I always wondered what had happened to my missing brother. Could I ever forgive my father for driving him away?
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‘Protest shapes the world’: Rebecca Solnit on the fight back against Trump
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The Four Seasons, A Complete Unknown and Model/Actriz: the week in rave reviews
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Do we really need more male novelists?
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‘Full-circle moment’: Candice Carty-Williams joins judging panel as 4thWrite prize opens for entries
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Has Marvel shot itself in the foot by bringing superfreak Sentry into Thunderbolts*?
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‘A natural storyteller’: Jane Gardam remembered by Tessa Hadley
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Margaret Drabble: ‘Our family had a passion for Georgette Heyer’
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‘Music is never fixed in me’ … cellist Sheku Kanneh-Mason on surviving a ‘volcano of racism’
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The Guardian view on the Gruffalo: a well-timed comeback, wart and all | Editorial
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Question 7 by Richard Flanagan audiobook review – a bold memoir of life and near-death
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New book prize to award aspiring writer £75,000 for first three pages of novel
The Guardian (Books)
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The Best New Books to Read in May
TIME (Books)
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The Pretender by Jo Harkin review – a bold and brilliant comedy of royal intrigue
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What we’re reading: writers and readers on the books they enjoyed in April
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Gruffalo to return with first new book in more than 20 years
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‘As a film lover, I want more’: the Black female directors taking centre stage
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Parents: what are the best books to read aloud to children?
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Playing with words: why novelists are becoming video game writers – and vice-versa
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Most parents don’t enjoy reading to their children, survey suggests
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The Alienation Effect by Owen Hatherley review – meet the brutalists
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Jane Gardam, author of Old Filth and The Hollow Land, dies aged 96
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Philip Pullman announces The Rose Field, the final part of Lyra’s story
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Consider Yourself Kissed by Jessica Stanley review – a delightfully grounded romance
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Parallel Lines by Edward St Aubyn review – troubled minds and family mysteries
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‘You have to be taken inside Poirot’s brain’: Ken Ludwig on the secret to adapting Agatha Christie
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New independent press to focus on male writers
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Poem of the week: Gravel by Maurice Riordan
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Notes to John by Joan Didion review – a writer on the couch
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Is a River Alive? by Robert Macfarlane review – streams of consciousness
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Tom Gauld on microdosing Jane Austen at the office – cartoon
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The big idea: will we ever make life in the lab?
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I’ve never kept a diary. But if I had, I’d want it destroyed when I die | Emma Beddington
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Writer Saba Sams: ‘I wanted it to be sexy and really messy’
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Jeanette Winterson: ‘I’d like to go up in space as a very old lady and just be pushed out’
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‘100-year timeframe’: how Project 2025 is guiding Trump’s attack on government
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Is this river alive? Robert Macfarlane on the lives, deaths and rights of our rivers
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Sister Europe by Nell Zink review – all the ideas Trump deems most dangerous
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‘Beyoncé and Solange tell me off all the time’: Tina Knowles on raising superstars, surviving cancer and growing up under segregation
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Andor, Pink Floyd at Pompeii and Conclave: the week in rave reviews
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The Guardian view on posthumously publishing Joan Didion: goodbye to all that | Editorial
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‘This treasure belongs to the nation’: Miriam Margolyes and Brian Cox join calls to save Wordsworth’s home
The Guardian (Books)
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Pedro Pascal calls JK Rowling a ‘heinous loser’ in wake of supreme court gender ruling
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Children’s and teens roundup – the best new picture books and novels
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Bad Friend by Tiffany Watt Smith review – refreshingly frank portraits of female friendship
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The Great Gatsby: A New Musical review – what a swell party this ain’t
The Guardian (Books)
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New book to reveal more about scandal of Martin Bashir interview with Princess Diana
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All Fours by Miranda July audiobook review – the frank, sexy novel everyone’s been talking about
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Stephen Fry’s ‘vocal double’ to be used in AI installation at Hay festival
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Paradise Logic by Sophie Kemp review – wild, absurd and wickedly funny
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Men of a Certain Age by Kate Mossman review – close encounters with charismatic male rockers
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Open, Heaven by Seán Hewitt review – an exquisite tale of first love
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Collective licence to ensure UK authors get paid for works used to train AI
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How idea of charging women with murder infiltrated the anti-abortion movement
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Gillian Anderson announces ‘even more daring’ follow-up to bestselling book of sexual fantasies
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Moral Ambition by Rutger Bregman review – why you should quit your job to make the world a better place
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Luminous by Silvia Park review – a major new voice in SF
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Enough Is Enuf by Gabe Henry review – the battle to reform English spelling
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‘Funny, sexy and a bit weird’: inside the new wave of literary parties
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Puttin’ on the Fitz! The Great Gatsby: A New Musical – in pictures
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The Ugly Stepsister review – body-horror take on Cinderella is ingenious reworking of fairy tale
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Wellwater by Karen Solie – landscapes in distress captured with raw candour
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Paradise Logic by Sophie Kemp review – a TikTok Stepford Wives for the Pornhub era
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Baby boomers: if Sue Storm is pregnant then what’s going to happen in the Fantastic Four’s first outing?
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Poem of the week: The old pond full of flags and fenced around … by John Clare
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Girl on Girl by Sophie Gilbert review – how pop culture turned a generation of women against themselves
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Adventurer, horse photographer, killer: Eadweard Muybridge’s extraordinary life told in a comic book
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Moral Ambition by Rutger Bregman review – don’t just stand there, do something
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The authors taking on Mark Zuckerberg – podcast
The Guardian: Football Weekly (Books)
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The Illegals by Shaun Walker review – Russian spies hiding in plain sight
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