In an era of AI slop and mid TV, is it time for cultural snobbery to make a comeback?
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‘Go woke, go broke’? New study challenges claims progressive films flop at the box office
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My cultural awakening: The Parent Trap made me reconnect with my estranged father
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From One Battle After Another to the Turner prize: your complete entertainment guide to the week ahead
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The Guide #210: Is One Battle After Another finally Paul Thomas Anderson’s Oscars moment?
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Jennifer Lawrence on Gaza: ‘What’s happening is no less than a genocide’
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‘Racist fantasy’: the artist who remade record-breaking, KKK-celebrating film The Birth of a Nation
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50 First Dates: The Musical review – sunny ensemble serve up breezy romcom
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Avatar: Fire and Ash trailer teases planetary peril and a crisis of faith
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Steve to American Fiction: the seven best films to watch on TV this week
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TV tonight: the end of an era for the most controversial cookery show
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‘This is the first time I’ve not thought about the box office’: Dwayne Johnson on wrestling, reinvention and the role that could redefine him
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Liev Schreiber and Debra Messing among names rejecting pledge to boycott Israeli films
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‘My wife is an exquisite goddess’: Nick Offerman on love, woodwork and storing gravy in his beard
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Emma Watson speaks about JK Rowling rift: ‘I hope I can keep loving people I don’t share the same opinion with’
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Henry Jaglom, fiercely independent director and friend of Orson Welles, dies aged 87
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‘I lost everything!’ Chris Sarandon on Dog Day Afternoon, ex-wife Susan and the fraud that took his life savings
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Sane Inside Insanity: The Phenomenon of Rocky Horror review – joyous fan history of the cult classic
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Brides review – teenage girls head to Syria for IS and marriage in powerful and poignant drama
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Rage, Maga and the Kardashians: the teen who filmed 3,000 hours of Kanye West’s life
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All of You review – Imogen Poots anchors Apple’s sci-fi tinged romance
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Claudia Cardinale had toughness, charisma and sensual allure. Yet Hollywood just couldn’t do her justice
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The Harder They Come review – electrifying reggae musical is sweet, dandy and catchy as hell
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Go quietly and get a side hustle: how to quit acting properly
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Riff Raff review – star-stuffed crime comedy with Bill Murray, Jennifer Coolidge and Ed Harris
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Better Days review – modest, honest study of woman trying to grapple with a drinking problem
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Claudia Cardinale, glamorous star of The Leopard and Once Upon a Time in the West, dies aged 87
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The rise and fall of Disney: how the company found then lost its backbone
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‘I’ve paled up for roles – like when I played Voldemort’: Frank Dillane on zombies, burnout and new film Urchin
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‘Tentacles squelching wetly’: the human subtitle writers under threat from AI
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Eat the rich … before they eat you: in praise of body horror classic Society
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Emma Watson explains long break from acting: ‘I do not miss selling things’
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Please Don’t Feed the Children review – Destry Spielberg debut splices 1970s exploitation with YA fairytale
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All the Devils Are Here review – Eddie Marsan and Sam Claflin hole up in cottage-bound crime drama
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Mission Alarum review – dreadful Sylvester Stallone spy thriller shames cinema itself
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Hundreds of Hollywood stars sign open letter condemning Kimmel suspension
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Suzie Miller on her Prima Facie follow-up Inter Alia: ‘Boys are looking for male mentors. Instead they get the internet and porn’
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Harry Potter to Hot Milk: post your questions for Fiona Shaw
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Dreamers review – powerful film about immigrant kids in the US, denied their chance of citizenship
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Feisty, frail or fiendish: why do film-makers still insist on shoving older characters into stereotypes?
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‘Never fails to delight’: why Metallica: Some Kind of Monster is my feelgood movie
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Seven at 30: David Fincher’s devilish thriller is a chilling immersion in evil
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Invention review – meta indie docu-fiction has a deadpan take on truth and healing
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Tom Holland suffers concussion on set of Spider-Man: Brand New Day
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Angelina Jolie says ‘I don’t recognise my country’ now amid threats to freedom of speech in US
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Al Pacino on Dog Day Afternoon at 50: ‘It plays more today than it even did then’
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‘Abject horror’: the troubling history of paedophile-hunting TV shows
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Norway finds place in spotlight during ‘golden age’ of film-making
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As Hollywood mourns Robert Redford, why do we still struggle with the idea of male beauty? | Jason Okundaye
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From A Big Bold Beautiful Journey to Cardi B: your complete entertainment guide to the week ahead
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Share your experiences of community cinema in the UK
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Star Wars: Starfighter – what the new picture of Ryan Gosling tells us
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Thunderbirds: Trapped in the Sky/Terror in New York City review – delightful fashion puppets are go
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Shakespeare, vampires and MMA: where does this year’s Oscar race stand?
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The Sound of Music’s child actors look back: ‘Musicals about singing nuns – no one was sure the public was going to buy it’
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‘Always the coolest, calmest man in the room’: friends and film-makers remember Robert Redford
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Swiped review – breezy drama gives dating apps the origins treatment
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In Whose Name? review – Kanye’s descent makes for grimly compelling watch
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‘I’m a hustler, a grinder’: Teyana Taylor on music, motherhood and One Battle After Another
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How Robert Redford redefined menswear on – and off – the screen
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Him review – Jordan Peele-produced football horror is a disappointing fumble
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From high-octane action to arthouse intrigue … all Kathryn Bigelow’s films – ranked!
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Americana review – Sydney Sweeney heads cast in eminently watchable crime drama
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Ackroyd & Harvey: The Art of Activism review – culture and politics collide in film of eco-artist double act
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Ghost Trail review – pain and paranoia as a Syrian refugee attempts to track down his torturer
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‘You think rape’s your fault’: Oscar-winner Brenda Fricker on her devastating memoir
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A new kind of action – how Babes With Blades are fighting for screen space for women of colour
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‘He should be known as a film music revolutionary’: revitalising the legacy of Czech composer Zdeněk Liška
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‘Every year, everybody in comedy gets blanked’: Amy Poehler criticises Oscars for snubbing comedies
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The Boatyard review – skeezy cannibal horror picks off rich kids on a yacht ride to slaughter
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