‘How is this possible?’: a new film looks inside the appalling abuses of the Alabama prison system
The Guardian
··
-
Older >
Source
Time
Score
-
-
Diane Keaton’s style: she dodged the stamp of the machine
The Guardian
··
-
My foolproof guide to living with a partner – and not falling out about home decor | Polly Hudson
The Guardian
··
-
An ethereally self-aware comedy genius: the loss of Diane Keaton is devastating | Peter Bradshaw
The Guardian
··
-
Diane Keaton, Oscar-winning star of Annie Hall and The Godfather, dies aged 79
The Guardian
··
-
Do we need Imax? 70mm? VistaVision? All I need to watch movies at the cinema is darkness and quiet | Larry Ryan
The Guardian
··
-
‘Verging on unwatchable’: Guardian writers on their most stressful movies
The Guardian
··
-
Is This Thing On? review – Bradley Cooper’s comedy of comedians is a charmer
The Guardian
··
-
Moss and Freud review – Kate meets Lucian and they get on brilliantly with absolutely no funny business at all
The Guardian
··
-
Post your questions for Penelope Wilton
The Guardian
··
-
Monster munch: can Predator: Badlands survive the removal of its unashamedly ultraviolent roots?
The Guardian
··
-
John Candy: I Like Me review – starry but treacly tribute to comedy legend
The Guardian
··
-
Forgive Us All review – a dead-boring zombie film? That’s unforgivable
The Guardian
··
-
‘It’s like fencing with a close friend. Terrifying in a lovely way’: Colin Farrell and Tilda Swinton on taking a gamble with their new drama
The Guardian
··
-
Good Boy review – Stephen Graham and Andrea Riseborough turn nasty in Kubrickian absurdist nightmare
The Guardian
··
-
Vicious review – Dakota Fanning’s evil box horror is an open-and-shut dud
The Guardian
··
-
Black Is Beautiful: The Kwame Brathwaite Story – exhilarating record of game-changing photographer
The Guardian
··
-
Marlon Wayans: ‘People get very violent about White Chicks’
The Guardian
··
-
The Perfect Neighbor review – a notorious shooting through the eye of a Florida cop’s body-cam
The Guardian
··
-
Colin Hanks on his John Candy documentary: ‘Inspiring for me as an actor’
The Guardian
··
-
Cover-Up review – Laura Poitras’s Seymour Hersh documentary is a thrilling ode to journalism
The Guardian
··
-
Maintenance Required review – Amazon’s synthetic You’ve Got Mail rip-off
The Guardian
··
-
Inspired and emotional: why a drunk Ray Winstone was exactly what the Star Wars prequels needed
The Guardian
··
-
Paris 75 review – passionate fans-eye view reanimates tales of the 70s Leeds United golden years
The Guardian
··
-
How the Guardian’s new film quiz turned this puzzle fan into a question setter | Anne Billson
The Guardian
··
-
Grow review – polished pumpkin growing caper stuffed with perky charm and comedy talent
The Guardian
··
-
Cecil Beaton’s Fashionable World review – a narrow view of beauty from a borderline stalker
The Guardian
··
-
Tron: Ares review – even Gillian Anderson can’t slap this mind-bendingly dull sci-fi into shape
The Guardian
··
-
Ken Jacobs, luminary of New York underground film culture, dies aged 92
The Guardian
··
-
‘The masturbation scene really happened’: inside Safe Space, the campus drama about toppling a statue
The Guardian
··
-
A relic of horny Hollywood: why The Mummy remains a classic bisexual awakening movie
The Guardian
··
-
Lynne Ramsay’s passion, Jim Jarmusch’s star turn and knives come out again: Peter Bradshaw’s London film festival picks
The Guardian
··
-
Audrey Hepburn to Salvador Dalí: Cecil Beaton’s bright young things – in pictures
The Guardian
··
-
The Burden review – deeply personal portrait of living with Aids in secret
The Guardian
··
-
Robin Williams’ daughter Zelda hits out at AI-generated videos of her dead father: ‘stop doing this to him’
The Guardian
··
-
Bad movies: is Ridley Scott right to say that 60% of films stink?
The Guardian
··
-
Amazon drops gun-free James Bond poster artwork from Prime Video streaming site
The Guardian
··
-
‘The world needs to know what happened to my baby’: inside devastating new police-body-cam film The Perfect Neighbor
The Guardian
··
-
Daniel Day-Lewis is cross that people equate method acting with ‘behaving like a lunatic’. That’s exactly why we love it
The Guardian
··
-
Plainclothes review – shame and anxiety in entrapment yarn about a gay cop going undercover
The Guardian
··
-
‘Logs falling from the sky’: the harrowing true story behind wildfire drama The Lost Bus
The Guardian
··
-
One Bladder After Another: why bros are finally having to queue for the loo | Emma Beddington
The Guardian
··
-
‘Supremely satisfying’: why Strictly Ballroom is my feelgood movie
The Guardian
··
-
A Tooth Fairy Tale review – animated adventure with a sprinkling of family-friendly tween romance
The Guardian
··
-
Omar and Cedric: If This Ever Gets Weird review – Mars Volta bromance looks for time out
The Guardian
··
-
Palestinian film-makers on their favorite Palestinian movies: ‘I felt like I was watching my own story’
The Guardian
··
-
‘No one’s been willing to take a risk’: are Palestinian films still struggling to get seen?
The Guardian
··
-
Malcolm McDowell: ‘I would be a total disaster as a spy – I do love to gossip’
The Guardian
··
-
From cage to screen: The Smashing Machine and Mark Kerr’s second act with The Rock
The Guardian
··
-
My cultural awakening: Ratatouille helped me overcome my insomnia
The Guardian
··
-
From the BFI London film festival to Taylor Swift: your complete entertainment guide to the week ahead
The Guardian
··
-
A House of Dynamite to Lady Gaga: the week in rave reviews
The Guardian
··
-
Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in
The Guardian
··
-
The Guardian view on Tilly Norwood: she’s not art, she’s data | Editorial
The Guardian
··
-
Shell review – Elisabeth Moss gets Substance-d by Kate Hudson in schlocky curio
The Guardian
··
-
How do you celebrate James Bond Day when you don’t know who the next 007 will be?
The Guardian
··
-
Keeping Up Appearances actor Patricia Routledge dies aged 96
The Guardian
··
-
Strange Journey: The Story of Rocky Horror review – insiders’ account of cult musical 50 years on
The Guardian
··
-
Bossing it! The makers of Springsteen: Deliver Me from Nowhere on turning Jeremy Allen White into the rock icon
The Guardian
··
-
Good Boy review – crafty supernatural horror leads with a heroic dog
The Guardian
··
-
Actors hate Tilly Norwood – but they are their own worst enemies | Catherine Shoard
The Guardian
··
-
Marion Cotillard at 50: the actor’s 20 best films – ranked!
The Guardian
··
-
GoldenEye review – Pierce Brosnan’s ‘sexist, misogynist dinosaur’ makes his Bond movie debut
The Guardian
··
-
‘Everything that is wrong with the human race’: inside Hollywood’s bizarre war on the leaf blower
The Guardian
··
-
Post your questions for Paul Chuckle
The Guardian
··
-
The Shadow’s Edge review – Jackie Chan as watchable as ever as fisticuff-prone cop-turned-dog-walker
The Guardian
··
-
Actor Robert Aramayo: ‘Like anybody who hasn’t had the education, I thought Tourette’s was all about swearing’
The Guardian
··
-
The AI ‘actor’ Tilly Norwood is a symptom of blandified film culture. We need a return to reality | Peter Bradshaw
The Guardian
··
-
The Story of Skids: Scotland’s No 1 Punk Band review – likable look back to the noise era
The Guardian
··
-
Radiohead X Nosferatu: A Symphony of Horror review – musical mash-up tries for new approach
The Guardian
··
