A Sudden Glimpse to Deeper Things review – lovingly eccentric ode to a forgotten abstract painter
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Come Alive! review – acrobatic spectacle squanders The Greatest Showman’s songs
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Christopher Reeve’s kids on love, loss and his life-changing accident: ‘He celebrated every single thing we did’
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How the gory Terrifier movies became a shock phenomenon
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Why did Joker 2 lose so much money? And how on earth did it cost so much in the first place?
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Tell us: what are your thoughts on Joker: Folie à Deux?
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Since Yesterday: The Untold Story of Scotland’s Girl Bands review – the joy and the fury
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Sweet Bobby: My Catfish Nightmare review – flawed Netflix documentary still shocks
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Studio One Forever review – affectionate look back at LA’s legendary gay club
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Joy review – warm and intensely English portrayal of the birth of IVF
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Ace in the Hole: a strikingly relevant and cyclonically witty take on the media
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Joker sequel on course for catastrophic $200m loss – reports
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MadS review – one-shot French horror is an impressive exercise in tension and mood
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Harrison Ford keeps working for ‘human contact’. Could he be any more beloved?
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All British cinema is propaganda: how our film-makers are unwittingly reshaping the world
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Members Club review – male strippers meet bloodthirsty witches in gory comedy horror
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Children of the Pines review – David Lynch-style teen-angst horror takes a big leap
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Want to understand Donald Trump? Then watch macho 80s action movies
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‘More important than going to the moon’: Bill Nighy, James Norton and Thomasin McKenzie on their film about the birth of IVF
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Terrifier 3: this low-budget film makes audiences vomit. Why is it No 1 at the US box office?
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Milisuthando review – a life haunted by, and isolated from, the horrors of apartheid
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Kathleen Is Here review – cuckoo-in-the-nest drama-thriller has a properly nailbiting ending
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Kulej. Dwie Strony Medalu review – glossy boxing biopic is Poland’s answer to Raging Bull
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Pulp Fiction at 30: Quentin Tarantino’s masterwork remains electric
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Garçonnières review – male insecurities revealed as film goes back to the man cave
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‘People are complex’: Maria Bakalova on Donald Trump – and playing Ivana in The Apprentice
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Joker: Folie à Deux flops further in second week at US box office after lacklustre opening
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‘An incredible echo of today’: Kevin Macdonald on his film about John Lennon and Yoko Ono
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Changingman Paul Weller reinvents himself again… as an actor in Steve McQueen’s Blitz
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‘I could not get through the script without crying’: Adrien Brody talks to the death row survivor who he’s playing on the London stage
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Transformers One review – action-packed prequel adds brains to the metal monster smash-ups
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‘I need to feel alive’: Julianne Moore on family, friendship and mortality
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Enrico Berlinguer: the 1970s communist hero inspiring Italy’s youth – and the far right
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Endurance review – search for Shackleton’s Antarctic wreck overshadowed by history
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Streaming: Kneecap and the best hip-hop movies
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Salem’s Lot to Rivals: a complete guide to this week’s entertainment
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Al Pacino tells the inside story of The Godfather, and Marina Hyde on Keir Starmer, the unforced error machine – podcast
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No time to film: are James Bond’s Hollywood paymasters holding out for a gen-Z 007?
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Woman of the Hour to The Radleys: the seven best films to watch on TV this week
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‘It feels very personal’: Anna Kendrick on coercion, not wanting children and making a movie about dating a killer
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Lonely Planet review - Laura Dern and Liam Hemsworth heat up beach-read travel romance
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Matthew Modine: ‘The film and TV industry chews kids up and spits them out’
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In Restless Dreams: The Music of Paul Simon review – heartfelt portrait of a generational talent
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Timestalker review – Alice Lowe’s anti-romcom is a darkly hilarious spin through history
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Buffalo Kids review – CGI old west adventure with a big, warm heart
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Blitz review – Steve McQueen’s rousing wartime adventure is surprisingly old-fashioned
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Flopping at the box office, hated by the critics – could Joker: Folie à Deux possibly be any worse?
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Almodóvar in English, McQueen at war and Jolie on song: Peter Bradshaw’s picks of the London film festival
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Haunted Ulster Live review – mock Halloween broadcast evokes the spectre of Ghostwatch
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Return of the Mexican sex bombs: Gael García Bernal and Diego Luna on their boxing comedy La Máquina
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‘Bond’s audience will be patient’: Amazon MGM Studios’ boss on the hunt for a new 007
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Stuntman review – spirited love letter to golden age of Hong Kong’s action movies
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Bunting, bobbies and Doctor Who phone boxes: Dinard, the French film festival that’s mad for Britain
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‘It was a challenge to film both sides’: the struggle to portray Kenya’s age-old land dispute
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Daddy’s Head review – a creature emerges from grief in clever British psychological horror
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Singin’ in the nuclear rain: new films push the musical genre in a darker direction
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The Three Michaels review – trio of Michael Jackson lookalikes reach for the stars
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Sally Field recalls her ‘hideous’ illegal abortion at 17 as she urges voters to back Kamala Harris
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‘Rutger Hauer said he didn’t play bad guys’: how we made chiller classic The Hitcher
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Forget the f-words, ignore the erections: how did an entire plane collectively choose to watch Daddio?
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In Her Place review – true-crime drama of a court worker fascinated by author in the dock
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Take Cover review – Scott Adkins hitman thriller makes Fast & Furious look like Gilbert and Sullivan
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Sound of Hope: The Story of Possum Trot review – Sound of Freedom followup is a test of faith
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Portraits of Dangerous Women review – dog car crash sets off baffling and peculiar drama
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Al Pacino reveals he almost died of Covid – and delivers his verdict on the afterlife
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Michel Blanc, star of Monsieur Hire, dies aged 72
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Maya and the Wave review – spotlight on the Brazilian surfer triumphing over a riptide of sexism
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‘My disability is the least interesting thing about me’: Actor Adam Pearson on fame, film and his sibling rivalry
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Joker: Folie à Deux review – Lady Gaga electrifies in mediocre musical sequel
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Keanu Reeves spins out at Indianapolis Motor Speedway in pro racing debut
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