The Guardian view on celebrating working-class memory: a way of looking to the future | Editorial
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Byron: A Life in Ten Letters by Andrew Stauffer review – wrong but Romantic
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Fourteen Days co-edited by Margaret Atwood review – a pandemic tale
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Keir Starmer: The Biography by Tom Baldwin review – steady as he goes
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‘A picture of hell’: inside the UK’s nuclear reactors – in pictures
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Richard Osman to publish first novel in new crime series
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Crime and thrillers of the month – review
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After a Dance: Selected Stories by Bridget O’Connor review – hilariously inappropriate slices of life and death
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Royal Society of Literature refers itself to Charity Commission as authors pen petition
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The big idea: this simple behavioural trick can help you get more out of life
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Change: A Novel by Édouard Louis review – a knack for dramatising filial strife
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Poem of the week: Blue Field by Lavinia Greenlaw
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No Judgement by Lauren Oyler review – modish observations from a rarefied world
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The Guardian view on festivals and the future: bound together by the power of a shared vision | Editorial
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The Crisis of Narration by Byung-Chul Han review – how big tech altered the narrative
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Alphabetical Diaries by Sheila Heti review – a radical fusion of linguistic experiment and philosophical inquiry
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Gift of the gab: how to become a supercommunicator
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Melting Point by Rachel Cockerell review – the hunt for a homeland
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Author Peter Ackroyd: ‘You eat a great deal of knowledge. You sick it up. And then you start again’
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Slum Boy: A Portrait by Juano Diaz review – moving memoir that recalls Shuggie Bain
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BBC disinformation reporter Marianna Spring: ‘My approach to fear is to try to make sense of it’
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The big picture: teenage girls at play in east London
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Find Me the Votes review: Fani Willis of Georgia, the woman who could still take down Trump
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Maurice and Maralyn: A Whale, a Shipwreck, a Love Story by Sophie Elmhirst review – how to keep a marriage afloat
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Georgi Gospodinov: ‘There was a culture of silence – it was safer not to say what you think’
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‘Fiction opened my eyes’: author Jodie Chapman on growing up as a Jehovah’s Witness
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‘God forbid that a dog should die’: when Goodreads reviews go bad
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‘I write all my poems with a quill by candlelight’: John Cooper Clarke on the joy of life without tech
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Tom Gauld on how to have a bookcase worthy of all your social media feeds – cartoon
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Blessings by Chukwuebuka Ibeh review – sublime coming-of-age tale
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Behrouz Boochani: ‘I was not a victim. I was a fighter’
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The best recent crime and thrillers – review roundup
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Dylan Thomas: The BBC Radio Collection audiobook review – a spellbinding homage
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Novelist Kelly Link: ‘I was drawn to the monsters and half-naked women on fantasy covers’
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‘A cult to hate Truman’: how Capote fell from New York’s high society
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The Rejects by Jamie Collinson review – almost famous
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Five of the best campus novels
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The Price Is Wrong by Brett Christophers review – why capitalism can’t save the planet
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The List of Suspicious Things by Jennie Godfrey review – girl turns detective
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American Mother by Colum McCann with Diane Foley review – steeliness and sorrow
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Parasol Against the Axe by Helen Oyeyemi review – a wild ride through Prague
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Under the radar: behind the scenes at arms fairs – in pictures
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Two OpenAI book lawsuits partially dismissed by California court
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Vladivostok Circus by Elisa Shua Dusapin review – friends, high flyers and fallout
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James and John by Chris Bryant review – the cost of being gay in 19th century London
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Jonathan Abernathy You Are Kind by Molly McGhee review – sleeping on the job
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True romance: how to keep the love alive when your partner has been unfaithful
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Maurice and Maralyn by Sophie Elmhirst review – all at sea
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Siberia’s ‘road of bones’ … and those who survived it – in pictures
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Tim Key: ‘I like writing in the pub, but then the poems tend to be about the pub’
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Author Khaled Hosseini on book bans in the US: ‘It betrays students’
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Intervals by Marianne Brooker review – a daughter’s angry and profound memorial to her mother
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Cold Crematorium: Reporting from the Land of Auschwitz by József Debreczeni review – hell on earth in poised prose
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Open letter criticising PEN America’s stance on Israel-Gaza war reaches 500 signatories
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Poem of the week: In the Prison Pen by Herman Melville
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Rapture’s Road by Seán Hewitt review – a hide and seek of the self
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Burma Sahib by Paul Theroux review – George Orwell’s Burmese days vibrantly brought to life
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I felt lost in early adulthood, so coined the term ‘quarterlife’ as a focus for study
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The House of Broken Bricks by Fiona Williams review – a tender tale of race and roots
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‘They ask only not to be forgotten’: Barry Lewis’s heartbreaking portraits of the Soviet Union’s gulag survivors
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A Song for Ella Grey review – Orpheus casts a fateful spell over teenage dreamers
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Better Broken Than New by Lisa St Aubin de Terán review – from bank robber’s bride to best young novelist
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The week in theatre: The Hills of California; Metamorphosis; Candace Bushnell: True Tales of Sex, Success and Sex in the City – review
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Sebastian Barry: ‘When you get past 60, you do feel a licence to write fearlessly’
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On my radar: Dave Eggers’s cultural highlights
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‘We all lost. That’s where hatred leads us’: Diane Foley 10 years after her son’s murder by Islamic State
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Beyond Oscar Wilde: the unsung literary heroes of the early gay rights movement
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‘Blood of our blood’: how Lincoln, the first Republican president, embraced immigration
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Giovanna Fletcher: ‘My most embarrassing moment? At the TV Baftas I went arse over tit’
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Ukrainian writer Andrey Kurkov: ‘I felt guilty writing fiction in a time of war’
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