The Banshees of Inisherin to Thelma: the seven best films to watch on TV this week
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This is the year the Oscars found God – but can they keep the faith?
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Nihilistic, anarchic, repugnant: Sam Peckinpah’s 10 best films – ranked!
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‘Tears were running down my face’: why Bridget Jones 4 is the most moving romcom of modern times
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War of words: who is winning the Oscar for best acceptance speech?
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‘Politically, it’s important. It’s important for humanity’: the long-lost civil rights images of Ernest Cole
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Schmeichel review – a spirited celebration of Man United’s great Dane
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Kontinental ’25 review – scattergun satire on a tour of Romania’s social ills
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Beasts unburdened: film course aims to rehabilitate donkeys’ reputation
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Drømmer (Dreams) review – teen’s high romantic hopes throw adults into disarray
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‘You just want to rewind and watch it again and again’: readers choose the most romantic moments in cinema
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Cronos review – Guillermo del Toro’s signature wit and gore on show in 1992 debut
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Bluish review – dancing, mooching and Zooming with a queer-adjacent vibe
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Why A Complete Unknown should win the best picture Oscar
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I’m Still Here review – Fernanda Torres’s stoic maternal mask never slips
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Oscars 2025: best picture nominees – reviews, awards and where to watch
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‘Grow up’: Kevin Spacey responds to Guy Pearce’s allegation that he ‘targeted’ him
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‘History was attempted to be buried’: the true story behind Oscar-nominated Nickel Boys
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Cue the pig squeal! How The Texas Chain Saw Massacre’s score was stitched back together for its first release
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Julian Holloway, Carry On star and father of Sophie Dahl, dies aged 80
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Get Shorty: a madcap, loving spoof of the film biz
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The Brutalist director Brady Corbet says he has made ‘zero dollars’ from the film
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‘No micro transactions, no bullshit’: Josef Fares on Split Fiction and the joy of co-op video games
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Little Bites review – something wicked this way noms in mum-snacking horror
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‘The most important thing was getting to the truth’: how Claude Lanzmann broke all the rules to create Shoah
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Will Dune: Messiah be Villeneuve’s crowning achievement, or the moment the spice runs dry?
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Why Emilia Pérez should win the best picture Oscar
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The Birthday review – cult Corey Feldman movie arrives after 20 years in film wilderness
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What Marielle Knows review – teenager’s telepathic powers reveal parents’ secrets and lies
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People (Ludzie) review – multi-thread epic offers raw tales from the Russia-Ukraine war
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Intercepted review – phone taps are a chilling glimpse into Russian soldiers’ minds in Ukraine
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Why Nickel Boys should win the best picture Oscar
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A Picture to Remember review – memories of a Donetsk happy childhood before the war
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Night Agent star who played JD Vance in Hillbilly Elegy condemns actors who get political
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‘It was like she was possessed’: how Q Lazzarus made Silence of the Lambs’ most bewitching song – and then vanished
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‘It has it all’: why The Wedding Singer is my feelgood movie
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‘I never let a man carry my double bass’: Oscar-hopeful Orin O’Brien on making music – and history
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‘They wanted to attack me’: Aurore Clément on violent premieres and smuggling bananas for Brando
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Demi Moore, Ralph Fiennes and Gromit: nine key Bafta snubs and surprises
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Islands review – sexual tension and dangerously polite encounters
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Stars sport black at goth-tinged Baftas in London
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The Ice Tower review – Marion Cotillard focus of obsession and idolisation in death-wish fairytale
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To a Land Unknown review – Palestinian migrants face tough choices in taut Athens-set thriller
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Baftas 2025: the red carpet, the ceremony, the winners – live!
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Second Best review – Asa Butterfield excels as the boy who was nearly Harry Potter
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How Kieran Culkin came out of his brother’s shadow to become a mercurial, Bafta-nominated king of sarcasm
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Film-maker Walter Salles: ‘Cinema, as opposed to noise, used to be at the heart of the Oscars’
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Baftas 2025: how to watch, predictions and timetable
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Bridget Jones: Mad About the Boy review – our hapless heroine is sharper, wiser and funnier
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Dreams review – Jessica Chastain channels rich Americans whose charity comes with strings
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The Narrow Road to the Deep North first look review – Jacob Elordi’s war epic is big, bold and deeply pleasurable
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Mickey 17 review – Robert Pattinson proves expendable in Bong Joon-ho’s eerily cheery cloning drama
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Memoir of a Snail review – Adam Elliot’s stop-motion animation is brilliantly bleak
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On my radar: Malachi Kirby’s cultural highlights
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Douglas Booth: ‘When did I last cry? Watching the news. Human life seemed pretty cheap in 2024’
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The Breakfast Club at 40: the teen movie blueprint for better or worse
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From Captain America to The White Lotus: a complete guide to this week’s entertainment
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Hot Milk review – Fiona Shaw a fierce fly in simmering erotic soup
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Peter Hujar’s Day review – Ben Whishaw goes low-key in snapshot of the photographer’s remarkable life
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Das Licht (The Light) review – mystical satirical romp channels German anxiety over refugees
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‘Another woke disaster from Hollywood!’ How Captain America joined the culture wars
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Edible popcorn bucket and vegan caviar on the menu as Baftas embrace sustainability
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‘It became a lifeline’: the charity bringing cinema to hospital patients
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‘Such a bummer’: Netflix responds to Emilia Pérez fallout
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Bad romance: why Hollywood is focusing on anti-Valentine’s movies
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Peter Bradshaw’s Baftas predictions: which films will triumph – and which will fall?
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Tilda Swinton decries ‘internationally enabled mass murder’ at Berlin film festival
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Tell us your favourite romantic moments in cinema
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Is Blazing Saddles racist? Not at all – it shines a torch on a nation undergoing a serious identity crisis | Stephen K Amos
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The Gorge to Compartment No 6: the seven best films to watch on TV this week
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