We Do Not Part by Han Kang review – a harrowing journey into South Korea’s bloody history
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Don’t Make Me Laugh by Julia Raeside review – did you hear the one about the toxic standup?
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‘They were trying to do 200 different poses during power cuts’: Bridget Jones director takes on The Joy of Sex
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‘We’re not doing the thing we’re built to do’: Agnes Callard, the philosopher living life according to Socrates
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Andrew O’Hagan: ‘A kind of Dickens and Zola energy was pulsing’
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ChatGPT, can you write my new novel for me? Och aye, ye preenin’ Sassenach | Gareth Rubin
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On my radar: Sharon Van Etten’s cultural highlights
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Novelist Eimear McBride: studying method acting taught me how to write
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The World After Gaza by Pankaj Mishra review – legacies of violence
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Tom Gauld’s Valentine’s card for bibliophiles – cartoon
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‘I have just bought my first gun’: the war diary of late Ukrainian novelist Victoria Amelina, introduced by Margaret Atwood
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Perfection by Vincenzo Latronico review – an object lesson in hollow hipsterism
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The Guardian view on romantasy fiction: dragons storm the bookshops | Editorial
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Ian McEwan novel What We Can Know to be published this year
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‘Pre-sales are bigger than Barbie’: Bridget Jones 4 set to break box office records – despite no US cinema release
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Rebecca by Daphne du Maurier review – gaslighting and grief
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The best science fiction, fantasy and horror – reviews roundup
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Nicola Dinan: ‘Ottessa Moshfegh helped me find my voice’
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The Boy from the Sea by Garrett Carr review – a tale of hope in rural Ireland
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Silent Catastrophes by WG Sebald review – academic writing at its most sterile
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Fancy a stroll? Across Europe, young people like me are finding friends by walking our cities | Viola Di Grado
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DC Comics pull Neil Gaiman title while Amazon Prime series set to go ahead
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Meet-cute at Mansfield Park: can modern covers turn young readers on to Jane Austen?
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The Naming of the Birds by Paraic O’Donnell review – Victorian gothic
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I Want to Talk to You by Diana Evans review – sparkling essays
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We Do Not Part by Han Kang review – a masterpiece from the Nobel laureate
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‘Still shocking today’: Larry Clark’s addiction images – in pictures
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Joan Didion’s ‘astonishingly intimate’ diary to be published
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Publishers sue state of Idaho over library book bans
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Mothers and Sons by Adam Haslett review – secrets and solitude
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Love in Exile by Shon Faye review – lessons in romance
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‘A place with its own rules’: London’s Square Mile – in pictures
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What we’re reading: writers and readers on the books they enjoyed in January
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Giller prize drops sponsor after protests over Israel arms link
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My advice to male writers struggling to get published? Toughen up – and embrace poverty | Van Badham
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AJ Brown’s BookTok moment helped the Super Bowl-bound Eagles and an unknown author
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Dog Man review – goofy gags galore as the Franken-pooch takes on a fiendish feline
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Three Days in June by Anne Tyler review – a wise and wonderful account of infidelity
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Neil Gaiman: accuser files civil lawsuit alleging rape, sexual assault and human trafficking
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Romantasy and BookTok driving a huge rise in science fiction and fantasy sales
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Bridget Jones is a welcome reminder of a much more comfortable era | Zoe Williams
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Poem of the week: Four rispetti from Tuscan Olives by Agnes Mary Frances Robinson
The Guardian (Books)
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A Man of Few Words by Carlo Greppi review – Primo Levi’s saviour… and a tortured soul
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I Want to Talk to You by Diana Evans review – a fascinating overview of a writer’s evolution
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I’ll Never Call Him Dad Again by Caroline Darian review – resilience and bravery in a book by the daughter of Gisèle Pelicot
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Salman Rushdie set to testify as attempted murder trial gets under way
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The Lamb by Lucy Rose review – a hard tale to shake
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Source Code by Bill Gates review – growing pains of a computer geek
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Colin Barrett: ‘My wife is astonished that I’m able to write’
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New perspectives on the Golden Gate Bridge – in pictures
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I Who Have Never Known Men: the lost dystopia finding new readers after buzz on TikTok
The Guardian (Books)
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On my radar: Kaya Scodelario’s cultural highlights
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Bullets and blues: Louis Armstrong’s difficult upbringing revealed after discovery of family police records
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Original Observer Photography
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Tash Aw: ‘There’s something hyper-masculine about writing an epic’
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Mark Steel: ‘At 16, I thought I’d help transform the world into a socialist arena of peace and justice. I’m not sure we’ve managed it’
The Guardian (Books)
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Simon & Schuster imprint will no longer ask authors to obtain blurbs for their books
The Guardian (Books)
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Once more unto the breeches: the 20 best Jane Austen TV dramas – ranked!
The Guardian (Books)
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Here Are the 11 New Books You Should Read in February
TIME (Books)
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The best recent poetry – review roundup
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Intermezzo by Sally Rooney audiobook review – modern love and loss
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Niall Williams: ‘When I first read Chekhov, I thought: “He’s not so great”’
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‘Women’s rage is real. Mostly we turn it on ourselves’: Neko Case on songwriting, survival – and her mother’s faked death
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Source Code: My Beginnings by Bill Gates review – refreshingly frank
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Big knickers, bad decisions and old bats: Renée Zellweger on the return of Bridget Jones
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US Authors Guild to certify books from ‘human intellect’ rather than AI
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The Lamb by Lucy Rose review – cannibalism comes to Cumbria
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The Secret Painter by Joe Tucker review – an artist in the family
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The City Changes Its Face by Eimear McBride review – brilliantly rule-breaking fiction
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The Long Wave: Poet Caleb Femi’s tender ode to Black nightlife in London
The Guardian (Books)
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