The Road to Patagonia review – an epic journey from Alaska to the Andes
The Guardian (Movies)
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Post your questions for John C Reilly
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‘I smile every time’: why Amélie is my feelgood movie
The Guardian (Movies)
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A Golden Life review – childhood is collateral in Burkina Faso’s search for gold
The Guardian (Movies)
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No meat, no beer and hopefully no poison: the curious tale of Hitler’s food tasters
The Guardian (Movies)
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Hello Stranger review – interactive thriller puts remote worker in trial-by-internet
The Guardian (Movies)
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‘People raised hell’: why shouldn’t Scarlett Johansson and James Franco play queer characters?
The Guardian (Movies)
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‘My mother didn’t try to stab my father until I was six’: Alan Alda on childhood, marriage and 60 years of stardom
The Guardian (Movies)
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Marcel Ophuls, Oscar-winning film-maker of The Sorrow and the Pity, dies aged 97
The Guardian (Movies)
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Jafar Panahi’s Cannes victory is a wonderful moment for an amazingly courageous film-maker
The Guardian (Movies)
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Iranian director Jafar Panahi wins Palme d’Or at Cannes for It Was Just an Accident
The Guardian (Movies)
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‘A case study on psychosis’: men on why Tim Robinson’s Friendship feels a little too real
The Guardian (Movies)
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Hush over Hollywood: why has it become so hard to make films in Los Angeles?
The Guardian (Movies)
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Braveheart at 30: Mel Gibson’s gory, hokey Oscar winner plays like a biblical epic
The Guardian (Movies)
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‘They first come for great acts of culture’: Cate Blanchett sets up grant for displaced film-makers
The Guardian (Movies)
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From Mission: Impossible to Stereolab: your complete entertainment guide to the week ahead
The Guardian (Movies)
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Rust armorer released after completing prison sentence in fatal film set shooting
The Guardian (Movies)
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Mountainhead review – tech bros face off in Jesse Armstrong’s post-Succession uber-wealth satire
The Guardian (Movies)
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The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie
The Guardian (Movies)
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Endgame ennui: are Marvel’s end-of-credits scenes still worth the wait?
The Guardian (Movies)
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‘Revelatory, magnetic, unknown’: how Frank Dillane became a star at Cannes
The Guardian (Movies)
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Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win
The Guardian (Movies)
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‘I should really be the world champion’: Ralph Macchio on kicking it as The Karate Kid for 41 years
The Guardian (Movies)
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The best of the Cannes film festival 2025 red carpet – in pictures
The Guardian (Movies)
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Fear Street: Prom Queen review – disappointing Netflix teen slasher
The Guardian (Movies)
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Fountain of Youth review – Guy Ritchie’s Indiana Jones knock-off is a soulless misadventure
The Guardian (Movies)
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Woman and Child review – drama of rage and pain in the Iranian marriage market
The Guardian (Movies)
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On the road to somewhere … Cannes film festival reminds us world cinema and ‘globalism’ are not the same
The Guardian (Movies)
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Yes review – a fierce satire of Israel’s ruling classes, radioactive with political pain
The Guardian (Movies)
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Paul Mescal says comparing his film romance with Josh O’Connor to Brokeback Mountain is ‘lazy and frustrating’
The Guardian (Movies)
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‘Grifter loneliness is not for me any more’: Julia Stiles on dance, Dexter and her directorial debut
The Guardian (Movies)
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Famous men’s toxic fandoms have become a tool for punishing women | Tayo Bero
The Guardian (Movies)
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Romería review – Carla Simón’s gripping pilgrimage tackles Aids, parents and the legacy of secrets
The Guardian (Movies)
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‘Breath-stoppingly tense’: which Mission: Impossible film is the greatest?
The Guardian (Movies)
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‘Shakespeare would be writing for games today’: Cannes’ first video game Lili is a retelling of Macbeth
The Guardian (Movies)
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‘I’m less apologetic now’: Kelly Macdonald on her Trainspotting teen highs and hitting her stride in her 40s
The Guardian (Movies)
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Sentimental Value review – Stellan Skarsgård is an egomaniac director in act of ancestor worship
The Guardian (Movies)
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The History of Sound review – Paul Mescal and Josh O’Connor romance is full-bodied but tin-eared
The Guardian (Movies)
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The Six Billion Dollar Man review – WikiLeaks founder Julian Assange’s rise, fall and limbo
The Guardian (Movies)
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George Wendt obituary
The Guardian (Movies)
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Banned film-maker Jafar Panahi says friends lost hope he would direct again
The Guardian (Movies)
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Tell us your memories of seeing Star Wars in cinemas
The Guardian (Movies)
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A Private Life review – Jodie Foster is a sleuthing shrink in French-language Hitchcockian mystery
The Guardian (Movies)
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Burden of Dreams review – on-location account of Werner Herzog’s Fitzcarraldo is a gruelling delight
The Guardian (Movies)
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Kevin Spacey is back at Cannes. Not many people seem to care
The Guardian (Movies)
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Eleanor the Great review – June Squibb takes on Holocaust survivor trauma in Scarlett Johansson’s iffy directing debut
The Guardian (Movies)
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‘I don’t have a relationship with my face’: Judi Dench models for a live sculpture
The Guardian (Movies)
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Lilo & Stitch review – Disney’s latest unnecessary remake is a monstrosity
The Guardian (Movies)
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A Simple Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
The Guardian (Movies)
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‘I think of those I left behind in prison’: Iran’s Jafar Panahi on life as a banned film-maker
The Guardian (Movies)
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Call for safety review after producer injured by falling palm tree at Cannes film festival
The Guardian (Movies)
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The Secret Agent review – brilliant Brazilian drama of an academic on the run in the murderous 1970s
The Guardian (Movies)
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Bob Trevino Likes It review – Barbie Ferreira lovebombs us all in quirk-fuelled comedy
The Guardian (Movies)
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When the Light Breaks review – two students grieve one boyfriend in Icelandic heartbreaker
The Guardian (Movies)
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TV tonight: a fun reboot of early 00s reality show Faking It
The Guardian (Movies)
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Alpha review – Julia Ducournau’s disjointed body horror is an absolute gamma
The Guardian (Movies)
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Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style
The Guardian (Movies)
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From Coogler to Cruise: the Hollywood heroes saving cinema
The Guardian (Movies)
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‘I will never stop’: Tom Cruise wants to make movies into his 100s. Why not his 1000s? | Stuart Heritage
The Guardian (Movies)
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Tina Fey Is a Marriage Realist
TIME (TV)
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Three Theories About Who Committed That White Lotus Season 3 Robbery
TIME (TV)
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The Big Reason Suits LA Just Doesn’t Work
TIME (TV)
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Mindy Kaling on Making a Show About the ‘Famously Dysfunctional, Extremely Wealthy’ Family That Owns the Lakers
TIME (TV)
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‘She’s Crazy in the Best Way.’ Aimee Lou Wood on Her Painfully Relatable White Lotus Season 3 Character
TIME (TV)
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Meet Tayme Thapthimthong, the Breakout Star Who Romances Lisa in The White Lotus Season 3
TIME (TV)
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‘No One Wants to See Rich People Having a Good Time.’ Jason Isaacs on the Perverse Pleasures of The White Lotus Season 3
TIME (TV)
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Walton Goggins: ‘I Was Gutted in a Such a Visceral Way’ By The White Lotus Season 3
TIME (TV)
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Here’s Where Everyone Ends Up After Six Improbably Entertaining Seasons of Cobra Kai
TIME (TV)
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Netflix’s New Senna Miniseries Captures the Thrilling Life and Tragic Death of the Auto Racing Star
TIME (TV)
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Explaining the Ending of Netflix’s New Thriller The Madness
TIME (TV)
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