‘Am I a bad person because you can see my nipples?’ Elouise Eftos on making standup sexy
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In the moment: 40 years of Reuters photojournalism – in pictures
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Julie Andrews’ wonderful take on Jane Austen: the best podcasts of the week
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Like a place in one of his fairytales: exploring Hans Christian Andersen’s homeland in Denmark
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TV tonight: fitness guru Joe Wicks pulls a ‘killer’ snack bar stunt
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Poor review – adaptation of Katriona O’Sullivan’s memoir is rich in spirit
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The good, the bad and the beautiful: how the great photographer Richard Avedon captured ageing
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Seeing double: the wooden carvings that celebrate the Yorùbá’s unique connection to twins
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‘Messiness makes you different’: Lukas Gage on meds, trauma, memoir – and filming TV’s most sexually frank scene
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Louis CK defends decision to perform at Riyadh comedy festival as ‘a good opportunity’
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Making a drama about refugees could defuse anti-migrant anger in UK, says Jonathan Pryce
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Frauds review – Suranne Jones gives her best ever performance in this absolute triumph of a heist drama
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Rob Brydon’s Honky Tonk Road Trip review – proof that he doesn’t need Steve Coogan for a fun travelogue
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Troilus and Cressida review – history repeats as farce in Pythonesque takedown of ancient heroes
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A ballet description so good you can feel it | Brief letters
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Tom Gauld on the two doors riddle – cartoon
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‘It brings people together’: Global hit Come Dine With Me celebrates 20 years
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The Kooks review – a triumphant and touching mass singalong
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(the) Woman review – explosive comedy tells the unvarnished truth about motherhood
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‘My poems are part of my flesh’: Palestinian poet Batool Abu Akleen on life in Gaza
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Was prehistory a feminist paradise?
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‘Baltimore has the worst PR of any city in America’: a culture critic on his home town, race, police and art
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René Magritte’s ‘superstar of surrealism’ to go on sale in Paris
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Uprooted review – the female fightback against the exploitation of Latin America
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‘I was called an enemy of the people’: how the US Senate went to war with the biggest rock stars of the 1980s
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Can Cory Doctorow’s Book ‘Enshittification’ Change the Tech Debate?
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TV tonight: Suranne Jones and Jodie Whittaker’s wild joyride heist drama
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Way past its prime: how did Amazon get so rubbish?
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Street battles, invented languages and gigs in psychiatric hospitals: France’s lost rock revolution of 1968
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Strictly Come Dancing: week two results – as it happened
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‘I have no doubt this cat could take him down!’: Dorothy O’Donnell’s best phone picture
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The Boy/The God and His Daughter review – Marina Carr’s majestic Theban double bill
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‘No reason not to be all in’: is Saturday Night Live ready to meet a major political moment?
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How to live a good life in difficult times: Yuval Noah Harari, Rory Stewart and Maria Ressa in conversation
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Film Club: Aimee Lou Wood’s fantastical romcom is part Mike Leigh, part cosy family sitcom
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Swearing, booing and spitting: is crowd behaviour out of control?
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‘Politics is nasty. And it’s getting worse’: Lionel Richie on his worries for America, his friend Michael Jackson – and why he still believes in the power of love
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TV tonight: Anthony Mackie’s action-packed apocalyptic comedy
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Stunned Combs holds head in hands as judge unmoved by pleas for mercy
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Stalin, Putin and an enduring obsession with immortality | Letter
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Tate Britain’s Lee Miller exhibition is hardly ‘overdue’ | Letter
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The Guide #211: What the world is watching, from Brazilian telenovelas to superheroes made of red bean paste
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From Hyacinth Bucket to Alan Bennett’s muse: Patricia Routledge’s utterly unique TV career
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Monster: The Ed Gein Story review – Ryan Murphy’s depravity-loving murder show is unforgivable
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Jamie Oliver and his wife pay themselves £2.5m as pre-tax profits slump
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Romeo a Juliet review – star-crossed lovers divided by language
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Dame Patricia Routledge obituary
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Oum – A Son’s Quest for His Mother review – hybrid forces bring Bushra El-Turk’s haunting score to vivid life
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Riot women! Inside Sally Wainwright’s joyous, raucous TV show about menopausal punks
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Get ready to rumble: how wrestling broke out of the ring and on to the stage
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Gilbert & George, the wonders of ancient Egypt and Marina Abramović’s erotic epic – the week in art
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Andrea Peña & Artists: Bogotá review – writhing, sweaty dancefloor revolt is exhausting
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The best recent poetry – review roundup
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Add to playlist: the jackhammer noise and clubby alt-rock of Ashnymph and the week’s best new tracks
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Patricia Routledge brought humanity to an array of eccentrics, from Hyacinth Bucket to Lady Bracknell
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Hamlet review – a cocky prince of infinite jest runs riot at the National
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Ethel Cain review – a sublime rejection of pop stardom from the shadows
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‘We’re all in this together’: New York cathedral pays tribute to immigrants with new mural
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How Are You? It’s Alan (Partridge) review – nothing else on TV has this many laugh-out-loud moments
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Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band
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The Lost Bus to Rosalie: the seven best films to watch on TV this week
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Dania: Listless review – Intimate underground pop inspired by hospital night shifts
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Taylor Swift’s Charli xcx hit job misses the point – and underscores her tedious obsession with conflict | Laura Snapes
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Sean ‘Diddy’ Combs sentencing: how it happened
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‘We need anger to fight for our lives’: Mexican musician Silvana Estrada on grief, violence and the indignity of ‘el ghosting’
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Victoria Beckham to Ozzy Osbourne: No Escape From Now – the seven best shows to stream this week
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On Friendship by Andrew O’Hagan review – ties that bind
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TV tonight: Alan Partridge is back to tackle the wellbeing of Britain
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English National Ballet’s R:Evolution review – a triple whammy of Balanchine, Forsythe and Graham
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The Irish language is a joy not a burden: in what other tongue is a penis a wild carrot? | Una Mullally
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