Alexander Rodnyansky: Oscar-nominated producer sentenced to jail in Russia in absentia
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‘Every fear you’re supposed to have as a New Yorker’: Lin-Manuel Miranda on rebooting cult movie The Warriors
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‘I miss her a lot’: Andrew Garfield telling Elmo about grief was his best work yet
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Rebellious review – hero princess kidnapped by evil witch in tale looking for feminist cred
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Did Marvel really kill the movie star? Tell that to Harrison Ford
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Kenya review – Mexican trans sex worker seeks justice for murdered friend
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Secrets of a Wallaby Boy review – low budget romp-com tracks delivery rider round his route
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‘I just thought I’d made a crazy-ass exploitation movie’: Sean Baker on his Palme d’Or-winning lapdance film
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Matt and Mara review – lo-fi answer to When Harry Met Sally offers uncertain relationship
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Mitzi Gaynor obituary
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‘The ocean doesn’t care what color I am’: Black US surfers reclaim the waters
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Woman of the Hour review – Anna Kendrick’s 70s-set true crime thriller is a winner
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Mikey Madison: from Tarantino bit part to hot tip for an Oscar playing a sex worker
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A planned sequel and a West End musical – but is The Devil Wears Prada out of step with our times?
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A Sudden Glimpse to Deeper Things review – vivid portrait of 20th-century artist Wilhelmina Barns-Graham
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The Wild Robot review – lost-in-the-jungle Roz joins animation’s robot greats
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Composer Max Richter: ‘I’m a low-key raver! I love all kinds of music’
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The Apprentice review – Jeremy Strong is the Trump card in measured biopic of the Donald
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‘Does time heal? I don’t think so’: Richard E Grant on love, loss – and bonking
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Good with numbers: the sketchbook art of director Tim Burton – in pictures
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Before superhero movies, directors were masters of the universe – now you can find them cowering in their trailers
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‘I felt this film was my duty’: director Mati Diop on Dahomey, about the return of looted African treasures
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Actor Chiwetel Ejiofor: ‘I was told I’d never do well as an actor unless I changed my name’
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The Apprentice to The Franchise: a complete guide to this week’s entertainment
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Brothers review – throwaway madcap comedy wastes a host of stars
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‘You can see the money on screen’: why Hollywood is betting on Gladiator II not being another Folie à Deux
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Daring or dire? Guardian readers on Joker: Folie à Deux
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Saint Maud review – desire, despair and ‘godgasms’ as Rose Glass’s shocker comes to life
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‘Really speaks to sex workers’: can Anora help humanise a degraded profession?
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Sweet Bobby: My Catfish Nightmare to The Beasts – the seven best films to watch on TV this week
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In memoriam Marius: film unpicks ethics behind Danish zoo’s controversial giraffe killing
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The Remarkable Life of Ibelin review – moving tale of disabled gamer’s digital double life
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‘Madonna, please. It’s only a film. Be happy!’ The star of Emilia Pérez on transitioning at 46 and making icons cry
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The Warriors review – Lin-Manuel Miranda and Eisa Davis come out to play with firecracker musical
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Netflix to double profits after adding millions of subscribers in three months
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Mitzi Gaynor, dancer and actor from South Pacific, dies aged 93
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Smile 2 review – gory pop star horror sequel sings a familiar tune
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Alvin Rakoff, veteran director of British TV and film, dies aged 97
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Good news: there’s a new Horrible History DVD boxset out. Bad news: your children may not find it funny
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Ice-T: ‘Anybody that thinks controversy is a way to make money, it’s not. You need lawyers!’
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Are you not entertained? The XVIII best films about the Romans – ranked!
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The Rubber-Keyed Wonder: The Story of the Sinclair ZX Spectrum review – glory and geekery
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A Sudden Glimpse to Deeper Things review – lovingly eccentric ode to a forgotten abstract painter
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Come Alive! review – acrobatic spectacle squanders The Greatest Showman’s songs
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Christopher Reeve’s kids on love, loss and his life-changing accident: ‘He celebrated every single thing we did’
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How the gory Terrifier movies became a shock phenomenon
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Why did Joker 2 lose so much money? And how on earth did it cost so much in the first place?
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Tell us: what are your thoughts on Joker: Folie à Deux?
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Since Yesterday: The Untold Story of Scotland’s Girl Bands review – the joy and the fury
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Sweet Bobby: My Catfish Nightmare review – flawed Netflix documentary still shocks
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Studio One Forever review – affectionate look back at LA’s legendary gay club
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Joy review – warm and intensely English portrayal of the birth of IVF
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Ace in the Hole: a strikingly relevant and cyclonically witty take on the media
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Joker sequel on course for catastrophic $200m loss – reports
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MadS review – one-shot French horror is an impressive exercise in tension and mood
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Harrison Ford keeps working for ‘human contact’. Could he be any more beloved?
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All British cinema is propaganda: how our film-makers are unwittingly reshaping the world
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Members Club review – male strippers meet bloodthirsty witches in gory comedy horror
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Children of the Pines review – David Lynch-style teen-angst horror takes a big leap
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Want to understand Donald Trump? Then watch macho 80s action movies
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‘More important than going to the moon’: Bill Nighy, James Norton and Thomasin McKenzie on their film about the birth of IVF
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Terrifier 3: this low-budget film makes audiences vomit. Why is it No 1 at the US box office?
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Milisuthando review – a life haunted by, and isolated from, the horrors of apartheid
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Kathleen Is Here review – cuckoo-in-the-nest drama-thriller has a properly nailbiting ending
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Kulej. Dwie Strony Medalu review – glossy boxing biopic is Poland’s answer to Raging Bull
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Pulp Fiction at 30: Quentin Tarantino’s masterwork remains electric
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Garçonnières review – male insecurities revealed as film goes back to the man cave
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‘People are complex’: Maria Bakalova on Donald Trump – and playing Ivana in The Apprentice
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Joker: Folie à Deux flops further in second week at US box office after lacklustre opening
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‘An incredible echo of today’: Kevin Macdonald on his film about John Lennon and Yoko Ono
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