I Seek a Kind Person by Julian Borger review – the small ads that saved Jewish children from the Nazis
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Ali Smith’s 90s New York punk scene – photo essay
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‘Pain renewed her resolve’: how my mum tried to die on her own terms
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Christopher Priest obituary
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Pity by Andrew McMillan review – an excavation of identity and collective memory
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‘Gloom is good’: after my wife died I found solace in poetry and music
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‘An enigma, an artist who walked to his own beat’: the everyday sublime of photographer Saul Leiter
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What a legendary historian tells us about the contempt for today’s working class | Kenan Malik
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Writer Kerry Hudson: ‘I grew up with the narrative that working-class mothers were the worst’
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Empireworld by Sathnam Sanghera review – the charge sheet against rule Britannia
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We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience – review
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‘Poetic’, ‘fearless’, ‘a creative triumph’: the best Australian books out in February
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Patrick Joyce: ‘The history of peasants is one of their silence or being silenced’
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The AI tools that might stop you getting hired
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Where to start with: Gertrude Stein
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A Dirty, Filthy Book by Michael Meyer review – sex and sanctimony
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‘If you scream you are a dead duck’: At 14, my mother left me alone all summer – then the man with a knife found me
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‘Secure, affordable homes are the stuff of fiction’: how young writers are responding to the UK housing crisis
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Tom Gauld on the writer’s attempts to improve his novel – cartoon
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Groundbreakers by Chantal Lyons review – the whole hog
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A genre of swords and soulmates: the rise and rise of ‘romantasy’ novels
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John Fetterman wants us to respect his pain – even as he mocks Palestinians’
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Sense and Sensibility by Jane Austen audiobook review – the pursuit of love
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John Burnside: ‘My stoner friends were into The Hobbit, but Gormenghast was darker’
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Wellness by Nathan Hill review – the tragicomic maladies of marriage
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Hard By a Great Forest by Leo Vardiashvili review – a quest in the wake of Soviet collapse
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‘I felt like an FBI agent’: the author who infiltrated the art world
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Spotify claims to have paid audiobook publishers ‘tens of millions’ in royalties
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Ockham’s Razor: Tess review – circus spin finds light and laughter in Thomas Hardy’s tale
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How We Break by Vincent Deary review – look after yourself
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Green Dot by Madeleine Gray review – witty tale of obsessive love
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Adventures in Democracy by Erica Benner review – many men, many minds
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What we’re reading: writers and readers on the books they enjoyed in January
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What Will Survive of Us by Howard Jacobson review – end of the affair
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Hardy Women by Paula Byrne review – where love and fiction collide
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My Heavenly Favourite by Lucas Rijneveld review – a transgressive tour de force
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Sherlock Holmes and the Whitechapel Fiend review – the spoof’s afoot!
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The Lodgers by Holly Pester review – the suboptimal life of a subletter
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Fourteen Days: A Collaborative Novel review – a starry patchwork inspired by the dark days of Covid
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N Scott Momaday, Pulitzer-winning Native American novelist, dies aged 89
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Paul Murray and Fern Brady win inaugural Nero book awards
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The big idea: what if every little thing you do changes history?
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Poem of the week: Blood by Holly Pester
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Aya: Claws Come Out by Marguerite Abouet and Clément Oubrerie review – Ivory Coast’s comic soap opera
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Prime movers: the German circus exploring Amazon through acrobatics
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Sex, Spies and Scandal by Alex Grant review – the cold war and an untold part of Britain’s LGBT history
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In brief: The Fury; Our Moon: A Human History; Wolfish – review
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‘I am not there and I am not here’: a Palestinian American poet on bearing witness to atrocity
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Day by Michael Cunningham; The Vulnerables by Sigrid Nunez review – tales from the Covid era
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US historians sign brief to support Colorado’s removal of Trump from ballot
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Lovers in Auschwitz: A True Story by Keren Blankfeld review – a dangerous liaison in the shadow of death
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My son is impressed that my book can be read in Estonian | Séamas O’Reilly
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Forbidden Desire in Early Modern Europe review – Christianity’s barbaric war against homosexuality
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Édouard Louis: ‘All my writing is political – and all my life is, too’
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Sunday with Yvette Fielding: ‘Who does housework? You’ve got all week’
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Meeting Maurice Sendak, the provocative author of Where the Wild Things Are, in 1984
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I criticised Rwanda, now I wake up screaming after sustained online attacks | Michela Wrong
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Jonathan Escoffery: ‘I was trying to write novels aged nine’
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‘We equate verbal fluency with intelligence’: why Angie Kim wrote a novel about a non-speaking autistic boy
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Beyond cliche and condescension: we need new stories about ‘The North’
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Tom Gauld on where Christmas gift books end up – cartoon
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Spent Light by Lara Pawson review – the dark side of everyday things
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‘Living on the fringes’: why New Zealand novelists are making waves
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Books and looks: gen Z is ‘rediscovering’ the public library
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I’m a sex educator. Here’s the biggest myth about desire in long-term relationships
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None of This Is True by Lisa Jewell audiobook review – is she who she says she is?
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Children’s and teens roundup – the best new picture books and novels
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Northanger Abbey review – Janeites, be warned! Austen gets a fanfic makeover
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Pankaj Mishra: ‘VS Naipaul taught me you can write about your country with honesty’
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Empireworld by Sathnam Sanghera review – the contradictions of colonialism
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