Yuan Yang, Neneh Cherry and Rachel Clarke shortlisted for Women’s prize for nonfiction
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Richard Osman urges writers to ‘have a good go’ at Meta over breaches of copyright
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Flannery O’Connor at 100: should we still read her?
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‘Something to believe in, even if it’s deeply silly’: why 15,000 people signed up to a letter-writing project
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The play that changed my life: Eimear McBride on nine hours of Dostoevsky, seen three times
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In brief: 33 Place Brugmann; The Decline and Fall of the Human Empire; A History of the World in 47 Borders – review
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On the Clock by Claire Baglin review – a fast food novel for a refined palette
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The Alienation Effect by Owen Hatherley review – how immigrants reshaped postwar Britain
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Poem of the week: The Stopover by Giovanni Pascoli, translated by Taije Silverman and Marina Della Putta Johnston
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The big idea: should you dump your toxic friend?
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A Climate of Truth by Mike Berners-Lee review – a white-hot takedown of environmental policy
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Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso by Sue Roe review – artist as lothario
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From The Simpsons to Werner Herzog: the coolest, craziest, scariest Nessies ever
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Bath, balls and Darcy’s pile: where to celebrate Jane Austen’s 250th anniversary
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There’s No Time Like the Present by Paul B Rainey review – a funny, unpredictable and wild comic
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What Is Free Speech? The History of a Dangerous Idea by Fara Dabhoiwala review – a flawed polemic
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Universality by Natasha Brown review – a fabulous fable about the politics of storytelling
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Why decolonise Shakespeare when all the world’s a stage for his ideas on injustice? | Kenan Malik
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John & Paul: A Love Story in Songs by Ian Leslie review – let it be the new gold standard in Beatles studies
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Poet Jason Allen-Paisant: ‘We belong in the picture’
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Reid Hoffman: ‘Start using AI deeply. It is a huge intelligence amplifier’
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Ukraine’s clandestine book club defies Russia’s push to rewrite history
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The future happens in Oakland first. That’s a cautionary tale for global cities
The Guardian
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Did my Jewish great-grandfather make chemical weapons for the Nazis? Author Joe Dunthorne on a dark legacy
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Tom Gauld on abandonment issues – cartoon
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The Paris Express by Emma Donoghue review – countdown to disaster
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What is the meaning of life? 15 possible answers – from a palliative care doctor, a Holocaust survivor, a jail inmate and more
The Guardian
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Mutiny brews in French bookshops over Hachette owner’s media grip
The Guardian
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The Guardian view on climate fiction: no longer the stuff of sci-fi | Editorial
The Guardian
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‘More are published than could ever succeed’: are there too many books?
The Guardian
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Is Hollywood really going to ditch the anti-fascist satire in its Starship Troopers remake?
The Guardian
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‘Every push forward is opposed by backward forces’: why the new Rebel Girls book is more needed than ever
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David Szalay: ‘In a sense, all fiction is fan fiction’
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Stag Dance by Torrey Peters review – genre games and gender mischief
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The Women’s Orchestra of Auschwitz by Anne Sebba review – playing for their lives
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Meta exposé tops bestseller chart despite company’s attempt to ban its promotion
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Gisèle Pelicot announces she will publish a memoir
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Alex Wheatle, novelist and ‘Brixton Bard’, dies aged 62
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Changing My Mind by Julian Barnes review – a manifesto for open-mindedness
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I Want to Go Home But I’m Already There by Róisín Lanigan review – a housing crisis ghost story
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‘The female gaze interested me more’: the radical vision of Dona Ann McAdams – in pictures
The Guardian
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Eley Williams and Ferdia Lennon shortlisted for Dylan Thomas prize
The Guardian
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Snow White review – Disney’s exhaustingly awful reboot axes the prince and makes the dwarves mo-cap
The Guardian
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JK Rowling appears to criticise Harry Potter’s three stars amid feud
The Guardian
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Where to start with: Chimamanda Ngozi Adichie
The Guardian
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Penis-inscribed tables and parking meter chairs: the lost queer genius of House of Beauty and Culture
The Guardian
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Theft by Abdulrazak Gurnah review – love and betrayal from the Nobel laureate
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‘Like seeing an old friend’: Oyinkan Braithwaite on My Sister, the Serial Killer becoming a ballet
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Who Is Government? by Michael Lewis review – what Doge is trying to destroy
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George Orwell and me: Richard Blair on life with his extraordinary father
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Samantha Harvey and Téa Obreht shortlisted for inaugural Climate fiction prize
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Romantasy, Bridgerton, audio porn apps: it’s a great time for horny ladies
The Guardian
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Authors await overdue payments as publisher Unbound goes into administration
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Tell us about your favourite Jane Austen books
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Dracula: A Comedy of Terrors review – batty antics with a Rocky Horror bloodsucker
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Astonishing Things: The Drawings of Victor Hugo review – masterpieces from a man with a heart as big as the Notre Dame
The Guardian
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My beloved tube station book-swap has gone. Who’s to blame for its passing? | Zoe Williams
The Guardian
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Sunrise on the Reaping by Suzanne Collins review – second Hunger Games prequel is not for the faint-hearted
The Guardian
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Going to Mars: The Nikki Giovanni Project review – electric film about radical thinker and poet
The Guardian
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Theft by Abdulrazak Gurnah review – a masterclass in quicksilver storytelling
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The big idea: do we worry too much about misinformation?
The Guardian
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Norwegian writer Dag Solstad dies aged 83
The Guardian
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Tom Gauld on portents of doom – cartoon
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Alive: An Alternative Anatomy by Gabriel Weston review – our bodies in an eye-opening new light
The Guardian
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‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light
The Guardian
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Scouse Republic by David Swift review – does Liverpool walk alone?
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Bookish: How Reading Shapes Our Lives by Lucy Mangan review – never lost for words
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Maternity Service by Emma Barnett review – a tour of duty in early motherhood
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On my radar: Georgia Ellery’s cultural highlights
The Guardian
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Michael Lewis and John Lanchester: ‘Trump is a trust-destroying machine’
The Guardian
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