IF review – imaginary friends reunited in a kid-pleasing live-action fantasy
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‘It’s all been preposterous’: Stephen Merchant on fame, standup and the pressures of cancel culture
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The Balconettes review – neighbours finding trouble in invitation to hot guy’s flat
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George Miller: ‘Where do I keep my Oscar? I swear, I don’t know’
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Emilia Perez review – Jacques Audiard’s gangster trans musical barrels along in style
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Sex, rape, cannibals: what Yorgos Lanthimos did after Poor Things
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Hoard review – uncomfortable drama with a magnetic lead performance
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The Fall Guy to Megalopolis: is 2024 the year of the box-office megaflop?
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Cannes 2024 week one roundup – the jury’s out, the sun isn’t…
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The inside scoop: a giant serving of the UK’s best summer arts and entertainment
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Scénarios review – Jean-Luc Godard collage is his final love letter to cinema
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From If to Billie Eilish: a complete guide to this week’s entertainment
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Kinds of Kindness review – sex, death and Emma Stone in Lanthimos’s disturbing triptych
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Three Kilometres to the End of the World review – brutal self-denial in deepest Romania
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The Cannes red carpet so far: from Naomi Campbell in 90s Chanel to Anya Taylor-Joy in Dior – in pictures
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Francis Ford Coppola: US politics is at ‘the point where we might lose our republic’
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Will fashion’s flamboyant powerhouse Isabella Blow finally get her dues?
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Christmas Eve in Miller’s Point review – charming hometown family study is extended party
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From capes to plunging necklines, all the fashion fun of Cannes film festival
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Hollywood should look beyond Star Wars and Lord of the Rings retreads for sequels
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‘Exhausting and extremely dangerous’: Mohammad Rasoulof on his escape from Iran
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Twilight of the Warriors: Walled In review – frenetic actioner in infamous Kowloon neighbourhood
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A Banquet to Inception: the seven best films to watch on TV this week
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Thelma the Unicorn review – sunny Netflix cartoon offers simple pleasures
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Everyone’s Getting Involved review – tepid all-star Talking Heads tribute
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‘I did a lot of yelling’: Tom Burke on socks, controversy and Mad Max
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‘Bafflingly shallow’ or ‘staggeringly ambitious’? Francis Ford Coppola’s Megalopolis splits critics
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Megalopolis review – Coppola’s passion project is megabloated and megaboring
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The Strangers: Chapter 1 review – unnecessary horror retread
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Bird review – Andrea Arnold’s untamed Barry Keoghan tale is a curate’s egg
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Slow: the Lithuanian asexual romcom that raises ‘a lot of questions’
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On Becoming a Guinea Fowl review – Rungano Nyoni’s strange, intense tale of sexual abuse
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‘To escape Gaza is already an achievement. And then to be trans?’: the women defying national and gender boundaries
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The greatest dancer of all time? Fred Astaire’s 20 best films – ranked!
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The art of resistance: desert film festival showcases stories of the Sahrawi people
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The Girl With the Needle review – horrific drama based on Denmark’s 1921 baby-killer case
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Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes
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If review – John Krasinski’s so-so, sentimental family fantasy
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Meryl Streep: it’s ‘hardest thing’ for men to see themselves in female characters
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Wild Diamond review – French social-realist drama fuelled by TikTok energy
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‘I am gross, animal and carnal’: Luna Carmoon on her disturbing, stinky-scented new film
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Rome, Open City review – Rossellini’s blazingly urgent masterpiece from a city in ruins
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Withnail and I review – downtrodden duo return to demand some more booze
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Catching Fire: The Story of Anita Pallenberg review – rockn’roll ‘muse’ in the spotlight
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Two Tickets to Greece review – insufferable women-on-holiday comedy is no Shirley Valentine
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The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives
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Rust armorer appeals conviction in fatal shooting of cinematographer by Alec Baldwin
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Greta Gerwig: ‘The number of female directors has gotten better. We’re not done yet’
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‘It’s great!’ Rafe Spall on having a baby with his co-star in Trying, the infertility sitcom
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Roman Polanski acquitted of defamation by French court
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Nightwatch: Demons Are Forever review – Danish morgue sequel returns from the dead
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Breathe review – air-free post-apocalyptic survival thriller relies on family harmony
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A Family Affair review – wellness-retreat comedy goes lowest common denominator
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‘Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis
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Iranian film director Mohammad Rasoulof flees Iran to avoid prison
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‘It was a horrific night’: 30 years on from the on-set death of Brandon Lee
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The Coffee Table review – horror comedy takes its cue from gaudy furniture item
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Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise
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Vaychiletik review – beautifully-shot Mexican folk music study in the high arthouse style
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TV tonight: the first family in the world to be diagnosed with hereditary Alzheimer’s
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A dog in the dock and another doing red carpet interviews: why has Cannes gone canine crazy?
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Roger Corman obituary
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The Almond and the Seahorse review – clumsily contrived amnesia drama
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Risk and reward: life as a stunt double
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Roger Corman, Hollywood mentor and king of the B-movie, dies aged 98
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La Chimera review – Josh O’Connor dazzles in brilliant tale of Italian tomb-raiders
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‘This gesture made history’: watch given to Gina Lollobrigida by Fidel Castro is to go on sale
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‘Explosive’ secret list of abusers set to upstage women’s big week at Cannes film festival
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Kingdom of the Planet of the Apes review – thrilling addition to the series
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Ciarán Hinds: ‘I’m not very good at the glamorous side of the industry’
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