‘When I sense something is not right, I am going to protect myself’ – Lucy Liu on success, shame and calling out Bill Murray
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‘I was 2cm from being paralysed’: UK stunt artists celebrated with donation to BFI
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And the winner should be… Observer critics choose their alternative Oscars for 2025
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A Real Pain review – Jesse Eisenberg and Kieran Culkin spar in sublimely bittersweet Holocaust tour movie
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Maria review – Angelina Jolie excels as tragic Callas
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‘It’s the moment when genius comes into the universe’: the film recreating SNL’s chaotic first night
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Nick Frost: ‘I’d like to say sorry to my mum. She was an alcoholic and I spent a lot of time hating her’
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Streaming: Pepe and the best animal films for grownups
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Make Olympics more frequent and you risk jumping the shark | Letter
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Mel Gibson to cast de-aged Jim Caviezel in ‘acid trip’ sequel to Passion of the Christ
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Ignore all the fresh horrors of reality … two School of Rock co-stars just got married! | Stuart Heritage
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Crime, comedy and The Count of Monte-Cristo: French flock to cinemas … to watch homegrown films
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Unstoppable to Alien: Romulus – the seven best films to watch on TV this week
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‘Every day is 24 hours of panic to just get out the door’: Jesse Eisenberg on self-indulgence, candid aunts and his Oscar-tipped Holocaust comedy
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Alec Baldwin sues prosecutors in Rust trial, alleging civil rights violations
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Bank of Dave 2: The Loan Ranger review – Rory Kinnear files a solid return as the bloke from Burnley
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Malcolm Le Grice obituary
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Rowan Atkinson at 70: his best films – ranked!
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But what about … the most overlooked performances of this awards season
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Charles Shyer obituary
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More fizzle than pop: the limits of Nicole Kidman’s erotic drama Babygirl
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Wicked, A Complete Unknown and Shôgun lead Screen Actors Guild nominations
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Maria review – Angelina Jolie’s Callas commands the screen as a great diva in decline
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A Real Pain review – Jesse Eisenberg’s sauntering Holocaust tour comedy is a masterpiece
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Awards success of cartel boss musical Emilia Pérez prompts outrage in Mexico
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Babygirl review – Nicole Kidman sex-positive erotic thriller fails to bring the menace
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Pepe review – inside the beautiful mind of Pablo Escobar’s hippo
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Twin Peaks: The Return – how the reboot of David Lynch’s oddball masterpiece improved on the original
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The Damned review – atmospheric period chiller twists the knife on Iceland fishers
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From F1 to Mickey 17: the 2025 films Guardian writers are most excited about
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Get Away review – Nick Frost ramps up the ridiculousness in comedy horror
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Street Trash review – grisly remake of cult horror sends exploding corpses to South Africa
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Zendaya and Tom Holland might be engaged – and of course people are being normal about it
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Demi Moore’s stellar second act: how the star was finally given her due at 62
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Aubrey Plaza calls husband Jeff Baena’s death ‘an unimaginable tragedy’
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Demi, Jodie and Nicole: is Hollywood finally ready to recognise complex female characters over 40? | Natasha Ginnivan
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‘It’s easy to call what she did evil’: inside Denmark’s Oscars entry, about a serial child murderer
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‘I laughed, I cried, I reflected on many things’: Guardian readers’ best films of 2024
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Melania Trump documentary from Brett Ratner to be released by Amazon
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Architecton review – immersive and imposing meditation on concrete and stone
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It’s Raining Men review – Laure Calamy adultery comedy puts the heat in cheat
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No blunders, just boldness: older women lead red-carpet glamour at Golden Globes
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‘Brings delight’: why Rush Hour is my feelgood movie
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Chalamet snubbed, Demi Moore hailed: the key film Golden Globes shocks and surprises
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Blood for Dust review – a gutsy, state of the nation shoot-em-up lands in Coen bros territory
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If Batman v Superman crushted Jesse Eisenberg’s star, why is DC giving Jason Momoa a second chance?
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The Brutalist is anointed – but key hopefuls locked out at curveball Golden Globes | Peter Bradshaw
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Campus Monde review – Ivorian hopefuls battle to get elusive immigration visas
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The Brutalist, Emilia Pérez and Shōgun triumph at the Golden Globes
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Golden Globes 2025 red carpet: Ariana Grande, Selena Gomez, Timothée Chalamet and more – in pictures
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Golden Globes 2025: Adrien Brody, Demi Moore and Colin Farrell win – live!
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We Live in Time review – Florence Pugh and Andrew Garfield star in soggy tearjerker
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‘Friends keep me tethered’: actor Joe Alwyn on fame, dating Taylor Swift and keeping his feet on the ground
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Clues, improvisation and anti-pigeon devices – the vision behind Mike Leigh’s new film Hard Truths
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Nickel Boys review – sublime, immersive adaptation of Colson Whitehead’s haunting reform school novel
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‘The more relaxed you are, the better you are as a human’: Nicole Kidman on Kubrick, sharks and risk-taking
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At 41, was Isabella Rossellini too old to be beautiful in 1994?
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Indie film-maker Jeff Baena dies aged 47
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Embracing X and a turn by Timothée Chalamet: how Bob Dylan is capturing gen Z
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2073 review – Asif Kapadia’s harrowing vision of a post-apocalyptic world
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Nikki Amuka-Bird: ‘I just played the prime minister and thought, me? Run the country?’
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The Baldoni-Lively legal battle seems a depressing re-run of Depp v Heard | Arwa Mahdawi
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Why did so many people jump to criticise Blake Lively? The answer isn’t complicated
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From Edvard Munch to Central Cee: Observer critics choose their cultural highlights for 2025
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The big chill: warming, nourishing culture to help you hibernate until spring
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Golden Globes 2025: who will win and who should win the film awards?
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Mark Kermode on… director Sean Baker, who thrillingly puts the marginalised centre stage
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From Nosferatu to Patience: a complete guide to this week’s entertainment in the UK
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Justin Baldoni plans to sue Blake Lively after she accused him of harassment
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At the dive-in: Australia’s summer tradition of swimming pool film screenings
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