Jude Law: ‘The persona built on stuff written about me is not me, it’s this other guy’
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‘Trump has been explicit about revenge’: Asif Kapadia on his new film about the threat to democracy
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Nightbitch review – Amy Adams carries frustrating mum-on-the-edge comedy drama
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Aaron Pierre: ‘There wasn’t one day filming Rebel Ridge that I didn’t have a bruise or a cut’
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Dune at 40: David Lynch’s oddball adaptation remains a fascination
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From Queer to Snoop Dogg: a complete guide to this week’s entertainment in the UK
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What The Rock’s big box office bomb tells us about our needs and desires at Christmas
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Carry-On review – Taron Egerton channels Kenneth Connor in misleadingly titled Netflix thriller
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The style evolution of Daniel Craig: from basic to Bond to high-fashion chaos – in pictures
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End of an Eras era: what’s next for Taylor Swift?
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September 5 review – taut media procedural revisits Munich Olympics
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‘Fame is a drug like LSD’: Robbie Williams on success, sexuality and his simian movie alter ego
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Fainting, fighting and folk-horror: Florence Pugh’s best films – ranked!
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‘Can we show someone being shot?’: the tense true story behind September 5
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Kraven the Hunter review – Russell Crowe busts up laborious superhero yarn
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‘Sexuality is as individual as a fingerprint’: Daniel Craig and Luca Guadagnino on Queer
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Sundance 2025: Olivia Colman, Jennifer Lopez and Josh O’Connor lead lineup
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Emaciated zombie in 28 Years Later is not Cillian Murphy, sources confirm
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‘They wouldn’t do this to Shakespeare’: the pioneers of postmodern architecture, as seen by their son
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Elton John: Never Too Late review – few surprises but plenty of joy in official life story
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Jim Carrey came out of retirement for Sonic the Hedgehog 3 because he ‘needed the money’
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Paul Mescal to star in Beatles film, Ridley Scott appears to confirm
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From Roger Moore With Love review – the amazing life of the louchest Bond
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The Bibi Files review – tapes and testimony expose paranoia and petulance of Netanyahu family
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Sujo review – Mexican coming-of-age drama in the shadow of a cartel killing
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Meet the Parents sequel in development with original cast set to return
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Boy eats girl: horror comedy Fresh really is worth a second helping
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The Universal Theory review – chilly German sci-fi noir splices genres with style
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‘I don’t remember 20 days’: Jamie Foxx says he had ‘brain bleed which led to a stroke’
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The Lord of the Rings: The War of the Rohirrim review – redundant, flavourless animation
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So This Is Christmas review – most wonderful time of the year in a small Irish town
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Is Kraven the Hunter the last chance for Sony’s Spider-Man universe?
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Scrap review – Vivian Kerr’s subtle performance as flawed single mum comes up trumps
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Golden Globes 2025: a lively list guaranteed to get under President-elect Trump’s skin
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Why Anthony Hopkins’ Netflix Herod is Hot Frosty 2 – sort of
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Golden Globes 2025: Emilia Pérez scores 10 nominations as Kate Winslet, Selena Gomez and Sebastian Stan each take two
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‘It is quite creepy’: Keira Knightley flagged ‘stalkerish’ aspects while shooting Love Actually
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Between the Lights review – a truly madly deeply felt love story that transcends time
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Biden and Harris attend Washington awards ceremony in one of their last major appearances together
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‘No shortage of comforts’: why Head of State is my feelgood movie
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Alice Doesn’t Live Here Anymore at 50: Scorsese’s low-key, high-impact 70s drama
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Simona Kossak review – smartly sharp biopic of pioneering Polish ecologist
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The 50 best films of 2024 in the UK: 50-11
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Kapr Code review – operatic retelling of composer Jan Kapr’s turbulent life
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Mike Leigh and Marianne Jean-Baptiste on rage, sex and insults: ‘There’s an intolerance in society now’
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Barry Keoghan hits back at ‘inhumane’ abuse and harassment of his family: ‘I can only take so much’
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Dorothy’s Wizard of Oz ruby slippers sell for record-breaking $28m at auction
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Trainspotting embraced a lust for life that Gen Z can only dream about | Barbara Ellen
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‘I always have a moment of confession’: Peter Sarsgaard on truth, ethics and the quirks of family life
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‘I feel I’ve upset a few people over the years’: actor Brian Cox on overrated co-stars, charmless politicians and the joy of smoking weed
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From Rumours to Rosé: a complete guide to the week’s entertainment in the UK
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Marshall Brickman obituary
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Mary review – turgid bibical tale has you rooting for Anthony Hopkins’ hammy Herod
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The Six Triple Eight review – Tyler Perry’s war movie is another bomb
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Keira Knightley says she was ‘stalked by men’ after Pirates of the Caribbean and told ‘you wanted this’
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Bogart: Life Comes in Flashes review – enjoyable look at extraordinary life of mythic star
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Grand Theft Hamlet review – in-game Shakespeare performance is brilliantly exciting
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‘We’re all wrestling with something all the time’: Jennifer Lopez on disability, domestic abuse, and dealing with the next Trump presidency
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Pride, joy and some questions: reactions to Moana 2 from across the Pacific
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The Devil Wears Prada review – prosecco o’clock musical is old hat
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I have been forced to speak up. Society needs to act to rein in ridiculous movie runtimes | Rebecca Shaw
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An Eddie Murphy-Martin Lawrence romcom is the comfort watch America needs right now
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How far she went: why did the Moana films become such a phenomenon?
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Wicked storms into Oscar race with major National Board of Review win
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The Guardian view on a new wave of biographical films: creative risks that redefine history
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Wish it away: will the live-action Snow White be a new low for Disney?
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Brazil film portraying notorious crime during dictatorship strikes chord: ‘It hasn’t been overcome’
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National Anthem review – dreamy study of queer rodeo riders making hay while the sun shines
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Déjà Vu: Denzel Washington and Tony Scott’s massively underrated techno-thriller
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The Commander review – true story of patriotic heroism tries to avoid being political football
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