The Guardian view on live music: a scheme to spread the sound around deserves support | Editorial
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London’s dominance of the Mercury prize | Letter
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Dave Ball was not some bloke in the background of Soft Cell – he drove their startling, subversive sound
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Where’s her Pulitzer already? Joanna Newsom’s 20 best songs – ranked!
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RLPO/Hindoyan: Iberia album review – Hindoyan and the RLPO turn the heat up with Spanish colours and sunshine
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Springsteen: Deliver Me from Nowhere review – brooding, earnest portrait of the Boss’s crisis years
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NFL will not reconsider Bad Bunny’s Super Bowl half-time show despite Trump backlash
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Apartment House review – an evening rich in discoveries, musical delicacies and magic
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Florian Schneider’s Kraftwerk instruments put up for auction in US
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‘At night, his guitar comes into my mind’: Amadou and Mariam’s surviving singer on life after losing her husband and musical partner
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‘Epic with a capital E’: inside Elmet, a tale of violence and greed on haunted Yorkshire heath
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D’Angelo’s music was imbued with the influence of Black women
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‘I get to do whatever I want in the moment’: why more people are going to gigs, festivals and clubs alone
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Post your questions for Mavis Staples
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‘I was working as a cook when it went to No 1’: how Norman Greenbaum made Spirit in the Sky
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LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp
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100 Nights of Hero review – Emma Corrin leads starry cast in a queer fable with a serious streak
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The Uncool by Cameron Crowe review – inside rock’s wildest decade
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‘Everyone seems to be on Zimmers’: after 70 years of hip-shaking thrills, is rock’n’roll dead?
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Huey Morgan looks back: ‘My father left when I was seven. Music was a way to derail those feelings of not being good enough’
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‘I don’t really have sex to music, it’s a bit Tom Cruise’: Miles Kane’s honest playlist
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I can’t stop watching videos of people discovering Beds are Burning by Midnight Oil. Send help
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My cultural awakening: ‘The Specials helped me to stop fixating on death’
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Gesualdo Passione review – six singers and four dancers deliver a mishmash with a mystical tingle
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Ace Frehley obituary
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Little Simz review – hip-hop visionary radiates joy and Gallagher-level swagger
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Add to playlist: Conna Haraway’s deeply detailed dub techno and the week’s best new tracks
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Tame Impala: Deadbeat review | Alexis Petridis’s album of the week
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BBC Phil/Seal: Bliss, Miracle in the Gorbals/Metamorphic Variations album review – much to enjoy
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Sebastian Rochford: Finding Ways review | John Fordham's jazz album of the month
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The Last Dinner Party: From the Pyre review – baroque’n’roll band’s speedily released second album is overheated
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‘What I do with my body is none of your business’: musician Beverly Glenn-Copeland on trans rights, cult stardom and living with dementia
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Rumours of My Demise by Evan Dando review – eye-popping tales of drugs and unpredictability
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Sam Fender didn’t need his Mercury prize win – but he earned it with his incisive social realism
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Experience: I am the air guitar world champion
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Without Ace Frehley, Kiss could not have achieved their extraordinary greatness | Michael Hann
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Ace Frehley, Kiss lead guitarist and band’s cofounder, dies aged 74
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Pop-rock wizard Todd Rundgren: ‘When I met John Lennon, he was a bundle of rags with nothing to say’
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Hugh Cutting: Refound album review – an idiosyncratic and profoundly satisfying collection
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Spotify partnering with multinational music companies to develop ‘responsible’ AI products
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‘Chuck was breaking beer bottles over his own head’: thrash metal legends Testament on 40 years of mayhem
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Fatboy Slim: ‘We converted the indie kids into rave monkeys – and it felt good’
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Unseen Bohemian Rhapsody verses to feature in Freddie Mercury lyric book
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D’Angelo was far more than the shirtless sex symbol he was painted as
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D’Angelo obituary
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‘When did I get that good-looking?’: Bruce Springsteen on seeing Jeremy Allen White play him on screen
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‘The architect of Black Gen X sonic feeling and eloquence’: D’Angelo’s 10 greatest tracks
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‘I’m all for instilling more playfulness’: the unusual musical world of Stephen Prina
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Remembering Mama Africa: struggle of fearless singer Miriam Makeba told in daring dance drama
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Experimental, sensual and political, D’Angelo radically redrew the boundaries of soul music
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D’Angelo – a life in pictures
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‘Almost 30m plays on Spotify!’ When fake bands hit the real-life big time, from Spinal Tap to the Flaming Dildos
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Albert Herring review – ENO heralds new era with witty staging of Britten’s story of a mummy’s boy
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Tell us: have ticket prices affected your love of live music?
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‘We’re ripping ourselves to shreds’: with dance music bitterly divided, how far should cultural boycotts go?
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‘The vocals were on another level’: how Counting Crows made Mr Jones
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The Fiery Furnaces reissue a cult classic: ‘We knew we wouldn’t seem like an also-ran NYC band in leather jackets’
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Mitsuko Uchida review – enthralling and exhilarating late Beethoven
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Bruce Springsteen: Nebraska ’82: Expanded Edition review – fabled album falls short of expectations
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‘A palette unlike anything in the west’: Ben Okri, Yinka Shonibare and more on how Nigerian art revived Britain’s cultural landscape
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La Bohème review – noirish reframing of Puccini’s classic weepy
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Jade review – pop’s quirkiest star transcends manufactured past
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The Magic Flute review – assured, atmospheric and a lot of fun
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Rolling Stones’s Ronnie Wood says he is working on new songs with Rod Stewart
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Perfume Genius: ‘I really like body hair! I like a bush. I didn’t even notice Jimmy Fallon censored mine’
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‘My Led Zeppelin road trip was counted as a class credit’: Cameron Crowe on the interview that changed everything
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‘Rock stars would be like, Yeah, bring the kid in’: Cameron Crowe on his wild years as a teenage music journalist
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My cultural awakening: ‘Kate Bush helped me come out as a trans woman’
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Taylor Swift scores second-biggest UK charts opening week ever with The Life of a Showgirl
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John Lodge was a pioneering force of British rock’s most underrated band
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