The Shawshank Redemption at 30: is it really the greatest film ever made?
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The Invention of the Other review – fascinating first glimpse of uncontacted Amazon tribe
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‘A struggle to feel pride’: coming-of-age film breaks new ground in Sámi culture
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The hidden life of Elizabeth Taylor – as seen by her son: ‘Her love for Richard Burton never went away’
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Cleo Sylvestre obituary
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‘I hope this changes perceptions’: documentary focuses on the real Elizabeth Taylor
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The Substance review – Demi Moore is fearless in visceral feminist body horror
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His Three Daughters review – exquisitely judged New York sibling drama
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Skeleton warriors and plasticine chickens: why stop-motion animation is still going strong a century on
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Romola Garai: ‘For a lot of my 20s, I was rude, annoying and a brat’
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Streaming: the best biker movies
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From The Substance to Uncanny Visions: a complete guide to this week’s entertainment
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James Cameron taunts critics of his dialogue: ‘Let me see your highest-grossing films’
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‘The whole human condition is encased in the story’: why Beatles films just keep coming
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Never Let Go review – Halle Berry takes hold of uneven woodland horror
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Would starring in Men in Black really have made David Schwimmer a movie star?
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Happy 90th birthday Sophia Loren! Her greatest films – ranked
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The Goldman Case review – gripping French courtroom drama with a chaotic energy
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Strange Darling review – grisly but audacious serial-killer horror outside the comfort zone
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TV tonight: the return of a very lovely vet drama
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From The Brutalist to Conclave: what is the state of this year’s Oscar race?
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Lionsgate partners with AI firm to train generative model on film and TV library
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No kill zone: how revenge rampage Rebel Ridge is reinventing the action movie
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Sugarcane review – trauma and truth unearthed in Indigenous children’s schools scandal
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Greedy People review – blood and chaos overlay bizarrely Coenesque crime caper
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‘It’s not about proving’: inside the mysterious world of psychics
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Public Enemy review – anatomy of Greece’s economic crisis framed as epic tragedy
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Cyborg: A Documentary review – man who ‘hears’ colours is leading transhuman age
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‘His ego will not accept defeat’: the story behind Trump’s attempt to steal an election
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A tale of two divas: Brittany Murphy and Dakota Fanning match wits in Uptown Girls
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‘I was really desperate’: Giancarlo Esposito on Gus Fring, Sesame Street – and how he nearly hired a hitman
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Transformers One review – animated origin tale is fun fan service
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The Old Man and the Land review – sibling squabbles as family unravels like an old jumper
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Indiana Jones and the Great Circle: a video game that will whip film fans into a frenzy
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Clawfoot review – Hollywood nepo babies do fine in horror-comedy bathed in gore
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Notes from Sheepland review – lovely portrait of artist-farmer who only has eyes for sheep
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200% Wolf review – moon spirit baby turns kiddie werewolf sequel into frenetic howler
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Surgery, shame and self-erasure: four female writers on the tyranny of impossible beauty standards
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Post your questions for Ice-T
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‘It would not get made today’: Todd Solondz on his shocking paedophile film Happiness
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The Island review – Matt Dillon’s moody clarinetting sums up exotic Greek idyll thriller
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Last Straw review – waitress holes up in diner in twisty low-budget siege horror
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Astrakan 79 review – memories of a boyhood adventure in chilly communist Russia
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Anyox review – ghostly afterlife of a devastated mining town in ecological disaster
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Tried for double murder and adored by the French left: the violent life and crimes of Pierre Goldman
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In Camera review – smart, surreal showbiz satire hits a nerve
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Reawakening review – Juliet Stevenson and Jared Harris excel in muted domestic drama
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The Critic review – deliciously waspish Ian McKellen lifts 30s London murder mystery
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‘The most horrific, sobering thing I’ve ever seen’: BBC nuclear apocalypse film Threads 40 years on
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Lee review – Kate Winslet is remarkable as model turned war photographer Lee Miller
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On my radar: Mo Gilligan’s cultural highlights
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Killing a baby ‘after birth’ is homicide and legal nowhere. What is Trump on about?
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Liev Schreiber: ‘I grew up living in squats in New York City with my mom. My grandfather was my safe place’
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‘We can be violent to ourselves. Brutal’: Demi Moore on body image, reinvention and her most shocking role yet
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Agatha All Along to Tracey Emin: a complete guide to this week’s entertainment
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Documentary producers release new ethical AI guidelines for film-makers
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The British are coming, again! Ralph Fiennes, Daniel Craig and Hugh Grant set for Oscars face-off
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Uglies review – Netflix’s drab and dated YA dystopian mess is not pretty
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Will The Hunt for Gollum really be two movies? That’s got to be a stretch
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Speak No Evil review – James McAvoy gives roaring life to red-blooded holiday horror
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His Three Daughters to Peterloo: the seven best films to watch on TV this week
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‘The main issue was always the hijab’: the Iranian directors arrested for their gentle septuagenarian comedy
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Saturday Night review – tedious SNL origins tale is an unfunny misfire
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‘It was a true privilege to witness his talent firsthand’: readers on James Earl Jones
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Jude Law: ‘Playing Henry VIII messed up my back. I’m still trying to sort it out’
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‘Do you have contempt for my views?’ How a leftwing film-maker and a Republican came together
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The Piano Lesson review – powerful yet patchy August Wilson drama
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‘Now I owned a private war’: Lee Miller and the female journalists who broke battlefield rules
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Better Man review – Robbie Williams monkey biopic is a bananas gamble that pays off
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The 4:30 Movie review – Kevin Smith cues up a hot date with crush for his teen avatar
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