‘He’s the party starter!’ Daniel Kaluuya and Kano on friendship, football and their new film
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I Saw the TV Glow review – devastating tale of identity, fandom and obsession
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Rust shooting: what a new indictment will mean for Alec Baldwin
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The Outrun review – Saoirse Ronan is remarkable in a sensitive recovery drama
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Why the stars are flocking to floral on red carpets this year
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Power review – damning documentary traces the history of US policing
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‘The sexiest awards season in years’: why film-makers have embraced a new wave of screen sex
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The End We Start From review – Jodie Comer is phenomenal in end-of-days survival thriller
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‘What happened to me mustn’t happen to the next generation’: Judith Godrèche on grooming and France’s #MeToo
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From Mean Girls to Masters of the Air: a complete guide to this week’s entertainment
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Cruel Intentions: The 90s Musical review – peppy return of toxic teenage liaisons
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Love Me review – Kristen Stewart and Steven Yeun explore love in oddball sci-fi
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‘Our full potential is on the other side of fear’: a vertigo-inducing look at ‘rooftopping’
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Freaky Tales review – Pedro Pascal-led 80s anthology isn’t freaky enough
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Jodie Foster as Princess Leia? Here’s what Star Wars would have looked like
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‘Allowed to be sexy’: how did Anyone But You become a surprise box office hit?
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Bottoms to The Founder: the seven best films to watch on TV this week
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Screen time: what to wear to the cinema
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‘This is a film to make us unsafe in the cinema. As we should be’: Sandra Hüller and Christian Friedel on The Zone of Interest
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Girls State review – compelling follow-up to hit documentary
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‘If you use any of that, I’ll murder you’: inside a shocking Roger Stone documentary
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Jodie Comer: ‘I feel Villanelle would suit being a scouser’
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Baftas 2024: Oppenheimer’s passion and ambition stomps over the opposition once again
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Oppenheimer beats Barbie as Bafta nominations announced
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‘I had to stop therapy. I needed the pain’: Fantasia Barrino on trauma, triumph and filming The Color Purple
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Sundance 2024: the biggest films to look out for from this year’s festival
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Ben Whishaw as Nick Cave? Score some leftfield music biopic ideas here
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The Enigma of Kaspar Hauser review – Herzog’s early masterpiece is bold and brilliant
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Richard Simmons disavows biopic: ‘I have never given my permission for this movie’
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‘I want her to be known as her own artist’: who was the real June Carter Cash?
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