Stevie Van Zandt: ‘My religion switched right over to rock’n’roll’
The Guardian
··
-
Older >
Source
Time
Score
-
-
MaXXXine review – a horribly watchable Hollywood tale of sex, death, fear and gore
The Guardian
··
-
Francis Alÿs: Ricochets review – children of the world unite in a health and safety nightmare
The Guardian
··
-
Network review – terrific 1976 news satire is an anatomy of American discontent
The Guardian
··
-
Fancy Dance review – Lily Gladstone shines in knotty Native American family drama
The Guardian
··
-
Poolman review – Chris Pine makes splash of totally wrong kind in shambolic stoner comedy
The Guardian
··
-
Dance Revolutionaries review – performers dance like nobody’s watching
The Guardian
··
-
Jeremy Renner ‘terrified’ to return to acting after snowplough accident
The Guardian
··
-
Bye Bye Tiberias review – heartfelt memoir of Palestinian family reunion in Galilee
The Guardian
··
-
Sean Penn says ‘timid and artless policy toward the human imagination’ means he can no longer play gay roles
The Guardian
··
-
‘Want to be a real artist? Keep going!’: Cyndi Lauper at 71 on self-doubt, success – and surviving sexual assault
The Guardian
··
-
Adrien Brody to make London stage debut as man who spent 22 years on death row
The Guardian
··
-
Eternal You review – death, download and digital afterlife in the age of the AI griefbot
The Guardian
··
-
X Trillion review – all-women voyage to the ‘Pacific garbage patch’ packs a rousing punch
The Guardian
··
-
Bogart, Dietrich, Keaton: faces from Hollywood’s golden years – in pictures
The Guardian
··
-
‘I can see him now. I will see him forever’: Donald Sutherland remembered by Keira Knightley, Elliott Gould, Ralph Fiennes and more
The Guardian
··
-
Freelance review – John Cena fun in kind of pulpy action-comedy Arnie used to make
The Guardian
··
-
Pirates of the Caribbean actor Tamayo Perry dies in shark attack
The Guardian
··
-
Rose review – Sofie Gråbøl works hard in heartfelt healing journey through schizophrenia
The Guardian
··
-
The Last Breath review – Julian Sands’s last film is solid shark-meets-shipwreck thriller
The Guardian
··
-
The Investigator review – harrowing documentary details search for justice after Balkan wars
The Guardian
··
-
‘My life was surreal’: Anthony Michael Hall on John Hughes, therapy and his ‘wild ass’ childhood
The Guardian
··
-
Green Border review – an angry and urgent masterpiece about Europe’s migrant crisis
The Guardian
··
-
‘We’re really funny people’: Native American director Erica Tremblay on Lily Gladstone, laughter for survival and breaking Hollywood
The Guardian
··
-
The Bikeriders review – sharp, seductive 60s biker drama
The Guardian
··
-
Streaming: Godzilla, Kong and the best monster movies
The Guardian
··
-
From The Bikeriders to The Bear: a complete guide to this week’s entertainment
The Guardian
··
-
‘War how it truly is’: Ukrainian director turns accidental footage into a film
The Guardian
··
-
Trigger Warning review – Jessica Alba returns in solid Netflix action vehicle
The Guardian
··
-
Alec Baldwin’s lawyers move to dismiss Rust shooting death case once again
The Guardian
··
-
The Exorcism review – Russell Crowe v the Devil in cursed horror about a cursed horror
The Guardian
··
-
Donald Sutherland obituary
The Guardian
··
-
Paris arthouse cinema La Clef to reopen after buyout from squatters’ collective
The Guardian
··
-
Alien: Romulus could be the back-to-basics Alien reboot we’ve all been waiting for
The Guardian
··
-
‘Sexy, sweaty and surprising – with a really big ending’: readers’ best films of 2024 so far
The Guardian
··
-
Twelve Days shows the small details of Roger Federer’s seismic exit
The Guardian
··
-
Fancy Dance to Black Barbie: the seven best films to watch on TV this week
The Guardian
··
-
‘My heart does not have any other job’: Lhakpa Sherpa, the record-breaking Nepalese climber who cleans houses in Connecticut
The Guardian
··
-
Donald Sutherland was an irreplaceable aristocrat of cinema | Peter Bradshaw
The Guardian
··
-
Ken Jeong: ‘I’d make a horrible spy. I would betray someone very quickly’
The Guardian
··
-
Rite Here Rite Now review – soft-metallers Ghost offer skits and shreds in fan-service film
The Guardian
··
-
I Am: Céline Dion review – an earnest love letter from one of the last true divas
The Guardian
··
-
Unoriginal sins: why does Russell Crowe keep making exorcism movies?
The Guardian
··
-
Hacked Game Boys and horseplay! Jarman award shortlist celebrates thinking outside the box
The Guardian
··
-
Chinatown at 50: has there been a greater screenplay since?
The Guardian
··
-
‘They ride, they drink, they get dangerous’: the blazing film inspired by the Hells Angels’ biggest rivals
The Guardian
··
-
Diane von Fürstenberg: Woman in Charge review – hedonist fashion-biz phenom has tales to tell
The Guardian
··
-
Something in the Water review – Bridezilla vs Jaws as shark stalks seagoing wedding party
The Guardian
··
-
‘Someone who looked like me’: the women who created Black Barbie
The Guardian
··
-
A Dry White Season review – Marlon Brando heads starry cast in ground-breaking apartheid drama
The Guardian
··
-
Red Eye: Wes Craven’s flight from hell is piloted brilliantly from start to end
The Guardian
··
-
Anouk Aimée – a life in pictures
The Guardian
··
-
Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92
The Guardian
··
-
Super Seniors review – the near-miraculous feats of tennis players in their 80s and 90s
The Guardian
··
-
‘Quite a scrap’: David Leland on the fight that Tim Roth started to get cast in Made in Britain
The Guardian
··
-
Jade review – big hair and high kicks from the new Foxy Brown
The Guardian
··
-
Deadland review – melancholy horror smuggles deep themes across the US-Mexico border
The Guardian
··
-
Inside Out 2: Joy v Anxiety, puberty, and the big secret – discuss with spoilers
The Guardian
··
-
What does Steve Coogan’s Lost King case mean for future biopics?
The Guardian
··
-
‘I was totally devastated’: readers on their saddest movie deaths
The Guardian
··
-
Inspector Sun and the Curse of the Black Widow review – cosy eight-legged crime caper
The Guardian
··
-
Joy for Pixar as Inside Out 2 smashes expectations – and box office records
The Guardian
··
-
The G review – Dale Dickey is gamechanging gangster granny out for vengeance
The Guardian
··
-
Àma Gloria review – French coming-of-age drama is a modest gem
The Guardian
··
-
‘We’re excited’: arthouse hits draw young UK filmgoers to a summer of subtitles
The Guardian
··
-
Hounds review – grim and quirky Moroccan crime drama
The Guardian
··
-
Treasure review – Lena Dunham and Stephen Fry can’t save muddled father-daughter Holocaust drama
The Guardian
··
-
Stephen Fry: ‘The Conservatives are what we call in poker a busted flush’
The Guardian
··
-
Sasquatch Sunset review – brilliant bigfoot oddity is unexpectedly moving
The Guardian
··
-
‘I don’t want to take these characters home’: Jesse Plemons on life playing the psychopath next door
The Guardian
··
