Fragile Memory review – a personal tribute to a prolific Soviet film-maker
The Guardian
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Don’t Forget to Remember review – art, identity and the slow disintegration of dementia
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Wolfs review – Pitt and Clooney are job-sharing loners in Spidey-meme of a thriller
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Don’t believe supposed salary figures for new film Wolfs, says Clooney
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From Darkness to Light review – Jerry Lewis’ infamous Holocaust film rescued from oblivion
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Mandoob (Night Courier) review – Saudi crime thriller delves into the secrets of Riyadh
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‘Like criticising a book that has 700 pages’: The Brutalist director defends long films
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The Count of Monte Cristo review – highly enjoyable French costume spectacle
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Close to You review – Elliot Page struggles to bring transgender drama to life
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‘Can we show an act of violence on TV?’ New thriller tells story of Munich hostage massacre
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‘Everyone recognises her now – me, not so much’: Arthur Harari on how Anatomy of a Fall catapulted him and Justine Triet to film power couple status
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Paradise Is Burning review – compelling Swedish drama of three abandoned sisters
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Sing Sing review – Colman Domingo is magnetic in moving real-life US prison drama
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Campo di Battaglia review – medicos face off in stately first world war hospital drama
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From Charli XCX and Van Gogh to Gladiator 2: the best culture to go out and see this autumn
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‘You’re part of the tornado’: the summer of moviegoing game-changer 4DX
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Mark Kermode on… Martin Scorsese’s love of British cinema
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From Sing Sing to Star Wars Outlaws: a complete guide to this week’s entertainment
The Guardian
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Babygirl review – Nicole Kidman overwhelmed by lust as CEO having torrid and toxic affair
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AfrAId review – throwaway AI-themed horror devoid of suspense
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Nicole Kidman’s erotic drama Babygirl sets pulses racing at Venice film festival
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‘They’d come to take our heads’: the surfing daredevils who risked everything for the perfect wave
The Guardian
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One to One: John & Yoko review – fun, fierce, full-blooded portrait of Lennon and Ono
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‘Ashamed. Embarrassed’: Jerry Lewis’s infamous Holocaust clown film that never was
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Hugo Weaving says he spent too long on Middle-earth. But he’s not the first actor to detest a classic
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Robert Sheehan: ‘My anxiety had got to the point where if I was left alone I was a twitching mess’
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Kinds of Kindness to RoboCop: the seven best films to watch on TV this week
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‘You laugh the hardest in grief’: And Mrs, the cathartic romcom about marrying your dead fiance
The Guardian
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue
The Guardian
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas
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‘World’s largest’ piracy ring Fmovies shut down by police in Vietnam
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Riefenstahl review – deep-dive study takes down the Nazis’ favourite director
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Angelina Jolie says women are defined too much by other people’s perceptions
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‘I didn’t know romcoms were so fun!’: the return of Gemma Arterton’s utterly charming 60s drama
The Guardian
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Jason Schwartzman: ‘I was the kid driving around all the record stores buying all the Oasis singles’
The Guardian
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Sing Sing review – Colman Domingo is larger than life in big-hearted prison drama
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Separated review – Errol Morris’s quietly furious takedown of Trump’s inhumane border policy
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Summer box office 2024: what were the big winners and losers?
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The Lord of the Rings: The Rings of Power season 2 review – needs to remember it’s a drama
The Guardian
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Kaos review – Jeff Goldblum’s furiously fun Greek gods drama is a masterpiece
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Beetlejuice Beetlejuice review – Tim Burton sequel takes retro joyride through old haunts
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Palestinian film-makers sign letter protesting at Hollywood’s ‘inhumanity and racism’
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‘The last wild places’: the Venice show about Earth’s spiralling salt marsh crisis
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Film suggests Nazis’ lead propagandist had role in 1939 massacre
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Milk & Serial: the vicious, viral $800-budget horror that’s free to watch
The Guardian
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Golden-age Hollywood stars (and their pet lions) – in pictures
The Guardian
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And Mrs review – love never dies for Aisling Bea in barmy Brit romcom
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Blink Twice and the problem with #MeToo thrillers
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What if loveless sex made us sick? The very strange, very French world of Mauvais Sang
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‘January 6 was just the warm-up’: the film that tracks three Maga extremists storming the Capitol
The Guardian
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Francis Ford Coppola confirms he kissed extras on Megalopolis set
The Guardian
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Point of Change review – how ‘surf explorers’ wrecked a tiny Indian Ocean paradise
The Guardian
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Mandoob (Night Courier) review – darkly amusing gig-economy satire on the mean streets of Riyadh
The Guardian
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Mary Poppins at 60: a dazzling Disney masterpiece that hasn’t lost its shine
The Guardian
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Paradise Is Burning review – teens survive on wits in dreamy coming-of-age drama
The Guardian
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‘It made him an A-lister’: John Ford’s breakthrough film The Iron Horse at 100
The Guardian
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‘His spirit is everywhere’: the fascinating story of Jimi Hendrix’s Electric Lady studio
The Guardian
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Horror films were reviled as one step up from pornography – now the genre is a force to be reckoned with
The Guardian
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Natural Born Killers at 30: Oliver Stone’s brash button-pusher remains tiresome
The Guardian
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Broca’s Aphasia review – Taiwanese sex doll service offers eerie insight into male domain
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Last Things review – stones yield up their memories in poetic vision of life on Earth
The Guardian
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The return of Beetlejuice, Gladiator, Paddington and the Joker – the best films of autumn 2024
The Guardian
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Bad apple? How Disney’s Snow White remake turned sour
The Guardian
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Blink Twice review – Zoë Kravitz’s thrilling, chilling directorial debut
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Widow Clicquot review – grande dame of champagne biopic falls flat
The Guardian
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Cuckoo review – Hunter Schafer and Dan Stevens carry bonkers Alpine body horror
The Guardian
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Juliet Stevenson: ‘I didn’t read Alan Rickman’s diaries ... I know what my relationship with him was like’
The Guardian
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Between the Temples review – bittersweet screwball comedy with shades of Harold and Maude
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From Bennifer to Burton-Taylor: why some couples can’t stop making and breaking up
The Guardian
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Kneecap review – fictionalised origin story is one of the funniest films of the year
The Guardian
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