John Candy: I Like Me review – starry but treacly tribute to comedy legend
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Forgive Us All review – a dead-boring zombie film? That’s unforgivable
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‘It’s like fencing with a close friend. Terrifying in a lovely way’: Colin Farrell and Tilda Swinton on taking a gamble with their new drama
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Good Boy review – Stephen Graham and Andrea Riseborough turn nasty in Kubrickian absurdist nightmare
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Vicious review – Dakota Fanning’s evil box horror is an open-and-shut dud
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Black Is Beautiful: The Kwame Brathwaite Story – exhilarating record of game-changing photographer
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Marlon Wayans: ‘People get very violent about White Chicks’
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The Perfect Neighbor review – a notorious shooting through the eye of a Florida cop’s body-cam
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Colin Hanks on his John Candy documentary: ‘Inspiring for me as an actor’
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Cover-Up review – Laura Poitras’s Seymour Hersh documentary is a thrilling ode to journalism
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Maintenance Required review – Amazon’s synthetic You’ve Got Mail rip-off
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Inspired and emotional: why a drunk Ray Winstone was exactly what the Star Wars prequels needed
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Paris 75 review – passionate fans-eye view reanimates tales of the 70s Leeds United golden years
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How the Guardian’s new film quiz turned this puzzle fan into a question setter | Anne Billson
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Grow review – polished pumpkin growing caper stuffed with perky charm and comedy talent
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Cecil Beaton’s Fashionable World review – a narrow view of beauty from a borderline stalker
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Tron: Ares review – even Gillian Anderson can’t slap this mind-bendingly dull sci-fi into shape
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Ken Jacobs, luminary of New York underground film culture, dies aged 92
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‘The masturbation scene really happened’: inside Safe Space, the campus drama about toppling a statue
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A relic of horny Hollywood: why The Mummy remains a classic bisexual awakening movie
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Lynne Ramsay’s passion, Jim Jarmusch’s star turn and knives come out again: Peter Bradshaw’s London film festival picks
The Guardian
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Audrey Hepburn to Salvador Dalí: Cecil Beaton’s bright young things – in pictures
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The Burden review – deeply personal portrait of living with Aids in secret
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Robin Williams’ daughter Zelda hits out at AI-generated videos of her dead father: ‘stop doing this to him’
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Bad movies: is Ridley Scott right to say that 60% of films stink?
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Amazon drops gun-free James Bond poster artwork from Prime Video streaming site
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‘The world needs to know what happened to my baby’: inside devastating new police-body-cam film The Perfect Neighbor
The Guardian
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Daniel Day-Lewis is cross that people equate method acting with ‘behaving like a lunatic’. That’s exactly why we love it
The Guardian
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Plainclothes review – shame and anxiety in entrapment yarn about a gay cop going undercover
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‘Logs falling from the sky’: the harrowing true story behind wildfire drama The Lost Bus
The Guardian
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One Bladder After Another: why bros are finally having to queue for the loo | Emma Beddington
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‘Supremely satisfying’: why Strictly Ballroom is my feelgood movie
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A Tooth Fairy Tale review – animated adventure with a sprinkling of family-friendly tween romance
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Omar and Cedric: If This Ever Gets Weird review – Mars Volta bromance looks for time out
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Palestinian film-makers on their favorite Palestinian movies: ‘I felt like I was watching my own story’
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‘No one’s been willing to take a risk’: are Palestinian films still struggling to get seen?
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Malcolm McDowell: ‘I would be a total disaster as a spy – I do love to gossip’
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From cage to screen: The Smashing Machine and Mark Kerr’s second act with The Rock
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My cultural awakening: Ratatouille helped me overcome my insomnia
The Guardian
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From the BFI London film festival to Taylor Swift: your complete entertainment guide to the week ahead
The Guardian
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A House of Dynamite to Lady Gaga: the week in rave reviews
The Guardian
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Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in
The Guardian
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The Guardian view on Tilly Norwood: she’s not art, she’s data | Editorial
The Guardian
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Shell review – Elisabeth Moss gets Substance-d by Kate Hudson in schlocky curio
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How do you celebrate James Bond Day when you don’t know who the next 007 will be?
The Guardian
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Keeping Up Appearances actor Patricia Routledge dies aged 96
The Guardian
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Strange Journey: The Story of Rocky Horror review – insiders’ account of cult musical 50 years on
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Bossing it! The makers of Springsteen: Deliver Me from Nowhere on turning Jeremy Allen White into the rock icon
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Good Boy review – crafty supernatural horror leads with a heroic dog
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Actors hate Tilly Norwood – but they are their own worst enemies | Catherine Shoard
The Guardian
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Marion Cotillard at 50: the actor’s 20 best films – ranked!
The Guardian
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GoldenEye review – Pierce Brosnan’s ‘sexist, misogynist dinosaur’ makes his Bond movie debut
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‘Everything that is wrong with the human race’: inside Hollywood’s bizarre war on the leaf blower
The Guardian
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Post your questions for Paul Chuckle
The Guardian
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The Shadow’s Edge review – Jackie Chan as watchable as ever as fisticuff-prone cop-turned-dog-walker
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Actor Robert Aramayo: ‘Like anybody who hasn’t had the education, I thought Tourette’s was all about swearing’
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The AI ‘actor’ Tilly Norwood is a symptom of blandified film culture. We need a return to reality | Peter Bradshaw
The Guardian
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The Story of Skids: Scotland’s No 1 Punk Band review – likable look back to the noise era
The Guardian
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Radiohead X Nosferatu: A Symphony of Horror review – musical mash-up tries for new approach
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13 Going on 30: The Musical review – Jennifer Garner romcom returns with goofy charm
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‘It’s too late to be scared’: readers on the controversial rise of AI ‘actors’
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The Threesome review – sexy romcom deals with unexpected complications of a throupling
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Play Dirty review – Shane Black’s action comedy comeback is a blast
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The Partisan review – the thrilling escapades of Churchill’s favourite spy
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Julie Andrews at 90: the magical nanny with a sideline in the sly, sexy and subversive
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A Fistful of Dollars to Rambo: the late Renato Casaro’s movie posters – in pictures
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‘I am quite tough’: Schindler’s List star Embeth Davidtz on her explosive film about Rhodesia’s final days
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Veep creator Armando Iannucci struggling to fund Trump project due to scared buyers
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Emily Blunt and Sag-Aftra join film industry condemnation of ‘AI actor’ Tilly Norwood
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The revolution will be in VistaVision: what are the politics of One Battle After Another?
The Guardian
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