Carl Weathers, Rocky and Predator actor, dies aged 76
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The Guide #124: From The Zone of Interest to My Bloody Valentine, good art is worth the wait
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Full trailer for Amy Winehouse biopic Back to Black released
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Jennifer Lopez’s new film about herself is a strange, sexy mess. But there’s method in the madness
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Can Danny Boyle and Cillian Murphy’s 28 Years Later take zombie films to the next level?
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Beyond the pale: where are all the films about ‘whiteness’?
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Post your questions for Neil Morrissey
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The Marvels to Rebel Dykes: the seven best films to watch on TV this week
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I was puzzled by younger women’s reaction to Barbie. It turned out Gen Z men held the answer | Gaby Hinsliff
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‘I hate it. It sucks. But it didn’t defeat me’: Michael J Fox on pity, Parkinson’s – and a potential cure
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Ten years on from his death, Philip Seymour Hoffman still shines bright
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Harry and Meghan working on movie, TV series and other shows at Netflix
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Terry Gilliam: ‘Robin Williams was one of the most stunning people I’ve ever met’
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Bronco Billy: The Musical review – Clint Eastwood inspires misfiring caper
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Days of Heaven review – Malick’s early masterwork heralds a rarefied visionary
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Argylle review – unbearably self-satisfied smirk of a spy caper from Matthew Vaughn
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‘This was the most feared address in Amsterdam’: Steve McQueen takes us on a tour for Occupied City
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Chita Rivera obituary
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Daisy Ridley ‘still upset’ over backlash to Star Wars: The Rise of Skywalker
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Migration review – zany ducks-in-the-city adventure from White Lotus’ Mike White
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American Fiction review – entertaining comedy collision of race, class and envy
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Dario Argento Panico review – homage to a lifetime of dark, strange film-making
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Big swings, big misses and big deals: what happened at this year’s Sundance?
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Céline Dion documentary aims to ‘raise awareness’ of stiff person syndrome
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‘With orgasm people strive for oblivion’: Poor Things’ intimacy coordinator on consent, orgies and Emma Stone
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Circle of Danger review – Jacques Tourneur’s Hitchcock-esque thriller is a gem
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The Tiger’s Apprentice review – comfort-food fantasy animation is all about Team Cat
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Race for Glory: Audi vs Lancia review – 1980s rally face-off is David v Goliath showdown
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‘A sense of Ocean’s 11’: the fascinating true story behind We Are the World
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Dalton’s Dream review – the troubled life of an X Factor winner
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Swimming Home review – post-trauma at the poolside
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Orion and the Dark review – Charlie Kaufman surprises with Netflix kids’ animation
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Italian actor Sandra Milo, star of Federico Fellini’s 8½, dies aged 90
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Post your questions for Lulu
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Flathead review – a beautiful meditation on life in rural Queensland
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Dr Strangelove at 60: is this still the greatest big-screen satire?
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My Friend Lanre review – loving portrait of a sensitive, self-destructive photographer
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‘I think therefore I scam!’ The lost masterpiece about the con artist who did 36 successful hysterectomies
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Landscapes of Resistance review – an enigmatic meditation on a life marked by Auschwitz
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Samsara review – unlike anything else you will experience in the cinema
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How Cord Jefferson turned a novel about race into American Fiction – the year’s buzziest comedy
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Padre Pio review – Shia LaBeouf stars in chest-beating homage to Italian mystic
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Baghead review – baffling basement-bound horror hits rock bottom
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Jackdaw review – a tiresome ride through Tees Valley’s drug-fuelled underworld
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All of Us Strangers review – Andrew Haigh’s drama grabs you by the heart and doesn’t let go
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Jamie Dornan fled to rural hideaway after ‘ridicule’ over Fifty Shades of Grey
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On my radar: Jake Shears’s cultural highlights
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The Color Purple review – off-note musical take on Alice Walker’s novel
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The Underdoggs review – Snoop Dogg turns kids’ team coach in wholesome sports comedy
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Sundance film festival roundup – Kristen Stewart, Jesse Eisenberg, wild provocations and indie grit
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Power couples: how Hollywood’s big name Oscar contenders balance life and work
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‘It was buy eggs or put money on my travel card’: actor Lashana Lynch on Bond, Bob Marley and being broke
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From All of Us Strangers to Daniel Sloss: a complete guide to this week’s entertainment
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Dìdi review – a tender, specific rendering of adolescence on the early internet
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‘Please make it stop’: Tom Hollander and the bizarre world of mistaken celebrity identity
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When accountants attack: why Netflix is cancelling Halle Berry’s new sci-fi movie
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Mutiny at Disney? Bob Iger’s fight to right the ship faces showdown with shareholders
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All of Us Strangers: sex, death, ghosts and that ending – discuss with spoilers
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‘I’m big in a lot of ways’: activist Aubrey Gordon on reclaiming fatness in a new film about her life
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Credits due: what is behind A-listers queueing up to become executive producers?
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Teenage Mutant Ninja Turtles: Mutant Mayhem to Control – the seven best films to watch on TV this week
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It’s What’s Inside review – buzzy, big-sale Sundance thriller is a little empty
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Head South review – post-punk coming-of-age tale strikes a personal note
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Letter: Norman Jewison obituary
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Jennifer Lopez to produce Bob the Builder movie
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Jeffrey Wright on finally being up for the best actor Oscar: ‘I was frustrated, but I’m not frustrated now’
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Terrence Malick films – ranked!
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Tom Hollander says he received seven-figure Avengers bonus meant for Tom Holland
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Netflix to scrap Halle Berry sci-fi film in post-production
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Handling the Undead review – sad, slow-burn zombie drama is less gore, more grief
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