Rebel Moon – Part Two: The Scargiver review – Zack Snyder’s bombastically fun sequel
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Moving pictures: travelling cinema takes stories of ‘departures and dreams’ to Senegal
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Abigail review – Dracula’s daughter gets kidnapped in fun-sucking horror
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‘I’m practicing photographic justice’: Corky Lee’s portraits of Asian American life
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Martin Scorsese to revive Frank Sinatra biopic with Leonardo DiCaprio
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Happy 90th birthday, Shirley MacLaine: her 20 best films – ranked!
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‘David Lynch had to personally approve the screening’: the film clubs driving the celluloid revival
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‘The house was small, the life was big’: how Amy Winehouse’s homes were recreated for Back to Black
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The America depicted in Civil War is not half as alarming as the real one | Emma Brockes
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I Could Never Go Vegan review – cheerfully persuasive film about the plant-based lifestyle
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Quentin Tarantino scraps plans for his final film – reports
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The Ministry of Ungentlemanly Warfare review – Guy Ritchie’s fun wartime romp
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Swede Caroline review – marrow mockumentary is gourd for a laugh
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All You Need Is Death review – Irish horror finds evil in taboo folk ballad recording
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Forget Back to Black. Here are eight great fake music biopics
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If Only I Could Hibernate review – Mongolian maths whiz aims to escape biting cold
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Butterfly Tale review – kids insect story wants to take long trip south to Mexico
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Peter Jackson to release restored version of Beatles’ 1970 documentary Let It Be on Disney+
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The Titanic drug poisoning: is one of the greatest mysteries in film history about to be solved?
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Beyond the Raging Sea review – cross-Atlantic rowing race likened to refugees’ ordeal
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Post your questions for Bryce Dallas Howard
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Fantastic Machine review – whirlwind history shows how cameras dazzle and deceive us
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Max Beyond review – game tie-in with green-eyed kid jumping realities in search of brother
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Grace review – monumentally odd father-daughter odyssey via mobile cinema
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Rust film armorer sentenced to 18 months in prison for fatal on-set shooting
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A Tarzan deathtrap and an 80ft Goofy: prepare for your tour of scrapped Disneyland rides
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Civil War is an empty B-movie masquerading as something of substance | Charles Bramesco
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May the fizz be with you: how a $10 Chilean beer ad took on Star Wars
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John Singer Sargent: Fashion & Swagger review – exploring the artist’s work in style
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The Guide #134: Civil War is latest example of Hollywood’s love affair with journalism
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It Runs in the Family review – heartfelt tribute from one film-maker to another
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‘We’re the last bastion of rental’: the video stores resisting the rise of streaming
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There’s no such thing as a benign beef farm – so beware the ‘eco-friendly’ new film straight out of a storybook | George Monbiot
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In Short, Europe: Best of Best review – heady celebration of European short film-making
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Amadeus, Elgar, a bogus gold disc and Goldie Hawn: Neville Marriner’s best recordings
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Life without Bruce and Brandon: Shannon Lee on losing her superstar father and brother
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Back to Black review – wildly uneven portrait of Amy Winehouse
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Bleeding Love review – Ewan and Carla McGregor star in listless father-daughter drama
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Opponent review – impressive drama about an Iranian refugee in limbo in Sweden
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‘I did all the things an actor shouldn’t’: Bridgerton’s Claudia Jessie on class, big breaks – and houseboats
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Civil War review – Alex Garland’s chilling dystopian thriller of journalists in a conflict-riven US
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On my radar: Katherine Ryan’s cultural highlights
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Indira Varma: ‘The worst thing anyone’s said to me? Go back to where you came from’
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From Scoop to Civil War: why is it so hard to portray journalism on screen?
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Streaming: The Taste of Things and the best films about food
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From Back to Black to Blue Lights: a complete guide to this week’s entertainment
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Eleanor Coppola, Emmy award winning director, dies aged 87
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The Guardian view on Bridget Jones and Tom Ripley: characters that speak across time | Editorial
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Challengers review – Zendaya aces uproariously sexy tennis-set love triangle
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The Monopoly movie is coming, but not everyone is happy about it | Fiona Katauskas
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Can Joker: Folie à Deux avoid becoming like any other comic book movie?
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After 101 years – and a $20 find at a yard sale – Clara Bow’s lost film premieres
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Nicola Peltz Beckham, a billionaire’s daughter, made a movie about abject poverty. It’s as bad as you think | Kady Ruth Ashcraft
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It’s a grotesque insult for Back to Black to suggest Amy Winehouse died of heartache over her childlessness | Laura Snapes
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BlackBerry and Rebel Moon – Part Two: The Scargiver: the seven best films to watch on TV this week
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Triangle of Sadness director Ruben Östlund: ‘You should need a licence to use a camera – you need one for a gun’
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Nepo-disasters: why Ewan and Clara McGregor are only the latest onscreen parent-child embarrassment
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OJ Simpson: the complicated cultural legacy of a fallen star
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OJ Simpson obituary
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The 30-year hunt to find the Priscilla, Queen of the Desert bus: ‘My jaw was on the ground’
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Coppola, Lanthimos, Sorrentino: Cannes’ silverback gorillas shall slug it out at this year’s festival
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Keith Allen: ‘Your implication is my life’s a failure and I’d be happier had I lost my manhood’
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Donald Trump biopic and new films by Yorgos Lanthimos and Andrea Arnold to premiere at Cannes
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Don’t Tell Mom the Babysitter’s Dead review – a worthwhile comedy remake
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‘My cast and crew’s safety kept me up at night’: why a queer Ghanaian film may never be screened
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The Greatest Hits review – cutesy music romance plays a forgettable tune
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Margot Robbie to produce ‘blockbuster’ Monopoly movie with Hasbro
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Civil War review – Alex Garland’s delirious dive into divided US society
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The Promised Land review – Andrzej Wajda’s anti-capitalist comic opera is still razor sharp
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‘The roles on offer were prostitute or takeaway worker’: How Jing Lusi defied racist stereotypes – and became a star
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