Selma Blair apologises for Islamophobic comment on social media
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The Promised Land review – Mads Mikkelsen is a Euro Gary Cooper in Nordic western
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Players review – Netflix’s Valentine’s romcom is a genre upgrade
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Do I want to watch arthouse films with fascists? No thanks, Berlin | Fatma Aydemir
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Someone’s Daughter, Someone’s Son review – stories of homelesness from a survivor
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Madame Web review – Marvel’s junky spin-off is a tangled mess
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Deliver Us review – delirious baby antichrist horror smothered in surreal visions
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Viktoria review – fierce, urgent intergenerational story from communist-bloc Bulgaria
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Stand up and be a fool: why film-makers love a karaoke scene
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The Letter Writer review – Cyrano-style love story set in 1960s British-occupied Dubai
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Prism review – three-part film essay turns the camera on race, colour and imperialism
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Super Bowl 2024: watch all the biggest new movie and TV trailers
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Taste the screen: the enduring appeal of food movies
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Christopher Nolan on track for best director Oscar after winning DGA award for Oppenheimer
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Head Count review – Burghart brothers’ tricksy crime drama has certain flair
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Shreya Ghoshal review – masterful Indian singer has a voice like billowing silk
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Fortunes of War review – up-and-at-em spirit in tale of Brits on the run from the Wehrmacht
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Tell Me About It review – British Asian Gen Z drama bounces between crime and kitchen sink
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Ian McKellen’s new Hamlet shows the screen can outdo the stage - Michael Billington
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‘Sin is fun!’ Martin Scorsese on brutality, love – and his rebirth on TikTok
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Gassed Up review – generic moped crime drama goes nowhere fast
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Your Fat Friend review – big-hearted portrait of author, podcaster and activist Aubrey Gordon
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Peter Sarsgaard: ‘My generation was fixated on legends like Pacino and De Niro, so we were imitating others’
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The Iron Claw review – crowd-pleasing wrestling saga grapples with toxic masculinity
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Cillian Murphy: ‘I’d happily appear in Peaky Blinders again’
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‘You lied to us’: did the real-life saga behind Free Willy change the story for orcas in captivity?
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From The Iron Claw to Zara Larsson: a complete guide to this week’s entertainment
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Ensemble? Stunts? Cameo? Which new Oscars category should come next?
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Jonathan Majors accused of physical and emotional abuse by two more women
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Moana is the hero we need in the age of Trump and Musk – so thank the demigods she’s back
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Aftersun to Past Lives: the seven best films to watch on TV this week
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Upgraded review – Camila Mendes rises above uneven romcom
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‘Mark Ruffalo was hilarious from the first day’: behind the scenes on Poor Things by Yorgos Lanthimos – in pictures
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Lisa Frankenstein review – Diablo Cody’s throwback comedy-horror is monster mush
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Don Murray obituary
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Oscars to add new category for best casting
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Bob Marley: One Love review – reverential biopic of reggae superstar struggles to stir it up
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Berlin international film festival disinvites AfD politicians from gala
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‘You play the cards you’re dealt’: is Viggo Mortensen Hollywood’s most versatile star?
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Lulu: ‘David Bowie got me. Part of me thinks: what if the relationship continued?’
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The Iron Claw review – bulked-up Zac Efron amazing sight in tragic wrestling drama
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Say it with a kiss! The 20 greatest smooches on film – ranked!
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Furious jumping: why Henry Cavill is wrong to be cross with sex scenes
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Repentance review – dreamlike satire from Soviet Georgia brings life to Stalinist ghosts
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Hits, Flops, and Other Illusions by Ed Zwick review – the director’s cut
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‘I don’t believe in a curse’: the wrestler who lost his five brothers
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Surprise Moana sequel to hit cinemas this year, Disney announces
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Disney invests $1.5bn in Fortnite maker Epic Games to create new ‘universe’
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Suncoast review – Laura Linney helps lift adequate family saga
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Kumail Nanjiani reveals he needed therapy after bad reviews for Eternals
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Slotherhouse review – sorority-house slasher brings homicidal sloth to mean girls
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Your Fat Friend review – fat activist Aubrey Gordon takes on the cruelty of Big Diet
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Blazing Saddles at 50: the button-pushing spoof that could never get made today
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The Settlers review – ultra-violent study of Chile’s butchery of its indigenous people
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Carl Weathers obituary
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From Ferrari to The Iron Claw: this season’s Oscarbait movies that missed
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‘Ryan Gosling asked me if he could have Ken underpants’: Barbie costume designer Jacqueline Durran spills her secrets
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The Seeding review – redneck-biblical horror-thriller offers perverse Edenic refuge
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Which Brings Me to You review – mostly charming romcom is worth puckering up for
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Table for Six 2 review – second round of hit couples comedy heads for the wedding party
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Dogwatch review – seagoing mercenaries take on pirates in homoerotic meditation
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Michael Jayston obituary
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Ian Lavender obituary
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Flemish film awards under fire after men win most prestigious gender-neutral categories
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‘Brutally honest’ or ‘ham-fisted cliche’? What does All of Us Strangers say about being gay?
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The Saltburn bathbomb: the milky, salacious treat absolutely nobody asked for
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The Jungle Bunch: World Tour review – penguin gets tiger stripes again
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Marmalade review – poppy spin on classic noir thriller is full of fizzy chemistry
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Dagr review – perma-snarking YouTubers cancel the fear in paganistic slasher
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‘I wanted to find the humanity in kids seen as scumbags’: George Amponsah on his Scorsese-style thriller
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