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Birdman Trashes Former Cash Money Rapper Turk Amidst Star Studded Verzuz Battle Against No Limit
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50 Cent Defends Use of AI To Reimagine His Classic Songs
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Nelly Furtado Announces Lengthy Hiatus From Performing To “Pursue Some Other Creative and Personal Endeavors”
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A Piano Full of Feathers review – White Christmas origin story struggles with pitch
The Guardian
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Gillian Welch and David Rawlings review – perfectly paired talents at the peak of their powers
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‘Pepper-spraying a 15 year old is cowardly’: Turnstile on hostile cops, playing through pain and taking hardcore punk global
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‘The best song to play at a party is the one that gets people to leave’: Sananda Maitreya’s honest playlist
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Dave: The Boy Who Played the Harp review – it’s clearer than ever what a stunningly skilled rapper he is
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‘I don’t make it easy for myself’: divorce and desire power Lily Allen’s autofictional comeback
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Lily Allen’s West End Girl is funny, sexy, jawdropping – and forged in the fires of tabloid Britain | Jennifer Jasmine White
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Add to playlist: the spiky, playful free jazz of Laura Ann Singh and the week’s best new tracks
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‘Raise the questions. Don’t provide the answers’: composer Jake Heggie on 25 years of Dead Man Walking
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Mohinder Kaur Bhamra: Punjabi Disco review – rediscovery of an 80s trailblazer
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Jennifer Walton: Daughters review – a stylish and painful debut
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Lily Allen: West End Girl – a gobsmacking autopsy of marital betrayal
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Gli Incogniti/Beyer: Bach from Italy album review – fascinating collection sizzles and shines
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‘It’s scary how many St George’s flags there were’: Blood Orange on coming home to Essex and mourning his mother
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The Guardian view on live music: a scheme to spread the sound around deserves support | Editorial
The Guardian
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London’s dominance of the Mercury prize | Letter
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Dave Ball was not some bloke in the background of Soft Cell – he drove their startling, subversive sound
The Guardian
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Where’s her Pulitzer already? Joanna Newsom’s 20 best songs – ranked!
The Guardian
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RLPO/Hindoyan: Iberia album review – Hindoyan and the RLPO turn the heat up with Spanish colours and sunshine
The Guardian
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Springsteen: Deliver Me from Nowhere review – brooding, earnest portrait of the Boss’s crisis years
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NFL will not reconsider Bad Bunny’s Super Bowl half-time show despite Trump backlash
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Apartment House review – an evening rich in discoveries, musical delicacies and magic
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Florian Schneider’s Kraftwerk instruments put up for auction in US
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‘At night, his guitar comes into my mind’: Amadou and Mariam’s surviving singer on life after losing her husband and musical partner
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‘Epic with a capital E’: inside Elmet, a tale of violence and greed on haunted Yorkshire heath
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D’Angelo’s music was imbued with the influence of Black women
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‘I get to do whatever I want in the moment’: why more people are going to gigs, festivals and clubs alone
The Guardian
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Post your questions for Mavis Staples
The Guardian
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‘I was working as a cook when it went to No 1’: how Norman Greenbaum made Spirit in the Sky
The Guardian
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LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp
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100 Nights of Hero review – Emma Corrin leads starry cast in a queer fable with a serious streak
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The Uncool by Cameron Crowe review – inside rock’s wildest decade
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‘Everyone seems to be on Zimmers’: after 70 years of hip-shaking thrills, is rock’n’roll dead?
The Guardian
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Huey Morgan looks back: ‘My father left when I was seven. Music was a way to derail those feelings of not being good enough’
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‘I don’t really have sex to music, it’s a bit Tom Cruise’: Miles Kane’s honest playlist
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I can’t stop watching videos of people discovering Beds are Burning by Midnight Oil. Send help
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My cultural awakening: ‘The Specials helped me to stop fixating on death’
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Gesualdo Passione review – six singers and four dancers deliver a mishmash with a mystical tingle
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The Guardian
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Little Simz review – hip-hop visionary radiates joy and Gallagher-level swagger
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Add to playlist: Conna Haraway’s deeply detailed dub techno and the week’s best new tracks
The Guardian
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Tame Impala: Deadbeat review | Alexis Petridis’s album of the week
The Guardian
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BBC Phil/Seal: Bliss, Miracle in the Gorbals/Metamorphic Variations album review – much to enjoy
The Guardian
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Sebastian Rochford: Finding Ways review | John Fordham's jazz album of the month
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The Last Dinner Party: From the Pyre review – baroque’n’roll band’s speedily released second album is overheated
The Guardian
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‘What I do with my body is none of your business’: musician Beverly Glenn-Copeland on trans rights, cult stardom and living with dementia
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Rumours of My Demise by Evan Dando review – eye-popping tales of drugs and unpredictability
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Sam Fender didn’t need his Mercury prize win – but he earned it with his incisive social realism
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Experience: I am the air guitar world champion
The Guardian
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Without Ace Frehley, Kiss could not have achieved their extraordinary greatness | Michael Hann
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Ace Frehley, Kiss lead guitarist and band’s cofounder, dies aged 74
The Guardian
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Pop-rock wizard Todd Rundgren: ‘When I met John Lennon, he was a bundle of rags with nothing to say’
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Hugh Cutting: Refound album review – an idiosyncratic and profoundly satisfying collection
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Spotify partnering with multinational music companies to develop ‘responsible’ AI products
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‘Chuck was breaking beer bottles over his own head’: thrash metal legends Testament on 40 years of mayhem
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Fatboy Slim: ‘We converted the indie kids into rave monkeys – and it felt good’
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Unseen Bohemian Rhapsody verses to feature in Freddie Mercury lyric book
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D’Angelo was far more than the shirtless sex symbol he was painted as
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The Guardian
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‘When did I get that good-looking?’: Bruce Springsteen on seeing Jeremy Allen White play him on screen
The Guardian
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‘The architect of Black Gen X sonic feeling and eloquence’: D’Angelo’s 10 greatest tracks
The Guardian
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‘I’m all for instilling more playfulness’: the unusual musical world of Stephen Prina
The Guardian
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Remembering Mama Africa: struggle of fearless singer Miriam Makeba told in daring dance drama
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Experimental, sensual and political, D’Angelo radically redrew the boundaries of soul music
The Guardian
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D’Angelo – a life in pictures
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‘Almost 30m plays on Spotify!’ When fake bands hit the real-life big time, from Spinal Tap to the Flaming Dildos
The Guardian
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Albert Herring review – ENO heralds new era with witty staging of Britten’s story of a mummy’s boy
The Guardian
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