Riddle of Fire review – quest for a blueberry pie aims to be ye olde work of whimsy
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Norwegian Dream review – queer romance speaks for all the oppressed underclasses
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Infinity According to Florian review - mission to save Ukraine’s extraordinary modernist masterpiece
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Nicole Kidman given life achievement award by American Film Institute
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ISS review – Ariana DeBose shines in tense if contrived International Space Station thriller
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Tenniscore: centre-court chic smashes it this fashion season
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The American Society of Magical Negroes review – should satire be this polite?
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There’s Still Tomorrow review – empowering tragicomedy about an abused wife in postwar Rome
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Game, set and match: the 20 best sports movies
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Kidnapped review – powerfully enraging real-life drama of Vatican abduction of a Jewish boy
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Challengers review – Zendaya holds court in absurdly sexy three-way tennis romance
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Civil War is a terrifying film, but Trump: The Sequel will be a real-life horror show | Simon Tisdall
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‘Demolishing democracy’: how much danger does Christian nationalism pose?
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Uncropped: James Hamilton on the decay of alt-journalism and street photography
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Aaron Sorkin to write film about January 6 and Facebook disinformation
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Can Zendaya make the leap from tween idol to Hollywood heavyweight?
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Will Deadpool & Wolverine mark the real introduction of the X-Men into the MCU?
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Triangle of Sadness to The Idea of You: the seven best films to watch on TV this week
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ISS review – Ariana DeBose is ace as third world war sparks space station survival race
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The evolution of man: how Ryan Gosling changed stardom, cinema and society
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Hollywood reacts to overturning of Harvey Weinstein rape conviction: ‘Beyond disappointed’
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Cannes to premiere Jean-Luc Godard film finished the day before he died
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High-minded, progressive and literate, Laurent Cantet made a trio of brilliant films | Peter Bradshaw
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Laurent Cantet, film-maker who tackled diversity and class in France, dies aged 63
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Mixed doubles: why queer erotic sports cinema is enjoying a grand slam
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Love Actually, Barbie and Saltburn memorabilia auctioned for War Child
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Bryce Dallas Howard: ‘I can’t be trusted around famous people’
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In the Land of Saints and Sinners review – Liam Neeson finds cowboy spirit in Donegal
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A way to make a livin’: Jennifer Aniston set for 9 to 5 reboot
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There’s Still Tomorrow review – resoundingly sentimental drama in postwar Rome
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Tomorrow’s Freedom review – does this man know the way to peace in Israel and Palestine?
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On Resistance Street review – lo-fi record of music’s long battle with racism
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28 Years Later: Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes cast in sequel
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‘The writer of Fifty Shades gave me tips’: Robinne Lee on her scorching bonkbuster The Idea of You
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Ben Stiller: I was blindsided by Zoolander 2 flopping
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Rebel Wilson memoir to be published in UK with Sacha Baron Cohen passages redacted
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Anne Hathaway is a secret Arsenal fan and now her reinvention is complete
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Malum/Hunt Her, Kill Her review – double bill of low-budget, single-location horror
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Quintessentially Irish review – Pierce Brosnan weighs in on scattergun study of Irishness
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Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming
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Elaha review – sex, patriarchy and second-generation identity
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Set It Up: the 2018 Netflix romcom that became a classic of the genre
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Studio Ghibli’s work ‘like Shakespeare’, says My Neighbour Totoro stage show’s director
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‘Reagan gave us something to rap about’: how hip-hop has interacted with US politics
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Anne Hathaway says she had to kiss 10 men during ‘gross’ chemistry audition
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Helen Mirren, Pierce Brosnan and Ben Kingsley set for film of Richard Osman’s The Thursday Murder Club
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Jericho Ridge review – shades of Rio Bravo in tense siege thriller with old-timey charm
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Jerry Seinfeld says the movie business is over: ‘No longer the cultural pinnacle’
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Ordinary Angels review – heartwarming rescue from the horrors of the US healthcare system
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Boy Kills World review – ripped Bill Skarsgård shows he’s got brutal action chops
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‘I was only able to go on stage hammered’: David Harewood on acting, racism and his new role at Rada
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That They May Face the Rising Sun review – poignant rural meditation on life and friendship
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Camouflage review – the dark past of Argentina’s dirty war detention centres
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Dickey Betts obituary
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Abigail review – Dan Stevens throws himself into gleefully gory kidnap horror
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What would cornered Trump do for Roy Cohn’s tough-guy dark arts now?
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If Only I Could Hibernate review – a teenager faces tough choices in chilly Mongolia
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‘He erased the entire project’ … the book Stanley Kubrick didn’t want anyone to read to be published
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Sometimes I Think About Dying review – Daisy Ridley excels as shy office worker in offbeat comedy
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Barbie, Bridgerton and billions of pounds: how streaming – and tax breaks – fuelled the UK’s ‘Brollywood’ screen boom
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So Sydney Sweeney’s not pretty and can’t act? Such insults by a woman play into men’s hands | Barbara Ellen
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Rule-breaker for the ages: why Caravaggio is our screen age’s art superstar
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Where do we draw the line on using AI in TV and film?
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Monopoly: the Movie? Pop culture has become a series of lukewarm adverts – and it’s all so very dull | Dan Hancox
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From Abigail to Taylor Swift: a complete guide to this week’s entertainment
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Priscilla, Queen of the Desert sequel in works with original cast, director confirms
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Can genre-buster Edgar Wright breathe new life into The Running Man?
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‘Why the silence? Why the inaction? It breaks my heart’: Malala and Jennifer Lawrence take on the Taliban
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Funny Pages to Phil Spector: the seven best films to watch on TV this week
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Rebel Moon – Part Two: The Scargiver review – Zack Snyder’s bombastically fun sequel
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