From Unforgiven to The Firm: Guardian writers pick their favourite Gene Hackman movies
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Time
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‘A chilling effect’: is Hollywood too scared to touch hot-button documentaries?
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Mark Kermode on… director Ken Russell, the king of cult classics who was so much more than a sensationalist
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‘I don’t know whether I’d describe it as fun’: Aimee Lou Wood on the intensity of making The White Lotus
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A Wicked shame! In 2025, blockbuster success spells Oscars failure
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‘There’s something wrong about it’: Santa Fe abuzz as residents wonder what caused Gene Hackman’s death
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From The Last Showgirl to Gracie Abrams: a complete guide to this week’s entertainment
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‘I chose to NOT follow the gutless rules’: Francis Ford Coppola says he’s ‘thrilled’ by Golden Raspberry votes
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‘I spent 12 hours a day for 16 months with Gene Hackman – but never met him’: The Conversation’s Walter Murch pays tribute
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Timothée Chalamet deserves an Oscar – for his Oscar campaign
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Why The Brutalist should win the best picture Oscar
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‘He let us hate him’: Gene Hackman had a rare power – he didn’t need to be liked | David Thomson
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A cosmic Jackson Pollock: Kathleen Kennedy’s Star Wars tenure has been marked by chaos | Ben Child
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Oscars 2025: who will win, who should win – and who was snubbed
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Is this the most open Oscars race in recent memory?
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New films that won’t survive the test of time – Stephen Collins cartoon on the Oscars
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No Other Land to The Outrun: the seven best films to watch on TV this week
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Ron Perlman on Hellboy, the LA fires and Trump: ‘A snake-oil con-artist who’d sell you bad vodka and swampland in New Jersey’
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James Cameron says US under Trump is ‘horrifying’ as he becomes New Zealand citizen
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Gene Hackman and wife’s deaths ‘suspicious enough’ for investigation, warrant says
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Interview, 1974: In-demand Gene Hackman resists ‘the star thing’
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‘The greatest’: Hollywood pays tribute to Gene Hackman after actor’s death
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Mischa Barton: ‘I’m a huge Oasis fan. What kind of self-respecting Brit would I be if I wasn’t?’
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Why Wicked should win the best picture Oscar
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What can we learn from this year’s anonymous Oscar ballots?
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Gene Hackman: the star of every scene he was in
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Hungarian film-makers struggle for funding despite production boom
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Michelle Trachtenberg’s natural talent shone in everything from Harriet the Spy to Buffy | Veronica Esposito
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‘Kind of sad’: Timothy Dalton reacts to Amazon’s James Bond deal
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Saldaña squished and Chalamet chafing as Ariana and Cynthia bag the best seats: the 2025 Oscars class photo
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The Last Showgirl review – Pamela Anderson dazzles as Vegas dancer hitting midlife
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Oscars 2025: best actress nominees – awards, interviews and what their chances are
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Why I’m Still Here should win the best picture Oscar
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Food for Thought review – breezy documentary makes a light meal of vegan debates
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Oscars 2025: best director nominees – reviews, interviews and chances for victory
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The Brutalist is about a great architect. Columbus is a heartfelt tribute to great architecture
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The play that changed my life: Sing Sing’s Clarence Maclin on lessons from Sophocles in prison
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There’s a reason Hugh Grant is the best thing in middling movies: he writes his own lines
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Papa review – Sean Lau is tremendously subtle as a bereaved father and husband
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Why The Substance should win the best picture Oscar
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We Will Not Fade Away review – study of five Ukrainian teens’ brief escape from war
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Cold Wallet review – blackly comic revenge fable goes into crypto’s corrupt heart
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Guy Pearce: ‘I’m not going to win the Oscar – Kieran Culkin will’
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‘Writhing in agony’: how are we only now learning Andrew Scott passed a kidney stone at the 2020 Sags?
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Immediate Family review – insightful account of the unsung heroes of west coast rock
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‘We are very worried’: Conclave cast express concern for Pope Francis in health crisis
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Why Anora should win the best picture Oscar
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The Summer With Carmen review – sexy story of two men and a cute dog
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‘Manic screwball energy’: why The Paper is my feelgood movie
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Nikt Nie Woła (Nobody’s Calling) review – hypnotic passions in postwar Poland
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Patricia Arquette on Trump, communes, art and ageing: ‘When I was growing up the whole world was pretty creepy’
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Sag awards red carpet 2025: Wicked drama and men without ties – in pictures
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Sag awards 2025: Timothée Chalamet, Demi Moore, Kieran Culkin and Zoe Saldaña win major categories
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Schmeichel review – amazing saves but too few insights into the great Dane
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September Says review – a modern gothic take on teenage siblings
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Gugu Mbatha-Raw: ‘It’s good to trust your gut’
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I’m Still Here review – wrenching true-life saga of a Brazilian family torn apart by military rule
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‘I stripped away this caricature that I created’: Pamela Anderson on makeup, activism and gardening
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‘Photography is therapy for me’: Martin Parr on humour, holidaying and life behind the lens
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The week in audio: Facing the Music; Tara and George: Last Rights; Why Is Amy in the Bath? and more – review
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Bong Joon Ho: ‘I wish I had Ken Loach’s energy, but I’m just thinking about nap time’
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Berlin film festival 2025 roundup – a new boss, a flawless fairytale and Ethan Hawke’s finest hour
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From I’m Still Here to Leigh Bowery: a complete guide to this week’s entertainment
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Bond fans shaken over $1bn Amazon franchise takeover
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The name’s Bezos, Jeff Bezos: what can we expect from Amazon’s James Bond?
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Amazon paid more than $1bn to take creative control of James Bond
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Kong gone wrong: the animals misrepresented in movies
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Why Dune: Part Two should win the best picture Oscar
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Oscars 2025: best actor nominees – awards, interviews and what their chances are
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The Banshees of Inisherin to Thelma: the seven best films to watch on TV this week
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