And the 2024 Braddies go to … Peter Bradshaw’s film picks of the year
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Better Man review – Robbie Williams becomes CGI chimp in surreal biopic
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The Order review – Jude Law does solid work in vehement account of white supremacists’ takedown
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Jack Bond, cult British director and Pet Shop Boys collaborator, dies aged 87
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My petty gripe: allowing hot food in cinemas is the end of civilisation | Mike Hohnen
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Champagne-soaked sex and slow-burn longing – was this the swooniest year of TV ever?
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Twisters! Tennis! Transformations! The best movie moments of 2024
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Alec Baldwin film set shooting case ends after prosecutors drop appeal
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How to Make Millions Before Grandma Dies review – sad but sweet Thai inheritance tale
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‘It was like I’d run six marathons then they said do a seventh’ – how Industry’s Marisa Abela hit peak form
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Blake Lively sees wide support in lawsuit against co-star Justin Baldoni
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‘It took a while, but I’m here’: Denzel Washington is baptised before his 70th birthday
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All of Us Strangers and 45 Years both won the Guardian’s film of the year. That’s not all that unites them
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Invitation to a Murder review – florist-detective leads crime yarn that out-cosies Agatha Christie
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‘Perfect paternalistic nonsense’: why Father of the Bride is my feelgood movie
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‘All the kids were spewing innuendo’: actors and comedians remember their first nativity plays
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Detained review – Abbie Cornish is best thing in twisty noir that flirts with ridiculousness
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Covid was supposed to kill cinema – but did lockdown and Gen Z save cinephilia?
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A Man and a Camera review – doorstep prank movie is pass-agg psychological study
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Santa slays and jingle hells: here's why Christmas horror films are the perfect antidote to the season | Paul Syvret
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The Six Triple Eight review – true story of heroic black women’s battalion fails to deliver
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Ramones family row puts the skids on US punk pioneers’ biopic
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Death is at the heart of Christmas. That’s why we love to tell festive ghost stories | Kate Maltby
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Mufasa: The Lion King review – technically dazzling Disney origin story lacks soul
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Film: Wendy Ide’s 10 best of 2024
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Elle Fanning: ‘The last thing I want to be is boring’
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Blake Lively accuses It Ends With Us director Justin Baldoni of sexual harassment
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Wallace & Gromit: Vengeance Most Fowl review – the Aardman duo’s return is an absolute delight
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The Brutalist director Brady Corbet: ‘If you’re not daring to suck, you’re not doing much’
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From Mufasa to Gavin and Stacey: a complete guide to the week’s entertainment in the UK
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Dead Hard review – yippee ki-why bother?
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The Golden Globes gift bag contains gin, treadmills and a facelift – but there’s a catch
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The Godfather Part II at 50: Francis Ford Coppola’s sprawling masterpiece
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Paul McCartney and Wings: One Hand Clapping to ISS – the seven best films to watch on TV this week
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Del Boy did it! Or did he … ? Test your knowledge with our bumper Christmas culture quiz
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‘Love exists beyond death’: Andrew Scott on All of Us Strangers – and whether his character was dead
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Best films of 2024 in the UK: No 1 – All of Us Strangers
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The 50 best films of 2024 in the UK
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Aliens, Gollum and talking raccoons: when will the Oscars finally reward mo-cap acting?
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The Christmas that went wrong: I was 19 – and my best friend and a date stood me up
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First trailer for James Gunn’s new Superman movie released
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‘The full immersive experience’: the rise of cinema with an added twist
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‘We’re charged with propaganda, vulgarity and spreading prostitution’: the directors of My Favourite Cake
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Best films of 2024 in the UK: No 2 – My Favourite Cake
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Can’t-do attitude: why the real horror of Nightbitch is weaponised incompetence
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Sonic the Hedgehog 3 review – Jim Carrey supplies laughs and energy for hedgehog threequel
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Alec Baldwin plans ‘to expose what really happened’ in Rust film set shooting
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The Long Wave: Christmas celebrations across the diaspora
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‘To me, to uzi’: why Paul Chuckle as a gangster isn’t such a dramatic career change
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Best films of 2024 in the UK: No 3 – The Zone of Interest
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Wallace & Gromit: Vengeance Most Fowl review – an unmissable, ingenious Christmas treat
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Mufasa: The Lion King review – storytelling takes pride of place in punchy origin tale
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Christmas is all around! The great festive film guide 2024
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Richard E Grant’s renaissance is a pleasure to watch – and it all began with Withnail and I
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Marisa Paredes, Almodóvar star and legend of Spanish cinema, dies aged 78
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‘Without a voice, she had no self’: who was the real Maria Callas?
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Dolphin Boy review – human baby lives under the sea in watery kids animation
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Standing Up review – autism gets sappy treatment in didactic family road movie
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‘Yes, I condemn murder’: Michael Moore responds to Luigi Mangione’s manifesto
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Carry-On up the cockpit: we’ve got it in for the title of Netflix’s new airplane thriller
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Tortured by an earworm? How to get it out of your head
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Post your questions for Mischa Barton
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Lisa Kudrow says Tom Hanks movie Here is ‘an endorsement for AI’
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Dead Birds Flying High review – intriguing naturalist portrait swerves the Nazi question
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German position on Israel-Gaza debate ‘putting artists off’ film festival
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‘A strangely forceful hold on me’: why Burlesque is my feelgood movie
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Best films of 2024 in the UK: No 5 – Anora
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‘Uptown Funk makes me want to move, it makes me happy’: Lorraine Bracco’s honest playlist
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Guy Pearce says he was blocked from working with Christopher Nolan by Warner Bros
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On Becoming a Guinea Fowl review – dizzyingly creative Zambian funeral comedy drama
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