Ciné-Guerrillas/Non-Aligned: Scenes from the Labudović Reels review – thoughtful and worthwhile
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Party like it’s 1999: 10 movies that encapsulate one of the greatest years for cinema
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Tell That to the Winter Sea review – teenagers’ woozy, blushing tale of first love
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Richard Sherman obituary
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Slow review – terrific Lithuanian drama of an atypical romance
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The Garfield Movie review – a fun and frantic feline adventure
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Furiosa: A Mad Max Saga review – renegade warrior Anya Taylor-Joy ignites thunderous action prequel
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Richard Sherman, songwriter for Mary Poppins and The Jungle Book, dies aged 95
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Anora is a vivacious Cannes victor and a fitting end to a radically romantic festival
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Anora, tale of a stripper who marries a Russian oligarch, wins Palme D’or at Cannes
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‘Don’t be afraid’: exiled director Mohammad Rasoulof sends a message to Iranian cinema from Cannes
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Cannes 2024 week two roundup – scuffles, screwballs and spellbinders
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Super Size Me: the film that sounded a fast-food alarm in America
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From Furiosa to We Are Lady Parts: a complete guide to this week’s entertainment
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‘I was born to be a paparazzo’: Rino Barillari on royalty, the dolce vita era and his run-in with Depardieu
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Cowboycore, Catherine Deneuve and Bella Hadid in vintage Versace: the Cannes red carpet part two
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Super Size Me was a terrific cheeky stunt – small wonder Morgan Spurlock never matched it
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The Seed of the Sacred Fig review – Mohammad Rasoulof’s arresting tale of violence and paranoia in Iran
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Post your questions for Harry Hill
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‘I paid for it’: tennis bad boy Ilie Năstase revisits confrontational career
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Super Size Me director Morgan Spurlock dies aged 53
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Shatner, Pine, or a Kirk triple whammy: where should Star Trek boldly go next?
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The Beach Boys review – rather too sunny account of 60s pop legends’ story
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Valeria Golino: ‘I’m not a man-hater. I am a lover of men’
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On the Cannes red carpet, it’s film-makers’ turn to shine
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Atlas review – Jennifer Lopez learns to love AI in silly Netflix mockbuster
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Jane Asher: ‘Would I do another nude scene? Never say never!’
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‘I wanted to scrape it from my eyeballs’: critics on their zero-star savagings
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Sorry Seth Rogen, but if cinemas are the new museums, the movies really are in trouble | Stuart Heritage
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Indiana Jones and the Temple of Doom at 40: Spielberg’s hit-and-miss relic
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French cinema tried to hide its violence against women. At Cannes, we’re calling it out | Rokhaya Diallo
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Hit Man review – Richard Linklater’s thoroughly entertaining fake-killer caper
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Motel Destino review – terrifically acted Brazilian erotic noir thriller
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Authorized big-screen biopic of George Floyd in the works
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Grand Tour review – engaged couple’s sweet, strange colonial era hide-and-seek
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Raphael: A Portrait review – lengthy but illuminating study of Renaissance master
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William Shatner: You Can Call Me Bill review – captain’s log is short on detail
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Parthenope review – Paolo Sorrentino contrives a facile, bikini-clad self-parody
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Was Cate Blanchett’s Cannes dress a pro-Palestinian protest – or an optical illusion?
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Marcello Mio review – droll Catherine Deneuve best thing in twee Mastroianni family whimsy
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‘This garbage is pure fiction’: when subjects hit back at their biopics
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The Garfield Movie review – foul feline origin tale is littered with product placement
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Pandemonium review – wintry gloom as ghost of dead driver meets the biker he killed
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Saturday Night Fever dancefloor to be auctioned with $300,000 estimate
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Anora review – stellar turn from Mikey Madison in sex work non-love story
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Disney’s Pixar to cut 14% of workforce as it scales back original streaming content
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Slow review – intimate portrait of asexual romance unfolds at unhurried pace
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Rumours review – close encounters for Cate Blanchett and the magnificent G7
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The Present review – family grandfather clock comedy is time-consumingly dull
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The Boy in the Woods review – boys’ own tale of Holocaust fugitive forced to fend for himself
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5lbs of Pressure – drugs, murder and a likable Rory Culkin in low-key crime drama
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The Apprentice: Trump campaign threatens legal action over biopic that depicts him as a rapist
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The Artist review – peppy stage show adds volume to silent cinema hit
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The Shrouds review – David Cronenberg gets wrapped up in grief
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The Apprentice review – cartoon version of chump-in-chief Donald Trump’s early years
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Breathless goodbye: the race to finish Jean-Luc Godard’s last film, one day before he died
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‘I identified with those worries’: George MacKay on masculinity, misogyny and playing an incel
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This World Is Not My Own review – fascinating study of black artist Nellie Mae Rowe
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Mongrel review – Zen-like tale of compassion and suffering among migrant care workers
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What Remains on the Way review – startling insight into the struggles of US border migrants
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‘All anyone will care about is the dog!’ Oscar sensation The Artist hits the stage – but can Uggie boogie?
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‘Information can be bent. Emotions are always honest’: the film at the heart of Ukraine’s agonising evacuations
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‘I burned out – and started mowing lawns’: a reality-bending chat with Harmony Korine
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The Substance review – Demi Moore is game for a laugh in grisly body horror caper
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Horizon: An American Saga – Chapter 1: Costner casts himself as wildly desirable cowboy
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Limonov: The Ballad review – Ben Whishaw brilliant as Russia’s outlaw bohemian
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Catching Fire: The Story of Anita Pallenberg review – suitably enigmatic portrait of the mercurial Stones muse
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Tiger Stripes review – entertaining Malaysian horror shows its claws
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Bermondsey Tales: Fall of the Roman Empire review – fast, furious and rather grating London crime caper
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Two Tickets to Greece review – a holiday you may want to cut short
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