Subservience review – Megan Fox’s AI home-service android goes rogue in schlocky thriller
The Guardian
··
-
Older >
Source
Time
Score
-
-
The Queen of My Dreams review – queer Muslim nostalgia-fest rattles along with fun and energy
The Guardian
··
-
‘An absolute art form’: the best, worst and weirdest celebrity apologies
The Guardian
··
-
Conclave review – Ralph Fiennes takes charge of tense papal election thriller
The Guardian
··
-
‘James Earl Jones boomed this massive laugh - then hugged me’: Lenny Henry and Don Warrington remember their hero
The Guardian
··
-
Binoche forever! The eternal allure of Certified Copy
The Guardian
··
-
James Earl Jones obituary
The Guardian
··
-
‘I’ve never seen the depth of moral corruption’: controversial Netanyahu doc screens at Toronto
The Guardian
··
-
Reawakening review – thought-provoking drama as missing daughter returns ten years later
The Guardian
··
-
Share your tributes and memories of James Earl Jones
The Guardian
··
-
Fawzia Mirza and Amrit Kaur on The Queen of My Dreams: ‘People want to hear more queer Muslim stories’
The Guardian
··
-
Does the Minecraft movie really look that bad? Only a 10-year-old can tell us
The Guardian
··
-
In Camera review – young actor faces endless auditions in disorienting industry satire
The Guardian
··
-
James Earl Jones was movie royalty, a magisterial star who inspired both love and respect | Peter Bradshaw
The Guardian
··
-
Selena Gomez reveals she’s unable to carry her own children due to health risks
The Guardian
··
-
Without Blood review – Angelina Jolie’s lacklustre war drama is another misfire
The Guardian
··
-
Heretic review – Hugh Grant has devilishly dark fun in talky, twisty horror
The Guardian
··
-
The Return review – Ralph Fiennes and Juliette Binoche reunite in drab drama
The Guardian
··
-
James Earl Jones: a life in pictures
The Guardian
··
-
James Earl Jones, revered actor and voice of Star Wars’ Darth Vader, dies aged 93
The Guardian
··
-
Relay review – Riz Ahmed is a fixer on a mission in a throwback thriller
The Guardian
··
-
Place of Bones review – Heather Graham takes on some bad dudes in gutsy budget western
The Guardian
··
-
Will Jennings, Oscar-winning lyricist of My Heart Will Go On, dies aged 80
The Guardian
··
-
Patti Scialfa, Bruce Springsteen’s wife and bandmate, reveals blood cancer diagnosis
The Guardian
··
-
Elton John: Donald Trump’s Rocket Man nickname for Kim Jong-un was ‘brilliant’ and ‘hilarious’
The Guardian
··
-
How to Save a Dead Friend review – moving Russian anthem for doomed youth
The Guardian
··
-
Nightbitch review – Amy Adams turns into a dog in rough dark comedy
The Guardian
··
-
Piece by Piece review – Pharrell’s Lego biopic deserves to be a blockbuster
The Guardian
··
-
The Assessment review – Alicia Vikander is future parents’ worst nightmare
The Guardian
··
-
Eden review – Ron Howard’s nasty, starry survival thriller falls over the edge
The Guardian
··
-
Elton John: Never Too Late review – thin portrait of a musical genius
The Guardian
··
-
Unstoppable review – Jennifer Lopez and Jharrel Jerome lift routine sports drama
The Guardian
··
-
Brat summer to goth winter: Beetlejuice revival prompts sartorial spookiness
The Guardian
··
-
Sixty is the new golden age: meet the stellar generation hitting this milestone
The Guardian
··
-
Starve Acre review – Matt Smith and Morfydd Clark hole up in brooding Yorkshire folk-horror
The Guardian
··
-
‘She just unravels so beautifully’: how Nicole Kidman conquered the world – then kept on going
The Guardian
··
-
Kate Winslet insisted her film about Lee Miller must have female director
The Guardian
··
-
Beetlejuice Beetlejuice review – Tim Burton has fun with pleasingly idiosyncratic sequel
The Guardian
··
-
Sunday with Eddie Marsan: ‘My potatoes are legendary’
The Guardian
··
-
Venice 2024: Almodóvar’s first major festival win is richly deserved – and epically overdue
The Guardian
··
-
Almodóvar’s The Room Next Door wins Golden Lion at Venice film festival
The Guardian
··
-
The Last Showgirl review – Pamela Anderson’s big comeback is a big disappointment
The Guardian
··
-
We Live in Time review – Andrew Garfield and Florence Pugh charm in heartfelt weepie
The Guardian
··
-
Venice film festival 2024 roundup – Nicole Kidman gets carnal and Lady Gaga goes crazy
The Guardian
··
-
From Starve Acre to Roy Lichtenstein: a complete guide to this week’s entertainment
The Guardian
··
-
In Camera writer-director Naqqash Khalid: ‘The film industry is a circus’
The Guardian
··
-
Kim Cattrall: ‘I’ve had a life’s experience – I want to bring it on board’
The Guardian
··
-
Hard Truths review – a Mike Leigh classic of day-to-day disillusionment and courage
The Guardian
··
-
The Penguin Lessons review – Steve Coogan’s teacher p-p-picks up a penguin in 70s Argentina
The Guardian
··
-
The Cut review – Orlando Bloom goes through hell in sordid boxing thriller
The Guardian
··
-
Norman Spencer, David Lean’s collaborator and UK’s second oldest man, dies aged 110
The Guardian
··
-
Nutcrackers review – Ben Stiller finds little joy in middling Christmas comedy
The Guardian
··
-
Can Travis Knight’s He-Man movie do for boys what Greta Gerwig’s Barbie did for girls?
The Guardian
··
-
Surréalisme review – monstrous, deviant, glorious fun as the movement hits 100
The Guardian
··
-
Out of the ruins: film inspired by slum clearance in Nigeria opens in Toronto
The Guardian
··
-
Joram to Source Code: the seven best films to watch on TV this week
The Guardian
··
-
‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage
The Guardian
··
-
The Front Room review – Brandy Norwood shines in muddled camp horror
The Guardian
··
-
April review – Dea Kulumbegashvili comes into her own with haunting abortion drama
The Guardian
··
-
LL Cool J: ‘Hip-hop isn’t underdog music any more’
The Guardian
··
-
Post your questions for Jude Law
The Guardian
··
-
Keanu Reeves at 60: from surfer dude to action hero, his 20 best films – ranked!
The Guardian
··
-
From Hard Truths to Nightbitch: 10 films to look out for at Toronto film festival 2024
The Guardian
··
-
The Brutalist review – epic Adrien Brody postwar architectural drama stuns and electrifies
The Guardian
··
-
Apollo 13: Survival review – fascinating, if clinical, retelling of space history
The Guardian
··
-
Joker: Folie à Deux review – Joaquin Phoenix and Lady Gaga musical spirals out of tune
The Guardian
··
-
‘I probably shouldn’t do this again’: Joaquin Phoenix and Lady Gaga talk about ‘difficult’ Joker diets
The Guardian
··
-
Rebel Ridge review – electrifying Netflix crime thriller is a knockout
The Guardian
··
-
‘A goalkeeper vomited over my typewriter’: Werner Herzog on writing his wildest film
The Guardian
··
-
‘We have a good relationship … as long as he doesn’t start bitching’: why Ridley Scott and Russell Crowe’s Gladiator 2 spat has me entertained
The Guardian
··
