‘She just unravels so beautifully’: how Nicole Kidman conquered the world – then kept on going
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Kate Winslet insisted her film about Lee Miller must have female director
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Beetlejuice Beetlejuice review – Tim Burton has fun with pleasingly idiosyncratic sequel
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Sunday with Eddie Marsan: ‘My potatoes are legendary’
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Venice 2024: Almodóvar’s first major festival win is richly deserved – and epically overdue
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Almodóvar’s The Room Next Door wins Golden Lion at Venice film festival
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The Last Showgirl review – Pamela Anderson’s big comeback is a big disappointment
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We Live in Time review – Andrew Garfield and Florence Pugh charm in heartfelt weepie
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Venice film festival 2024 roundup – Nicole Kidman gets carnal and Lady Gaga goes crazy
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From Starve Acre to Roy Lichtenstein: a complete guide to this week’s entertainment
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In Camera writer-director Naqqash Khalid: ‘The film industry is a circus’
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Kim Cattrall: ‘I’ve had a life’s experience – I want to bring it on board’
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Hard Truths review – a Mike Leigh classic of day-to-day disillusionment and courage
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The Penguin Lessons review – Steve Coogan’s teacher p-p-picks up a penguin in 70s Argentina
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The Cut review – Orlando Bloom goes through hell in sordid boxing thriller
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Norman Spencer, David Lean’s collaborator and UK’s second oldest man, dies aged 110
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Nutcrackers review – Ben Stiller finds little joy in middling Christmas comedy
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Can Travis Knight’s He-Man movie do for boys what Greta Gerwig’s Barbie did for girls?
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Surréalisme review – monstrous, deviant, glorious fun as the movement hits 100
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Out of the ruins: film inspired by slum clearance in Nigeria opens in Toronto
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Joram to Source Code: the seven best films to watch on TV this week
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‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage
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The Front Room review – Brandy Norwood shines in muddled camp horror
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April review – Dea Kulumbegashvili comes into her own with haunting abortion drama
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LL Cool J: ‘Hip-hop isn’t underdog music any more’
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Post your questions for Jude Law
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Keanu Reeves at 60: from surfer dude to action hero, his 20 best films – ranked!
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From Hard Truths to Nightbitch: 10 films to look out for at Toronto film festival 2024
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The Brutalist review – epic Adrien Brody postwar architectural drama stuns and electrifies
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Apollo 13: Survival review – fascinating, if clinical, retelling of space history
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Joker: Folie à Deux review – Joaquin Phoenix and Lady Gaga musical spirals out of tune
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‘I probably shouldn’t do this again’: Joaquin Phoenix and Lady Gaga talk about ‘difficult’ Joker diets
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Rebel Ridge review – electrifying Netflix crime thriller is a knockout
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‘A goalkeeper vomited over my typewriter’: Werner Herzog on writing his wildest film
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‘We have a good relationship … as long as he doesn’t start bitching’: why Ridley Scott and Russell Crowe’s Gladiator 2 spat has me entertained
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Sign up for the Film Weekly newsletter: our free film email
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Paul and Paulette Take a Bath review – misjudged romance takes wince-inducing wrong turn
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Are standing ovations at film festivals getting out of hand?
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What we do in the shadows: why film noir will never die
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‘We didn’t worry about a few dirty laughs!’ The Carry On women on playing nags, bra-burners and ‘crumpet’
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Maldoror review – true-crime serial killer procedural induces stomach-turning horror
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Queer review – Daniel Craig is needy, horny and mesmeric in Guadagnino’s erotic drama
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‘We never went down the Aardman route’: how the Brothers Quay rocked the animation world
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Harvest review – folk non-horror an exasperating experience
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‘There’s nothing intimate about filming a sex scene’: Daniel Craig opens up about new film Queer
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2073 review – Asif Kapadia rages against the death of democracy and our planet
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Red Rooms review – fashion model fixates on a serial-killer in unsettling dark-web horror
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The Whip review – carer turns to crime in a heist movie with a conscience
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My First Film review – charismatic new star beefs up audacious grad school-style project
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The Room Next Door review – Almodóvar spins a gorgeous, fragile tale of life and death
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Pedro Almodóvar: ‘There should be the possibility to have euthanasia all over the world’
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‘Let them kick the crap out of the songs’: how we recreated the Beatles to make Backbeat
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Fitting In review – rare biological condition gets thrown into typical teen movie mix
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Fragile Memory review – a personal tribute to a prolific Soviet film-maker
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Don’t Forget to Remember review – art, identity and the slow disintegration of dementia
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Wolfs review – Pitt and Clooney are job-sharing loners in Spidey-meme of a thriller
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Don’t believe supposed salary figures for new film Wolfs, says Clooney
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From Darkness to Light review – Jerry Lewis’ infamous Holocaust film rescued from oblivion
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Mandoob (Night Courier) review – Saudi crime thriller delves into the secrets of Riyadh
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‘Like criticising a book that has 700 pages’: The Brutalist director defends long films
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The Count of Monte Cristo review – highly enjoyable French costume spectacle
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Close to You review – Elliot Page struggles to bring transgender drama to life
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‘Can we show an act of violence on TV?’ New thriller tells story of Munich hostage massacre
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‘Everyone recognises her now – me, not so much’: Arthur Harari on how Anatomy of a Fall catapulted him and Justine Triet to film power couple status
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Paradise Is Burning review – compelling Swedish drama of three abandoned sisters
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Sing Sing review – Colman Domingo is magnetic in moving real-life US prison drama
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Campo di Battaglia review – medicos face off in stately first world war hospital drama
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From Charli XCX and Van Gogh to Gladiator 2: the best culture to go out and see this autumn
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‘You’re part of the tornado’: the summer of moviegoing game-changer 4DX
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Mark Kermode on… Martin Scorsese’s love of British cinema
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