‘Smooth with a sinister edge’: readers on who the next James Bond should be
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Past Lives to The Hunger Games: The Ballad of Songbirds & Snakes – the seven best films to watch on TV this week
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Experience: I won a Timothée Chalamet lookalike contest
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Lalo Schifrin, composer of Mission: Impossible theme and more than 100 film and TV scores, dies aged 93
The Guardian (Movies)
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Stephen Graham, Jodie Comer and Ariana Grande among new invited film Academy members
The Guardian (Movies)
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Idris, Aaron, Theo? Tell us who should be the next James Bond
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‘The script didn’t have Jurassic World on the front’: Gareth Edwards on Monsters, Godzilla, Star Wars and reinventing dinosaurs
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Gun for hire: what does Denis Villeneuve joining as director tell us about the new James Bond?
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Mel Brooks turns 99: the comedy icon’s best films – ranked!
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How a ’90s Brand Catering to Skateboard Kids Became a Multibillion-Dollar Business
TIME (TV)
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The return of the soundtrack: how original movie music made a comeback
The Guardian (Movies)
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Aaron Sorkin’s The Social Network sequel officially in development
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‘A belter of a movie’: Guardian readers’ best films of 2025 so far
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From Hilde, With Love review – anti-Nazi activist’s heartwrenching true story
The Guardian (Movies)
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Hercules review – Disney musical is fun, finely sung but not quite fit for the gods
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Words of War review – Maxine Peake leads line as murdered Putin-critic journalist Anna Politkovskaya
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Sudan, Remember Us review – vividness and vibrancy in intense account of Khartoum uprising
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Dan Aykroyd: ‘I don’t believe in associating with beings that have no souls’
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28 Years Later: political parallels, pregnant zombies and a peculiar ending – discuss with spoilers
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Hung Up on a Dream: The Zombies Documentary review – happy-sad tale of 60s psychedelic rockers
The Guardian (Movies)
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Post your questions for Maxine Peake
The Guardian (Movies)
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Fighters review – rage-inducing study of the barriers to participation in sport for disabled people
The Guardian (Movies)
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‘Full of delightful surprises’: why Spy is my feelgood movie
The Guardian (Movies)
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Perfumed With Mint review – poetic Egyptian stoner flick reveals inertia of failed revolution
The Guardian (Movies)
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Allo la France review – romance of French phone booths exposes funding cuts to rural services
The Guardian (Movies)
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How historic Ealing Studios is hoping to regain ground with £20m revamp
The Guardian (Movies)
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‘We were all pretty privileged’: Allison Williams on Girls, nepo babies and toxic momfluencers
The Guardian (Movies)
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Elio gives Pixar its worst ever box-office opening despite positive reviews
The Guardian (Movies)
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‘Have you heard of this BDSM trend?’ What I learned recording thousands of hours of teens on their phones
The Guardian (Movies)
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Adeel Akhtar: ‘It seemed late in the day to start noticing Asian actors … we’ve been here a really long time’
The Guardian (Movies)
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‘It’s hard to find work’: Marlee Matlin on making Hollywood history but waiting for change
The Guardian (Movies)
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My cultural awakening: I watched Sleepless in Seattle and realised I had to cancel my wedding
The Guardian (Movies)
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From Elio to Diana Ross: your complete entertainment guide to the week ahead
The Guardian (Movies)
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The Guide #196: How blockbusters, streaming and risk-averse studios shaped the last 25 years of cinema
The Guardian (Movies)
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Brad Pitt in the paddock: how F1 the Movie went deep to keep fans coming
The Guardian (Movies)
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Double trouble: can James Gunn really make two separate Batman movies work?
The Guardian (Movies)
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‘It put the fear of God in the audience’: the incredible story of how Jaws changed Hollywood
The Guardian (Movies)
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‘You’d never make Slumdog today’: Danny Boyle on risks, regrets and returning to the undead
The Guardian (Movies)
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David Lynch’s belongings fetch $4.25m at auction, including scripts for unfinished film
The Guardian (Movies)
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‘Death is complicated and kaleidoscopically beautiful’: Jerskin Fendrix on his emotional new album – and life after Oscar success
The Guardian (Movies)
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Gina Gershon: ‘Tom Cruise was tickling me in bed. I nearly broke his nose’
The Guardian (Movies)
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Piece By Piece to Saltburn: the seven best films to watch on TV this week
The Guardian (Movies)
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Bride Hard review – Rebel Wilson action comedy is hard to endure
The Guardian (Movies)
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Is this an artist – or a coffee pot? The great William Kentridge reveals the strange secret to a great self-portrait
The Guardian (Movies)
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28 Years Later review – sprinting zombies take evolutionary leap forward in badass threequel
The Guardian (Movies)
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Deliver Me From Nowhere: first trailer for Oscar-tipped Bruce Springsteen biopic
The Guardian (Movies)
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‘Artists struggled to survive’: the devastating impact of blacklisting Americans
The Guardian (Movies)
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Holloway review – brave women go back to prison to unlock their stories
The Guardian (Movies)
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S/he Is Still Her/e: The Official Genesis P-Orridge Doc review – Throbbing Gristle’s gender-challenging tabloid-baiter
The Guardian (Movies)
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Tom Cruise and Dolly Parton among stars set to receive honorary Oscars
The Guardian (Movies)
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F1 the Movie review – spectacular macho melodrama handles Brad Pitt with panache
The Guardian (Movies)
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Elio review – Pixar’s goofy, giddy guide to the galaxy offers charm and vulnerability
The Guardian (Movies)
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‘Exceptional’: Jarman award nominees range from Algerian mountains to east London roads
The Guardian (Movies)
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I Heart Willie review – public-domain slasher turns Mickey Mouse into slicer-and-dicer
The Guardian (Movies)
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The Phoenician Scheme is fantasy. It is also a remarkable engagement with the real-life conflict in the Middle East
The Guardian (Movies)
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A Sip of Irish review – knocking it back around the world in the diaspora of drink
The Guardian (Movies)
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The Last Journey review – Sweden’s Ant and Dec hit the road with octogenarian dad
The Guardian (Movies)
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Al Pacino becomes first film star to meet Pope Leo XIV
The Guardian (Movies)
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My unexpected Pride icon: as a bullied teenager, I found safety in slasher films
The Guardian (Movies)
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Red Path review – Tunisian drama tells traumatic story of Islamic State’s horrific cruelty
The Guardian (Movies)
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Last Resort review – Jon Foo’s former soldier kicks try-hard butt in Die Hard knock-off
The Guardian (Movies)
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‘Always something I can watch’: why Spotlight is my feelgood movie
The Guardian (Movies)
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Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance
The Guardian (Movies)
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The Triptych of Mondongo review – one part art documentary, two parts directorial megalomania
The Guardian (Movies)
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My unexpected Pride icon: Jurassic Park’s strutting, swaggering T rex is pure camp
The Guardian (Movies)
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‘People didn’t like women in space’: how Sally Ride made history and paid the price
The Guardian (Movies)
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‘The city is being hollowed out’: the billionaire landlord locked in a David v Goliath battle for London’s West End
The Guardian (Movies)
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How to Train Your Dragon to Neil Young: your complete entertainment guide to the week ahead
The Guardian (Movies)
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Heroic indifference: was Thunderbolts* always doomed at the box office?
The Guardian (Movies)
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My unexpected Pride icon: Free Willy helped me see the radical power of coming out
The Guardian (Movies)
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