The exile of Mosab Abu Toha: how a Gazan poet was forced to flee his home
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The Proof of My Innocence by Jonathan Coe review – a blue murder mystery
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‘Henry VIII is a serial killer and abuser’: why is Britain still so obsessed with the Tudors?
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Book published in 1899 returned 50 years overdue to Massachusetts library
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Percival Everett and Samantha Harvey favourites to win 2024 Booker prize
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Rafael Barrett: neglected crusader for oppressed Paraguayans finally gets his place in the sun
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‘It gets more and more confused’: can AI replace translators?
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Poem of the week: The Kurdish Musician by Mimi Khalvati
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Even among artists in exile, the myth of Russian cultural supremacy lives on
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We Who Wrestle With God by Jordan Peterson review – a return to God… by way of the Brothers Grimm and The Lion King
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The Elements of Marie Curie by Dava Sobel review – the great scientist who created her own school
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The Guardian view on the rise of eco-poetry: writing cannot ignore global heating | Editorial
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Paul Bailey obituary
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Her Lotus Year by Paul French review – Wallis Simpson’s Shanghai story
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A twisted tale of strange sisters: Hervé Guibert’s photographs of his reclusive great-aunts in 1970s Paris
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One of the many agonies of pain is that you can’t describe it | Eva Wiseman
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Morning and Evening by Jon Fosse review – the Nobel laureate’s mystical account of where we begin and end
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In brief: Who Owns Football?; The Caretaker; The Land in Winter
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The big picture: Marvin E Newman’s Californian dreamers
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Booker prize 2024: and the winner is... you, the reader
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Jon Ronson: ‘What will be the next culture war? Autism. And climate migration’
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Granta publisher Sigrid Rausing: ‘Working while grieving was consoling’
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The week in audio: Shattered By Hanif Kureishi; The Hidden 20%; Begin Again; The Joe Rogan Experience – review
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Remote islands free the imagination – but they also stir up fear
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On my radar: Monty Don’s cultural highlights
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‘Fascism comes not with goose-steps but dance moves’: European writers react to Trump’s win
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‘It will renew your faith in humanity’: books to bring comfort in dark times
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‘Why do I have an interest in such horrible things?’: Emmanuel Carrère on the Paris terror attacks trial
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Tom Gauld on the great robbery – cartoon
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The Forbidden Garden of Leningrad by Simon Parkin review – the botanists who defied Hitler
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The Guide #164: The quit list – when to give up on that book, TV show and more
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A Game of Thrones movie may be coming – but do we really need it?
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Project 2025 chief’s book urges ‘burning’ of FBI, New York Times and Boy Scouts
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Roddy Doyle: ‘A PG Wodehouse audiobook made me laugh so much I had to stop the car’
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The Proof of My Innocence by Jonathan Coe review – ingenious cosy crime spoof
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Sales surge for dystopian books after Trump election victory
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‘It does not have to be this way’: the radical optimism of David Graeber
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A good book, peace and quiet and somewhere to sit: who could ask for more? | Adrian Chiles
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‘Political cesspool’: Lincoln, Davis and a battle with echoes for the time of Trump
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The Party by Tessa Hadley review – a daringly old-fashioned novella
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Box Office Poison by Tim Robey review – Hollywood’s fascinating flops
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The Curious Case of Benjamin Button review – warm and winsome musical tugs at the heartstrings
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Rachel Cusk wins Goldsmiths prize for novel ‘that turns the world inside out’
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Tell us your comfort reading recommendations
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A Beginner’s Guide to Dying by Simon Boas review – what makes life worth living?
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She’s Always Hungry by Eliza Clark review – dark delights
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Parents: tell us about the books that got your child into reading
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The Party by Tessa Hadley review – sex and the postwar city
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Dutch publisher to use AI to translate ‘limited number of books’ into English
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Two novels on impact of post-colonial conflict win key French literary awards
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The big idea: is convenience making our lives more difficult?
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The boy who kicked the hornets’ nest: Stieg Larsson’s double life as an anti-far right activist
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Poem of the week: My husband falling by Robert Hamberger
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Paddington in Peru review – you can take the bear out of South America, but think twice before taking him back
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Anfield Road by Chris Shepherd review – from Liverpool with love
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Killing Time by Alan Bennett review – senior moments full of wit and style
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V13: Chronicle of a Trial by Emmanuel Carrère review – a humane and thoughtful testimony of terror and loss
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Welcome to the new era of midlife lust! I need a lie down | Emma Beddington
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Readers reply: Which works of fiction have an optimistic view of the future?
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‘A vivid distillation of a deeply fractured country’: a history of the United States in nine photographs
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Alexei Navalny’s posthumous memoir delivers a stinging rebuke to Putin | Lloyd Green
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‘It’s not just shameful. It is humiliating’: four celebrated authors on their hopes and fears before the 2024 US election
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Off-White: The Truth About Antisemitism by Rachel Shabi review – racism by any other name
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Anne Michaels: ‘Language can’t represent brutality’
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On my radar: Noreen Masud’s cultural highlights
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Maggie O’Farrell: ‘Having a stammer was instrumental in making me a writer’
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The Biden Crime Family by Rudy Giuliani review – hapless is as hapless does
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‘I am the industry!’: Keke Palmer on being Hollywood’s queen of content
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Observer Original Photography
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Deborah Levy: ‘A writer’s career is choppy – I was 50 when I found success’
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