Stories of Ireland by Brian Friel review – a solid gold treat
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In brief: Bowieland; Deep Cuts; The Inalienable Right – review
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‘We remember as true things that never even happened’: Julian Barnes on memory and changing his mind
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Careless People: A Story of Where I Used to Work by Sarah Wynn-Williams review – a former disciple unfriends Facebook
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Róisín Lanigan: ‘I moved to London and got bedbugs’
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‘We’re going to talk about death today – your death’: a doctor on what it’s like to end a life rather than extend one
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Judgy kids, road-trips and ‘epic scenes of female masturbation’: welcome to the new midlife crisis novel
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‘Much darker than Pride and Prejudice!’: authors pick their favourite Jane Austen novel
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‘New York plows ahead’: how the English invaded and changed a city
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Nova Scotia House by Charlie Porter review – radical visions of gay 90s London
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Funding fights, memoirs by Boris Becker and Stallone, plus the queen of romantasy: this year’s London book fair
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The Guardian view on the chess boom: how rooks and knights captured the world | Editorial
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‘A computer’s joke, on us’: writers respond to the short story written by AI
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Jess Kidd: ‘My older sister taught me to read with Mills & Boon’
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You’re Embarrassing Yourself by Desiree Akhavan audiobook review – a devastatingly honest and funny memoir
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The CIA Book Club by Charlie English review – ‘It was like fresh air’
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Matthew Macfadyen to play George Smiley in new John le Carré TV show
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Careless People by Sarah Wynn-Williams review – Zuckerberg and me
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Daniel Craig in line for role in Greta Gerwig’s Narnia film for Netflix
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Martha Mills young writers’ prize 2025 opens for entries
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Madame Sosostris & the Festival for the Broken-Hearted by Ben Okri review – a slender fable
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Universality by Natasha Brown review – clever satire of identity politics
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‘OpenAI’s metafictional short story about grief is beautiful and moving’ | Jeanette Winterson
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1 Big Difference at Harvey Weinstein’s #MeToo Retrial
TIME
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In the Lost Lands review – not much to find in pointless science-fantasy
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Maternity Service by Emma Barnett review – baby steps
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Torrey Peters on life after a hit novel: ‘It had a very chilling effect on my writing’
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Once the Deed Is Done by Rachel Seiffert review – mystery in the aftermath of the Third Reich
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The Rule of Jenny Pen review – John Lithgow pulls the strings in care home horror
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The Age of Diagnosis by Suzanne O’Sullivan review – do no harm
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Mud, sweat and deers: a poetic view on gender transition – in pictures
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A Touch of Love review – Margaret Drabble’s single-mother drama is a vivid 60s time capsule
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Lauren Child in running for repeat Carnegie medal after 25 years
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The trauma plot: how did culture get addicted to tragic backstories? | Diana Reid
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Michael Sheen, Jameela Jamil and Hanif Kureishi join packed Hay festival lineup
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William S Burroughs’s art: ‘He said, I killed the only woman I loved. Then broke down sobbing’
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The Rest of Our Lives by Ben Markovits review – a triumphant twist on the great American road novel
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Carrion Crow by Heather Parry review – a stomach-clenching contender for awards
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Long live Joyce Carol Oates’ Twitter account: the only pure space left on this hell site
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Athol Fugard was a dreamer, listener and master storyteller – on stage and at home | Barney Norris
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The big idea: should we abolish art?
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The North Pole: The History of an Obsession by Erling Kagge review – an adventure that can’t be topped
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Is This Working? by Charlie Colenutt review – labours of love in unexpected places
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A Town Without Time by Gay Talese review – New York by an old master
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The Mouthless Dead by Anthony Quinn review – murder most unsolvable
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Best seat in the house: writer Geoff Dyer on why sitting in a corner is so satisfying
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A Room Above a Shop by Anthony Shapland review – a striking story of concealed love
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‘Will Trump give up the store?’ Edward Fishman on how US economic warfare works – and doesn’t
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The Age of Diagnosis by Suzanne O’Sullivan review – are we really getting sicker?
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Jurassic-era trees have grown in Tasmania for millions of years. Now they face their biggest threat: fire
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Xiaolu Guo: ‘Write less, in order to write stronger’
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On my radar: Bobby Baker’s cultural highlights
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Noel Fitzpatrick: ‘We often put on the radio and TV for the animals’
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Go outside, ditch the phone, get humble: my top 10 Scandi life lessons after a decade in Denmark
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Scorpions by Tuppence Middleton review – living with OCD
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‘AI will become very good at manipulating emotions’: Kazuo Ishiguro on the future of fiction and truth
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‘The definition of a classic’: Kazuo Ishiguro’s Never Let Me Go at 20
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Tom Gauld on finishing a book – cartoon
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‘What’s wrong with us?’ : Novelist Virginia Feito on our morbid obsession with true crime
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Twist by Colum McCann review – globalism and a voyage into danger
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‘I’m like the TV Lorraine - just more sweary’: at home with the queen of the small screen
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This month’s best paperbacks: Mick Herron, Armistead Maupin and more
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The best recent science fiction and fantasy – review roundup
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The Electric State review – Millie Bobby Brown’s bot war yarn is soulless digital content
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Branching out or nipped in the bud? Could Groot be getting a solo Marvel movie?
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Killing Time by Alan Bennett audiobook review – quietly subversive comedy
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Hunchback by Saou Ichikawa review – favours for furikake
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A Brief History of the End of the F*cking World by Tom Phillips review – apocalypse not
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Jenni Fagan’s ‘visceral’ memoir of growing up in care wins Gordon Burn prize
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If you only read one book this year … make it this one!
The Guardian
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