Thelma review – June Squibb is a delight in sweet action-comedy
The Guardian
··
-
Older >
Source
Time
Score
-
-
‘She’s bound and gagged for laughs’: is Poor Things a feminist masterpiece – or an offensive male sex fantasy?
The Guardian
··
-
Tell us: who is your pick to win at the Oscars 2024?
The Guardian
··
-
Happy Kending: why righteous anger might be the role that wins Ryan Gosling an Oscar
The Guardian
··
-
Jackdaw review – northeast crime thriller turns into anti-Get Carter of dullness
The Guardian
··
-
Baghead review – ancient face-covered demon emerges from creepy pub’s basement
The Guardian
··
-
Samsara review – a playfully mysterious invitation to contemplate death
The Guardian
··
-
Oscars nominations 2024: Ryan Gosling ‘disappointed’ after Margot Robbie and Greta Gerwig snub
The Guardian
··
-
Will & Harper review – Will Ferrell’s charming trans road trip documentary
The Guardian
··
-
A Different Man review – Sebastian Stan transforms in miserable study of cruelty
The Guardian
··
-
It’s in pole position, but Oppenheimer may not have it all its own way on Oscars night
The Guardian
··
-
Norman Jewison obituary
The Guardian
··
-
Hooray for Barbie and Oppenheimer. And the Oscar for truly denying reality goes to … Hollywood! | Marina Hyde
The Guardian
··
-
Rob Peace review – Chiwetel Ejiofor’s moving fact-based tragedy
The Guardian
··
-
Oscars nominations 2024: Oppenheimer eclipses Scorsese, Poor Things – and Barbie
The Guardian
··
-
‘I apologise for speaking ignorantly’: Oliver Stone backtracks over Barbie comments
The Guardian
··
-
Pornomelancholia review – sorrows of the sweaty, permanently aroused sex influencer
The Guardian
··
-
And the Oscar nomination doesn’t go to … 20 great performances snubbed by the Academy
The Guardian
··
-
Liberation review – moral dilemma of uneasy last days of Nazi occupation in Denmark
The Guardian
··
-
In 1924, cinema was hailed as an agent of world peace. Has it failed?
The Guardian
··
-
The Island review – Michael Jai White punches up in stunt-filled Caribbean action flick
The Guardian
··
-
Director Norman Jewison: a life in pictures
The Guardian
··
-
Norman Jewison: a staggering array of work from Hollywood’s master craftsman
The Guardian
··
-
Norman Jewison, director of In the Heat of the Night, dies aged 97
The Guardian
··
-
Presence review – Steven Soderbergh’s intriguing ghost story experiment
The Guardian
··
-
Gérard Depardieu sexual assault claim dropped due to statute of limitations
The Guardian
··
-
Forever Young review– anti-ageing fantasy drama kept alive by magnetic Diana Quick
The Guardian
··
-
Tin can alley: the return of the Sad Man in Space
The Guardian
··
-
Turn Your Body to the Sun review – staggering second world war survival story
The Guardian
··
-
‘I’m not a saint’: Abel Ferrara on his wild career, rehab and nightclubbing with Donald Trump
The Guardian
··
-
Love Lies Bleeding review – gore, sex and 80s needle-drops can’t save forgettable thriller
The Guardian
··
-
‘Maybe we should let me go’: Christopher Reeve documentary brings tears to Sundance
The Guardian
··
-
A Real Pain review – Jesse Eisenberg and Kieran Culkin lead pat buddy dramedy
The Guardian
··
-
Mean Girls – the Plastics are back in plodding musical remake
The Guardian
··
-
And the winner should be… our film critics reveal their personal Oscars shortlists
The Guardian
··
-
The Civil Dead review – mordant comedy with an afterlife of its own
The Guardian
··
-
Werner Herzog: Radical Dreamer – fascinating portrait of the maverick film-maker
The Guardian
··
-
The Holdovers review – a masterclass in melancholy with Paul Giamatti and Da’Vine Joy Randolph
The Guardian
··
-
‘Thank God I asked for a singing teacher!’: Kingsley Ben-Adir on bringing Bob Marley to life
The Guardian
··
-
‘He’s the party starter!’ Daniel Kaluuya and Kano on friendship, football and their new film
The Guardian
··
-
I Saw the TV Glow review – devastating tale of identity, fandom and obsession
The Guardian
··
-
Rust shooting: what a new indictment will mean for Alec Baldwin
The Guardian
··
-
The Outrun review – Saoirse Ronan is remarkable in a sensitive recovery drama
The Guardian
··
-
Why the stars are flocking to floral on red carpets this year
The Guardian
··
-
Power review – damning documentary traces the history of US policing
The Guardian
··
-
‘The sexiest awards season in years’: why film-makers have embraced a new wave of screen sex
The Guardian
··
-
The End We Start From review – Jodie Comer is phenomenal in end-of-days survival thriller
The Guardian
··
-
From Mean Girls to Masters of the Air: a complete guide to this week’s entertainment
The Guardian
··
-
‘What happened to me mustn’t happen to the next generation’: Judith Godrèche on grooming and France’s #MeToo
The Guardian
··
-
Cruel Intentions: The 90s Musical review – peppy return of toxic teenage liaisons
The Guardian
··
-
Love Me review – Kristen Stewart and Steven Yeun explore love in oddball sci-fi
The Guardian
··
-
‘Our full potential is on the other side of fear’: a vertigo-inducing look at ‘rooftopping’
The Guardian
··
-
Freaky Tales review – Pedro Pascal-led 80s anthology isn’t freaky enough
The Guardian
··
-
Jodie Foster as Princess Leia? Here’s what Star Wars would have looked like
The Guardian
··
-
‘Allowed to be sexy’: how did Anyone But You become a surprise box office hit?
The Guardian
··
-
Bottoms to The Founder: the seven best films to watch on TV this week
The Guardian
··
-
Screen time: what to wear to the cinema
The Guardian
··
-
‘This is a film to make us unsafe in the cinema. As we should be’: Sandra Hüller and Christian Friedel on The Zone of Interest
The Guardian
··
-
Girls State review – compelling follow-up to hit documentary
The Guardian
··
-
‘If you use any of that, I’ll murder you’: inside a shocking Roger Stone documentary
The Guardian
··
-
Jodie Comer: ‘I feel Villanelle would suit being a scouser’
The Guardian
··
-
Baftas 2024: Oppenheimer’s passion and ambition stomps over the opposition once again
The Guardian
··
-
Oppenheimer beats Barbie as Bafta nominations announced
The Guardian
··
-
‘I had to stop therapy. I needed the pain’: Fantasia Barrino on trauma, triumph and filming The Color Purple
The Guardian
··
-
Sundance 2024: the biggest films to look out for from this year’s festival
The Guardian
··
-
Ben Whishaw as Nick Cave? Score some leftfield music biopic ideas here
The Guardian
··
-
The Enigma of Kaspar Hauser review – Herzog’s early masterpiece is bold and brilliant
The Guardian
··
-
Richard Simmons disavows biopic: ‘I have never given my permission for this movie’
The Guardian
··
-
‘I want her to be known as her own artist’: who was the real June Carter Cash?
The Guardian
··
