‘It always destroys me’: our writers on their saddest movie deaths
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Inside Out 2 to House of the Dragon: a complete guide to this week’s entertainment
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Streaming: the best films about elections
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Blur: To the End review – sentimental journey for four likely lads on their way to Wembley
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Divine comedies: the best jokes for the Pope
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Eddie Redmayne says Warren Beatty offered to bail him out after email hack
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Her Name Was Moviola review – ode to editing machine a geekgasm for analogue fans
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The End We Start From to Federer: Twelve Final Days – the seven best films to watch on TV this week
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Star Trek III: The Search for Spock review – Kirk sacrifices all in the name of bromance
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Amy Poehler: ‘If we want young people to fix everything, why do we make fun of them?’
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Neil Jordan claims ex-taoiseach told him of money-for-endorsement agreement
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Don’t you know who I am? Why vox-poppers failing to spot celebrities is such a good thing
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The Texas Chain Saw Massacre review – original 1974 shocker is grotesque but brilliant masterpiece
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Jude Law reveals he turned down playing Superman: ‘It just felt like a step too far’
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Fantasia to Flesh and Fantasy, the Coens to Cavalcanti: anthology films – ranked!
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‘It could have been us’: filming the devastation after the Turkish-Syrian earthquakes
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Arcadian review – Nicolas Cage lies low in tense post-apocalyptic thriller
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‘Brexit made Polish culture more visible’: how the diaspora is changing Britain
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‘I thought it would be a tinpot movie’: myths and reality of Chariots of Fire and the 1924 Olympics
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Russell Crowe: I’m ‘slightly uncomfortable’ with Gladiator 2
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Hard stares ready: first trailer released for Paddington 3
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‘The big story of the 21st century’: is this the most shocking documentary of the year?
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Matt Bomer claims he missed out on Superman role because of his sexuality
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Sorcery review – orphaned girl out for revenge in unsettling Indigenous horror
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The sad, stupid rise of the sigma male: how toxic masculinity took over social media
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny
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Looking back on life in the Brat Pack: ‘It never existed in any real way’
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Imelda Staunton and Olivia Colman call for urgent political support for the arts
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Hounds review – pitch-black comedy drama of hapless Moroccan dog-fighting hoodlums
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Françoise Hardy, French pop singer and fashion muse, dies aged 80
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Paramount tycoon Shari Redstone pulls the plug on proposed Skydance merger
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Tell us your favourite film of 2024 so far
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‘We anchored ourselves in wild adventure!’ Tilda Swinton on her trippy film about learning, AI and neuroscience
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Julia Louis-Dreyfus pushes back on Jerry Seinfeld’s ‘PC crap’ comments
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Death of a City review – poetic memorialisation of the destruction and rebuilding of Lisbon
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After the Winnie-the-Pooh slasher, now there’s a Mickey Mouse horror movie. This is not necessarily a bad thing
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The best films of 2024 in the UK so far
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Guapo’y review – the scars of Paraguay’s past revealed through healing plants
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Wilding review – farmland returns to nature in green and leafy conservation study
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Federer: Twelve Final Days review – teary-eyed portrayal of a legend’s last stand
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Speed at 30: the greatest action movie of the 1990s
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Unsung Hero review – real-life journey of Christian music migrants from Australia
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‘It wasn’t easy to be on camera’: Succession’s Hiam Abbass on reliving her departure from Palestine
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Birthday Girl review – Trine Dyrholm superb in mother-daughter cruise ship rape drama
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Runner-up: Observer/Anthony Burgess prize 2024 – Alice Hughes reviews Anatomy of a Fall
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The Dead Don’t Hurt review – Vicky Krieps is a woman of substance in Viggo Mortensen’s offbeat western
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Gremlins at 40: Joe Dante’s untamed classic is a love letter to chaos
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From Bad Boys to Charli XCX: a complete guide to this week’s entertainment
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Revealed: Otto by Otto review – nuanced portrait of a generational talent
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I Used to Be Funny review – Rachel Sennott can’t save messy PTSD drama
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Bringing sexy back: how Hollywood suddenly got horny again
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Has Venom: The Last Dance’s trailer drawn Spider-Man: No Way Home’s sting?
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The Great Escaper to Poolman: the seven best films to watch on TV this week
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The Watchers (AKA The Watched) review – M Night Shyamalan’s daughter tells us a silly old story
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‘I’ll never forgive or forget’ – Griffin Dunne on the darkness that overtook his gilded Hollywood upbringing
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Harry Hill: ‘I always thought I’d make a good serial killer’
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‘But you hated these clothes!’ The complicated history of ‘lesbian fashion’
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‘Show me the money!’ how unofficial merch is cashing in on movie quotes
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The Dead Don’t Hurt review | Peter Bradshaw's film of the week
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The Matrix review – barnstorming sci-fi still calling our reality into question
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Under Paris: Netflix has delivered one of the best shark movies ever made
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Food, Inc 2 review – second helping of broadsides against the food-industry crisis
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Janis Paige obituary
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Four Little Adults review – polyamory drama shows a Finnish couple working through their issues
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Johnny Depp to play Satan opposite Jeff Bridges as God in Terry Gilliam biblical comedy
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Maya Hawke is honest about her privilege. Why are other nepo babies so defensive? | Arwa Mahdawi
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Rosalie review – intriguing empowerment tale of a 19th century celebrity ‘bearded lady’
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King of the streamers: how Godzilla Minus One became a monster hit for Netflix
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Paul Schrader: cinema’s unfiltered, unsparing and uncompromised auteur
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Heart of an Oak review – 18 spectacular months in the life of an exquisite tree
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