hyde on the Met Gala; being a boy in 2024; and Philippa Perry offers advice on leaving a legacy
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Blunt, stunts and Gosling: how did The Fall Guy flop – and what does that mean for cinema?
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Raging bull-terrier: did Martin Scorsese’s dog really eat Paul Schrader’s thumb?
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The Blackening to Mean Girls: the seven best films to watch on TV this week
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‘I love erotic thrillers, but this so isn’t one’: Damian Hurley on directing his mother, Elizabeth, in a ‘sensual mystery’
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Kristen Stewart says Hollywood’s self-congratulation over gender equality ‘feels phony’
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Ian McShane: ‘When I was about to get it on with Richard Burton, he said I reminded him of Elizabeth’
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Strictly Confidential review – Elizabeth Hurley’s softcore sex drama directed by … her son
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Mother of the Bride review – Brooke Shields leads middling Netflix mush
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Shallow Grave review – Danny Boyle’s Edinburgh noir debut is a triple-crossing treat
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Spirited Away review – Studio Ghibli gem becomes a theatrical feast
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Iranian director Mohammad Rasoulof sentenced to eight years in prison and flogging
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‘We were the magicians’: cinematographer Phedon Papamichael on 40 years of film-making
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Kingdom of the Planet of the Apes review – future simians swing through cinematic jungle
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Susan Buckner, actor known for role in Grease, dies aged 72
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Let It Be review – reissued Beatles film takes long and winding road to eventual acclaim
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Dawn of the Big Yin: rediscovered film shows Billy Connolly on the road to comedy glory
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The Final: Attack on Wembley review – carnage on camera at Euro 2020
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‘It was terrifying but screw it’: the director who had to disown her film to qualify for the Oscars
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Standing stones, urban hellscapes and male nudes: Derek Jarman’s glorious Super 8 short films
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Disney to ‘focus on quality’ as it plans to cut output – including Marvel movies
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The End of Wonderland review – trans porn star deals with eviction and a hoarding crisis
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‘I thought: “I’ve engineered the death of Hugh Grant!’’’ – the inside story of Four Weddings and a Funeral
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Spacey Unmasked review – far more than a did-he-didn’t-he exposé
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Hollywood hysteria: the 60s movies that showed a time of madness
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‘Gissa job!’ How Bernard Hill created one of TV’s most tragic and unforgettable characters
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The Almond and the Seahorse review – Rebel Wilson injects glam into brain injury drama
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Our Mothers review – moving drama about aftermath of unspeakable war violence
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‘It’s not that I’m against story. I like films with stories’: Pat Collins on directing a tale without a plot
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Double fault: Challengers is as bad in the bedroom as it is on the tennis court
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Drylongso review – charming 90s indie is a genre-resistant film that keeps its DIY dazzle
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Confronting the audience and breaking the fourth wall: why Black drama is getting meta
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‘You struggled with my film? Fantastic!’ Alice Rohrwacher and her riotous new tomb-raiding tale
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Mambar Pierrette review – subtle and big-hearted parable of women’s resilience in Cameroon
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Blackbird Blackbird Blackberry review – a beguiling tale of midlife love from Georgia
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Nezouh review – magic realism amid the ruins of Damascus under siege
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Lassie: A New Adventure review – like Crufts with a bit of plot tacked on
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The Idea of You review – Anne Hathaway and Nicholas Galitzine spark in crowd-pleasing romcom
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Cara Delevingne: ‘It’s a lot easier now I’m not the new hot young thing’
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