Emma Stone declares belief in aliens during Bugonia film promo
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Orphan review – László Nemes’ fable of resentment and rage in post-uprising Hungary
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Ghost Elephants review – Werner Herzog embarks on a mission to track down giant jumbos
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‘I turned down $20m to do Terminator 3. I can’t be bought, dude’: Ridley Scott on directing, Daleks and ... cherry jam
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David Strathairn: ‘Authoritarianism is a very frightening concept when it comes to the arts’
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Vice Is Broke review – epic levels of hubris on show in downfall of millennial media darling
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Mother Vera review – luminous portrait of a horse-wrangling ex-heroin addict nun
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The big heat: what ‘sunburn cinema’ tells us about the Great British holiday
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Bland, easy to follow, for fans of everything: what has the Netflix algorithm done to our films?
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La Grazia review – Paolo Sorrentino opens mighty window on Italian leader’s despair
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Think you actually own all those movies you've been buying digitally? Think again | J Oliver Conroy
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‘We are seeing a new maturity’: how ‘extended reality’ is coming of age at the Venice film festival
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KPop Demon Hunters sequel talks under way between Netflix and Sony
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All the Lost Ones review – cottage-core fighters take on the neo-Nazi apocalypse
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‘The most difficult word to say is “Cut!”’: an audience with Cannes conquerors Jean-Pierre and Luc Dardenne
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Daruma review – disabled veteran is landed with a four-year-old in soft-hearted indie road movie
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Bruce Willis’ dementia diagnosis: ‘language is going’, says actor’s wife
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KPop Demon Hunters becomes Netflix’s most-watched film with 236m views
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The death of the review? Cultural criticism is at risk of erasure
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‘A movie star turn of the highest calibre’: we were wrong about Mother! – and Jennifer Lawrence
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The French film star, the fake Irish aristocrat and the missing €7m
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Derelict review – great performances turn low-budget crime drama into diamond in the rough
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Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent
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From Frankenstein to Putin, monsters are stalking the Venice film festival
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Measures for a Funeral review – virtuosic classical music drama is like a Tár companion piece
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‘It’s his superpower’: story of autistic boxer who trained in garden shed to become film
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A Life in Tandem review – bicycling cancer survivor brings family issues along for the ride
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The Occupant review – air crash survival thriller gets Rob Delaney’s voice for company
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Kleptomania, family feuds and Europe’s tallest dam: the strange story of Jean-Luc Godard’s debut film
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Woody Allen rebuts Ukrainian condemnation over Moscow film festival appearance
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‘The 90s were remarkable – we weren’t all living in existential terror!’ Darren Aronofsky on Caught Stealing, his love letter to New York
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Can Netflix find your new favourite watch based on your star sign?
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Amanyanabo: The Eagle King review – a lavish Nollywood epic of crowns, gods and colonial tension
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Guitar dealer to the stars Norman Harris on George Harrison, Marty McFly’s lost Gibson and his secret stash
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‘High-adrenaline opulence’: why Bad Boys is my feelgood movie
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Among the Palms the Bomb review – the enviromental scars left behind by the US’s atom-blast testing
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Spinal Tap II, Julia Roberts and Paul Thomas Anderson: the best films of autumn 2025
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Y2K fashion and vinyl grooves: meet Abidjan’s young guardians of nostalgia
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Tim Key: ‘I imagine Alan Partridge smells lightly of Brut aftershave’
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The Guide #205: In an age of streaming clutter, why not rediscover Britain’s rich documentary past?
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Eddington to Deftones: your complete entertainment guide to the week ahead
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Obsession, blackmail and Instagram: inside Lurker, the year’s most compelling thriller
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Was my memory wiped or was the Star Wars sequel trilogy just that forgettable?
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Going nuclear: Kathryn Bigelow back in geopolitical territory with atomic thriller
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‘I’d rather be in the wild chasing animals than going to Hollywood parties’: Taylor Kitsch on fame, flops and Friday Night Lights
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The Thursday Murder Club to The Godfather Part II: the seven best films to watch on TV this week
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Eenie Meanie review – middling comedy thriller has its moments
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‘Love is great. But then one of you will be dog-tired and doing the bins’: Benedict Cumberbatch and Olivia Colman on how to survive a marriage
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Honey Don’t! review – Ethan Coen returns with another amusing, throwaway queer comedy
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First trailer released for Daniel Day-Lewis’s comeback film, Anemone
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Battleship Potemkin review – Eisenstein’s explosive movie still burns bright
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The Rocky Horror Picture Show review – the campfest that became a cultural colossus
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The strangest David Lynch facts – ranked!
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This Is Spinal Tap review – a glorious heavy-rock nightmare that was ahead of its time
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Splitsville review – open marriage comedy is a silly, scrappy and sex-filled good time
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Oslo Stories Trilogy: Sex review – confessions of a chimney sweep
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Love as a business deal? Whales, unicorns and why Materialists and Anora have a lot in common
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Put Your Soul on Your Hand and Walk review – shattering memorial to Palestinian photojournalist Fatma Hassona
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Can a Netflix documentary explain what really happened to Jussie Smollett?
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Meanwhile on Earth review – compelling French sci-fi explores complex extraterrestrial ethics
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‘If the devil did exist, he’d be just such a gentleman’: Neil Jordan remembers Terence Stamp
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The Regulars review – charming and funny workplace comedy at a the Prince Charles cinema
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The secret life of a child star: how Alyson Stoner survived stalkers, starvation and sexualisation
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The Toxic Avenger review – strong cast struggles to revive stale horror franchise
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Kevin Costner calls lawsuit over on-set rape scene a ‘bold-faced lie’
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Misper review – mystery, melancholy and murder in a faded seaside town
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Guy Pearce set to play Rupert Murdoch in Danny Boyle-directed drama
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The Map That Leads to You review – sugary Amazon romance works best as travelogue
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Please take your seats, the carnage is about to begin: what will Quentin Tarantino’s West End debut look like?
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‘I’m not a big CGI guy’: Guns N’ Roses axeman Slash on remaking trash classic Deathstalker
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