Christmas Eve in Miller’s Point review – charming hometown family study is extended party
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From capes to plunging necklines, all the fashion fun of Cannes film festival
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Hollywood should look beyond Star Wars and Lord of the Rings retreads for sequels
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‘Exhausting and extremely dangerous’: Mohammad Rasoulof on his escape from Iran
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Twilight of the Warriors: Walled In review – frenetic actioner in infamous Kowloon neighbourhood
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A Banquet to Inception: the seven best films to watch on TV this week
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Thelma the Unicorn review – sunny Netflix cartoon offers simple pleasures
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Everyone’s Getting Involved review – tepid all-star Talking Heads tribute
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‘I did a lot of yelling’: Tom Burke on socks, controversy and Mad Max
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‘Bafflingly shallow’ or ‘staggeringly ambitious’? Francis Ford Coppola’s Megalopolis splits critics
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Megalopolis review – Coppola’s passion project is megabloated and megaboring
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The Strangers: Chapter 1 review – unnecessary horror retread
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Bird review – Andrea Arnold’s untamed Barry Keoghan tale is a curate’s egg
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Slow: the Lithuanian asexual romcom that raises ‘a lot of questions’
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On Becoming a Guinea Fowl review – Rungano Nyoni’s strange, intense tale of sexual abuse
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‘To escape Gaza is already an achievement. And then to be trans?’: the women defying national and gender boundaries
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The greatest dancer of all time? Fred Astaire’s 20 best films – ranked!
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The art of resistance: desert film festival showcases stories of the Sahrawi people
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The Girl With the Needle review – horrific drama based on Denmark’s 1921 baby-killer case
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Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes
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If review – John Krasinski’s so-so, sentimental family fantasy
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Meryl Streep: it’s ‘hardest thing’ for men to see themselves in female characters
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Wild Diamond review – French social-realist drama fuelled by TikTok energy
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‘I am gross, animal and carnal’: Luna Carmoon on her disturbing, stinky-scented new film
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Rome, Open City review – Rossellini’s blazingly urgent masterpiece from a city in ruins
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Withnail and I review – downtrodden duo return to demand some more booze
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Catching Fire: The Story of Anita Pallenberg review – rockn’roll ‘muse’ in the spotlight
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Two Tickets to Greece review – insufferable women-on-holiday comedy is no Shirley Valentine
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives
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Rust armorer appeals conviction in fatal shooting of cinematographer by Alec Baldwin
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Greta Gerwig: ‘The number of female directors has gotten better. We’re not done yet’
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‘It’s great!’ Rafe Spall on having a baby with his co-star in Trying, the infertility sitcom
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Roman Polanski acquitted of defamation by French court
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Nightwatch: Demons Are Forever review – Danish morgue sequel returns from the dead
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Breathe review – air-free post-apocalyptic survival thriller relies on family harmony
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A Family Affair review – wellness-retreat comedy goes lowest common denominator
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‘Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis
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Iranian film director Mohammad Rasoulof flees Iran to avoid prison
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‘It was a horrific night’: 30 years on from the on-set death of Brandon Lee
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The Coffee Table review – horror comedy takes its cue from gaudy furniture item
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Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise
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Vaychiletik review – beautifully-shot Mexican folk music study in the high arthouse style
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TV tonight: the first family in the world to be diagnosed with hereditary Alzheimer’s
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A dog in the dock and another doing red carpet interviews: why has Cannes gone canine crazy?
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Roger Corman obituary
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The Almond and the Seahorse review – clumsily contrived amnesia drama
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Risk and reward: life as a stunt double
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Roger Corman, Hollywood mentor and king of the B-movie, dies aged 98
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La Chimera review – Josh O’Connor dazzles in brilliant tale of Italian tomb-raiders
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‘This gesture made history’: watch given to Gina Lollobrigida by Fidel Castro is to go on sale
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‘Explosive’ secret list of abusers set to upstage women’s big week at Cannes film festival
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Kingdom of the Planet of the Apes review – thrilling addition to the series
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Ciarán Hinds: ‘I’m not very good at the glamorous side of the industry’
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic
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Streaming: Monkey Man and the best revenge movies
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From Girls Aloud to Doctor Who: a complete guide to this week’s entertainment
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Cannes film festival faces strike disruption over seasonal workers’ rights
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Weekend podcast: Josh O’Connor on Zendaya and gardening; Marina Hyde on the Met Gala; being a boy in 2024; and Philippa Perry offers advice on leaving a legacy
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Blunt, stunts and Gosling: how did The Fall Guy flop – and what does that mean for cinema?
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Raging bull-terrier: did Martin Scorsese’s dog really eat Paul Schrader’s thumb?
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The Blackening to Mean Girls: the seven best films to watch on TV this week
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‘I love erotic thrillers, but this so isn’t one’: Damian Hurley on directing his mother, Elizabeth, in a ‘sensual mystery’
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Kristen Stewart says Hollywood’s self-congratulation over gender equality ‘feels phony’
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Ian McShane: ‘When I was about to get it on with Richard Burton, he said I reminded him of Elizabeth’
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Strictly Confidential review – Elizabeth Hurley’s softcore sex drama directed by … her son
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Mother of the Bride review – Brooke Shields leads middling Netflix mush
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Shallow Grave review – Danny Boyle’s Edinburgh noir debut is a triple-crossing treat
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Spirited Away review – Studio Ghibli gem becomes a theatrical feast
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Iranian director Mohammad Rasoulof sentenced to eight years in prison and flogging
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‘We were the magicians’: cinematographer Phedon Papamichael on 40 years of film-making
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